Eight Symphonic Masterworks of the Nineteenth Century
Leonard Slatkin delves into eight of the most beloved orchestral pieces of the nineteenth century and tackles problems conductors face before stepping onto the podium, providing tips that will help bring these works to life on the stage. He covers works by Mussorgsky, Berlioz, Brahms, Dvor獺aacute;k, Sibelius, Beethoven, Rimsky-Korsakov, and Tchaikovsky.
Kurt Rosenwinkel
Ready for a more mindful, creative way to develop your technical guitar skills and creativity?Kurt Rosenwinkel stands as one of the most pivotal figures in modern jazz guitar, renowned for his groundbreaking approach that has redefined the genre. His influence extends far beyond his virtuosic playing: his innovative take on composition, harmony, and improvisation has left a lasting imprint on the jazz world, and continues to push the boundaries of what jazz guitar can be.In Creative Exercises for Modern Guitar, Rosenwinkel guides you on a more engaging, creative, and mindful approach to practicing guitar. It brings together all of Kurt's "shedding" video courses into a single pathway, and is packed with over 150 exercises that won't just improve your guitar technique, they'll help you build a deeper connection with your instrument.What You'll Learn: Mindful Practice: Engage in meditative exercises that focus on achieving a state of total immersion with your music.Fretboard Mastery: Play carefully tailored exercises for scales and triads across multiple positions, and master fluid movement with diagonal techniques like sliding on half steps and hand throws.Rhythmic Phrasing: Progress through exercises that increase in rhythmic complexity, helping you to build strong timing and precision.Essential Scales: Develop fresh ways to creatively explore major, pentatonic, and melodic minor scales - the core tools for any contemporary jazz guitarist.Effortless Key Changes: Develop the skill to switch tonal centres using "nearest note concepts" around the Circle of Fourths/Fifths.Kurt's Personalised Concepts: Delve into triad pairs, syncopation, cross rhythms, symmetrical diminished patterns, and the Lydian mode to expand your musical vocabulary.Each exercise is crafted to build a strong foundation of technique while also promoting mindfulness and musicality. By practicing with great attention to each note's integrity, you'll develop the precision and control needed to execute even the most complex ideas with ease.Playing Takeaways: Enhance Technique and Creativity: Strengthen your technical skills while nurturing your musical creativityVisualize the Fretboard: Improve finger memory and fretboard navigationExpand Your Rhythmic and Harmonic Knowledge: Incorporate advanced concepts into your playing to enhance your improvisation and compositionEngage Fully with Your Music: Practice in a way that connects you physically, mentally and spiritually to your instrumentPractice with Kurt: Use the included audio files to practice effectively and apply what you've learned in real-time.Creative Exercises for Modern Guitar is carefully structured to masterfully build your technical abilities, while emphasizing musicality and relaxation during practice. Audio Exercises for Enhanced LearningCreative Exercises for Modern Guitar comes with over 100 downloadable audio tracks, which serve as an invaluable resource for your practice. They allow you to work with the exercises in a truly musical context, and help you to internalize the rhythms, melodies, and articulations central to Rosenwinkel's approach. In Creative Exercises for Modern Guitar Kurt Rosenwinkel will not only enhance your guitar technique and fretboard skills, he'll open the door to a new, creative exploration and mastery of your instrument - all through mindful, meaningful practice.Buy it now!
Flourishing in Music Education
Flourishing in Music Education: Lessons from Positive Psychology presents research, theory, and best practices about potential pitfalls, as well as strategies for how successful music teachers can negotiate issues in the wake of the COVID-19 climate, both on a daily and long-term basis.
The Finger Drum Genesis
The Finger Drum Genesis is the essential prequel to the renowned Finger Drum Bible Series by Aaron Spacefood. Perfect for beginners and advanced finger drummers alike, this comprehensive guide focuses on foundational knowledge, optimized techniques, and diverse musical styles to help you become a versatile and well-rounded finger drummer.Created by Aaron Spacefood, a seasoned music producer and educator with nearly 20 years of experience, this book offers detailed explanations, practical exercises, and a wealth of resources to enhance your finger drumming journey.Optimized Tablature: Simplified finger drumming patterns for easier playing and better learning.Foundational Knowledge: Comprehensive coverage of essential drumming skills, including rudiments, finger strengthening, and independence exercises.Must-Know Rhythms: Learn foundational rhythms and a selection of the best and favorite beats.Music Chops: A dedicated chapter on various styles, including Chill-Hop, Liquid Drum & Bass, Funk, Metal, and more.Downloadable Resources: Access to sample packs, pre-configured expansions, Ableton Drum Racks, and more.Alternative Layouts: Explore different finger drumming layouts, including a mirrored layout for versatility.Scannable QR Codes: Instant access to audio examples via QR codes for easier learning and practice.By mastering the content in The Finger Drum Genesis, you'll gain the skills and knowledge needed to consider yourself a proficient and versatile finger drummer.
Meanings of Music Participation
This book uncovers the multifaceted nature of music participation through a collection of studies in a wide variety of musical contexts across the United States.
Gy繹rgy Ligeti’s ”Horn Concerto”
This is a study on the microtonal aspects of Gy繹rgy Ligeti's Hamburgisches Konzert (Horn Concerto), with special reference to its relationship with the American composer Harry Partch, but also with G矇rard Grisey and Claude Vivier. The special mixture of equal temperament versus just intonation is analyzed. The movement "Choral" is confronted with Harry Partch's idea of "tonality flux". The work is shown with its inherent long chain of exploratory forms of thought in Ligeti's compositional work as to microtonality. The Viola Solo Sonata (1991-94) contains in the first movement "Hora lungă" a sign world new to Ligeti for natural intervals. He adopts these signs for the Hamburgisches Konzert. In an appendix, Ligeti himself is presented with several of his ideas about Partch, Vivier and microtonality on the whole, in an interview and in several of his writings.
The Ultimate Guitar Technique Practice Collection
The Ultimate Guitar Technique Practice CollectionUnlock the full potential of your playing with The Ultimate Guitar Technique Practice Collection, a comprehensive three-book bundle designed to elevate your skills through structured, professional practice routines. Whether you're just getting serious about your guitar practice or looking to refine advanced techniques, this collection offers everything you need to become a versatile and skilled rock guitarist.Guitar Practice Warmup RoutinesStart your practice sessions right with Guitar Practice Warmup Routines. The importance of warming up is addressed via 90+ musically meaningful exercises that go beyond traditional drills. These routines are designed to improve your coordination, fretting hand strength, and overall technique while reducing the risk of injury, with a focus on areas like picking hand precision, chord transitions, scales, arpeggios, and fingerpicking.Over 90 musical warmup exercises that develop coordination and fretboard knowledgeFocus on essential techniques like picking hand precision, chord transitions, scales, and arpeggiosSafe practice routines to reduce injury risk while improving technical skillsIncludes clear notation, TAB, and video demonstrations for each exerciseOffers customizable warmup routines tailored to your skill level and goalsThirteen Weeks to Ultimate Guitar TechniqueIn Thirteen Week Guitar Technique Bootcamp - Intermediate Level you'll follow a highly structured program that targets five essential guitar techniques: picking, tapping, sweeping, legato, and speed. This methodical approach combines detailed exercises with weekly practice routines to help you build accuracy, speed, and dynamics in your playing. Take the guesswork out of your practice sessions with carefully planned exercises that progressively challenge you while developing musicianship.Comprehensive 13-week program targeting five essential guitar techniquesStructured practice routines designed to build accuracy, speed, and dynamicsIncludes 117 notated exercises, audio demonstrations and drum loop practice tracksGuides you in creating personalized practice routines that focus on your specific goalsA bonus video course takes you through the entire program step-by-stepAdvanced Guitar Technique BootcampThe Thirteen Week Guitar Technique Bootcamp - Advanced Level revisits and expands the key techniques of picking, tapping, sweeping, legato, and hybrid picking, providing 13 more weeks of intense practice routines. The book also introduces advanced scale knowledge and a challenging solo study integrating all the techniques you've mastered. By the end of this program, you'll have developed the precision and versatility to tackle even the most demanding pieces of music.Builds on foundational skills with advanced practice routines for picking, tapping, sweeping, legato, and hybrid pickingStructured 13-week program that pushes technical skills to professional levels105 notated exercises, audio demonstrations, and a challenging solo studyTeaches advanced scale knowledge and technique integration in musical contextsFeatures a video course that complements the book's exercises, providing a deep dive into advanced techniquesYour Path to Guitar MasteryThe Ultimate Guitar Technique Practice Collection is a complete guide to transforming your guitar practice into professional-level routines. With over 300 exercises, clear instruction, structured schedules, and video support, this collection will help you achieve your full potential as a rock guitarist.Buy it now!
Vibration, Music and Eternity
This book is intended for teachers, students, musicians, composers and music lovers interested in research in the field of art. It contains dissimilar approaches and paradigms which will allow a clearer and more complete musical vision and analysis. In addition, it has a markedly theological and Hellenistic look that reveals its spiritual and divine aspects. It has a strictly empirical part, that is to say, with scientific foundations, taking into account research, theories and musical treatises about the vibratory phenomenon of sound as the main architect of creating forms and relating it to the cosmos. It also contains valuable contributions for modern popular music research, since it demonstrates the use of a novel compositional resource and treatment that was applied not only in melody but also in harmony. Emblematic works were selected from different genres and styles of modern popular music, which were born in the 50's with the digital, industrial and technological revolution.
Music Lessons for a Living Planet
This volume shows music educators how music teaching and learning can help address humanity's greatest challenge--the ecological crisis. It provides the essential background knowledge in ecomusicology, from compositions about nature, soundscape experiences, activist songs, to practical lesson ideas.Motivated by the urgent need for increased ecological awareness and sustainable practices, and the ecological aspects of music and musical aspects of ecosystems, the book explores the powerful role that music educators can play in protecting and preserving the natural environment. Each chapter includes a narrative and potential lesson ideas that include listening, singing, playing instruments, moving, and contextualizing, with the goal of translating research in ecomusicological theory into a sustainable, creative, and critical music teaching practice.Bridging the gap between recent scholarship and pedagogical work, this book will be a valuable resource for educators, P-12 classroom teachers, and music specialists, as well as in undergraduate music education methods courses.
Music Theory Note by Note
Take note: You can enjoy music analysis. This concise and clear guide to simplified music theory teaches readers who play music by ear how to read musical notation by guiding them through the basics of reading and composing music to share with others. In this revised edition, renowned music author Michael Miller will help you learn: The basics of tones, including pitches, clefs, and major and minor keysThe building blocks of rhythm, including basic notation, time signatures, and tempoHow to create tunes, starting with melodies, chords, chord progressions, and phrases and formsComposing and arranging your own music, including coverage of musical genres and forms, arranging for voices and instruments, working with scores, and performing your musicThe basics of accompaniment, including transcribing, accompanying melodies, and transposing to other keysMichael will also share online ear training and transcribing exercises to help you better understand music analysis. If your goal is to learn how to read and compose music, Music Theory Note by Note will provide just what you need to become successful.
Becoming Noise Music
Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and stabilization of noise music across the 1980s and 1990s, whilst Part Two explores noise in the twenty-first century. Each chapter contextualizes - tells the story - of the music under discussion before describing and interpreting its sound and aesthetic. Stephen Graham uses the idea of 'becoming' to capture the unresolved 'dialectical' tension between 'noise' disorder and 'musical' order in the music itself; the experiences listeners often have in response; and the overarching 'story' or 'becoming' of the genre that has taken place in this first fifty or so years. The book therefore doubles up on becoming: it is about both the becoming it identifies in, and the larger, genre-making process of the becoming of, noise music. On the latter count, it is the first scholarly book to focus in such depth and breadth on the sound and story of noise music, as opposed to contextual questions of politics, history or sociology. Relevant to both musicology and noise audiences, Becoming Noise Music investigates a vital but analytically underexplored area of avant-garde musical practice.
Music theory for drummers Book 1
The Music Theory for Drummers series provides a clear path for drummers who want to learn music theory in focused steps, working through practical exercises designed specifically for drummers. Book 1: An introduction to rhythm is an accessible introduction to the established conventions in music notation, with clear examples, and advice on how to approach music reading and organise a workable practice routine. Topics include note and rest values, simple time signatures, counting methods, how to read and write notation, and much more.This book is suitable for drummers coming to music theory for the first time, and for those looking to improve their general music literacy and understanding of music theory. Books 2 and 3 offer a natural progression from Book 1 and explore additional areas of rhythm-based notation, including compound time, tuplets and navigating lead sheets.Book 1: An introduction to rhythm is an accessible introduction to the established conventions in music notation, with clear examples, and advice on how to approach music reading and organise a workable practice routine. Topics include note and rest values, simple time signatures, counting methods, how to read and write notation, and much more.This book is suitable for drummers coming to music theory for the first time, and for those looking to improve their general music literacy and understanding of music theory. Books 2 and 3 offer a natural progression from Book 1 and explore additional areas of rhythm-based notation, including compound time, tuplets and navigating lead sheets.
The Songwriter’s Handbook
No matter what kind of career you want in music, learning how to write good song is foundational. Based on his decades of experience as a successful songwriter, Mark Winkler provides sound information, advice, witty anecdotes, and exercises for people of all skill levels, walking readers through the steps to write great lyrics.
Holistic Musical Thinking
Holistic Musical Thinking presents a comprehensive view of how people engage with music from a hands-on and heart-felt perspective. This approach embraces the teaching and learning processes as a multi-dimensional amalgamation of knowing, doing, and feeling through musical experiences. The result is a five-dimensional model that synthesizes cognitive, affective, and psychomotor learning with curricular integration.With pedagogical applications, Holistic Musical Thinking offers a multi-faceted perspective that benefits both music teachers and their students. This innovative approach uses established research for a new model of musical thinking and taxonomy of musical engagement. Complete with classroom vignettes and pedagogical strategies, this book reframes musical thinking as a new direction in music education. Written for music teachers, teacher-educators, and their students, this book provides practical applications of the multi-dimensional Model of Holistic Musical Thinking for K-12 music education, and beyond.
Two-Dimensional Sonata Form
Two-Dimensional Sonata Form is the first book dedicated to the combination of the movements of a multimovement sonata cycle with an overarching single-movement form that is itself organized as a sonata form. Drawing on a variety of historical and recent approaches to musical form (e.g., Marxian and Schoenbergian Formenlehre, Caplin's theory of formal functions, and Hepokoski and Darcy's Sonata Theory), it begins by developing an original theoretical framework for the analysis of this type of form that is so characteristic of the later nineteenth and early twentieth century. It then offers an in-depth examination of nine exemplary works by four Central European composers: the Piano Sonata in B minor and the symphonic poems Tasso and Die Ideale by Franz Liszt; Richard Strauss's tone poems Don Juan and Ein Heldenleben; the symphonic poem Pelleas und Melisande, the First String Quartet and the First Chamber Symphony by Arnold Schoenberg, and Alexander Zemlinsky's Second String Quartet.
A New Philosophy of Songwriting
Songs, pervasive sonic ephemeral acts that combine words and music, live in a contemporary world of commercialization as commodity. Flowing through our everyday lives as a given and oft-underacknowledged artifact to accompany our shopping, car trips, date nights, and gym days. Yet songs have a history as long as humanity and language. They hold a place, up until recently in our evolution, as an oral history library of the human species. Why then is there limited scholarship about how songs tell stories, and the ways in which those stories come together with sounds? And why is there a disconnect between songwriting as industrial practice and academic thought? A New Philosophy of Songwriting argues that all songwriting choices are storytelling choices and asks the question: how can we think about Song as one of the most memorable, potent, multimodal, and portable storytelling devices ever devised? In doing so, Andy Ward and Briony Luttrell make the case for rethinking the analysis of songs and practice of songwriting with an emphasis on listening. This is a book for songwriters, scholars, and song lovers alike. Ultimately, the authors challenge contemporary thinking on music and song itself and argue for a new theorisation of song as a multimodal storytelling sonic act.
Pixel Soundtracks
An accessible guide to video game music, this book covers essential topics for understanding game music--from how games produce chip sounds to the significance of game music in concerts. It explains both technical and cultural aspects, using twenty games as case studies, and shows how video game music works and why it matters to so many people.
Growing Songwriting
Growing Songwriting is a groundbreaking book on the pedagogy of songwriting that starts with the essential question: How do I begin to write songs myself and with my students? In this book, Randles suggests that we start with cover songs, then explore the middle ground of remixes and sampling, and finally, jump into the world of lyric writing and the musical world of original songs. A growing metaphor also features throughout: lesson "seeds" are presented along with "water" in the form of stories of how people have written songs in the past and "sunlight" in the shape of ideas for continuation and inspiration. It is all about growing! In this book, you will be inspired by stories of how riffs were created, how lines were penned, and how songwriters capture their ideas in journals. Original music making is part inspiration and mostly hard work. This book gives you a window into the world of craft that surrounds the working lives of professional songwriters and pulls you into that world in small manageable steps. In looking to the metaphor of nature for pedagogical answers--answers that may very well usher in the most profound curricular growth period in the history of music education--Growing Songwriting aims to sow the seeds of songwriting in your life so that it can also flourish in the lives of your students.
On the Principles and Practice of Conducting
A practical manual for building musical understanding and physical skills, intended for conductors at all stages of development. This book is a practical manual for anyone who stands on a podium helping an ensemble make music. The four main chapters address the major obligations of the conductor: (1) bringing the musical tones to life in the most beautiful, most moving way possible; (2) freeing the mind to fully absorb all the tones; (3) freeing the body of unnecessary tension; and (4) effectively using the freed mind and body to influence the sounds. Each chapter begins with a summary of the underlying principles, presents real-life applications, and offers exercises for developing skills. Video demonstrations of the exercises as well as downloadable scores and parts are available on a companion website. The parts, in multiple transpositions, allow for hands-on experience where standard instrumental complements are unavailable. Markand Thakar, music director of the Baltimore Chamber Orchestra, is an internationally renowned pedagogue of conducting. A prot矇g矇 of the legendary Sergiu Celibidache and former assistant conductor of the New York Philharmonic, Thakar is author of Looking for the "Harp" Quartet: An Investigation into Musical Beauty (University of Rochester Press, 2011) and Counterpoint: Fundamentals of Music Making (Yale University Press, 1990).
Learn Faster, Perform Better
Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way. Many of us find ourselves frustrated when we sound good in the practice room only to embarrass ourselves on stage or in front of our teachers. We feel overwhelmed by the amount of music we have to learn, unsure how to balance everything. Playing from memory can feel terrifying and an insurmountable challenge, and overcoming bad habits can seem impossible at times. Molly Gebrian applies the science of learning and memory to practicing and performing, giving musicians the tools to learn music more effectively and experience greater confidence on stage. Researchers working in the fields of cognitive psychology and neuroscience have discovered many important principles about how the brain learns new information, retains this information both short- and long-term, and how to make this learning reliable in high-pressure situations like performances. Musicians often choose practice strategies that don't align well with the optimal ways in which the brain learns, leading to frustration while practicing and inconsistency in performance. The author offers a practical guide, using accessible language for non-scientists and non-academics, to help musicians get more out of their practicing by applying this research. Gebrian starts with general principles of learning and how the brain works, and then progresses through increasingly specific topics. Throughout the book, the science behind the various topics is explained in layman's terms, accompanied by practical, actionable advice that can be implemented immediately, to give musicians of all levels better tools while practicing and greater confidence on stage.
Teaching Music to Students with Differences and Disabilities
The latest edition of the landmark text Teaching Music to Students with Differences and Disabilities: A Label-Free Approach--designed for music education faculty, in-service music administrators, in-service music teachers, and preservice music teachers--offers a comprehensive manual and reference guide that introduces those in the field of music education to best practices when teaching music to students with differences and disabilities. Acclaimed pedagogues and clinicians Alice Hammel and Ryan Hourigan addresses a variety of topics such as research-based strategies for methods courses, practical approaches for in-service music educators, and professional development grounded in research, special education law, and best practice. Like previous editions, a core focus this book is that a student with differences and disabilities is an individual who deserves a music education that is free of labels. This philosophical premise of a label-free approach is centered in the preservation of the individual personhood of each student. Through this approach, music educators will be able to gain and advocate for support, understand their rights and responsibilities, and offer an affective and effective music education for students with and without disabilities. This includes learning strategies for effective collaboration with special educators, teacher educators, and classroom teachers. The authors also include curriculum development ideas, lesson plan strategies, observation strategies (methods classroom), and practical ideas (methods classroom).
Musical Mastery
Discover the secrets to becoming a master musician in just 30 days with Musical Mastery: Learning an Instrument in 30 Days by Melody Mike.This comprehensive guide takes aspiring musicians through every step of the learning process, from choosing the right instrument to refining technique and preparing for performances.Jam-packed with practical tips, exercises, and resources, this book is a must-have for anyone looking to unlock their musical potential
White Ideal
This title offers several advantages: Intrigue: "Beyond Skin Deep" sparks curiosity about the underlying reasons. Clarity: "Skin Lightening" defines the focus. Historical Context: "History of Skin Lightening" emphasizes the long-standing nature of the practice. Here's a breakdown of the content it could cover: A Global Phenomenon: Briefly introduce skin lightening as a practice found in many cultures, not just limited to a specific region. Evolving Ideals: Discuss how the association of lighter skin with beauty and status has changed throughout history and across cultures. Unpacking the Roots: oHighlight the potential historical and social factors that contribute to the trend, such as: Colonial influences and power dynamics Class distinctions and perceptions of labor Evolving ideas about health and cleanliness A Complex Issue: oBriefly touch upon the ongoing debate surrounding skin lightening, including: Colorism and its impact on self-esteem The influence of media and advertising
Fewer Clicks, Faster Maps
Remote sensing, using satellites and aircraft to gather Earth data, is crucial for tasks like disaster response, monitoring deforestation, and tracking crop health. However, analyzing this data often requires labeling - identifying features like buildings, forests, or flooded areas - which can be a tedious, time-consuming process. This title highlights the importance of streamlining this process. "Fewer clicks" refers to developing techniques that reduce the number of clicks or actions needed to label each feature. This could involve automating repetitive tasks or using machine learning algorithms to assist with labeling. "Faster maps" emphasizes the ultimate goal - generating accurate and detailed maps more quickly. By optimizing labeling, scientists and analysts can spend less time on repetitive tasks and more time extracting valuable insights from remote sensing data. This leads to faster decision-making and a more efficient response to various challenges.
From Coal Country to Hephzibah
This title offers several advantages: Intrigue: "Dust Bowl to Destiny" creates a sense of dramatic transformation. Clarity: "Isaiah 62:4" references the source, and "Personal Journey" clarifies the perspective. Specificity: "Hephzibah" (a word meaning "delight") adds a unique twist on renewal. Here's a breakdown of the content it could cover: A Personal Connection: Briefly introduce the author's background, perhaps in a struggling coal mining community ("Coal Country"). Finding Hope in Scripture: Discuss how the message of Isaiah 62:4 resonated with the author during a challenging time. Hephzibah's Promise: Highlight the concept of "Hephzibah" from Isaiah 62:4, signifying God's delight in his people. Explain how this concept offered personal renewal and hope for the author. A Transformed Landscape: Briefly mention how the author's perspective shifted, finding "destiny" (a positive future) even amidst hardship.
The Magical Flutist
The Magical Flutist - Exercises for Tone and Technique was inspired by the tuition of the Finnish flute pedagogue Rainer Risberg. This intermediate level book includes detailed instructions, various exercises and fun images for improving your tone and technique. The exercises have been organized thematically, so that you can customize different practice sessions by choosing a couple of exercises from each chapter to meet your needs. Flutists all around Finland have had the pleasure of enjoying the captivating tuition of Rainer Risberg. The collection includes all the best exercises, tips and creative instructions to help you to create a beautiful tone and learn an effortless technique. The practice book is suitable for teaching material in flute lessons. It is also well suited for an intermediate level self-study.
Overview Guide to Learning Piano
Learning to play the piano can be a rewarding and transformative experience, but for many beginners, the journey can feel overwhelming. Whether you're just starting out or picking up where you left off, finding the right approach is key to your success. Introducing: Overview Guide to Learning Piano: From Piano Method to Level 8. Jamie Mellway and Adrian Charles Preston bring readers an all-encompassing guide designed for adults diving into the world of piano learning. This guide takes readers from initial piano methods through the Royal Conservatory of Music's Level 8, transitioning them from complete beginners to elementary players, then to intermediate levels, and finally to the brink of advanced playing. Readers will embark on a journey through the musical world that expands traditional methods and fosters a deeper connection to music. This guide provides readers with: Books and Recommended Reading: Detailed exploration of the RCM curriculum and supplemental material, ensuring readers have the essential materials needed to excel in the program.Technical Exercises and Practice Strategies: Effective methods to prepare for each stage of the program, ensuring success in exams.Repertoire for Each Learning Stage: Carefully selected pieces to help beginners ease into the program and build a strong musical foundation.?tudes Targeting Crucial Piano-Playing Skills: Challenges and exercises designed to enhance coordination, agility, and dexterity.Additional Resources Beyond Classical Solo Piano: Diverse learning materials to ensure long-lasting success and a well-rounded musical education.Comprehensive Program Overview: A thorough look at what a full program entails beyond the exam minimum requirements, so students know exactly what they are signing up for.This beginner-friendly guide is a must-read for musicians ready to fulfill their aspirations and hone their skills. Overview Guide to Learning Piano: From Piano Method to Level 8 makes a perfect gift for pianists or a valuable companion for students aiming to master the art of this timeless instrument!
The Little Guitar Book That Could
This LITTLE GUITAR BOOK THAT COULD showcases the C A G E D chord and scale sequence exclusively in the FIFTEENTH POSITION, for all to see, use and reference. But, before thumbing through this book, there's some subject matter that the guitarist may need reminding of...even though he or she may have played for years. For example, in this book, six consecutive frets is what constitutes a guitar position, and each position spans a full two octaves plus a perfect fourth so long as the guitar remains in standard tuning. Also when in the FIFTEENTH POSITION the second and third fingers on the fretting hand are to remain stationary in their respective frets or "slots", for the most part, as their stationary qualities are the very thing that allows the first and or fourth finger to stretch or slide to their notes in the outermost frets. On the other hand, literally the picking hand, a very useful and important picking pattern occurs down by the sound hole or bridge, where that hand predominantly resides. This pattern involves every other string, and is best evidenced when the center most C A G E D main root notes are plucked alphabetically, starting with the A note found on the first or thinnest guitar string. Start by picking the A root there (first string, third finger); then pick the C (third string, third finger); then the D (fifth string, third finger); move onto the E (second string, third finger); the G (fourth string, third finger), and conclude with the low A (sixth string, third finger). The one-three-five-two-four-six string pattern naturally fits the picking hand and is looped, forwards or backwards (six-four-two-five-three-one) as the A's on the first/sixth string(s) are deemed interchangeable octaves. Moving on, there are also three important music vocabulary terms used in this book, those three being main root notes, octaves and unisons. Here, main root notes represent a specific set of root notes that fall or cluster underneath the, again mostly stationary second and third fingers of the fretting hand. Typically, both the second and third fingers are involved in fretting them, however in this position the third finger is the only finger used. Even so, once the placement of each main root note is actually memorized, the attention then moves to their matching octaves, which is defined as the interval between one musical pitch and another with half or double its own frequency. Some correctly call the interval a "perfect octave", and in guitarland, octaves are usually "one string one fret away". This handy fact helps memorize their location on the fretboard straightaway, even though, occasionally, two strings and or two frets are involved (the same concept applies in that there will be some sort of string skipping.) The last term used is unison, which occurs when two or more musical notes happen to sound the exact same pitch. In guitarland this usually means "same note different string or fret", and the unison in question typically occurs in the given position. After showcasing all the above C A G E D material, THE LITTLE GUITAR BOOK THAT COULD for the FIFTEENTH POSITION then concludes with an A B C D E F G A or alphabetical appendix, in which the C A G E D material is thus reorganized to include the B and F material. And even there the book's uncomplicated, straightforward "picture worth a thousand words" format allows one to take full musical advantage of the material straight away. You'll have fun discovering some fresh perspectives on the same old same old, while also adding some new twists and turns to your own fingering technique, plus THE LITTLE GUITAR BOOK THAT COULD also contains copious amounts of manuscript and fretboard paper too, for jotting down any technical or compositional aspirations you may get from your own musical ideas. As always, thank you very kindly for welcoming THE LITTLE GUITAR BOOK THAT COULD into your library of fretboard knowledge needs..Enjoy!
Engineering of Music for the Digital Age
Musical scores - like literature, poetry, and technical manuals - are documents. The central tenet of this book is that musical composition in the digital age is a form of document engineering. In essence, music shares with other forms of creative content generation - from poetry to prose, and from science to science fiction - the need for structure, flow, and sources for creativity.Musical composition is considered in this book as the creative process of engineering musical documents with regards to its arrangement, form, texture, and instrumentation, etc. This "document" then instructs a performance or the creation of an alternative document, such as a recording. In this book, the arrangement of phrases, patterns, and structures seen in music will be illustrated to give new composers a starting point to begin planning and making decisions about their own compositions.The book will also guide those who need assistance in completing a piece. While this is a book about musical composition, it is not meant to be a manual on music theory. Instead, the book keeps its focus on the structural elements of a composition. Its aim is to give the audience a structural road map for composing; whether they are starting a piece from the first note, having a melody in mind already, or need help overcoming a creative hurdle. The book examines compositions that clearly define a form or technique. Among the key compositional elements are: Form, Phrase, Period, and Expression in Composition Rhythm/Motive Melody and Harmony Tonal Center Mode Mixture and Modulation Accompaniment/Instrumentation/Orchestration Composition Techniques and Notation Targeted examples cover all stages of writing a piece, helping to build the reader's composition from the first note into a complete work without promoting a style or harmonic practice. Each chapter contains a sidebar addressing helping the composer to add creative sources for the music making process. Finally, the book concludes with a chapter on creativity in terms of how composed music can affect our lives and even our fairy tales.
Instrumental Music Education
Instrumental Music Education: Teaching with the Theoretical and Practical in Harmony, Fourth Edition, is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. Its fundamental goal is to prepare music teachers for the real world, looking at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including "sound-to-symbol" pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation.Unique to this book is its research-based approach; its overview of a variety of educational sites is more extensive than any similar resource. Its accompanying Instructor and Student Resources include over 120 videos filmed with high school, college, and community concert, pedagogy videos for all wind and string instruments, presented by professional players and teachers.New to this edition: A section on social emotional learning (SEL) An introduction to culturally responsive teaching Additional discussion of teaching composition, improvisation, and creativity Expanded discussion of the advantages, challenges, and philosophies surrounding teaching ensembles other than band and orchestra Many updates and additions throughout the text Offering best practices rooted in experience and clear, balanced coverage of pedagogical, philosophical, and administrative issues, this textbook effectively prepares future band and orchestra instructors to teach at all levels.
The sound image of the accordion in the modern national artistic space
The monograph examines the specifics of the theoretical (scientific and pedagogical-methodical) and artistic (presentational-representative creativity) understanding in the modern Ukrainian artistic space of the sound of author's music, focused on the timbre-acoustic, technical and expressive possibilities of the accordion. The materials that make up the content of the monograph reveal various aspects of musical creativity focused on the sound image of the accordion, from the standpoint of musicological understanding, which reveals and significantly enriches the researched topic.The monograph is intended for musicologists, practicing musicians, teachers and students of art educational institutions.
Postgraduate Research in Music
Postgraduate Research in Music: A Step-by-Step Guide to Writing a Thesis is an essential text for music students who are undertaking postgraduate research. Unique in its approach and scope, this is a "how to" book, a practical guide that sets out, step-by-step, how to write a thesis. It discusses all key aspects of the research process in the order in which they are encountered, from the initial stages of a research project to completion of a thesis. It also offers a music-specific focus, with explanations and examples that are immediately relevant for all music research and which take into account the special characteristics of music as a discipline. At the same time, the book provides a useful teaching framework for lecturers. All key concepts are illustrated with music-relevant examples. Exercises, and in some chapters class seminar topics as well, are included to reinforce the concepts being discussed. Reading lists are appended at the end of most chapters, enabling students to explore topics in greater depth. Valuable supplementary information, such as referencing examples, is provided in the appendices. Postgraduate Research in Music is based on the premise that there are certain principles that underpin good scholarship, regardless of the area in which the research is conducted. In distilling and discussing these principles, this book speaks to all scholars working within the discipline of music.
Britten’s Gods
Ebook available to libraries exclusively as part of the JSTOR Path to Open initiative.In his views on the music of other composers, Benjamin Britten had strong preferences, and his particularly active life as a performer meant that these preferences were often expressed in his programming choices, in particular for his own Aldeburgh Festival. Six composers in particular (Purcell, Bach, Mozart, Schubert, Verdi and Mahler) received special attention and two others Verdi and Mahler) received as much as possible given the limitations of resources at the Festival.He also showed his admiration for these composers in the way in which he allowed these programmed works to influence his own compositions. This book frames discussion of each composer and his influence around the relationship between a particular work by Britten and a particular one by the composer concerned that was performed by Britten at approximately the same time.Thus, Britten's Second String Quartet (1945) is compared with Purcell's "Chacony in G minor". The chamber operas The Rape of Lucretia (1946) and Albert Herring (1947) owe much to Verdi's Otello and Falstaff. The song cycle "Winter Words" (1953) relates to Schubert's "Winterreise". War Requiem (1962) is influenced by Bach's two Passions. "Night Piece" for piano (1963) connects to the second "Nachtmusik" from Mahler's Seventh Symphony. Finally, parallels exist between the opera Death in Venice (1973) and Mozart's Idomeneo.
Music's Making
A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology.As a work of musical theory, or meta-theory, Music's Making draws extensively on work done in philosophy and literary criticism in addition to the scholarship of musicologists and music theorists. Music's Making is divided into two large parts. The first half develops global attitudes toward music: emergence out of self and hearing through (drawing on Kabbalah and other sources), middle-voice (as discussed in philosophical phenomenology), liminal space (as discussed in literary theory), an ethics of intersubjectivity (drawing on Levinas), and character, canon, and metaleptic transformations (drawing chiefly on Harold Bloom). The second half embodies a search for metaphors, figurative language toward understanding music's endlessly variegated shaping of time-space. The musicians and scholars who inform this part of the book include Pierre Boulez, Gilles Deleuze, Anton Webern, Morton Feldman, and James Dillon. The book closes with an extended inquiry into the metaphors of horizontal and vertical experience and the spiritual qualities of musical experience expressed through those metaphors.
Managing the brand image of musical artists
Modern music in Burkina Faso began to industrialize at the turn of the 2000s, with the advent of the first dedicated companies, Seydoni Production, Tam Tam Production and others. No sooner had these companies been set up than they were hit hard by the record industry crisis. In this context, most record companies closed down or reoriented themselves towards more economically viable sectors such as communications. Those that remained or moved on had to reinvent themselves to cope with the crisis. This paradigm shift involved a shift in the forms of contractualization, from the artist's contract to the 3600 contract, offering the possibility of taking advantage of every possible niche for the artist, including that linked to image management.The overall aim of this book is to identify the resilience of Burkinab癡 music companies in the face of the record industry crisis, through the branding of the artists in their catalogs, and to identify the strategies deployed to develop and sell them.
Perspectives on Conducting
Rooted in research and practice, Perspectives on Conducting presents a multi-faceted exploration of the role of the modern-day conductor. Seeking to bring a more inclusive approach to understanding conducting as a career, this book expands beyond elite pathways to highlight the contributions made by conductors across different areas of musical engagement, including youth projects, community groups, and professional ensembles. Chapters by an international roster of authors address the challenges conductors face in working with a wide range of ensembles, including orchestras and choirs made up of young people, university and conservatory students, adult volunteers, and professional musicians.The contributors draw on their experience and expertise as practising conductors and scholar-practitioners to explore both the core musical responsibilities and the additional administrative and social demands placed on today's conductors. With topics including pathways to conducting careers, the creative role of the conductor in shaping new music, conducting mixed-ability ensembles, the experiences of women and queer conductors, and more, the perspectives collected here reflect the versatility required of the contemporary conductor, giving students and emerging professionals a forward-thinking view of the conductor's role.
A Cappella Arranging 2.0
In this highly anticipated sequel to A Cappella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians master the craft of a cappella arranging--including new creative principles and theoretical techniques to expand the palate, as well as arranging in various musical genres spanning several decades of music.Since the publication of the original book in 2012, a cappella as a genre has grown enormously. Using conversational yet instructive tone, A Cappella Arranging 2.0: The Next Level picks up where its predecessor left off, helping people deepen their a cappella arranging skills. In four parts, the book addresses a variety of topics including: The creative processAn advanced understanding of vocal rangesCounterpoint and polyphonyHarmonic concepts and techniquesArranging for the studioLive looping arrangementsInstrumental idioms Arranging in different styles from around the worldMedleys and mashupsThis is the perfect resource for taking your a cappella arrangements to the next level.ppella Arranging, Deke Sharon and Dylan Bell provide even more tools and insights to help musicians hone and master the craft of a cappella arranging--including new creative principles and theoretical techniques to expand the palate as well as arranging in various musical genres.
A Passion for Symphonies
This is the first full-length study of the symphonies of Robert Simpson to be offered to the general public. Simpson is perhaps best known for his BBC work, including the Promenade Concerts and such innovatory radio programmes as The Innocent Ear; but critics have hailed him as one of the finest writers of symphonies of the twentieth century-one who additionally spent a lifetime examining and talking about works of this kind, being particularly interested in the oeuvres of Bruckner, Nielsen and Sibelius. As a result, his compositions provide invaluable case studies for the understanding of this most demanding of compositional forms, as well as being a string of eleven masterpieces spanning the last half of the twentieth century.
The Power of Practice
The Power of Practice showcases the pioneering achievements of renowned violinist Yehudi Menuhin (1916-99) and how both disciplines transformed his life and practice. Menuhin's contributions as a performer, teacher, and humanitarian are celebrated around the world. Less well known, however, is Menuhin's devotion to the practice of yoga and his close friendship with the renowned yogi B. K. S. Iyengar (1918-2014), whose guidance profoundly influenced Menuhin as both a musician and a philanthropist. Menuhin applied his understanding of Iyengar's teachings to his philosophy of musical practice, creating new ways to approach the teaching of violin technique. He also took broader lessons from yoga to inform his approach to interacting with the larger world as a cultural ambassador and influential artist. Through the lens of the life and work of the celebrated violinist and devoted yogi, this book uncovers deep connections between music and yoga. It shows how the practice of both disciplines can profoundly transform our world into a better place. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)--a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries--and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: openmonographs.org. A manifold version of this title can be accessed here: https: //manifold.ecds.emory.edu/projects/the-power-of-practice/. It can also be found in the SUNY Open Access Repository at http: //hdl.handle.net/20.500.12648/13974 .
Music Learning and Development
Music is a uniquely human phenomenon, and a solid understanding of people could be considered a musical necessity for music teachers and performers.Educational psychology (Ed Psych) can empower music teachers to engage students more effectively since it sheds light on important topics such as human emotion, communication, and skill development. Using accessible and engaging language, Robert H. Woody distills the most importantinsights of Ed Psych and applies them to real-life music teaching contexts. He offers a brief and practical guide, customized specifically for music teachers. Topics covered include: Motivation and achievementPractice and skill acquisitionBehaviorism and cognitivismConstructivism and social learning theoryStages of early childhood, preteen years, and adolescenceMusic literacyMusical creativity and expressive performanceThis book will empower readers to contribute to the musical lives of others, showing that all people can be musical if they are provided the right learning experiences and guidance.
Theoretical and methodological foundations of music pedagogy
The handbook "Theoretical and methodological foundations of music pedagogy" has been prepared for students of the master's level of mysical specialties of the school. From the position of daily methodology, the theoretical ambushes of music pedagogy of the high school are revealed, the replacement of the main methodological approaches is explored, which forms the theoretical basis of the modern musical education of the musician, on the basis of comparative analysis, the specifics are identified, the stages of formation and development of national and foreign musical education are outlined, the nutrition of theoretical ambushes of musical didactics, integrative foundations of high musical education.
The Technique of Orchestration
The Technique of Orchestration, Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. Updated to reflect developments in instruments and orchestral best practices, this seventh edition features: Copious musical examples spanning the history of the orchestra Detailed descriptions of instruments and their distinctive characteristics Explanations of how to score chords and transcribe piano idioms Discussions on specialized ensembles and scoring techniques New musical examples have been added throughout and listening lists have been revised to include more music by women and composers of color, representing a diverse musical catalogue. Supported by an accompanying workbook of scores and scoring exercises (available separately), as well as a robust listening program keyed to the textbook, The Technique of Orchestration, Seventh Edition, is an accessible, essential, all-in-one resource for the student of orchestration.
Handel’s Messiah
The soundtrack of the Christmas season for many music lovers, Messiah is performed annually by choral societies across the world. And so, perhaps unsurprisingly, many aspects of it have been explored by scholars over the years. The work is the subject of several listeners' guides and there are a number of books and articles of various lengths that describe the biographical circumstances of the work's formation and details of its many performances, many including lists of singers for each performance (an area that has itself spawned a whole field of research).There has been no extensive study of the creative process of Messiah, however, since 1969. This book seeks to redress this imbalance by providing a thorough investigation of the work's creative process. Beginning with the creative process of the libretto, it examines the earliest sketches, Handel's use of pre-existent material, alterations made to the autograph score, and the latest versions of movements. Each stage of composition is examined via primary source material, with particular reference to the autograph score and conducting score. Each chapter is formed as a case study and contains related discussion points for use in teaching or study settings.
Wagner’s Ring
This study ranges more widely than any other that has been seen in recent decades.Not only what is derived from medieval sources, but also what is excluded.Deliberate changes are made to the medieval Sigurd to fashion Wagner's Siegfried.This brings Siegfried - a ritual sacrifice - to the centre of the action, He and Wotan become pinned together by the drama.Chapter and verse of Schopenhauer's philosophy explains as not done before.Wagner's developing musical skill changed the dramatic structure over the 20 years of composition.
Medieval and Renaissance Music
Over the past twenty-five years Europe and North America have witnessed an enormous revival of interest in early music. Since the late 1950s numerous professional and amateur ensembles have delighted audiences with the vocal and instrumental music of the twelffth to the sixteenth centuries, while scholars have addressed themselves to the many problems involved in its authentic re-creation. This book unites the two fields; it is both a summary of the most recent scholarly investigations into the subject and a practical guide to the performance of early music based on the experience of the author and others who have performed a sizable portion of the early repertory. McGee lays out clearly the foundation and background of each of the performance problems, presenting the most recent research and pointing out areas of incomplete knowledge and controversy, and then introduces practical solutions based on the scholarship.All the topics necessary for a historical performance of early music are discussed: tempo, rhythmic flow, instrumentation, ornamentation, articulation, improvisation, style, and singing technique, along with some practical hints for selecting a program and shoosing substitute instruments. The final chapters is a reference guide to modern editions of the music and an introduction to the scholarly literature on early music performances.At the time of publication, this book was the first to address the problem of how to perform medieval and Renaissance music. It is intended for both the amateur performing musician and the serious student.
Pixel Soundtracks
An accessible guide to video game music, this book covers essential topics for understanding game music--from how games produce chip sounds to the significance of game music in concerts. It explains both technical and cultural aspects, using twenty games as case studies, and shows how video game music works and why it matters to so many people.
