The Stranglers 1977-90
The Stranglers exploded onto the music scene in 1977 with their iconic debut album Rattus Norvegicus. Lazily classed as a punk band because of their notorious behaviour and outrageous lyrics, the truth was somewhat different. Many books have been written about the behaviour of the band but this book focuses in-depth on the music and lyrics of every song during the years of the original line-up and destroys the myth of mindless musical provocateurs to reveal their brilliance and dark beauty by shining a forensic light on these musical visionaries. For fans of the band, whether musically experienced or not, it is a must-read. And for fans in general of rock music in the 70s and 80s, it will highlight what makes their music stand out as special and result in them dusting down their vinyl copies of the band's records to re-acquaint themselves with their music in a new light.
The Legendary Ballads Of England And Scotland
璽€œThe Legendary Ballads of England and Scotland璽€ is a timeless collection of traditional folk songs and narrative poems that capture the spirit of the British Isles. These ballads, passed down through generations, tell tales of love, loss, heroism, and adventure. Featuring both English and Scottish contributions, this anthology showcases the rich cultural heritage and storytelling traditions of the region. Experience the romance, drama, and historical echoes contained within these classic verses. This collection provides insight into the social customs, beliefs, and historical events that shaped England and Scotland. A must-read for anyone interested in folklore, music, and the literary history of Great Britain.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
English Folk Song
Explore the rich tapestry of English musical heritage with "English Folk Song" by Ruth Alice Keith. This book delves into the heart of traditional English music, offering insights into its origins, evolution, and cultural significance. Discover the stories behind the songs, the lives of the people who sang them, and the social contexts that shaped them. From ballads and sea shanties to love songs and historical narratives, this collection showcases the diversity and enduring appeal of English folk music. Whether you're a music enthusiast, a student of folklore, or simply curious about England's cultural past, "English Folk Song" provides a comprehensive and engaging introduction to this vibrant art form.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Folk Songs Of Many Nations
璽€œFolk Songs Of Many Nations璽€ is a timeless collection celebrating the rich tapestry of global musical traditions. This meticulously compiled songbook features a diverse array of folk melodies from various cultures, preserving the authentic spirit and unique characteristics of each nation's musical heritage. From lively dances to soulful ballads, the songs reflect the joys, sorrows, and everyday lives of people around the world.This collection is perfect for musicians, educators, and anyone with a passion for international music. Whether you're looking to explore new musical styles, learn about different cultures, or simply enjoy the beauty of folk melodies, 璽€œFolk Songs Of Many Nations璽€ offers a valuable and enriching experience. Discover the enduring appeal of these timeless songs and celebrate the universal language of music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
... Six Love Songs
... Six Love Songs is a collection of art songs by Sir Landon Ronald. This songbook features a selection of romantic vocal pieces, showcasing Ronald's skill in crafting lyrical melodies and expressive harmonies. Perfect for singers and vocal enthusiasts, these songs offer a blend of technical challenge and emotional depth, appealing to both performers and audiences. Discover the beauty and passion within these timeless compositions, ideal for recitals, practice, or simply enjoying the rich tradition of classical song.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Fisherman’s Ballads And Songs Of The Sea
璽€œFisherman's Ballads And Songs Of The Sea璽€ is a timeless collection of traditional maritime verses, offering a vivid glimpse into the lives, labors, and legends of seafarers. This anthology gathers together stirring ballads and heartfelt songs that capture the essence of life at sea, from the toils of daily work to the thrill of adventure and the ever-present dangers of the deep. These anonymous works, passed down through generations, echo with the rhythms of the ocean and the voices of those who braved its waters. Within these pages, readers will discover tales of daring voyages, tragic losses, and the enduring spirit of the men and women who have always been drawn to the sea. A valuable resource for enthusiasts of folk music, maritime history, and poetic traditions, this collection preserves the cultural heritage of seafaring communities.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Legendary Ballads Of England And Scotland
璽€œThe Legendary Ballads of England and Scotland璽€ is a timeless collection of traditional folk songs and narrative poems that capture the spirit of the British Isles. These ballads, passed down through generations, tell tales of love, loss, heroism, and adventure. Featuring both English and Scottish contributions, this anthology showcases the rich cultural heritage and storytelling traditions of the region. Experience the romance, drama, and historical echoes contained within these classic verses. This collection provides insight into the social customs, beliefs, and historical events that shaped England and Scotland. A must-read for anyone interested in folklore, music, and the literary history of Great Britain.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Strad
Explore the rich history and intricate craftsmanship of stringed instruments with "The Strad, Volume 17." This edition offers a deep dive into the world of classical music, focusing on the violin and related instruments. Readers will discover articles and insights into performance techniques, instrument care, and the evolution of string music. A must-read for musicians, historians, and anyone passionate about the timeless beauty of classical music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Semiramide
Semiramide is a grand opera in two acts by Gioachino Rossini to an Italian libretto by Gaetano Rossi, based on Voltaire's tragedy Semiramis. The opera is set in ancient Babylon and tells the story of Semiramide, a powerful queen haunted by her past and entangled in a web of love, ambition, and intrigue. This edition presents the full libretto in English, making it accessible to a wider audience. Rossini's masterful score, combined with the dramatic storyline, makes "Semiramide" a cornerstone of the bel canto repertoire. The characters are brought to life through soaring arias and intricate ensembles, creating a truly unforgettable theatrical experience. This opera explores themes of guilt, redemption, and the destructive nature of unchecked power. "Semiramide" remains a relevant and compelling work, showcasing Rossini's genius at its finest.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sweet By and By
"Sweet By and By" is a collection of hymns and spiritual songs compiled by Sanford Fillmore Bennett. Published in 1885, this volume offers a glimpse into the religious music prevalent in late 19th-century America. The hymns reflect themes of faith, salvation, and the promise of eternal life, providing solace and inspiration to readers. Bennett's collection serves as a valuable historical record of the era's musical and spiritual landscape, appealing to those interested in religious music, hymnology, and American cultural history. The enduring power of these hymns lies in their ability to uplift and offer comfort through the beauty of music and the depth of religious expression.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The New Jerusalem
璽€œThe New Jerusalem: A Hymn of the Olden Time璽€ is a classic hymn by Horatius Bonar, a prominent Scottish churchman and hymn writer of the 19th century. This timeless piece of religious poetry reflects Bonar's deep faith and his ability to capture the spiritual aspirations of believers. The hymn evokes vivid imagery of the heavenly city, drawing upon biblical descriptions to create a powerful sense of hope and eternal joy.Bonar's lyrical style and theological depth made him one of the most influential hymn writers of his era. 璽€œThe New Jerusalem璽€ continues to resonate with congregations and individuals seeking solace and inspiration through sacred song. This edition preserves the original text, allowing readers to experience the beauty and spiritual significance of Bonar's work as it was first intended.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Songs for Service
"Songs for Service," compiled by Charles Hutchinson Gabriel, is a timeless collection of hymns and gospel songs intended for use in church services, Sunday school, and evangelistic gatherings. Published in 1915, this songbook reflects the musical tastes and spiritual fervor of early 20th-century religious practice. Featuring a variety of hymns, it provides a rich resource for congregations seeking to enhance their worship experience through song. Gabriel's work captures the essence of Christian devotion and offers a glimpse into the musical heritage of American churches. This volume preserves a valuable piece of religious and musical history, making it a cherished resource for those interested in the evolution of church music and the enduring power of hymns.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
American Patriotic Songs and National Airs
璽€œAmerican Patriotic Songs and National Airs璽€ is a collection of timeless songs that celebrate the spirit and history of the United States. This songbook features a carefully curated selection of pieces that have resonated with generations of Americans, embodying themes of freedom, courage, and national pride. Included are beloved classics such as "The Star-Spangled Banner," "America the Beautiful," "My Country, 'Tis of Thee," and many more. Each song is presented with complete lyrics and musical notation, making it accessible for singers, musicians, and educators alike. Whether for personal enjoyment, educational purposes, or public performances, this collection serves as a valuable resource for preserving and sharing the rich musical heritage of American patriotism.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sweet By and By
"Sweet By and By" is a collection of hymns and spiritual songs compiled by Sanford Fillmore Bennett. Published in 1885, this volume offers a glimpse into the religious music prevalent in late 19th-century America. The hymns reflect themes of faith, salvation, and the promise of eternal life, providing solace and inspiration to readers. Bennett's collection serves as a valuable historical record of the era's musical and spiritual landscape, appealing to those interested in religious music, hymnology, and American cultural history. The enduring power of these hymns lies in their ability to uplift and offer comfort through the beauty of music and the depth of religious expression.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The New Jerusalem
璽€œThe New Jerusalem: A Hymn of the Olden Time璽€ is a classic hymn by Horatius Bonar, a prominent Scottish churchman and hymn writer of the 19th century. This timeless piece of religious poetry reflects Bonar's deep faith and his ability to capture the spiritual aspirations of believers. The hymn evokes vivid imagery of the heavenly city, drawing upon biblical descriptions to create a powerful sense of hope and eternal joy.Bonar's lyrical style and theological depth made him one of the most influential hymn writers of his era. 璽€œThe New Jerusalem璽€ continues to resonate with congregations and individuals seeking solace and inspiration through sacred song. This edition preserves the original text, allowing readers to experience the beauty and spiritual significance of Bonar's work as it was first intended.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Songs for Service
"Songs for Service," compiled by Charles Hutchinson Gabriel, is a timeless collection of hymns and gospel songs intended for use in church services, Sunday school, and evangelistic gatherings. Published in 1915, this songbook reflects the musical tastes and spiritual fervor of early 20th-century religious practice. Featuring a variety of hymns, it provides a rich resource for congregations seeking to enhance their worship experience through song. Gabriel's work captures the essence of Christian devotion and offers a glimpse into the musical heritage of American churches. This volume preserves a valuable piece of religious and musical history, making it a cherished resource for those interested in the evolution of church music and the enduring power of hymns.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Bittersweet Sounds of Passage
An important presence through centuries of musical and social change, gamelan angklung is a small, four-tone bronze-keyed ensemble that remains ubiquitous at cremations in Bali. Ellen Koskoff offers a compelling portrait of these little-studied orchestras and their members: rice farmers, eatery owners, and other locals who do not see themselves as musicians or what they play as music. Koskoff examines the history, cultural significance, and musical structures of contemporary gamelan angklung cremation music through the lens of three intertwined stories: existing scholarship on this music, written mostly by Western composers and scholars; the views of those performing and experiencing the music who regard it as dharma--ritual obligation, a basic concept in Balinese Hinduism; and the music itself, with a musical analysis focusing on changes in rasa--feeling, flavor and musical flow. A journey inside a tradition, Bittersweet Sounds of Passage reveals the overlooked music of an important ritual in Balinese village life.
Steely Dan
Walter Becker and Donald Fagen, a couple of cynical New York jazz fans wormed their way into a record contract and astonished critics with their first album 'Can't Buy a Thrill' in 1973. Nine albums later, they were among the biggest selling acts in the world. Steely Dan were different from the rest of rock's super-sellers. They rarely gave interviews and, after some early bad experiences on the road, they refused to tour. They didn't have their photographs taken and few people knew what they looked like. Steely Dan weren't even a proper group; it was two musicians and a producer, yet every top notch player in the world lined up to appear on their albums.Brian Sweet, former editor and publisher of Metal Leg, the Steely Dan fanzine, draws back the veil of secrecy that has surrounded Becker and Fagen, presenting the true story of how they made their music and lived their lives
Loud and Clear
THE INSTANT NEW YORK TIMES BESTSELLER The first book to tell the full story of the Grateful Dead's "Wall of Sound," an unprecedented and since unparalleled speaker system. Loud and Clear is the first book to tell the full story of the Grateful Dead's "Wall of Sound," an unprecedented and since unparalleled speaker system that was as tall as a school bus is long and more than a hundred feet wide. The band's quest for roaring yet crystal clear sound began after their formation in 1965, colliding with the '60s progressive social climate. Over the next few years, the Dead's growing crew of sound-obsessed techies and eccentric roadies took their speaker system to new technological heights. But as the Dead's relentless, drug-fueled touring schedule met this increasingly burdensome yet sonically perfect machine, in 1974, the Wall brought the band to its knees. The two years of "Wall shows" are legend among Deadheads, and this character-driven tale about human ambition, achievement, and the limits of both on a larger-than-life scale has the potential to reach a wide range of music fans and readers of cultural history. Author Brian Anderson interviewed hundreds of people associated with the band and the construction of the Wall itself, including band members, roadies, tech wizards, fans and many more. This fascinating inside story of one of the most legendary rock bands of all time will appeal to Deadheads, music fans, audiophiles and many more.
Gypsy Jazz Guitar Soloing Etudes - Volume Three
Learn The Art of Gypsy Jazz Guitar Soloing on 6 Essential StandardsReady to master authentic Gypsy Jazz Guitar Solos?Gypsy Jazz Guitar Soloing Etudes, Volume Three is the third collection of meticulously crafted guitar etudes taught by Gypsy Jazz guitar virtuoso Remi Harris, and is filled with vibrant and authentic Gypsy Jazz vocabulary.Master the Art of Gypsy Jazz Guitar Soloing- Explore engaging and expressive melodic solos across six classic Gypsy Jazz standards- Develop a deep, authentic Gypsy Jazz vocabulary to enrich your improvisational palette- Learn the techniques to craft solos that connect organically and creatively to each tune's melody- Elevate your improvisation skills through practical soloing methodsPlay Incredible Solos over Iconic Gypsy Jazz Tunes: By the end of the book, you'll be performing captivating solos on these essential Gypsy Jazz standards and chord progressions: - 12 Bar Blues in Bb (Blue Light Blues and Django's Blues)- Bossa Dorado- Two contrasting Gypsy Jazz Blues in G Minor (Blues en Mineur and Swing 48)- Joseph Joseph- Lady Be Good- Lulu SwingBeyond Gypsy Jazz Guitar Licks...This book transcends simply memorizing licks or solos. You'll discover: - A structured, musical framework for improvising creatively over any set of chord changes- A powerful method to continuously generate fresh musical ideas- A flexible template for composing captivating guitar licks and solos tailored to any chord progression- A rich collection of distinctive licks, melodic runs, thematic sequences and motifs, specifically designed for Gypsy Jazz guitarGain direct access to Remi Harris' intuitive approach to soloing and improvisation, employing simple yet highly effective chord visualization strategies that will transform your playing.Accelerated Mastery for Every Aspiring Gypsy Jazz GuitaristThe quickest path to fluency in Gypsy Jazz guitar is through immersion. Volume Three offers you the chance to absorb Remi Harris' extensive experience, distilled into clear, practical steps that empower you to master authentic Gypsy Jazz techniques quickly and effectively.Exclusive Bonuses and Audio Bonus 1: Access downloadable jam tracks and audio examples for every tune. First, learn the solos as written, then apply your creativity to jam and improvise.Bonus 2: View exclusive video performances of Remi Harris playing each piece, demonstrating authentic interpretation and technique.If you're ready to deepen your Gypsy Jazz guitar skills and channel the spirit of Django Reinhardt, Gypsy Jazz Guitar Soloing Etudes, Volume Three is the essential next step in your musical journey.Start mastering authentic Gypsy Jazz today.Buy your copy now.
Bowie Odyssey 75
Book by book, year by year, the ultimate literary trip through Bowie's greatest decade.With his first starring role in a feature film and his first number 1s on both sides of the Atlantic, 1975 ought to be David Bowie's golden year. But away from the spotlight the suave soul boy of Young Americans is tumbling into a self-made hell of cocaine, witchcraft and the dark fantasies of his new fascist alter-ego, the Thin White Duke.As David goes berserk in the Hollywood hills, back in the Britain he's forsaken there's a Nazi-crazed murderer stalking the streets where he was born, a masked rapist at large and a power-mad grocer's daughter on the rise, while sappy nostalgia grinds pop to a standstill. But there are also restless scamps hanging around a certain King's Road clothes shop, and David's own drug-fuelled genius daring him to make the album of his life. The Seventies are about to reignite with a bang.The sixth volume in Simon Goddard's epic adventure through Bowie's greatest decade, Bowie Odyssey 75 is an intricately plotted tour de force of rock'n'roll, crime, punishment, politics, punk - and a cautionary tale of tragicomic addiction.
The Book of Hit Singles
Based on the official Top 20 charts from Billboard in the US and NME/Music Week in the UK, this entertaining book shows at a glance the monthly international status of the hits. The fully updated and revised fourth edition lists the charts since they began in January 1954 all the way through December 2000. Each song is listed with artist name and nationality, current and previous month's chart position, record label, weeks on the chart, and simultaneous position on the "other side of the pond." Special symbols indicate million-sellers, plus artists' first and most recent hits. All stars and songs are indexed separately, making it especially easy to pinpoint any Top 20 hit. Includes 200 photos, plus new pop trivia and star gossip!
Sound N' Fury
"[Alan Niven] worked with us and -- whether anybody says it or not -- became like the sixth, silent member." -- Izza Stradlin, Guns N' Roses Experience rock history through sharp, engaging stories featuring icons like Guns N' Roses, The Rolling Stones, and Aerosmith Most rock 'n' roll books are a bore. They all have the same narrative arc and are aimed at the dwindling following that now follows an artist that has long passed their AARP date. Sound N' Fury does not have a story arc. It is a collection of anecdotes, like a record comprised of various tracks -- each one has its point and purpose. Alan Niven, who guided Guns N' Roses from the gutter of Los Angeles to Wembley Stadium, shares stories from his remarkable life as a manager with an immediacy delivered by an extraordinary recall of dialogue. Readers will encounter not just Guns N' Roses (who have sold almost 10 million tickets to their shows) but The Rolling Stones, Aerosmith, Clarence Clemons, Whitesnake, Elton John, and others who came from humble origins and experienced fame known only to few. Small-town minds collided with worldwide adulation, expectations, and demands. The results are amusing, affirming, and, predictably, disastrous. Keep in mind that rock 'n' roll is God's occupation for the unemployable. Written with a crisp and fluid style, the magnificence and idiocy of the music world will dance off the pages and engross even those who are not rock fans.
Their Generation
The story of The Who's momentous first tours of America told through fabulous photos by the band's official photographer and tour manager Tom Wright.Foreword by Pete TownshendTom Wright first met Pete Townshend at Ealing Art School in the early 60s. He became The Who's official tour photographer and manager from 1967 in the US, also managing the Grande Ballroom in Detroit where The Who's rock opera Tommy premiered. He was much more than the band's photographer, he was a friend and photographed them right up to their farewell tour in 1991. Tom's vast record collection and musical influences had a big impact on the band in their early years.Their Generation covers The Who's first tours of North America, a hugely creative time with explosive performances both on and off stage, the time of their US hit 'I Can See for Miles' and much more.Through the fabulous photographs, many of which have never been seen before, we see the band backstage, onstage, on tour, at rehearsal, at ease, in studio, at home. The photos will be accompanied by extended captions providing background details of the time, the people and the places.As well as The Who, Tom Wright toured with the Rolling Stones, the Faces, The James Gang, J. D. Elvis Costello, The Eagles and many more, documenting their performances and life on the road."One thing is certain, had I not met Tom Wright, The Who would never have become successful." Pete Townshend
Operetta in Hollywood in the 1930s and 1940s
A concise picture book of fifty pages illustrating thirty-nine delightful motion picture operettas in black and white photographs, with a short essay on the meaning of the term "Operetta".
The Voice of the Century
In 1935, the Norwegian soprano Kirsten Flagstad made her United States debut in a live radio broadcast that went across the country and made her an overnight success. Flagstad went on to enjoy an astounding career at the Metropolitan Opera, becoming one of the most well-known singers of the twentieth century.The Voice of the Century tells Flagstad's story-one of triumph and tragedy. The shy and stubborn Norwegian singer rescued the New York Metropolitan from bankruptcy in the 1930s, revitalizing interest in Richard Wagner's operas in the United States. She was also a sensation in Europe, performing at Covent Garden in London, at festivals in Zurich, and at La Scala in Milan. In music history, she is considered one of the foremost Wagner interpreters ever. Yet during and after the Second World War, a campaign to discredit her was launched by leading officials in the Norwegian Foreign Ministry, and she was unjustly accused of harboring Nazi sympathies, of singing to Hitler, and of profiting greatly from the war. This smear campaign resulted in major demonstrations at her performances in the United States. Her fortune was seized, and she had to live under police protection. Finally translated into English, this biography looks into the darkest corners of Norwegian intelligence history, scandals that jeopardized both the police and the prosecution's credibility. As creepy and riveting as any thriller, The Voice of the Century is a thoroughly documented account of how a foreign ministry organized a years-long persecution of a world-renowned female artist.
Beating Time
The Irish frame drum that we know as 'bodhr獺n' first entered modern-day Irish consciousness in 1959 with John B. Keane's use of a tambourine in his play Sive at the Abbey Theatre, Dublin. From 1960 onwards, it gained tremendous visibility in the traditional music revival through Se獺n ? Riada's Radio ?ireann ensemble Ceolt籀ir穩 Chualann, then by the Chieftains, and, later, by the Bothy Band, Planxty, Christy Moore and De Dannan. By the end of the century, tens of thousands of bodhr獺ns had been made and dispersed worldwide, and the instrument was a staple in traditional music promoted by Comhaltas Ceolt籀ir穩 ?ireann. Today the drum holds a remarkable symbolic presence not only in Irish music, but also in tourism and in sport, to the extent that it rivals the harp as a national emblem. To date there has been no coherent picture of how the bodhr獺n could appear so suddenly in the twentieth century. Its name is certainly old - a word once used for a device which was created millennia ago as an agricultural tool, a container and tray. But as a percussion form with the sophistication that we know it today its traceable history is short, beginning sporadically only in the earlier 1800s, and mostly happening since c.1960, shaped by ingenious stylists, most of whom are indeed still performing among us. Beating Time explores this history for the first time. It radically acknowledges not only the influence of the music trade and British military bands, but that of the touring ensembles that were the roots of today's popular music - the American 'blackface' minstrels. The study also examines the use of tambourines on the 'Wren', and the morphing of this into accompaniment and solo playing in today's 'listening' traditional music. Perhaps most remarkable is the unspoken re-branding of the tambourine as 'bodhr獺n', and its kindling, liberation and validation of the percussion impulse in traditional music. Rather than mythicising the bodhr獺n as the oldest Irish music instrument, this book points to the idea that it should perhaps be celebrated for being the newest. Its rapid emergence and transformation is as remarkable and astonishing an ascent in universal popularity and international acceptance as has been the worldwide rise of the guitar in all music.
The Voice of the Century
In 1935, the Norwegian soprano Kirsten Flagstad made her United States debut in a live radio broadcast that went across the country and made her an overnight success. Flagstad went on to enjoy an astounding career at the Metropolitan Opera, becoming one of the most well-known singers of the twentieth century.The Voice of the Century tells Flagstad's story-one of triumph and tragedy. The shy and stubborn Norwegian singer rescued the New York Metropolitan from bankruptcy in the 1930s, revitalizing interest in Richard Wagner's operas in the United States. She was also a sensation in Europe, performing at Covent Garden in London, at festivals in Zurich, and at La Scala in Milan. In music history, she is considered one of the foremost Wagner interpreters ever. Yet during and after the Second World War, a campaign to discredit her was launched by leading officials in the Norwegian Foreign Ministry, and she was unjustly accused of harboring Nazi sympathies, of singing to Hitler, and of profiting greatly from the war. This smear campaign resulted in major demonstrations at her performances in the United States. Her fortune was seized, and she had to live under police protection. Finally translated into English, this biography looks into the darkest corners of Norwegian intelligence history, scandals that jeopardized both the police and the prosecution's credibility. As creepy and riveting as any thriller, The Voice of the Century is a thoroughly documented account of how a foreign ministry organized a years-long persecution of a world-renowned female artist.
Norton: Microjazz Collection 3 for Piano Revised Edition with Audio Online
Independent as F***
For a glorious ten-year period from 1995 to 2005, hip-hop music received a much-needed shot in the arm from a generation of determined and wildly creative rappers and producers. They rallied against the increasingly formulaic and shallow world of mainstream rap, as well as a music industry unwilling to listen. By releasing music on their own terms as independent artists--many adopting the mantra of being "independent as fuck" as a mission statement--these hungry creatives reclaimed their artistic freedom and wore it as a badge of honour. Most importantly, they also made a lot of excellent hip-hop. What emerged was a vibrant underground music scene that stretched from New York to Los Angeles, with influence reaching across the world. Independent as F**: Underground Hip-hop from 1995-2005 looks back at this golden era, celebrating the most important artists, record labels, 12" records, and albums, along with the stories behind them, while also shining a light on those who have since been forgotten. Lovingly researched and curated, this book is the ultimate guide to a special time in music history, one that continues to inspire each new wave of hip-hop artists decades later.
Modernist Movements
Topic theory examines the lexicon of conventions that emerged in the late eighteenth century through which composers evoked dances, marches, hunting, the pastoral, and the supernatural. While scholars have explored ad hoc applications of the theory in later repertories, author Johanna Frymoyer begins with fundamental methodological questions of if, why, and how analysts ought to apply topic theory--a method tailored to eighteenth-century historical and aesthetic contingencies--to modernist repertory. Advancing topic theory beyond its foundations in semiotics to incorporate insights from cognition, Frymoyer argues that topical identification and interpretation are governed by mental categories and prototypicality effects, and that topics function as mnemonics of bodily movement (such as dance). Her approach explains how listeners past and present, though they may not be able to dance a minuet or march in synchronized military procession, nonetheless preserve these historically--embedded patterns of movement in memory. Topic theory therefore provides important insight into how listeners engage imaginatively--choreographically, one could say--with musical meaning in ways that are experienced as transhistorical, embodied, and intersubjective. Illuminated by innovative analyses of Schoenberg and Stravinsky and placing topics in dialogue with considerations of twelve-tone style, metrical irregularity, accessibility, and agency, Modernist Movements is an important contribution to topic theory, modernist studies, and embodied cognition.
I Don't Want to Go Home
"Reading Nick Corasaniti's delightful book about the storied Asbury Park, New Jersey, club is like sitting at your favorite bar listening to the old regulars tell magnificent stories."--Rolling Stone, Best Music Books of the YearA captivating oral history of the iconic music venue the Stone Pony and of the rise, fall, and rebirth of Asbury Park, New Jersey--featuring interviews with Bruce Springsteen, Steve Van Zandt, Southside Johnny, members of the E Street Band and Asbury Jukes, the Ramones, the Jonas Brothers, Jack Antonoff, and other legendary musicians.Featuring exclusive, never-before-seen photos from Danny ClinchIn 1970, Asbury Park, New Jersey, was ripped apart by race riots that left the once-proud beach town an hour away from Manhattan smoldering, suffering and left for dead.Four years later, a few miles down the coast in Seaside Heights, two bouncers, Jack Roig and Butch Pielka, tired of the daily grind, dreamt of owning their own place. Under-prepared and minimally funded, the two bought the first bar they considered, in a city where no one wanted to be, without setting one foot in the place. They named it the Stone Pony, and turned it into a rock club that Bruce Springsteen would soon call home and a dying town would call its beating heart.But the bar had to fight to survive. Despite its success in launching and attracting rockers like Stevie Van Zandt, "Southside" Johnny Lyon, and Springsteen, the Stone Pony--like everything in Asbury Park for the past half century--could only weather the drags of a depressed city for so long.How did the Stone Pony beat the odds to survive? How did it become an international rock pilgrimage site, not just for fans of Springsteen, but for punk rockers, jam bands, pop, indie, alternative and many other musicians as well? And how did it continue to inspire and influence a hall-of-fame list of New Jersey and national rock stars? The story of the Stone Pony--thrillingly charted in this detailed oral history--is the chronicle of a proud and unique cultural mecca blooming in a down-but-not-yet-out tough town. As Nick Corasaniti reveals, the stories of Asbury Park and the Stone Pony are that of modern America itself--a place of battered hopes, big dreams, and dogged resilience.
Journeys of Love
An empathetic and eye-opening portrait of Muslim migrants in England that debunks many misperceptions about their music and poetry. In Journeys of Love, ethnomusicologist Thomas Hodgson offers a sensitive corrective to harmful portrayals of immigrants-specifically, Pakistanis living in England-as a self-segregating group prohibited from making music, a stereotype that has often resulted in violent Islamophobia. He argues that, in practice, these migrants-many of whom come from the Mirpur area of Azad Kashmir-occupy rich musical worlds, full of poetic metaphors, that are central to surviving migration and its attendant losses. Hodgson shows how Mirpuris in England, as well as those who remain in Pakistan, carry on traditions of reciting a collection of poetry by the nineteenth-century Sufi saint Mian Muhammad Bakhsh, translated by Hodgson here as Journeys of Love. With its themes of remaining true to one's home, the oppressed being saved, having patience, and keeping faith in God, this work has become the story of movement and displacement in its narrative arc, as well as through the way it provides spiritual and ethical frameworks for settling in new lands. These hidden poetics of migration transform across generations as young Mirpuris develop new expressions of the connections across continents. These poetics reveal the connections between Kashmir's rural village life and urban centers abroad, offering a sensitive and illuminating portrait of migration and multiculturalism in Britain and beyond.
Journeys of Love
An empathetic and eye-opening portrait of Muslim migrants in England that debunks many misperceptions about their music and poetry. In Journeys of Love, ethnomusicologist Thomas Hodgson offers a sensitive corrective to harmful portrayals of immigrants--specifically, Pakistanis living in England--as a self-segregating group prohibited from making music, a stereotype that has often resulted in violent Islamophobia. He argues that, in practice, these migrants--many of whom come from the Mirpur area of Azad Kashmir--occupy rich musical worlds, full of poetic metaphors, that are central to surviving migration and its attendant losses. Hodgson shows how Mirpuris in England, as well as those who remain in Pakistan, carry on traditions of reciting a collection of poetry by the nineteenth-century Sufi saint Mian Muhammad Bakhsh, translated by Hodgson here as Journeys of Love. With its themes of remaining true to one's home, the oppressed being saved, having patience, and keeping faith in God, this work has become the story of movement and displacement in its narrative arc, as well as through the way it provides spiritual and ethical frameworks for settling in new lands. These hidden poetics of migration transform across generations as young Mirpuris develop new expressions of the connections across continents. These poetics reveal the connections between Kashmir's rural village life and urban centers abroad, offering a sensitive and illuminating portrait of migration and multiculturalism in Britain and beyond.
Diva
The diva - a central figure in the landscape of contemporary popular culture: gossip-generating, scandal-courting, paparazzi-stalked. And yet the diva is at the epicentre of creative endeavours that resonate with contemporary feminist ideas, kick back against diminished social expectations, boldly call-out casual sexism and industry misogyny and, in terms of hip-hop, explores intersectional oppressions and unapologetically celebrates non-white cultural heritages. Diva beats and grooves echo across culture and politics in the West: from the borough to the White House, from arena concerts to nightclubs, from social media to social activism, from #MeToo to Black Lives Matter.Diva: Feminism and Fierceness from Pop to Hip-Hopaddresses the diva phenomenon and its origins: its identity politics and LGBTQ+ components; its creativity and interventions in areas of popular culture (music, and beyond); its saints and sinners and controversies old and new; and its oppositions to, and recuperations by, the establishment; and its shifts from third to fourth waves of feminism. This co-edited collection brings together an international array of writers - from new voices to established names. The collection scopes the rise to power of the diva (looking to Mariah Carey, Whitney Houston, Dolly Parton, Grace Jones, and Aaliyah), then turns to contemporary diva figures and their work (with Beyonc矇, Amuro Namie, Janelle Mon獺e, Cardi B, Megan Thee Stallion, Shakira, Jennifer Lopez, and Nicki Minaj), and concludes by considering the presence of the diva in wider cultures, in terms of gallery curation, theatre productions, and stand-up comedy.
Guns N’ Roses at 40
Celebrate four exhilarating and rebellious decades of Guns N' Roses with this lushly illustrated journey through the band's biggest moments. Formed on Los Angeles' famed Sunset Strip in 1985, Guns N' Roses worked their way up from the club scene in less than three years to become a best-selling recording act and a top tour draw. Along the way, there was no shortage of controversy to accompany the accolades. In Guns N' Roses at 40, prolific rock biographer Martin Popoff curates 40 key touchstones in GN'R's career, charting their formation and early history, key concert appearances, groundbreaking releases, notable collaborations, business challenges, personal difficulties, band quarrels, and more. This beautifully produced tribute features: Sturdy hardcover formatStunning photography, both on and off the stageImages of band memorabiliaGatefold Guns N' Roses timelineComplete studio discographyPopoff covers it all: A history of the band's scruffy early days on Hollywood's Sunset Strip club sceneBackgrounds of founding members Axl Rose, Duff McKagan, Slash, Izzy Stradlin, and Steven AdlerRundowns of the key studio albums and the processes behind themAnalyses of the infamous incidents and controversies that seemed to follow the bandThe departures (and sometimes the returns) of key membersFirst-person interviews with bassists Duff McKagan and Tommy Stinson In examining 40 key pivot points in GN'R's now-forty-year history, Guns N' Roses at 40 provides a concise documentary-like view of the band that as much as any other helped drive a spike through the heart of hair metal. Combine this unique perspective with a gorgeous package and you have an indispensable addition to the collection of every fan.
A Short History of American Religious Folk Song
From the fervent camp meetings of the Great Awakening to the rise of the Shakers and Millerites, A Short History of American Religious Folk Song traces the vibrant, often turbulent history of early American religious music. Adapted from the work of pioneering scholar George Pullen Jackson, this edition explores how waves of dissent-from English Nonconformists to frontier Baptists, Free Willers, Methodists, and the "Fasola Folk"-fueled a uniquely American tradition of heartfelt, communal singing.Jackson's lively and insightful research reveals how revivalism, itinerant preaching, and religious upheaval shaped the development of folk hymnody. Readers will encounter dramatic scenes of the Great Awakening, the spiritual migrations of groups like the Millerites, and the distinctive musical practices of the Shakers-whose simple but powerful songs became enduring parts of the American folk tradition.The book also traces the evolution of congregational singing, from colonial psalmody to the flourishing of shape-note singing and early gospel music. It captures the tension between formal religious institutions and the spontaneous, ecstatic expressions of faith that flourished on the American frontier.A Short History of American Religious Folk Song includes, as an appendix, Jackson's essay "Buckwheat Notes," offering a brief overview at the origins and spread of shape-note singing. For those interested in early American religious culture, folk traditions, The Sacred Harp, or the roots of spiritual folk music, this volume brings to life a grassroots musical heritage shaped not by institutions, but by the convictions and voices of ordinary people.
Bluegrass Gospel
Heavily influenced by Bill Monroe, the "Father of Bluegrass" in the 1940s and '50s, gospel music in the South began to shift into bluegrass gospel, a style that combines both genres. In Bluegrass Gospel: The Music Ministry of Jerry and Tammy Sullivan, anthropologist and journalist Jack Edward Bernhardt explores the lives, music, and ministry of acclaimed father-daughter bluegrass gospel performers and recording artists Jerry (1933-2014) and Tammy Sullivan (1964-2017) of southwest Alabama. Beginning in 1993, Bernhardt lived and traveled with the Sullivans as they took their music and testimony along bumpy back roads to backwoods sanctuaries from the Florida Panhandle to Mississippi, Louisiana's bayous, Texas, Arkansas, and beyond. The author's compelling narrative combines long-term fieldwork with extensive oral histories, archival research, photography, and tape recordings of the Sullivans' music and testimonies in secular and sacred contexts. Bernhardt describes in vivid detail the challenges of life on the road through unforeseen circumstances and the financial uncertainty of performing for pass-the-collection-basket "love offerings," while remaining committed to doing the work they felt called to do. In an afterword by Marty Stuart, Jerry's friend and cowriter of the 1995 Grammy-nominated "At the Feet of God," Stuart recounts his experiences playing mandolin with the Sullivan Family on the "Brush Arbor Trail" as a talented, wide-eyed twelve-year-old. In the penultimate chapter, Bernhardt accompanies Tammy's widower, Jonathan Causey, and their son, Jon Gideon, to churches along the same gospel trail blazed by Jerry and Tammy. With their own music ministry, the Causeys continue the legacy of song and testimony the Sullivans pursued for thirty-five years. Ultimately, Bernhardt reflects on how his relationship with the Sullivans led to friendship and mutual respect for cultural differences that endure through time. The result is an intimate portrayal of life, faith, and family-based music ministry in the South today as in the past.
Fiddling Is My Joy
In Fiddling Is My Joy, Jacqueline Cogdell DjeDje examines the history of fiddling among African Americans from the seventeenth to the mid-twentieth century. Although music historians acknowledge a prominent African American fiddle tradition during the era of slavery, only recently have researchers begun to closely examine the history and social implications of these musical practices. Research on African music reveals a highly developed tradition in West Africa, which dates to the eleventh or twelfth century and continues today. From these West African roots, fiddling was prominent in many African American communities between the seventeenth and nineteenth centuries, and the fiddle became an important instrument in early twentieth century blues, jazz, and jug bands. While less common in late twentieth-century African American jazz and popular music groups, the fiddle remained integral to the musicking of some Black musicians in the rural South. Featured in Fiddling Is My Joy is access to a comprehensive online eScholarship Companion that contains maps, photographs, audiovisual examples, and other materials to expand the work of this enlightening and significant study. To understand the immense history of fiddling, DjeDje uses geography to weave together a common thread by profiling the lives and contributions of Black fiddlers in various parts of the rural South and Midwest, including the mountains and along the Atlantic and Gulf coasts. In addition to exploring the extent that musical characteristics and aesthetics identified with African and European cultures were maintained or reinterpreted in Black fiddling, she also investigates how the sharing of musical ideas between Black and white fiddlers affected the development of both traditions. Most importantly, she considers the contradiction in representation. Historical evidence suggests that the fiddle may be one of the oldest uninterrupted instrumental traditions in African American culture, yet most people in the United States, including African Americans, do not identify it with Black music.
Bluegrass Gospel
Heavily influenced by Bill Monroe, the "Father of Bluegrass" in the 1940s and '50s, gospel music in the South began to shift into bluegrass gospel, a style that combines both genres. In Bluegrass Gospel: The Music Ministry of Jerry and Tammy Sullivan, anthropologist and journalist Jack Edward Bernhardt explores the lives, music, and ministry of acclaimed father-daughter bluegrass gospel performers and recording artists Jerry (1933-2014) and Tammy Sullivan (1964-2017) of southwest Alabama. Beginning in 1993, Bernhardt lived and traveled with the Sullivans as they took their music and testimony along bumpy back roads to backwoods sanctuaries from the Florida Panhandle to Mississippi, Louisiana's bayous, Texas, Arkansas, and beyond. The author's compelling narrative combines long-term fieldwork with extensive oral histories, archival research, photography, and tape recordings of the Sullivans' music and testimonies in secular and sacred contexts. Bernhardt describes in vivid detail the challenges of life on the road through unforeseen circumstances and the financial uncertainty of performing for pass-the-collection-basket "love offerings," while remaining committed to doing the work they felt called to do. In an afterword by Marty Stuart, Jerry's friend and cowriter of the 1995 Grammy-nominated "At the Feet of God," Stuart recounts his experiences playing mandolin with the Sullivan Family on the "Brush Arbor Trail" as a talented, wide-eyed twelve-year-old. In the penultimate chapter, Bernhardt accompanies Tammy's widower, Jonathan Causey, and their son, Jon Gideon, to churches along the same gospel trail blazed by Jerry and Tammy. With their own music ministry, the Causeys continue the legacy of song and testimony the Sullivans pursued for thirty-five years. Ultimately, Bernhardt reflects on how his relationship with the Sullivans led to friendship and mutual respect for cultural differences that endure through time. The result is an intimate portrayal of life, faith, and family-based music ministry in the South today as in the past.
Poets and Dreamers
Part memoir, part oral history, Poets and Dreamers: My Life in Americana Music traces Tamara Saviano's remarkable journey through the rise of the Americana music genre. Spanning more than three decades, Saviano unfolds the story of Americana--country music's bohemian cousin--from her unique perspectives as a journalist, historian, Grammy-winning music producer, filmmaker, and artist emissary. The first woman president of the Americana Music Association and producer of the early Americana Honors and Awards shows at Nashville's storied Ryman Auditorium, Saviano takes readers behind the scenes for some of the most significant moments in Americana history. Poets and Dreamers illuminates the exceptional Americana community: an ever-expanding yet close-knit circle of friends and unsung heroes devoted to the success of roots music and its artists. Highlights include interviews with artists and colleagues and memories of special events, concerts, and day-to-day life with singers, songwriters, and musicians. Tender stories recalling Saviano's close relationships with two of her most enduring clients, iconic songwriters Kris Kristofferson and Guy Clark, round out this singular historical work. Including photographs of significant people and moments in Americana music, Poets and Dreamers: My Life in Americana Music will entertain and inform a worldwide readership of fans, students, and scholars of Americana and roots music.
Life Could Be a Dream
In the tumultuous decade following World War II, the civil rights movement began transforming Black lives and American society. The era also proved momentous for African American popular music: new record labels, new styles, and exciting new sounds in the form of electrified blues combos, rhythm and blues shouters and balladeers, gospel and doo wop quartets. By the late 1950s, with rock 'n' roll dominating the American soundscape, much of the phenomenal Black music of the postwar decade began to drift into relative obscurity. This book brings a remarkable body of African American music, excluding jazz, back into sharp focus, and explores its connections to the socio-political dreams of Black America during that period of frustrated hopes and great expectations. With close attention to the singers, musicians, and lyrics in hundreds of recordings from 1946 to 1956, it offers for the first time a detailed examination of four musical genres along the blues continuum: blues, rhythm & blues, gospel, and secular harmony (better known as doo wop). Meet the artists and listen to the sounds and themes of Black America in a musically explosive decade.
Postcolonial Opera
Opera has long been known for its ability to be used as a tool for colonial expression. But it is increasingly used to narrate histories of colonial trauma, oppression, and struggle. What does it mean for a colonial form to represent the experiences of those it used to exclude and undermine? How can opera adapt to meet the challenges of ethical representation and reparation? In response to these questions, Postcolonial Opera: William Kentridge and the Unbounded Work of Art examines the social and political role of opera in the postcolony. Taking the multimedia operatic experiments of William Kentridge, South Africa's most celebrated contemporary visual artist, as a starting point, author Juliana M. Pistorius investigates contemporary opera's potential to process the troubled histories that haunt post- and decolonial societies. Centered around the critical-theoretical themes of return, confession, mourning, time, displacement, and totality, the book considers Kentridge's productions for puppets (Il Ritorno d'Ulisse, 1998; Confessions of Zeno, 2002), his operatic installation for a miniature automated theatre (Black Box/Chambre Noire, 2005), his chamber work for performers and machines (Refuse the Hour, 2012), and his 'processional operas' (Triumphs and Laments, 2016; The Head & the Load, 2018). Pistorius argues that the artist's newly conceived operatic form, built on ideas of unboundedness rather than totality or formlessness, offers opportunities to engage anew with questions of race, coloniality, and cultural belonging in the postcolony. While Kentridge's pieces take the artist's responsibility to deal with the genre's colonial past seriously, she shows how they also offer humor, beauty, and catalytic opportunities to reimagine the form and function of opera in the postcolonial present. Postcolonial Opera intervenes in contemporary debates about opera's relevance and contributes to the growing study of the art form's relationship with race and coloniality. Ultimately, Pistorius argues that Kentridge's multimedia experiments--at once local and global--present compelling perspectives on the contradictions and compromises of the genre's position in the postcolony.
Decade of Dissent
During the 1960s--a juncture in history when music was the meeting place for the ideas of the young and questioning--Bob Dylan stood head and shoulders in influence above all others. In telling the story of his first calendar decade as a recording artist, Decade Of Dissent provides a unique angle on an endlessly fascinating and truly peerless career.Dylan's 60s recordings constitute a dizzying run that includes such landmark albums as The Freewheelin' Bob Dylan, Highway 61 Revisited, Blonde On Blonde, the so-called 'Basement Tapes', and John Wesley Harding, and such classic songs as 'Blowin' In The Wind', 'The Times They Are A-Changin'', 'Mr. Tambourine Man', 'Like A Rolling Stone', 'Just Like A Woman', 'Quinn The Eskimo', 'All Along The Watchtower', and 'Lay Lady Lay'. They set the template for his genius and encompass the bulk of his greatest work. The career arc they collectively describe saw Dylan effortlessly and repeatedly instigate revolution, by turns reinvigorating folk music, turning protest song mainstream, bringing the intellectualism and social conscience of folk to rock and pop, reasserting roots music over the excesses of psychedelia, and making country music respectable.Through each of his new identities, Dylan's dazzling lyrics established him as the poet laureate of the counterculture. All during this time he was engaged in a personal voyage that saw him first embrace the blandishments of fame and then emphatically reject them. His journey during this era from ambitious nobody to cultural icon back to willing background figure makes for one of the most extraordinary narratives in the history of recorded music. It features a fascinating supporting cast of collaborators and peers, from Al Kooper and Mike Bloomfield to The Beatles and The Byrds.Dylan now occupies an unparalleled role as venerated elder statesman of music, but through the twists and turns of his long career he has never quite regained the position he held during his insurrectionary first decade, when he was the most important artist in popular music--and, by extension, one of the most crucial figures in Western society. Drawing on exclusive interviews and packed full of fresh insights, Decade Of Dissent brings to life Dylan and his milieu at the point when he was making music that was not merely aesthetically magnificent but sociologically earthshaking.
Reinventing Bach
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR CRITICISM One of the greatest musicians of all time, Johann Sebastian Bach was also a genius in the search for new sounds through technology--a pursuit as lively in his moment as it is in ours. A master of the pipe organ (the high-tech device of his era), Bach was constantly coming up with fresh and flexible approaches to keyboards, string instruments, and sacred choirs, such that his work is ceaselessly alive and adaptable three centuries later. In Reinventing Bach, the composer's life and work are the inspiration for a gripping contemporary story about the power of technology to sustain (rather than undermine) the arts. Like his classic The Life You Save May Be Your Own, Paul Elie's second book is a vivid and intricate group portrait, a work of "epic sweep, like a novel made up of multiple strands" (The Economist). It is the story both of Bach's practice of music as sacred invention, and of the amazing reinvigoration of the music by gifted artists using some of the most familiar inventions of our time: those of recording technology. We meet Albert Schweitzer making midnight recordings at the organ of aLondon church via a mobile rig, Pablo Casals alone with a cello and a microphone at Abbey Road Studios on the eve of world war, and Leopold Stokowski persuading Walt Disney to feature the conductor's own grand orchestrations of Bach in the animated film Fantasia. With the savant Glenn Gould hunkered over a piano in a state-of-the-art studio, the postwar reinvention of Bach is in full swing--and barrels onward with the Beatles, Switched-on Bach, and G繹del, Escher, Bach, right up to Yo-Yo Ma, the cellist who has cleared space for Bach in the digital realm. With a new preface, Reinventing Bach conveys the music's enduring influence and beauty--and evokes the ways recordings enable us to transcend time and space and enter a realm where an immortal composer, his master interpreters, and twenty-first-century listeners are brought together in a spiritualized encounter.
The Routledge Research Companion to Modernism in Music
Modernism has remained a pivotal focus of debate in musicology well into the twenty-first century, and recent critiques have failed to dampen its resilience. However, the picture of modernism has considerably broadened and diversified. As well as new approaches to areas that are relatively familiar, this book explores the less established topics
Hungarian ”Gypsy-Band” Music in Vienna, 1850-1914
A detailed investigation, based on extensive study of press reports and early recordings, of the popular Hungarian bands in Vienna who influenced Brahms and other composers. It has long been recognized that Viennese composers, especially Brahms, were profoundly influenced by Hungarian "Gypsy bands." Furthermore, the style hongrois repertory and style in which these bands specialized has been identified as important in its own right. The bands themselves, however, are generally relegated to the status of being part of an unknowable oral tradition, of which nothing remains apart from some highly exoticized literary hyperbole.Jon Banks's pathbreaking Hungarian "Gypsy-Band" Music in Vienna, 1850-1914 redresses this imbalance by presenting a detailed account of these "other" musicians and their interactions with the mainstream of Western classical music. To do so, it analyzes thousands of advertisements, news reports, and anecdotes in the Viennese press relating to "Gypsy bands" (whose members were often but not always Romani) and builds a detailed picture of who the musicians were, where they played, and how the conditions of their employment affected their lives and their music-making. The press notices are collated with evidence from contemporaneous Hungarian sources as well as an analysis of the hundreds of recordings that these bands made in the first decade of the twentieth century. In undertaking this first systematic examination of these different kinds of materials, Jon Banks's book provides a reanimation of some extraordinary personalities and careers in the light of their own achievements as well as their influence on others.
