Norton: Microjazz Collection 3 for Piano Revised Edition with Audio Online
Dolly Parton
Dolly Parton has enjoyed seemingly effortless success as a singer, songwriter, movie and television actor, author, businesswoman, and philanthropist ever since she first hit the record charts in 1967. The sheer magnitude of her talent and charisma has created the impression that Parton merely fulfilled her destiny in becoming an entertainment icon. But she had to fight for each major step forward, intentionally breaking precedents to follow her instincts, even when music industry veterans advised against her daring moves. This book focuses on risks Parton took and turning points through the decades where she overcame obstacles and ignored naysayers to become one of the most widely recognized celebrities across the world.
Independent as F***
For a glorious ten-year period from 1995 to 2005, hip-hop music received a much-needed shot in the arm from a generation of determined and wildly creative rappers and producers. They rallied against the increasingly formulaic and shallow world of mainstream rap, as well as a music industry unwilling to listen. By releasing music on their own terms as independent artists--many adopting the mantra of being "independent as fuck" as a mission statement--these hungry creatives reclaimed their artistic freedom and wore it as a badge of honour. Most importantly, they also made a lot of excellent hip-hop. What emerged was a vibrant underground music scene that stretched from New York to Los Angeles, with influence reaching across the world. Independent as F**: Underground Hip-hop from 1995-2005 looks back at this golden era, celebrating the most important artists, record labels, 12" records, and albums, along with the stories behind them, while also shining a light on those who have since been forgotten. Lovingly researched and curated, this book is the ultimate guide to a special time in music history, one that continues to inspire each new wave of hip-hop artists decades later.
Modernist Movements
Topic theory examines the lexicon of conventions that emerged in the late eighteenth century through which composers evoked dances, marches, hunting, the pastoral, and the supernatural. While scholars have explored ad hoc applications of the theory in later repertories, author Johanna Frymoyer begins with fundamental methodological questions of if, why, and how analysts ought to apply topic theory--a method tailored to eighteenth-century historical and aesthetic contingencies--to modernist repertory. Advancing topic theory beyond its foundations in semiotics to incorporate insights from cognition, Frymoyer argues that topical identification and interpretation are governed by mental categories and prototypicality effects, and that topics function as mnemonics of bodily movement (such as dance). Her approach explains how listeners past and present, though they may not be able to dance a minuet or march in synchronized military procession, nonetheless preserve these historically--embedded patterns of movement in memory. Topic theory therefore provides important insight into how listeners engage imaginatively--choreographically, one could say--with musical meaning in ways that are experienced as transhistorical, embodied, and intersubjective. Illuminated by innovative analyses of Schoenberg and Stravinsky and placing topics in dialogue with considerations of twelve-tone style, metrical irregularity, accessibility, and agency, Modernist Movements is an important contribution to topic theory, modernist studies, and embodied cognition.
Journeys of Love
An empathetic and eye-opening portrait of Muslim migrants in England that debunks many misperceptions about their music and poetry. In Journeys of Love, ethnomusicologist Thomas Hodgson offers a sensitive corrective to harmful portrayals of immigrants--specifically, Pakistanis living in England--as a self-segregating group prohibited from making music, a stereotype that has often resulted in violent Islamophobia. He argues that, in practice, these migrants--many of whom come from the Mirpur area of Azad Kashmir--occupy rich musical worlds, full of poetic metaphors, that are central to surviving migration and its attendant losses. Hodgson shows how Mirpuris in England, as well as those who remain in Pakistan, carry on traditions of reciting a collection of poetry by the nineteenth-century Sufi saint Mian Muhammad Bakhsh, translated by Hodgson here as Journeys of Love. With its themes of remaining true to one's home, the oppressed being saved, having patience, and keeping faith in God, this work has become the story of movement and displacement in its narrative arc, as well as through the way it provides spiritual and ethical frameworks for settling in new lands. These hidden poetics of migration transform across generations as young Mirpuris develop new expressions of the connections across continents. These poetics reveal the connections between Kashmir's rural village life and urban centers abroad, offering a sensitive and illuminating portrait of migration and multiculturalism in Britain and beyond.
Diva
The diva - a central figure in the landscape of contemporary popular culture: gossip-generating, scandal-courting, paparazzi-stalked. And yet the diva is at the epicentre of creative endeavours that resonate with contemporary feminist ideas, kick back against diminished social expectations, boldly call-out casual sexism and industry misogyny and, in terms of hip-hop, explores intersectional oppressions and unapologetically celebrates non-white cultural heritages. Diva beats and grooves echo across culture and politics in the West: from the borough to the White House, from arena concerts to nightclubs, from social media to social activism, from #MeToo to Black Lives Matter.Diva: Feminism and Fierceness from Pop to Hip-Hopaddresses the diva phenomenon and its origins: its identity politics and LGBTQ+ components; its creativity and interventions in areas of popular culture (music, and beyond); its saints and sinners and controversies old and new; and its oppositions to, and recuperations by, the establishment; and its shifts from third to fourth waves of feminism. This co-edited collection brings together an international array of writers - from new voices to established names. The collection scopes the rise to power of the diva (looking to Mariah Carey, Whitney Houston, Dolly Parton, Grace Jones, and Aaliyah), then turns to contemporary diva figures and their work (with Beyonc矇, Amuro Namie, Janelle Mon獺e, Cardi B, Megan Thee Stallion, Shakira, Jennifer Lopez, and Nicki Minaj), and concludes by considering the presence of the diva in wider cultures, in terms of gallery curation, theatre productions, and stand-up comedy.
I Don't Want to Go Home
"Reading Nick Corasaniti's delightful book about the storied Asbury Park, New Jersey, club is like sitting at your favorite bar listening to the old regulars tell magnificent stories."--Rolling Stone, Best Music Books of the YearA captivating oral history of the iconic New Jersey music venue the Stone Pony and of the rise, fall, and rebirth of Asbury Park, New Jersey--featuring interviews with Bruce Springsteen, Steve Van Zandt, Southside Johnny, members of the E Street Band and Asbury Jukes, the Ramones, the Jonas Brothers, Jack Antonoff, and other legendary musicians.Featuring exclusive, never-before-seen photos from celebrated music photographer Danny ClinchIn 1970, Asbury Park, New Jersey, was ripped apart by race riots that left the once-proud beach town an hour away from Manhattan smoldering, suffering and left for dead.Four years later, a few miles down the coast in Seaside Heights, two bouncers, Jack Roig and Butch Pielka, tired of the daily grind, dreamt of owning their own place. Under-prepared and minimally funded, the two bought the first bar they considered, in a city where no one wanted to be, without setting one foot in the place. They named it the Stone Pony, and turned it into a rock club that Bruce Springsteen would soon call home and a dying town would call its beating heart.But the bar had to fight to survive. Despite its success in launching and attracting rockers like Stevie Van Zandt, "Southside" Johnny Lyon, and Springsteen, the Stone Pony--like everything in Asbury Park for the past half century--could only weather the drags of a depressed city for so long.How did the Stone Pony beat the odds to survive? How did it become an international rock pilgrimage site, not just for fans of Springsteen, but for punk rockers, jam bands, pop, indie, alternative and many other musicians as well? And how did it continue to inspire and influence a hall-of-fame list of New Jersey and national rock stars? The story of the Stone Pony--thrillingly charted in this detailed rock and roll oral history--is the chronicle of a proud and unique cultural mecca blooming in a down-but-not-yet-out tough town. As Nick Corasaniti reveals, the stories of Asbury Park and the Stone Pony are that of modern America itself--a place of battered hopes, big dreams, and dogged resilience.This definitive oral history of a rock and roll landmark reveals: An Exclusive Oral History: Told through firsthand accounts from music legends Bruce Springsteen, Steve Van Zandt, Southside Johnny, the Ramones, and many more.The Birth of a Rock Club: Discover how two bouncers with a dream bought a bar in a city left for dead after the 1970 riots and turned it into a cultural mecca.A Rock Pilgrimage Site: Chart the improbable journey from a local Jersey Shore stage to an international destination for fans of rock, punk, and pop.Never-Before-Seen Photos: Featuring stunning, exclusive photography from celebrated music photographer Danny Clinch that puts you inside the legendary venue.
Journeys of Love
An empathetic and eye-opening portrait of Muslim migrants in England that debunks many misperceptions about their music and poetry. In Journeys of Love, ethnomusicologist Thomas Hodgson offers a sensitive corrective to harmful portrayals of immigrants-specifically, Pakistanis living in England-as a self-segregating group prohibited from making music, a stereotype that has often resulted in violent Islamophobia. He argues that, in practice, these migrants-many of whom come from the Mirpur area of Azad Kashmir-occupy rich musical worlds, full of poetic metaphors, that are central to surviving migration and its attendant losses. Hodgson shows how Mirpuris in England, as well as those who remain in Pakistan, carry on traditions of reciting a collection of poetry by the nineteenth-century Sufi saint Mian Muhammad Bakhsh, translated by Hodgson here as Journeys of Love. With its themes of remaining true to one's home, the oppressed being saved, having patience, and keeping faith in God, this work has become the story of movement and displacement in its narrative arc, as well as through the way it provides spiritual and ethical frameworks for settling in new lands. These hidden poetics of migration transform across generations as young Mirpuris develop new expressions of the connections across continents. These poetics reveal the connections between Kashmir's rural village life and urban centers abroad, offering a sensitive and illuminating portrait of migration and multiculturalism in Britain and beyond.
Guns N’ Roses at 40
Celebrate four exhilarating and rebellious decades of Guns N' Roses with this lushly illustrated journey through the band's biggest moments. Formed on Los Angeles' famed Sunset Strip in 1985, Guns N' Roses worked their way up from the club scene in less than three years to become a best-selling recording act and a top tour draw. Along the way, there was no shortage of controversy to accompany the accolades. In Guns N' Roses at 40, prolific rock biographer Martin Popoff curates 40 key touchstones in GN'R's career, charting their formation and early history, key concert appearances, groundbreaking releases, notable collaborations, business challenges, personal difficulties, band quarrels, and more. This beautifully produced tribute features: Sturdy hardcover formatStunning photography, both on and off the stageImages of band memorabiliaGatefold Guns N' Roses timelineComplete studio discographyPopoff covers it all: A history of the band's scruffy early days on Hollywood's Sunset Strip club sceneBackgrounds of founding members Axl Rose, Duff McKagan, Slash, Izzy Stradlin, and Steven AdlerRundowns of the key studio albums and the processes behind themAnalyses of the infamous incidents and controversies that seemed to follow the bandThe departures (and sometimes the returns) of key membersFirst-person interviews with bassists Duff McKagan and Tommy Stinson In examining 40 key pivot points in GN'R's now-forty-year history, Guns N' Roses at 40 provides a concise documentary-like view of the band that as much as any other helped drive a spike through the heart of hair metal. Combine this unique perspective with a gorgeous package and you have an indispensable addition to the collection of every fan.
Bluegrass Gospel
Heavily influenced by Bill Monroe, the "Father of Bluegrass" in the 1940s and '50s, gospel music in the South began to shift into bluegrass gospel, a style that combines both genres. In Bluegrass Gospel: The Music Ministry of Jerry and Tammy Sullivan, anthropologist and journalist Jack Edward Bernhardt explores the lives, music, and ministry of acclaimed father-daughter bluegrass gospel performers and recording artists Jerry (1933-2014) and Tammy Sullivan (1964-2017) of southwest Alabama. Beginning in 1993, Bernhardt lived and traveled with the Sullivans as they took their music and testimony along bumpy back roads to backwoods sanctuaries from the Florida Panhandle to Mississippi, Louisiana's bayous, Texas, Arkansas, and beyond. The author's compelling narrative combines long-term fieldwork with extensive oral histories, archival research, photography, and tape recordings of the Sullivans' music and testimonies in secular and sacred contexts. Bernhardt describes in vivid detail the challenges of life on the road through unforeseen circumstances and the financial uncertainty of performing for pass-the-collection-basket "love offerings," while remaining committed to doing the work they felt called to do. In an afterword by Marty Stuart, Jerry's friend and cowriter of the 1995 Grammy-nominated "At the Feet of God," Stuart recounts his experiences playing mandolin with the Sullivan Family on the "Brush Arbor Trail" as a talented, wide-eyed twelve-year-old. In the penultimate chapter, Bernhardt accompanies Tammy's widower, Jonathan Causey, and their son, Jon Gideon, to churches along the same gospel trail blazed by Jerry and Tammy. With their own music ministry, the Causeys continue the legacy of song and testimony the Sullivans pursued for thirty-five years. Ultimately, Bernhardt reflects on how his relationship with the Sullivans led to friendship and mutual respect for cultural differences that endure through time. The result is an intimate portrayal of life, faith, and family-based music ministry in the South today as in the past.
A Short History of American Religious Folk Song
From the fervent camp meetings of the Great Awakening to the rise of the Shakers and Millerites, A Short History of American Religious Folk Song traces the vibrant, often turbulent history of early American religious music. Adapted from the work of pioneering scholar George Pullen Jackson, this edition explores how waves of dissent-from English Nonconformists to frontier Baptists, Free Willers, Methodists, and the "Fasola Folk"-fueled a uniquely American tradition of heartfelt, communal singing.Jackson's lively and insightful research reveals how revivalism, itinerant preaching, and religious upheaval shaped the development of folk hymnody. Readers will encounter dramatic scenes of the Great Awakening, the spiritual migrations of groups like the Millerites, and the distinctive musical practices of the Shakers-whose simple but powerful songs became enduring parts of the American folk tradition.The book also traces the evolution of congregational singing, from colonial psalmody to the flourishing of shape-note singing and early gospel music. It captures the tension between formal religious institutions and the spontaneous, ecstatic expressions of faith that flourished on the American frontier.A Short History of American Religious Folk Song includes, as an appendix, Jackson's essay "Buckwheat Notes," offering a brief overview at the origins and spread of shape-note singing. For those interested in early American religious culture, folk traditions, The Sacred Harp, or the roots of spiritual folk music, this volume brings to life a grassroots musical heritage shaped not by institutions, but by the convictions and voices of ordinary people.
Fiddling Is My Joy
In Fiddling Is My Joy, Jacqueline Cogdell DjeDje examines the history of fiddling among African Americans from the seventeenth to the mid-twentieth century. Although music historians acknowledge a prominent African American fiddle tradition during the era of slavery, only recently have researchers begun to closely examine the history and social implications of these musical practices. Research on African music reveals a highly developed tradition in West Africa, which dates to the eleventh or twelfth century and continues today. From these West African roots, fiddling was prominent in many African American communities between the seventeenth and nineteenth centuries, and the fiddle became an important instrument in early twentieth century blues, jazz, and jug bands. While less common in late twentieth-century African American jazz and popular music groups, the fiddle remained integral to the musicking of some Black musicians in the rural South. Featured in Fiddling Is My Joy is access to a comprehensive online eScholarship Companion that contains maps, photographs, audiovisual examples, and other materials to expand the work of this enlightening and significant study. To understand the immense history of fiddling, DjeDje uses geography to weave together a common thread by profiling the lives and contributions of Black fiddlers in various parts of the rural South and Midwest, including the mountains and along the Atlantic and Gulf coasts. In addition to exploring the extent that musical characteristics and aesthetics identified with African and European cultures were maintained or reinterpreted in Black fiddling, she also investigates how the sharing of musical ideas between Black and white fiddlers affected the development of both traditions. Most importantly, she considers the contradiction in representation. Historical evidence suggests that the fiddle may be one of the oldest uninterrupted instrumental traditions in African American culture, yet most people in the United States, including African Americans, do not identify it with Black music.
Bluegrass Gospel
Heavily influenced by Bill Monroe, the "Father of Bluegrass" in the 1940s and '50s, gospel music in the South began to shift into bluegrass gospel, a style that combines both genres. In Bluegrass Gospel: The Music Ministry of Jerry and Tammy Sullivan, anthropologist and journalist Jack Edward Bernhardt explores the lives, music, and ministry of acclaimed father-daughter bluegrass gospel performers and recording artists Jerry (1933-2014) and Tammy Sullivan (1964-2017) of southwest Alabama. Beginning in 1993, Bernhardt lived and traveled with the Sullivans as they took their music and testimony along bumpy back roads to backwoods sanctuaries from the Florida Panhandle to Mississippi, Louisiana's bayous, Texas, Arkansas, and beyond. The author's compelling narrative combines long-term fieldwork with extensive oral histories, archival research, photography, and tape recordings of the Sullivans' music and testimonies in secular and sacred contexts. Bernhardt describes in vivid detail the challenges of life on the road through unforeseen circumstances and the financial uncertainty of performing for pass-the-collection-basket "love offerings," while remaining committed to doing the work they felt called to do. In an afterword by Marty Stuart, Jerry's friend and cowriter of the 1995 Grammy-nominated "At the Feet of God," Stuart recounts his experiences playing mandolin with the Sullivan Family on the "Brush Arbor Trail" as a talented, wide-eyed twelve-year-old. In the penultimate chapter, Bernhardt accompanies Tammy's widower, Jonathan Causey, and their son, Jon Gideon, to churches along the same gospel trail blazed by Jerry and Tammy. With their own music ministry, the Causeys continue the legacy of song and testimony the Sullivans pursued for thirty-five years. Ultimately, Bernhardt reflects on how his relationship with the Sullivans led to friendship and mutual respect for cultural differences that endure through time. The result is an intimate portrayal of life, faith, and family-based music ministry in the South today as in the past.
My Friend, Weezer
A rare, artful collection of photos that go beyond music photography, My Friend, Weezer offers fans a unique and unfiltered glimpse into the life of one of the most iconic rock bands of our time. For over three decades, Weezer has remained one of the most enduring and beloved rock bands of our time--evolving, experimenting, and redefining themselves with every album. And for most of that journey, photographer Sean Murphy has been there, shaping and capturing their image. This book is an unprecedented visual archive, a time capsule of Weezer's evolution as seen through Sean's lens. His images go beyond standard music photography. They document spontaneous, artful moments that showcase the band's evolution, energy, and chemistry. Across countless shoots, album cycles, and behind-the-scenes moments, he has built a body of work that grants fans a more intimate, unfiltered look at Weezer--both as a band and as individuals. With rare outtakes, candid moments, and the kind of magic that only comes from years of trust and collaboration, My Friend, Weezer is a visual biography of one of the most influential rock bands of our generation, told through the eyes of an artist who has been with them every step of the way.
Poets and Dreamers
Part memoir, part oral history, Poets and Dreamers: My Life in Americana Music traces Tamara Saviano's remarkable journey through the rise of the Americana music genre. Spanning more than three decades, Saviano unfolds the story of Americana--country music's bohemian cousin--from her unique perspectives as a journalist, historian, Grammy-winning music producer, filmmaker, and artist emissary. The first woman president of the Americana Music Association and producer of the early Americana Honors and Awards shows at Nashville's storied Ryman Auditorium, Saviano takes readers behind the scenes for some of the most significant moments in Americana history. Poets and Dreamers illuminates the exceptional Americana community: an ever-expanding yet close-knit circle of friends and unsung heroes devoted to the success of roots music and its artists. Highlights include interviews with artists and colleagues and memories of special events, concerts, and day-to-day life with singers, songwriters, and musicians. Tender stories recalling Saviano's close relationships with two of her most enduring clients, iconic songwriters Kris Kristofferson and Guy Clark, round out this singular historical work. Including photographs of significant people and moments in Americana music, Poets and Dreamers: My Life in Americana Music will entertain and inform a worldwide readership of fans, students, and scholars of Americana and roots music.
Life Could Be a Dream
In the tumultuous decade following World War II, the civil rights movement began transforming Black lives and American society. The era also proved momentous for African American popular music: new record labels, new styles, and exciting new sounds in the form of electrified blues combos, rhythm and blues shouters and balladeers, gospel and doo wop quartets. By the late 1950s, with rock 'n' roll dominating the American soundscape, much of the phenomenal Black music of the postwar decade began to drift into relative obscurity. This book brings a remarkable body of African American music, excluding jazz, back into sharp focus, and explores its connections to the socio-political dreams of Black America during that period of frustrated hopes and great expectations. With close attention to the singers, musicians, and lyrics in hundreds of recordings from 1946 to 1956, it offers for the first time a detailed examination of four musical genres along the blues continuum: blues, rhythm & blues, gospel, and secular harmony (better known as doo wop). Meet the artists and listen to the sounds and themes of Black America in a musically explosive decade.
Postcolonial Opera
Opera has long been known for its ability to be used as a tool for colonial expression. But it is increasingly used to narrate histories of colonial trauma, oppression, and struggle. What does it mean for a colonial form to represent the experiences of those it used to exclude and undermine? How can opera adapt to meet the challenges of ethical representation and reparation? In response to these questions, Postcolonial Opera: William Kentridge and the Unbounded Work of Art examines the social and political role of opera in the postcolony. Taking the multimedia operatic experiments of William Kentridge, South Africa's most celebrated contemporary visual artist, as a starting point, author Juliana M. Pistorius investigates contemporary opera's potential to process the troubled histories that haunt post- and decolonial societies. Centered around the critical-theoretical themes of return, confession, mourning, time, displacement, and totality, the book considers Kentridge's productions for puppets (Il Ritorno d'Ulisse, 1998; Confessions of Zeno, 2002), his operatic installation for a miniature automated theatre (Black Box/Chambre Noire, 2005), his chamber work for performers and machines (Refuse the Hour, 2012), and his 'processional operas' (Triumphs and Laments, 2016; The Head & the Load, 2018). Pistorius argues that the artist's newly conceived operatic form, built on ideas of unboundedness rather than totality or formlessness, offers opportunities to engage anew with questions of race, coloniality, and cultural belonging in the postcolony. While Kentridge's pieces take the artist's responsibility to deal with the genre's colonial past seriously, she shows how they also offer humor, beauty, and catalytic opportunities to reimagine the form and function of opera in the postcolonial present. Postcolonial Opera intervenes in contemporary debates about opera's relevance and contributes to the growing study of the art form's relationship with race and coloniality. Ultimately, Pistorius argues that Kentridge's multimedia experiments--at once local and global--present compelling perspectives on the contradictions and compromises of the genre's position in the postcolony.
Decade of Dissent
During the 1960s--a juncture in history when music was the meeting place for the ideas of the young and questioning--Bob Dylan stood head and shoulders in influence above all others. In telling the story of his first calendar decade as a recording artist, Decade Of Dissent provides a unique angle on an endlessly fascinating and truly peerless career.Dylan's 60s recordings constitute a dizzying run that includes such landmark albums as The Freewheelin' Bob Dylan, Highway 61 Revisited, Blonde On Blonde, the so-called 'Basement Tapes', and John Wesley Harding, and such classic songs as 'Blowin' In The Wind', 'The Times They Are A-Changin'', 'Mr. Tambourine Man', 'Like A Rolling Stone', 'Just Like A Woman', 'Quinn The Eskimo', 'All Along The Watchtower', and 'Lay Lady Lay'. They set the template for his genius and encompass the bulk of his greatest work. The career arc they collectively describe saw Dylan effortlessly and repeatedly instigate revolution, by turns reinvigorating folk music, turning protest song mainstream, bringing the intellectualism and social conscience of folk to rock and pop, reasserting roots music over the excesses of psychedelia, and making country music respectable.Through each of his new identities, Dylan's dazzling lyrics established him as the poet laureate of the counterculture. All during this time he was engaged in a personal voyage that saw him first embrace the blandishments of fame and then emphatically reject them. His journey during this era from ambitious nobody to cultural icon back to willing background figure makes for one of the most extraordinary narratives in the history of recorded music. It features a fascinating supporting cast of collaborators and peers, from Al Kooper and Mike Bloomfield to The Beatles and The Byrds.Dylan now occupies an unparalleled role as venerated elder statesman of music, but through the twists and turns of his long career he has never quite regained the position he held during his insurrectionary first decade, when he was the most important artist in popular music--and, by extension, one of the most crucial figures in Western society. Drawing on exclusive interviews and packed full of fresh insights, Decade Of Dissent brings to life Dylan and his milieu at the point when he was making music that was not merely aesthetically magnificent but sociologically earthshaking.
Reinventing Bach
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR CRITICISM One of the greatest musicians of all time, Johann Sebastian Bach was also a genius in the search for new sounds through technology--a pursuit as lively in his moment as it is in ours. A master of the pipe organ (the high-tech device of his era), Bach was constantly coming up with fresh and flexible approaches to keyboards, string instruments, and sacred choirs, such that his work is ceaselessly alive and adaptable three centuries later. In Reinventing Bach, the composer's life and work are the inspiration for a gripping contemporary story about the power of technology to sustain (rather than undermine) the arts. Like his classic The Life You Save May Be Your Own, Paul Elie's second book is a vivid and intricate group portrait, a work of "epic sweep, like a novel made up of multiple strands" (The Economist). It is the story both of Bach's practice of music as sacred invention, and of the amazing reinvigoration of the music by gifted artists using some of the most familiar inventions of our time: those of recording technology. We meet Albert Schweitzer making midnight recordings at the organ of aLondon church via a mobile rig, Pablo Casals alone with a cello and a microphone at Abbey Road Studios on the eve of world war, and Leopold Stokowski persuading Walt Disney to feature the conductor's own grand orchestrations of Bach in the animated film Fantasia. With the savant Glenn Gould hunkered over a piano in a state-of-the-art studio, the postwar reinvention of Bach is in full swing--and barrels onward with the Beatles, Switched-on Bach, and G繹del, Escher, Bach, right up to Yo-Yo Ma, the cellist who has cleared space for Bach in the digital realm. With a new preface, Reinventing Bach conveys the music's enduring influence and beauty--and evokes the ways recordings enable us to transcend time and space and enter a realm where an immortal composer, his master interpreters, and twenty-first-century listeners are brought together in a spiritualized encounter.
The Routledge Research Companion to Modernism in Music
Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the 'new musicology'. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period.In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the 'contemporary', and the crucial distinction between modernism in popular culture and a 'popular modernism', a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Hungarian ”Gypsy-Band” Music in Vienna, 1850-1914
A detailed investigation, based on extensive study of press reports and early recordings, of the popular Hungarian bands in Vienna who influenced Brahms and other composers. It has long been recognized that Viennese composers, especially Brahms, were profoundly influenced by Hungarian "Gypsy bands." Furthermore, the style hongrois repertory and style in which these bands specialized has been identified as important in its own right. The bands themselves, however, are generally relegated to the status of being part of an unknowable oral tradition, of which nothing remains apart from some highly exoticized literary hyperbole.Jon Banks's pathbreaking Hungarian "Gypsy-Band" Music in Vienna, 1850-1914 redresses this imbalance by presenting a detailed account of these "other" musicians and their interactions with the mainstream of Western classical music. To do so, it analyzes thousands of advertisements, news reports, and anecdotes in the Viennese press relating to "Gypsy bands" (whose members were often but not always Romani) and builds a detailed picture of who the musicians were, where they played, and how the conditions of their employment affected their lives and their music-making. The press notices are collated with evidence from contemporaneous Hungarian sources as well as an analysis of the hundreds of recordings that these bands made in the first decade of the twentieth century. In undertaking this first systematic examination of these different kinds of materials, Jon Banks's book provides a reanimation of some extraordinary personalities and careers in the light of their own achievements as well as their influence on others.
Deems Taylor
Unlock the captivating world of "Deems Taylor" by John Tasker Howard, a timeless masterpiece that has been out of print for decades and is now beautifully restored by Alpha Editions. This collector's item is not just a reprint; it's a cultural treasure brought back to life for today's and future generations. Dive into the fascinating life of Deems Taylor, a luminary in American music and a voice of the early 20th century. Howard's compelling narrative weaves together Taylor's artistic journey, his profound influence on music, and his enduring legacy. This edition offers readers a unique glimpse into the vibrant world of a man who shaped the soundscape of his era. Whether you're a casual reader or a classic literature aficionado, this book promises to engage and inspire. Its rich storytelling and historical significance make it a must-have for any collection. Experience the revival of a literary gem that celebrates the intersection of music and biography, and let it resonate with your love for timeless stories.
Neu Klang
"Revelatory and propulsively arranged." - The New York Times The first ever oral-history of Krautrock, the sound that changed modern music. West Germany, 1968. Like everywhere else in the Western world, the young generation is pushing for radical change, still suffering the after-effects of the Second World War. Many stream out of the lecture halls and onto the streets. Some into the underground. And some into the practice basements, in search of the soundtrack of the movement. The unique and adventurous sounds that German bands like Can, Neu!, Amon D羹羹l, Popul Vuh, Tangerine Dream, Faust, Cluster or Kraftwerk produced back then, now known as Krautrock, are considered a blueprint for modern rock music. And the stream of their creative admirers and continuators has been constantly widening since the first fans like David Bowie and Iggy Pop: whether Blur, Aphex Twin, Sonic Youth, Radiohead or the Red Hot Chilli Peppers. In Neu Klang, Christoph Dallach interviews its pioneers, including Irmin Schmidt, Jaki Liebezeit and Holger Czukay of CAN; Neu!'s Michael Rother; Dieter Moebius of Cluster; Klaus Schulze of Tangerine Dream; Karl Bartos of Kraftwerk, Brian Eno and many others. Their answers combine to form an oral history that points far beyond the individual band histories: on the one hand, into the past, to Nazi teachers, post-war parental homes, free jazz, terrorism, LSD and extremely long hair; but just as much into the future, to global recognition, myth-making, techno or post-rock.
The Counterpoint Guitar Method
Master Counterpoint on Guitar and Unlock a New World of Melodic PossibilitiesWhy do Baroque composers like Bach sound so rich and sophisticated?How did the great classical musicians create interweaving melodies that feel both structured and expressive? The answer lies in counterpoint - the art of crafting independent melodic lines that harmonise seamlessly.For centuries, counterpoint has been a core principle of composition, yet it remains largely untouched in modern guitar education. The Counterpoint Guitar Method bridges the gap, giving guitarists a clear, practical path to mastering counterpoint and voice leading techniques. Through step-by-step exercises, real-world examples, and insights drawn from figured bass, cadences, and Baroque sequences, you will develop the skills to create beautiful, harmonically rich music on your instrument.Inside, You'll Discover: - First and Second Species Counterpoint. Learn the foundational rules of counterpoint and how to create independent melodic lines that work together- Figured Bass and Harmonic Thinking. Understand the Baroque system of harmonisation and how it applies to modern music- Suspensions, Cadences, and Modulation. Add expressive tension and smooth harmonic movement to your playing.- Sequences and Patterns for Melodic Flow. Master essential Baroque sequences like the Romanesca and Prinner to expand your phrasing- Diminution and Ornamentation. Transform simple harmonic frameworks into expressive, flowing melodies- Imitation and Polyphony. Develop counter-melodies and apply techniques from Bach's inventions to guitarThis book is designed for guitarists who want to explore melody/harmony on guitar and go beyond chord shapes and scale patterns. Whether you play classical guitar, jazz, or fingerstyle, understanding counterpoint will deepen your musicianship and refine your approach to harmony and melody. By studying the techniques of Bach, Handel, and Corelli, you will develop greater control over voice leading and learn to craft expressive, independent melodic lines.This book isn't just theoretical, it's highly practical, offering exercises and real musical examples that will immediately enhance your composition, arrangement and improvisation skills.
Edward Macdowell, His Work And Ideals
Unlock the soul-stirring legacy of a musical genius with "Edward MacDowell, His Work and Ideals" by Elizabeth Fry Page. This captivating biography, once lost to time, is now beautifully restored and republished by Alpha Editions, offering a rare glimpse into the life and artistry of one of America's most celebrated composers. Dive into the pages of this cultural treasure, where MacDowell's passion and creativity come alive through Page's eloquent narrative. Discover the timeless ideals and profound influences that shaped his work, making this book a must-have for both casual readers and collectors of classic literature. This edition is not just a reprint; it's a collector's item, meticulously restored for today's and future generations. Experience the emotional depth and artistic brilliance of MacDowell's legacy, preserved in a volume that promises to inspire and captivate. Don't miss the chance to own a piece of history that celebrates the enduring power of music and the indomitable spirit of a true artist.
English And Scottish Ballads, Volume I
Unlock the timeless allure of "English and Scottish Ballads, Volume I" by Francis James Child, a masterpiece that has captivated hearts for generations. Once out of print for decades, this enchanting collection is now beautifully restored and republished by Alpha Editions, offering a rare glimpse into the rich tapestry of folklore and history. This edition is not just a reprint it's a collector's item and a cultural treasure, meticulously preserved for today's and future generations. Dive into a world where love, adventure, and mystery intertwine through lyrical narratives that have shaped the literary landscape. Each ballad is a window into the past, echoing the voices of ancient storytellers and capturing the essence of human experience. Whether you're a casual reader or a devoted collector of classic literature, this volume promises to inspire and delight with its evocative themes and timeless beauty. Experience the magic of these legendary tales, now accessible in a stunning edition that honors their enduring legacy. Don't miss the chance to own a piece of literary history immerse yourself in the captivating world of "English and Scottish Ballads, Volume I" today.
The Development Of Certain Tendencies In Modern Opera; Thesis For The Degree Of Bachelor Of Music
Unlock the captivating world of modern opera with "The Development of Certain Tendencies in Modern Opera" by Kathryn Eleanor Browne, a masterpiece that lay dormant for decades and is now reborn through Alpha Editions. This timeless thesis, once out of print, has been meticulously restored, offering a rare glimpse into the evolution of opera that will enchant both casual readers and classic literature collectors alike. Dive into Browne's insightful exploration of opera's transformative journey, where she masterfully dissects the artistic and cultural shifts that have shaped this beloved art form. Her eloquent analysis and passionate narrative breathe life into the pages, making this edition not just a reprint, but a collector's item and a cultural treasure. Whether you're a seasoned opera aficionado or a curious newcomer, this book promises to inspire and educate, bridging the past with the present. Experience the revival of a forgotten gem, now available for today's and future generations to cherish. Don't miss your chance to own a piece of literary history that celebrates the enduring allure of modern opera.
Look Wot I Dun
Look What I Dun is the story of Slade told through the eyes of drummer Don Powell whose life was shattered when, in 1973 at the height of the group's fame, he was involved in a horrific car crash.Unflinching in his honesty, Powell deals frankly with the aftermath of the accident that took the life of his girlfriend and left him with injuries that affect him to this day. Leaders of the glam rock movement, Slade were the UK's biggest singles band in the years 1971-74. Their many hits have become rock'n'roll standards, not least 'Merry Christmas Everybody', arguably Britain's all-time favorite Christmas song. For Don Powell, though, success came at a price. Lucky to survive, the aftermath of his accident included alcoholism, financial woes and a life of reckless promiscuity. Now sober and settled in Denmark with an adopted family of his own, Don Powell's story - as told to Lise Lyng Falkenberg - is a no-nonsense journey to the heights and depths of the rock world.
Genre Beyond Borders
This book offers an innovative approach to understanding operetta, drawing attention to its malleability and resistance to boundaries. The chapters on an international range of topics serve as summary of the current state of the field, showcasing the many possible pathways for future scholars who wish to explore it.
Ethnomusicology and its Intimacies
Ethnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time.Three major sections on Performance, Auto/biographical Strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain, or provoke social or personal intimacies in particular contexts?The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world.
Hardcore Punk in the Age of Reagan
Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In candid detail, Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before.
An Anarchy of Demons (Hardback)
'An Anarchy of Demons' is the long anticipated autobiography by U.K. Subs' legendary leader Charlie Harper. Charlie's fascinating story is told in his own unique style, taking the reader through his early years as a 'war baby', his time at boarding schools for misfit boys, his adventurous youth, his struggles and escapades as a bass player, his turbulent personal life as well as his incredible journey with the U.K. Subs, as a solo artist and with his many side-project bands. Illustrated throughout with many unseen photos from his own collection, this will be without doubt, the most talked about punk rock book of the year.The book boasts a wonderful Foreword written by Rancid's Lars Frederiksen with the book's stunning cover artwork being supplied by Steve Dann (Magpie Art), of which the original hangs in Charlie's house.'An Anarchy of Demons' will be available to buy as a paperback, a limited edition hardback as well as an e-Book. Charlie Harper's 'An Anarchy of Demons' contains 478 full-colour pages providing a unique insight into what made him the punk icon he is today.This is the limited edition hardback version.
Won't Back Down
Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions.Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement.A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard
Tearing Down the Orange Curtain
***A ROLLING STONE BEST MUSIC BOOK OF 2025*** The untold story of OC punk--the loud, rebellious force behind the '90s explosion of the Orange County music scene, featuring stories about legendary bands. When it comes to punk communities across the world, the Orange County punk scene stands out as an undeniable trendsetter that helped define the sound and style of the rapidly evolving genre. From hard luck storytellers Social Distortion and multi-platinum sellers like The Offspring to cult heroes like The Adolescents and T.S.O.L., there's much insight to gain from the story of this popular though often misunderstood music scene. In Tearing Down the Orange Curtain, journalists Nate Jackson and Daniel Kohn explore the trajectory of punk and ska from their humble beginnings to their peak popularity years, where their cultural impact could be felt in music around the world. Delving deep into the personal and professional lives of bands like Social Distortion, The Adolescents, The Offspring, and their ska counterparts No Doubt, Sublime, Reel Big Fish, Save Ferris, and more, this book gives readers a deeper look into the very human stories of these musicians, many of whom struggled with acceptance, addiction, and brutal teenage years in suburbia. Through exclusive first-hand interviews, Tearing Down the Orange Curtain brings the 20-year period of OC punk and third-wave ska (1978-2000) to life, focusing specifically on the historical and musical roots of this creative explosion. Thought-provoking, meticulously researched, and refreshingly candid, this book presents a compelling narrative of how a suburban wasteland turned into a hub for rock-n roll culture, just over 30 miles away from the bright lights of LA.
A New Philosophy of Opera
Known as opera's "disrupter-in-residence," director Yuval Sharon has never adhered to the art form's conventions. In his many productions in both the United States and Europe, he constantly challenges the perception of opera as aloof by urging, among other things: performing operas in "non-places," such as parking lots; encouraging the use of amplification; and shuffling the traditional structure of classic works, like performing Puccini's La boh癡me in reverse order, ending not with the tubercular heroine Mimi's death but with her first falling in love. With A New Philosophy of Opera, Sharon has crafted a radical and refreshing book that can act as an introduction to the art form for the culturally curious, or as a manifesto for his fellow artists. In an engaging style that ranges from the provocative to the personal, Sharon offers a 360-degree view of the art form, from the audience experience to the artist's process; from its socially conscious potential to its economic reality; and from its practical to its emotional and spiritual dimensions. Surveying the role of opera in the United States and drawing on his experiences from Berlin to Los Angeles, Sharon lays out his vision for an "anti-elite opera" that celebrates the imagination and challenges the status quo. With an illustrated and unconventional history of the art form (not following a straight line but tracing a fantastical "time-curve") weaving throughout the book, Sharon resists the notion of the opera as "dying" and instead portrays it as a glorious chaos constantly being reborn and reshaped. With its advocacy of opera as an "enchanted space" and its revolutionary message, A New Philosophy of Opera is itself a work of art--a living book with profound philosophical implications--that will stand the test of time.
Sabrina Carpenter
A "Short n' Sweet" biography of Sabrina Carpenter, featuring dozens of full-color photographs Sabrina Carpenter is making her mark as a modern icon of pop music, celebrating three simultaneous Billboard Top Ten hits, touring in support of her latest album, "Short n' Sweet," and claiming the first No. 1 song of her recording career with the summer single, "Please Please Please." But her stardom is anything but sudden. Sabrina is a Hollywood veteran who's been professionally entertaining since the age of 10. Through illuminating writing and full-color photographs, readers will explore those early years and her big break with Disney as a principal in Girl Meets World, Carpenter's film and stage career, her current status as a red carpet and social media darling, an extensive record of charitable work, and her evolution as a musical artist.
Hardcore Punk in the Age of Reagan
Few politicians produced the musical reaction that Ronald Reagan did. His California-branded conservatism inspired countless young people to pick up guitars and thrash out their political angst. Punk bands across the United States took aim at the man, his presidency, and the idea of America he was selling to voters nationwide. Small yet vibrant scenes across the country emerged to challenge the communal norms and social values projected on them by the popular media and consumer culture. Punk enthusiast Robert Fitzgerald argues that these songs' lyrics aren't just catchy and fun to scream along with; they also reveal the thoughts and feelings of artists reacting to their political environment in real, forthright, and uncensored time.In candid detail, Fitzgerald shows how these lyrics illustrated what young adults felt and how they reacted to one of the most influential and divisive leaders of the era. Punk lyrics are seemingly simple, the author argues, but they sketch out a complex, musically inspired countermovement that is as canonical in the American songbook as the folk and rock protest music that came before.
An Anarchy of Demons
'An Anarchy of Demons' is the long anticipated autobiography by U.K. Subs' legendary leader Charlie Harper. Charlie's fascinating story is told in his own unique style, taking the reader through his early years as a 'war baby', his time at boarding schools for misfit boys, his adventurous youth, his struggles and escapades as a bass player, his turbulent personal life as well as his incredible journey with the U.K. Subs, as a solo artist and with his many side-project bands. Illustrated throughout with many unseen photos from his own collection, this will be without doubt, the most talked about punk rock book of the year.The book boasts a wonderful Foreword written by Rancid's Lars Frederiksen with the book's stunning cover artwork being supplied by Steve Dann (Magpie Art), of which the original hangs in Charlie's house. Charlie Harper's 'An Anarchy of Demons' contains 478 full-colour pages that provide a unique insight into what made him the punk icon he is today. The U.K. Subs are the soundtrack for so many of us. Charlie's voice is one of a kind. He's our voice of the voiceless.He's our elder statesman. He's our King of Punk. Long live the king." Lars Frederiksen (Rancid)
Defying Gravity
The image of Jordan in her white shards of beehive and Mondrian make-up remains one of the most iconic in pop history. Yet few truly understood what was happening behind those watchful eyes when anarchy hit the UK.How did a ballet-obsessed girl from sleepy Sussex journey through the clandestine gay clubs of Brighton and London to arrive at 430 King's Road, the epicenter of punk? How did she help shape a cultural revolution, navigate the harsh glare of the spotlight at such a young age, and share wild adventures with the likes of McLaren and Westwood, The Sex Pistols, Adam and the Ants, Derek Jarman, and Andy Warhol--before vanishing from view?This Remastered edition, published in the wake of Jordan's passing in 2022, celebrates her extraordinary legacy. Featuring commentary from key players including Vivienne Westwood, Paul Cook, Marco Pirroni, Holly Johnson, and her partner behind the SEX/Seditionaries counter, Michael Collins, it offers unparalleled insight into Jordan's life. Enhanced with images by Simon Barker, Sheila Rock, and Harri Peccinotti, Defying Gravity cements Jordan's place as one of punk's true trailblazers.
Close Up
On 632 pages, Ioan Holender, former director of the Vienna State Opera, recollects all 118 premieres of his term, which lasted from 1991 to 2010, relating his impressions in a very personal and intimate way. During numerous meetings with editor Lois Lammerhuber, Ioan Holender described the turbulent and moving, sometimes dramatic and sometimes joyful, course of these productions. The stories reflect Ioan Holender's deep passion for opera and its protagonists. Axel Zeininger's photographs provide a great variety of insights into 19 years of opera, with the stars of generations of singers, from Placido Domingo to Anna Netrebko. Facsimile prints of the original playbills make this book an extraordinary document. The volume is rounded off with analyzes by arts journalists Gert Korentschnig, Karl-Heinz Roschitz, Heinz Sichrovsky and Wilhem Sinkovicz. Text in English & German.
Hearing Death at the Movies
The Dies Irae is a melody that composers of film music have employed in hundreds of films, ranging from Metropolis to The Shining, and Star Wars. It is a product of more than 800 years of musical transformation, finding purchase in a variety of musical environments, including the church, the concert hall, and the cinema. Based on a corpus of nearly 300 films, Hearing Death At the Movies models two new ways of thinking about the Dies Irae. First, it identifies three different versions of the melody, each of which signifies a different function of film music. Second, it traces the semantic shift of the Dies Irae from its religious roots to its secular perception as a symbol of death. This study of the most widely-used theme in film music history will change how you listen to movies.
