Cabin Boys, Milkmaids, and Rough Seas
During his correspondence with erotic folklore collector Gershon Legman, famed chantey singer and collector Stan Hugill (1906-1992) shared unexpurgated versions of the songs in his repertoire. These bawdy songs were meant to be a part of Legman's larger project concerning erotic folksong. Upon Legman's death in 1999, the unfinished and unpublished manuscript sank into obscurity and was believed by many to be permanently lost. Thankfully this "holy grail" of chantey texts had been safe in the private collection of Legman's widow, Judith Legman, all along. Cabin Boys, Milkmaids, and Rough Seas: Identity in the Unexpurgated Repertoire of Stan Hugill is the first critical investigation of this repository, reproduced here for the first time. Training an interdisciplinary lens on twenty-four unexpurgated texts, author Jessica M. Floyd interrogates the articulation of gender, sexuality, and identity as it is expressed in these cultural artifacts of the sea. Opening with both a critical explication of the chantey genre, as well as situating Hugill's repertoire in the canon of folksong, the book introduces readers to the critical realities that attend this rich cultural tradition. Analytical chapters demonstrate the kaleidoscopic representation of gender and sexuality in this finite repertoire. Each inquiry is connected and overlapping, demonstrating an ebb and flow not unlike the waters on which the songs were sung. Words of warning, heteronormative economies, and queer undercurrents each collide to present an image of sailing life that is nuanced and complicated, provocative and evocative, transgressive and sometimes radical. The volume allows scholars to place a finger on the pulse of maritime life, feeling and experiencing one voice among the din of working-class song traditions.
The Language of Czech and Polish Civil Law Contracts: A Comparative Study Based on Corpus Research
The work, entitled The Language of Czech and Polish Civil Law Contracts: A Comparative Study Based on Corpus Research, is devoted to aspects of the field of specialised translation and provides an overview of the current state of translation studies. The main trends are presented, along with profiles of scholars working in the field. In relation to corpus research, translation studies methodology is also described, along with the main tools of corpus analysis, and the concept of a corpus is explained with an indication of the typological division of corpora. The work focuses also on the translation process from an external point of view (the client's) and from an internal point of view (the translator's), discussing the tools, techniques and strategies used in specialised translation.
Music, Books and Theatre in Eighteenth-Century Exton
This book establishes the cultural background to the productions of Milton's Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel's visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl's purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl's interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl's productions made a significant contribution to the cultural life of the East Midlands.The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.
Popular Opera in Eighteenth-Century France
This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.
The Viennese Ballroom in the Age of Beethoven
The repertoire of the early Viennese ballroom was highly influential in the broader histories of both social dance and music in nineteenth-century Europe. Yet music scholarship has traditionally paid little attention to ballroom dance music before the era of the Strauss dynasty, with the exception of a handful of dances by Haydn, Mozart and Beethoven. This book positions Viennese social dances in their specific performing contexts and investigates the wider repertoire of the Viennese ballroom in the decades around 1800, most of which stems from dozens of non-canonical composers. Close examination of this material yields new insights into the social contexts associated with familiar dance types, and reveals that the ballroom repertoire of this period connected with virtually every aspect of Viennese musical life, from opera and concert music to the emerging category of entertainment music that was later exemplified by the waltzes of Lanner and Strauss.
The Stage Works of Philip Glass
The Stage Works of Philip Glass is the first publication to exclusively examine Glass's stage works from 1976 to the present day. Glass, who is regularly acclaimed as the most popular living classical composer, created stage works that have had a mesmerizing effect on younger generations. Robert Waters analyses Glass and his music for the theatre in the context of other composers interested in so-called minimalist features. His discussion includes three introductory chapters that address the validity versus invalidity of terms such as minimalism, post-minimalism, postmodernism, and neo-Romanticism, together with a brief overview of Glass's life and works. Waters examines the different types of theatre responsible for Glass's impact, including Robert Wilson's Theater of Images. He sheds light on Glass's philosophy regarding staging, text, and other theatrical components, which includes a defiance of conventional narrative, visual and aural dissociation as a theatrical technique, and deconstructionist concepts.
Staging 'Euridice'
Euridice was one of several music-theatrical works commissioned to celebrate the wedding of Maria de' Medici and King Henri IV of France in Florence in October 1600. As the first 'opera' to survive complete, it has been viewed as a landmark work, but its libretto by Ottavio Rinuccini and music by Jacopo Peri and Giulio Caccini have tended to be studied in the abstract rather than as something to be performed in a specific time and place. Staging "Euridice" explores how newly-discovered documents can be used to precisely reconstruct every aspect of its original stage and sets in the room for which it was intended in the Palazzo Pitti. By also taking into account what the singers and instrumentalists did, what the audience saw and heard, and how things changed from creation through rehearsals to performance, this book brings new aspects of Euridice to light in startling ways.
Jazzed about Christmas
Jazzed about Christmas contains 18 fun and easy to play, teacher friendly Christmas favorites. The arrangements are for the early intermediate piano student. Each arrangement is in the key of C. The songs are fun and upbeat. The book has lessons that teach students how to jazz up songs using the Christmas favorites as an example. The 18 Christmas favorites are: 1. Jingle Bells2. Jolly Old Saint Nicholas3. Up On the House Top4. Deck the Halls5. Joy to the World6. God Rest Ye Merry Gentlemen7. Hark the Herald Angels Sing8. O Christmas Tree9. Angels We Have Heard On High10. Silent Night11. The First Noel12. Good King Wenceslas13. Bring a Torch Jeannette, Isabella14. I Saw Three Ships15. Still, Still, Still16. Dance of the Sugar Plum Fairies17. The Holly and the Ivy18. We Wish You a Merry Christmas
Jazz with a Beat
The neglected small group swing sound of the 1940s-60s takes its place in the pantheon of jazz literature.Finalist for the 2024 Foreword INDIES Book of the Year Award in the Performing Arts & Music category Jazz with a Beat is the first book on the often overlooked but vitally important genre of small group swing jazz. Coming into being in the early 1940s, small group swing answered the need in the Black community for a form of jazz that was more accessible (and more danceable) than the new bebop. An adaptation of the big band Black swing (Erskine Hawkins, Jimmie Lunceford, Chick Webb) of the 1930s to small combos, and with a more vigorous beat for the new generation, this music developed and was beloved through the 1940s, continued to be enjoyed through the rock and roll years of the 1950s, and was a major influence on the soul jazz of the 1960s. Among the many hit artists portrayed in these pages are Illinois Jacquet, Louis Jordan, Big Jay McNeely, Joe Liggins, Nat "King" Cole, Red Prysock, Ruth Brown, Nellie Lutcher, Camille Howard, T-Bone Walker, and Ray Charles. Dismissed as "rhythm and blues," this music has been ignored by jazz historians. Jazz with a Beat honors this music as a legitimate genre of jazz and is a stirring evocation of an era. It should be of interest to lovers of jazz and Americana.
Passport to Hell
This book unveils the vibrant and thriving world of Peruvian metal. It brings together a collection of Peruvian scholars, providing a long-overdue spotlight on a musical realm often overlooked in the international conversation.
Jazz with a Beat
Jazz with a Beat is the first book on the often overlooked but vitally important genre of small group swing jazz. Coming into being in the early 1940s, small group swing answered the need in the Black community for a form of jazz that was more accessible (and more danceable) than the new bebop. An adaptation of the big band Black swing (Erskine Hawkins, Jimmie Lunceford, Chick Webb) of the 1930s to small combos, and with a more vigorous beat for the new generation, this music developed and was beloved through the 1940s, continued to be enjoyed through the rock and roll years of the 1950s, and was a major influence on the soul jazz of the 1960s. Among the many hit artists portrayed in these pages are Illinois Jacquet, Louis Jordan, Big Jay McNeely, Joe Liggins, Nat "King" Cole, Red Prysock, Ruth Brown, Nellie Lutcher, Camille Howard, T-Bone Walker, and Ray Charles. Dismissed as "rhythm and blues," this music has been ignored by jazz historians. Jazz with a Beat honors this music as a legitimate genre of jazz and is a stirring evocation of an era. It should be of interest to lovers of jazz and Americana.
Transcultural Jazz
Transcultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally.
The Great Lieder Cycles In English Singing Translations
Here, for the first time, a singer has created a true, line by line, translation of all the song cycles of Schubert and Schumann, along with Beethoven's An Die Ferne Geliebte (To The Distant Beloved), Mahler's Lieder Eines Fahrenden Gesellen (Songs Of A Wayfarer) and the rare Eliland By Alexander Von Fielitz."With the needs of the singer, and also the listener, in mind I have by each line a faithful, rhyming translation of the original poems. It became clear to me at the start of my concert career, at my very first recital at London's Wigmore Hall, that the greater part of the audience were hearing only piano and voice, and that the wonderful poetry which was the inspiration of the composer, was lost to the listener. My ambition was to translate and make recordings of all the great song cycles so that the whole world can enjoy the wonderful poetry set to music." - Jeffrey Benton
Experiencing Organised Sounds
Experiencing Organised Sounds investigates a wide horizon of sound-based works using a template consistently across its 16 studies. It aims to address means of increasing appreciation and understanding related to the experience of sonic creativity (music involving any sounds, not just musical notes).
An Ethnomusicologist’s Last Lecture
An Ethnomusicologist's Last Lecture: Music and Globalism, Philosophy and Religion explores the frustration of many scholars and artists with the content and directions of studies on music, which continue to be mostly based on Western thought, methods, theories, and even the modes of communicating ideas, and mostly through written, published works. Steven Loza argues that this pattern has pervaded both philosophy and ethnomusicology, fields which should be much more globally based in terms of intellectual analysis, culturally diverse points of view, and the recognition of multiple ways of thinking and doing. He criticizes what he perceives as an intellectual hegemony and biased approach to studying music, including the standards to which academics are held responsible, the manner in which we and our students have had to study music, and the forms by which we are pressured to present our findings, many times adapting theories and ideas that have nothing to do with the cultures we are examining through a one way microscope - and often a distorted lens. Loza takes the reader through an assortment of historical and contemporary global examples of musical expression, creative artists, and thinkers, looking for ways that we can assess how music both reflects and enacts culturally diverse peoples' beliefs, thoughts, and world views.
Harmony at the Piano
Harmony at the Piano adapts the traditional study of keyboard harmony to the practical needs of modern piano students, using innovative exercises to help students practice their repertoire more deliberately, consciously, and creatively.The author introduces the essential elements of harmony through extensive examples from real piano music. Rooted in the understanding that the language of tonal harmony is best assimilated at the keyboard, this textbook: Gives students effective practice methods for learning repertoire, including techniques for memorizing music in a deliberate, analytical way. Connects harmony to musical expression, enabling students to make interpretive decisions based on their understanding of harmony. Contains extensive practice drills in each chapter, including chord progressions, figured bass, melody harmonization, reduction techniques, transposition, repertoire study, and more. Designed to support a full college or conservatory course in keyboard harmony, this book clearly connects the study of harmony to practical musicianship and keyboard skills, providing an essential resource for all instructors and students of advanced piano music.Extensive online resources complement this textbook, including suggested realizations of the figured bass exercises, the original scores of the melody harmonization and fill-in-the-blank exercises, as well as additional exercises and examples.
Practical Method for Beginners, Op. 599 (Modern Edition) - With Illustrated Introduction on How to Read Sheet Music
An excellent guide for budding pianists, Czerny's Practical Method for Beginners has served as an instructional beacon for over 150 years.In this Modern Edition, contemporary composer Grant Dersom rejuvenates the printed score by editing with modern techniques, while drawing from reliable, older editions.Includes fingerings, footnotes, and "Notes for Absolute Beginners" an introductory guide on reading sheet music.
Wild Colonial Boys
In this compelling memoir, Thomas Paul Burgess recounts his time as a member of Ruefrex, one of Northern Ireland's most successful punk rock bands. Through a series of revealing vignettes, he traverses strife-torn Belfast and bohemian London, revealing another side of the punk rock story.
Art of Sound
Bringing together a diverse group of world-leading professionals across post-production film sound and electroacoustic music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel and communicate via sound.
The Rolling Stones: Rare and Unseen
FOREWORD BY KEITH RICHARDS 'ICONIC... DAZZLING.'-MOJO 'SPECTACULAR... YOU TRULY FEEL THE INSANE PACE OF LIFE AS A STONE.'-VARIETY 'Gered was at one with the band. More than that, for that special time, he was in the band.'-ANDREW LOOG OLDHAM 'He was a hell of a lot of fun. That's why he was a good photographer.'-MARIANNE FAITHFULL Delve into the unseen archive of iconic photographer Gered Mankowitz as he shares rare and newly discovered images of his time with the Rolling Stones, alongside his most iconic shots. Just a teenager, Mankowitz took some of the best-loved photographs of the Stones in their frantic, formative years. Now for the first time he looks beyond those famous images - unearthing frames that have never been seen before, plus those rarely used. Also featuring Gered's first-hand stories and a host of expert writers on the band and their music - including The Times' chief rock and pop critic Will Hodgkinson, Ben Sisario of the New York Times as well as academics, fashion writers and more - The Rolling Stones Rare and Unseen is a fresh look at the greatest story in rock 'n' roll. AFTERWORD BY ANDREW LOOG OLDHAM
This Is My Everything
Five young men in their early twenties, carrying backpacks and guitars, climbed onto the bus in Mendoza, Argentina, that was to take them over the Andes to Santiago de Chile, where they would play the last show of their South American tour, and then board a plane the day after back to their home country of Germany. In spite of the South American winter, the weather in Mendoza was bright and sunny. The ride was supposed to take six hours, after three of which they would cross the border to Chile at a post called Cristo Redentor, at more than 3000 meters above sea level. Not long after the bus had left the station, the weather started to change for the worse. It started raining, and as the road wound itself higher up the Andes, rain soon turned to snow, and before long, white drifts were growing larger on either side of the road. When they finally reached the border crossing, a long line of trucks and cars was standing ahead of them, not moving an inch...Starting a band is a lot like a romantic relationship. You spend time together, find that common spark, and live through emotions and experiences. You create music together. Songs, lyrics, entire records. You find a name for your band. Each member contributes to creating something uniquely your own. Then there's also the other side of the medal: fights, breakups, broken hearts. The entire emotional bandwidth of a relationship is contained within the complicated inner workings of a band.'This Is My Everything' is about one forgotten screamo band's travels into and out of the worldwide DIY hardcore scene in the late nineties and early noughties, with guest appearances by Against Me!, Shelter, Refused, Ink&Dagger, Yaphet Kotto, Snapcase and many more.
Faith by Aurality in China's Ethnic Borderland
Illuminates how voice, faith, and hearing become intertwined with technologies of sound reproduction and mobility amid the rapidly transforming religious landscape of China's ethnic borderland. The twentieth-century expansion of Protestantism among the upland peoples in the China-Southeast Asia borderlands has catalyzed a profound sociocultural change in the region. In Faith by Aurality in China's Ethnic Borderland, Ying Diao finds important sonic evidence for this religious revolution in the rapidly transforming region of northwest Yunnan, presenting a compelling account of the region's Christian minority and highlighting the importance of aurality in this group's response to Christianity and other modernizing projects. Diao documents a range of sounded religious practices by the Lisu, an indigenous yet historically migratory people, to examine how participatory music production, circulation, and consumption become integral to indigenous perception and experience of faith. Weaving together evidence from multisite fieldwork, archival records, and audiovisual media, Diao demonstrates a nuanced understanding of people of faith at the margins, one centered on the sensual and material dimensions of religion and on the intertwining of local agency and external hegemonic forces. The resulting book provides historical and contextual information that enriches anthropological, ethnomusicological, and historical scholarship on global Christianity while showing how sound can be an ambivalent but fruitful avenue through which ways of faith are constructed in a context where religion remains voiceless.
Sounding Our Way Home
A product of twenty-five years of archival and primary research, Sounding Our Way Home: Japanese American Musicking and the Politics of Identity narrates the efforts of three generations of Japanese Americans to reach "home" through musicking. Using ethnomusicology as a lens, Susan Miyo Asai examines the musical choices of a population that, historically, is considered outside the racial and ethnic boundaries of American citizenship. Emphasizing the notion of national identity and belonging, the volume provokes a discussion about the challenges of nation-building in a democratic society. Asai addresses the politics of music, interrogating the ways musicking functions as a performance of social, cultural, and political identification for Japanese Americans in the United States. Musicking is an inherently political act at the intersection of music, identity, and politics, particularly if it involves expressing one's ethnicity and/or race. Asai further investigates how Japanese American ethnic identification and cultural practices relate to national belonging. Musicking cultivates a narrative of a shared history and aesthetic between performers and listeners. The discourse situates not only Japanese Americans, but all Asians into the black/white binary of race relations in the United States. Sounding Our Way Home contributes to the ongoing struggle for acceptance and equal representation for people of color in the US. A history of Japanese American musicking across three generations, the book unveils the social and political discrimination that nonwhite immigrants and their offspring continue to face when it comes to finding acceptance in US society and culture.
Sounding Our Way Home
A product of twenty-five years of archival and primary research, Sounding Our Way Home: Japanese American Musicking and the Politics of Identity narrates the efforts of three generations of Japanese Americans to reach "home" through musicking. Using ethnomusicology as a lens, Susan Miyo Asai examines the musical choices of a population that, historically, is considered outside the racial and ethnic boundaries of American citizenship. Emphasizing the notion of national identity and belonging, the volume provokes a discussion about the challenges of nation-building in a democratic society. Asai addresses the politics of music, interrogating the ways musicking functions as a performance of social, cultural, and political identification for Japanese Americans in the United States. Musicking is an inherently political act at the intersection of music, identity, and politics, particularly if it involves expressing one's ethnicity and/or race. Asai further investigates how Japanese American ethnic identification and cultural practices relate to national belonging. Musicking cultivates a narrative of a shared history and aesthetic between performers and listeners. The discourse situates not only Japanese Americans, but all Asians into the black/white binary of race relations in the United States. Sounding Our Way Home contributes to the ongoing struggle for acceptance and equal representation for people of color in the US. A history of Japanese American musicking across three generations, the book unveils the social and political discrimination that nonwhite immigrants and their offspring continue to face when it comes to finding acceptance in US society and culture.
Exposing the Chasms in Voice Pedagogy
This concise book critically examines the intersection of power, privilege, and classical music in higher education through an extensive study of the experiences, training, and background of teachers of musical theatre singing.Mapping the divides within the voice pedagogy field, it shows how despite the growth of non-classical programmes, the teaching of vocal music in the United States continues to be structurally dominated by Western classical music. Drawing on extensive fieldwork and observations of practicing instructors, the author argues that current voice pedagogy training's classical-centred approach fails to prepare instructors to teach the range of vocal styles needed in the contemporary musical theatre profession. Combining a critical review of existing practices with proposals for change, this book sheds light on a key problem in voice pedagogy today.Based on field research and drawing on both Shulman's signature pedagogies theory and Bourdieu's concepts of habitus, capitals, practice, and field, this book will be useful for scholars, researchers, and practitioners of voice pedagogy, higher music education, performance education, cultural studies, music, musical theatre, and theatre studies.
Trumpet Around the Corner
Samuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages--African American, white, and Creole--in jazz's formative years. Charters also maps the inroads blazed by the city's Italian immigrant musicians, who left their own imprint on the emerging styles. The study is based on the author's own interviews, begun in the 1950s, on the extensive material gathered by the Oral History Project in New Orleans, on the recent scholarship of a new generation of writers, and on an exhaustive examination of related newspaper files from the jazz era. The book extends the study area of his earlier book Jazz: New Orleans, 1885-1957, and breaks new ground with its in-depth discussion of the earliest New Orleans recordings. A Trumpet around the Corner for the first time brings the story up to the present, describing the worldwide interest in the New Orleans jazz revival of the 1950s and 1960s, and the exciting resurgence of the brass bands of the last decades. The book discusses the renewed concern over New Orleans's musical heritage, which is at great risk after the catastrophe of Hurricane Katrina's floodwaters.
The Resurrection of The Crazed
The Resurrection of The Crazed by Paul WainwrightJoin the author as he journeys back to those mutant rockin', venue wreckin', snakebite sodden days of the Psychobilly/neo-Rockabilly scene of the 80's. His fanzine 'The Crazed' was right there, reporting on the scene as it grew and writing about bands such as The Meteors, GuanaBatz, Demented Are Go, King Kurt, Long Tall Texans and Restless.Travel back through those articles and interviews and revisit the experience. Enjoy noisy nights at The Klub Foot, mecca of all things Psychobilly, where many of these interviews were conducted after sweaty gigs. Read the bands own words, full of enthusiasm, excitement and optimism about what the future might hold, and discover what it was like to produce and edit a fanzine back then.The scene meant so much to so many and 'The Crazed' was there to document it. This book recaptures how it felt at the time.After lying dormant for over 30 years 'The Crazed' has now been resurrected. Foreword by Craig 'Bracko' Brackenridge of Vintage Rock magazine.Club Foot cover art by Paskal Millet.
The Roman Sacred Music of Alessandro Scarlatti
This book offers an account of the sacred music written by Alessandro Scarlatti (1660-1725) in Rome, a city where the composer lived and worked for many years throughout his career. Using archival research, Luca Della Libera provides an overview of Scarlatti's life and activities in Rome, addresses his connections with the institutions and patrons of the city, and analyses his Roman repertoire in comparison to the sacred music of other contemporary composers, demonstrating its unique characteristics. An appendix includes transcriptions of the archival sources connected with Scarlatti's activity in Rome. The first major publication in English to address the sacred music repertoire of one of the major composers of the Italian Baroque, this book offers new insights into Scarlatti's work and a valuable resource for researchers in musicology and early modern studies.
Throbbing Gristle
Drawing on archives and live performances, this book traces the impressions and reverberations of UK punk band Throbbing Gristle. This book looks at late 1970s Britain, before, during, and immediately after the Winter of Discontent, to situate the activism of Throbbing Gristle in this time. It explores how the band worked in and against the time, and how they worked in and against punk, as punk worked in and against the time and place. Punk acts as a mediating factor and nuisance value in the band's story, as Throbbing Gristle emerged with punk in late 1976, grappled with it through 1977, and then went on to create and eventually criticize a number of post-punk scenes that had flourished around 1979.
Orpheus in the Academy
This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera's performance, and to which the libretto author, Alessandro Striggio the Younger, belonged.
Sonic Ruins of Modernity
Sonic Ruins of Modernity shows how social, cultural, and cognitive phenomena interact in the making and distribution of folksongs beyond their time.
Sonic Rebellions
Sonic Rebellions combines theory and practice to consider contemporary uses of sound in the context of politics, philosophy, and protest by exploring the relationship between sound and social justice, with particular attention to sonic methodologies not necessarily conceptualised or practiced in traditional understandings of activism.
Transitions in Mid-Baroque Music
Featuring 102 music examples, this edited collection features contributions by leading scholars from the UK, United States, Australasia and Europe on what characterized the period. This collection focusses on the stylistic and cultural interchange that characterizes the musical period of the mid-Baroque (c.1650-1710). The idea of musical transition during this period is evident in two principal ways: geographical and chronological (the two often overlap). Chapters examine geographical transition by tracing the exchange of regional and national styles, while considering chronological evolution from the perspective of music theory, performance practice, source studies or specific repertoires. Studies range across instrumental and vocal music, both sacred and secular, and encompass some of the main European traditions prevalent at the time: Italian, German, French and English. The collection features contributions by leading scholars from the UK, the United States, Australasia and Europe.
Sylvius Leopold Weiss
Sylvius Leopold Weiss (1687-1750) was a prominent Baroque composer and lutenist known for his exceptional contributions to lute music. Born in Grottkau, Silesia (now part of Poland), and a contemporary of Johan Sebastian Bach, Weiss displayed exceptional talent from an early age and quickly rose to become one of the most esteemed lute virtuosos of his time. The London manuscript is a compilation of Weiss's works that made its way to England. It provides a unique perspective on Weiss's musical style, influenced by the cosmopolitan atmosphere of the British capital. In this manuscript, one can find a diverse range of musical forms and influences, reflecting Weiss's encounters with English, French, and Italian music. The London manuscript includes a delightful combination of galliards, allemandes, courantes, and other dances, as well as charming character pieces and graceful sonatas. Recommended for Intermediate and Advanced Performers
Sylvius Leopold Weiss
Sylvius Leopold Weiss (1687-1750) was a prominent Baroque composer and lutenist known for his exceptional contributions to lute music. Born in Grottkau, Silesia (now part of Poland), and a contemporary of Johan Sebastian Bach, Weiss displayed exceptional talent from an early age and quickly rose to become one of the most esteemed lute virtuosos of his time. The London manuscript is a compilation of Weiss's works that made its way to England. It provides a unique perspective on Weiss's musical style, influenced by the cosmopolitan atmosphere of the British capital. In this manuscript, one can find a diverse range of musical forms and influences, reflecting Weiss's encounters with English, French, and Italian music. The London manuscript includes a delightful combination of galliards, allemandes, courantes, and other dances, as well as charming character pieces and graceful sonatas. Recommended for Intermediate and Advanced Performers
Sylvius Leopold Weiss
Sylvius Leopold Weiss (1687-1750) was a prominent Baroque composer and lutenist known for his exceptional contributions to lute music. Born in Grottkau, Silesia (now part of Poland), and a contemporary of Johan Sebastian Bach, Weiss displayed exceptional talent from an early age and quickly rose to become one of the most esteemed lute virtuosos of his time. The London manuscript is a compilation of Weiss's works that made its way to England. It provides a unique perspective on Weiss's musical style, influenced by the cosmopolitan atmosphere of the British capital. In this manuscript, one can find a diverse range of musical forms and influences, reflecting Weiss's encounters with English, French, and Italian music. The London manuscript includes a delightful combination of galliards, allemandes, courantes, and other dances, as well as charming character pieces and graceful sonatas. Recommended for Intermediate and Advanced Performers About Michael P Walker I studied guitar at Birmingham-Southern College under David Walpert who was a student of Andre Segovia and I have been playing guitar, ukulele, Baroque guitar, and the lute for more than sixty years. I have transcribed these compositions with the hope of exposing this rich, beautiful music to a wider audience of guitar and ukulele players.
The Art of Darkness
This is the first comprehensive history of goth music and culture. John Robb explores the origins and legacy of this enduring scene, which has its roots in the post-punk era. Drawing on his own experience as a musician and journalist, Robb covers the style, the music and the clubs that spawned goth culture, alongside political and social conditions. Reaching back further into history, he examines key events and movements that frame the ideas of goth, from the fall of Rome to Lord Byron and the Romantic poets, European folk tales, Gothic art and the occult. Finally, he considers the current mainstream goth of Instagram influencers, film, literature and music. The art of darkness features interviews with Andrew Eldritch, Killing Joke, Bauhaus, The Cult, The Banshees, The Damned, Einst羹rzende Neubauten, Johnny Marr, Trent Reznor, Adam Ant, Laibach, The Cure, Nick Cave and many more. It offers a first-hand account of being there at the gigs and clubs that made the scene happen.
Nefarious Artists
Nefarious Artists: The Evolution and Art of the Punk Rock, Post-Punk, New Wave, Hardcore Punk and Alternative Rock Compilation Record 1976 - 1989 by Welly Artcore.Long before online streaming and even TV music videos, that were beyond the reach of many new bands outside of a lucky spin on the radio, the compilation became the most effective way to access, and be accessed by, the eager new ears and inquisitive minds of the then new punk generation. 'Nefarious Artists' is a field study of over 500 punk rock, post- punk, new wave, hardcore punk, and alternative rock compilations from their beginnings in 1976 as major label samplers and live showcases of the 'new wave' through their rapid evolution into a documentary art form of D.I.Y. punk rock creativity and expression.424 pages packed with full colour alternative rock and punk compilation covers, and the stories behind these important releases.
Church Harmonies
This book is a collection of religious hymns and tunes compiled for use in congregational singing. Published by the Universalist Publishing House in 1898, it features a wide selection of hymns from various religious traditions, focusing on messages of hope, love, and faith.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Crown Hymnal
This hymnal, published in 1914, offers a comprehensive collection of hymns and liturgical texts in both English and Latin for use in Catholic churches. With detailed explanatory notes and a focus on liturgical accuracy, it remains a valuable resource for anyone interested in the history and practice of Catholic worship.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Boston Handel and Haydn Society Collection of Church Music
This book is a selection of the greatest and most beautiful music composing the most approved psalm and hymn tunes compiled by Lowell Mason. Extracts from the works of eminent composers, such as Haydn, Mozart, and Beethoven, are included and harmonized for use in Christian churches of every denomination.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Finsbury Chapel Collection of Hymns From the Best Authors
A comprehensive collection of hymns from a variety of authors, with references to suitable tunes for easy singing. This companion to Dr. Watt's Psalms and Hymns is perfect for use in the chapel, the church, or at home.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Johann癡s Brahms, sa vie et son Oeuvre
This comprehensive biography of Johannes Brahms provides a detailed account of the life and works of one of the greatest composers of the 19th century. With extensive research and analysis, author Hugues Imbert de Moulinsengilbert offers valuable insights into the creative process and influences behind Brahms' music.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Liturgical Poetry of Adam of St. Victor; Volume III
Adam de Saintvictor's liturgical poetry is considered some of the most beautiful and moving in the Western canon. In this collection, readers are treated to a selection of Adam's most renowned works, including hymns for Advent, Easter, and the Virgin Mary. A must-read for lovers of poetry and religious literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Heart to Heart
A collection of beloved hymns written by the celebrated author of 'The Old, Old Story.' These powerful and uplifting religious songs offer comfort, inspiration, and hope to readers of all ages and backgrounds.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Unity Hymns and Chorals With Service Elements
This book is a collection of hymns and chorals with service elements designed to create a meaningful and uplifting worship experience. William Channing Gannett has carefully selected and arranged each piece, providing options that will appeal to a wide range of congregations. Whether you are a pastor, music director, or member of a choir, you will find this book to be an invaluable addition to your library.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Atonement
This stirring work of music is a cantata on the theme of the atonement. Written by composer Samuel Coleridge-Taylor and librettist Alice Parsons, The Atonement features soaring melodies and lush orchestration, creating an unforgettable listening experience.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Congregational Hymn and Tune Book
Featuring a comprehensive range of psalms and hymns, The Congregational Hymn and Tune Book is an essential resource for pastors, choirmasters, and congregants alike. Carefully curated by the General Association of Connecticut, each piece is specially adapted to suitable tunes for easy and enjoyable singing. Whether for use at Sunday services, funerals, or weddings, this book is an ideal addition to any church's library.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
