Hymns On Various Passages of Scripture
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A Book of Hymns for Public and Private Devotion
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Collection Of Songs
This book contains a collection of songs about love, life, and the blues. It is one that every romantic at heart will truly love.
The Private Devotions of Dr. William Laud, Archbishop of Canterbury and Martyr
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hosannah to the Son of David; Or, Hymns of Praise to God for Our Glorious Redemption by Christ & Gloria in Excelsis Or, Hymns of Praise to God & the Lamb
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Midnight Harmonies, Or, Thoughts for the Season of Solitude & Sorrow
The Music Dramas Of Richard Wagner And His Festival Theatre In Bayreuth
Do You Remember?
In Do You Remember? Celebrating Fifty Years of Earth, Wind & Fire, Trenton Bailey traces the humble beginning of Maurice White, his development as a musician, and his formation of Earth, Wind & Fire, a band that became a global phenomenon during the 1970s. By the early 1980s, the music industry was changing, and White had grown weary after working constantly for more than a decade. He decided to put the band on hiatus for more than three years. The band made a comeback in 1987, but White's health crisis soon forced them to tour without him. During the twenty-first century, the band has received numerous accolades and lifetime achievement and hall of fame awards. The band remains relevant today, collaborating with younger artists and maintaining their classic sound. Earth, Wind & Fire stood apart from other soul bands with their philosophical lyrics and extravagant visual art, much of which is studied in the book, including album covers, concerts, and music videos. The lyrics of hit songs are examined alongside an analysis of the band's chart success. Earth, Wind & Fire has produced twenty-one studio albums and several compilation albums. Each album is analyzed for content and quality. Earth, Wind & Fire is also known for using ancient Egyptian symbols, and Bailey thoroughly details those symbols and Maurice White's fascination with Egyptology. After enduring many personnel changes, Earth, Wind & Fire continues to perform around the world and captivate diverse audiences.
Do You Remember?
In Do You Remember? Celebrating Fifty Years of Earth, Wind & Fire, Trenton Bailey traces the humble beginning of Maurice White, his development as a musician, and his formation of Earth, Wind & Fire, a band that became a global phenomenon during the 1970s. By the early 1980s, the music industry was changing, and White had grown weary after working constantly for more than a decade. He decided to put the band on hiatus for more than three years. The band made a comeback in 1987, but White's health crisis soon forced them to tour without him. During the twenty-first century, the band has received numerous accolades and lifetime achievement and hall of fame awards. The band remains relevant today, collaborating with younger artists and maintaining their classic sound. Earth, Wind & Fire stood apart from other soul bands with their philosophical lyrics and extravagant visual art, much of which is studied in the book, including album covers, concerts, and music videos. The lyrics of hit songs are examined alongside an analysis of the band's chart success. Earth, Wind & Fire has produced twenty-one studio albums and several compilation albums. Each album is analyzed for content and quality. Earth, Wind & Fire is also known for using ancient Egyptian symbols, and Bailey thoroughly details those symbols and Maurice White's fascination with Egyptology. After enduring many personnel changes, Earth, Wind & Fire continues to perform around the world and captivate diverse audiences.
The Church Hymnary
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Jazz and Death
Jazz and Death: Reception, Rituals, and Representations critically examines the myriad and complex interactions between jazz and death, from the New Orleans "jazz funeral" to jazz in heaven or hell, final recordings, jazz monuments, and the music's own presumed death. It looks at how fans, critics, journalists, historians, writers, the media, and musicians have narrated, mythologized, and relayed those stories. What causes the fascination of the jazz world with its deaths? What does it say about how our culture views jazz and its practitioners? Is jazz somehow a fatal culture?The narratives surrounding jazz and death cast a light on how the music and its creators are perceived. Stories of jazz musicians typically bring up different tropes, ranging from the tragic, misunderstood genius to the notion that virtuosity somehow comes at a price. Many of these narratives tend to perpetuate the gendered and racialized stereotypes that have been part of jazz's history. In the end, the ideas that encompass jazz and death help audiences find meaning in a complex musical practice and come to grips with the passing of their revered musical heroes -- and possibly with their own mortality.
Coros Y Danzas
Coros y Danzas explores how women of the early Franco regime adapted musical folklore and Spanish nationalism according to different political circumstances. Author Daniel David Jordan focuses on the end of the Spanish Civil War until the Pact of Madrid with the United States-a period where Spain transformed itself from a supporter of Nazi Germany to a faithful ally of the Western Bloc. The Secci籀n Femenina of the fascist Falange party officially represented the regime's views and policies on female gender roles. Sending their instructoras de m繳sica to remote villages throughout the nation's diverse cultural and linguistic regions to select, transcribe, and compose songs and dances, they were portrayed as the keepers of Spanish folk music. Through their Music Department, these women shaped traditional Spanish songs and dances to promote ideas of Catholic morality throughout the nation's culturally diverse regions, helped legitimize colonial involvement in Spain's African territories, and formed political ties with the Allied powers after World War II. The Secci籀n Femenina was never simply a one-sided mouthpiece of the dictatorship's nationalist, Catholic underpinnings. Despite the Franco regime's patriarchal nature, many members were highly independent, negotiating with local cultural elites and foreign political diplomats to further their own careers and personal philosophies. Drawing from literature on cultural diplomacy and nation-building, Coros y Danzas proposes how the Secci籀n Femenina's definition of Spanish cultural and racial purity was never monolithic, but a malleable concept that was nuanced depending on geographical and social contexts in which its members were operating.
The Messiah
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Tagebuch der Reise in die Niederlande
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Music, Dance and the Archive
Music, Dance and the Archive reimagines records of performance cultures from the archive through collaborative and creative research. In this edited volume, Amanda Harris, Linda Barwick and Jakelin Troy bring together performing artists, cultural leaders and interdisciplinary scholars to highlight the limits of archival records of music and dance. Through artistic methods drawn from Indigenous methodologies, dance studies and song practices, the contributors explore modes of re-embodying archival records, renewing song practices, countering colonial narratives and re-presenting performance traditions. The book's nine chapters are written by song and dance practitioners, curators, music and dance historians, anthropologists, linguists and musicologists, who explore music and dance by Indigenous people from the West, far north and southeast of the Australian continent, and from Aotearoa New Zealand, Taiwan and Turtle Island (North America).Music, Dance and the Archive interrogates historical practices of access to archives by showing how Indigenous performing artists and community members and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It not only examines colonial archiving practices but also creative and provocative efforts to redefine the role of archives and to bring them into dialogue with contemporary creative work. Through varied contributions the book seeks to destabilise the very definition of "archives" and to imagine the different forms in which cultural knowledge can be held for current and future Indigenous stakeholders. Music, Dance and the Archive highlights the necessity of relationships, Country and creativity in practising song and dance, and in revitalising practices that have gone out of use.As contemporary Australia reckons with its past, this volume is both timely and urgent. We readers are challenged to critically reflect on how history lives on in the present - with implications not only for creativity, heritage, and the arts, but also for prosperous and equitable societies and thriving cultures, now and into the future. This unique and lively collection is a landmark in scholarship on Indigenous performing arts and the archive, with relevance for Australia and beyond.
Choral Orchestration
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Divine And Moral Songs. For Children. (illustr.)
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Mazurkas
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Swedish Rite
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Feel My Big Guitar
Contributions by Ignatius Calabria, H. Zahra Caldwell, Brian Jude de Lima, Sabatino DiBernardo, William Fulton, Antonio Garfias, Judson L. Jeffries, Tony Kiene, Molly Reinhoudt, Fred Shaheen, and Karen Turman With his signature blend of genres and lyrics that touch on myriad societal issues, the artist Prince (1958-2016) has challenged and captivated the minds and hearts of countless listeners. Feel My Big Guitar: Prince and the Sound He Helped Create is a wide-ranging collection that seeks to place Prince at the center of contemporary musical scholarship, putting him in proper cultural and political context. This edited volume includes a mix of essays and reflections by scholars and fans, as well as interviews with people who worked with and knew Prince personally. Employing a blend of methodologies, contributors offer a body of fresh, intriguing, thought-provoking, and mind-bending work about Prince--an artist whose music exemplified those very characteristics. The volume examines Prince's musical influences, his rivalries (both real and imagined), and instrumental eroticism. It includes enlightening interviews with early mentor P矇pe Willie and Gayle Chapman, Prince's first female bandmate. These personal reflections and interviews grant readers a unique lens through which to view Prince, enriching our overall understanding of the man. Ultimately, Feel My Big Guitar serves as a space for sharing musicological analysis and memories about an artist whose work has touched and inspired so many. Years in the making, this is the first book in an ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, intended to investigate and reveal the full spectrum of Prince's life and work.
Making Music
The banjo has been emblematic of the Southern Appalachian Mountains since the late twentieth century. Making Music: The Banjo in a Southern Appalachian County takes a close look at the instrument and banjo players in Haywood County, North Carolina. Author William C. Allsbrook Jr., MD, presents the oral histories of thirty-two banjo players, all but two of whom were born in Haywood County. These talented musicians recount, in their own words, their earliest memories of music, and of the banjo, as well as the appeal of the banjo. They also discuss learning to play the instrument, including what it "feels like" playing the banjo, many describing occasional "flow states." In the book, Allsbrook explores an in-home musical folkway that developed along the colonial frontier. By the mid-1800s, frontier expansion had ceased in Haywood County due to geographic barriers, but the in-home musical tradition, including the banjo, survived in largely isolated areas. Vestiges of that tradition remain to this day, although the region has undergone significant changes over the lifetimes of the musicians interviewed. As a result, the survival of the in-home tradition is not guaranteed. Readers are invited into the private lives of the banjo players and asked to consider the future of the banjo in the face of contemporary trends. The future will be shaped by how this remarkable mountain culture continues to adapt to these challenges. Still, this thriving community of banjo players represents the vibrant legacy of the banjo in Haywood County and the persistence of tradition in the twenty-first century.
Making Music
The banjo has been emblematic of the Southern Appalachian Mountains since the late twentieth century. Making Music: The Banjo in a Southern Appalachian County takes a close look at the instrument and banjo players in Haywood County, North Carolina. Author William C. Allsbrook Jr., MD, presents the oral histories of thirty-two banjo players, all but two of whom were born in Haywood County. These talented musicians recount, in their own words, their earliest memories of music, and of the banjo, as well as the appeal of the banjo. They also discuss learning to play the instrument, including what it "feels like" playing the banjo, many describing occasional "flow states." In the book, Allsbrook explores an in-home musical folkway that developed along the colonial frontier. By the mid-1800s, frontier expansion had ceased in Haywood County due to geographic barriers, but the in-home musical tradition, including the banjo, survived in largely isolated areas. Vestiges of that tradition remain to this day, although the region has undergone significant changes over the lifetimes of the musicians interviewed. As a result, the survival of the in-home tradition is not guaranteed. Readers are invited into the private lives of the banjo players and asked to consider the future of the banjo in the face of contemporary trends. The future will be shaped by how this remarkable mountain culture continues to adapt to these challenges. Still, this thriving community of banjo players represents the vibrant legacy of the banjo in Haywood County and the persistence of tradition in the twenty-first century.
Feel My Big Guitar
Contributions by Ignatius Calabria, H. Zahra Caldwell, Brian Jude de Lima, Sabatino DiBernardo, William Fulton, Antonio Garfias, Judson L. Jeffries, Tony Kiene, Molly Reinhoudt, Fred Shaheen, and Karen Turman With his signature blend of genres and lyrics that touch on myriad societal issues, the artist Prince (1958-2016) has challenged and captivated the minds and hearts of countless listeners. Feel My Big Guitar: Prince and the Sound He Helped Create is a wide-ranging collection that seeks to place Prince at the center of contemporary musical scholarship, putting him in proper cultural and political context. This edited volume includes a mix of essays and reflections by scholars and fans, as well as interviews with people who worked with and knew Prince personally. Employing a blend of methodologies, contributors offer a body of fresh, intriguing, thought-provoking, and mind-bending work about Prince--an artist whose music exemplified those very characteristics. The volume examines Prince's musical influences, his rivalries (both real and imagined), and instrumental eroticism. It includes enlightening interviews with early mentor P矇pe Willie and Gayle Chapman, Prince's first female bandmate. These personal reflections and interviews grant readers a unique lens through which to view Prince, enriching our overall understanding of the man. Ultimately, Feel My Big Guitar serves as a space for sharing musicological analysis and memories about an artist whose work has touched and inspired so many. Years in the making, this is the first book in an ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, intended to investigate and reveal the full spectrum of Prince's life and work.
An Arrangement Of The Psalms, Hymns And Spiritual Songs Of Issac Watts
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Backstage with Pavarotti and Other Egos
Luciano Pavarotti was one of the best-loved international personalities of the 20th century. A singer who broke free of opera houses to perform before massive audiences in huge arenas around the world, becoming in the process the richest opera singer in history.John Duffus presented and worked on a dozen concerts with Pavarotti, including the last he ever sang to a paying public, as well as others with such artists as Dame Kiri Te Kanawa, Isaac Stern and fellow tenors Pl獺cido Domingo and Jos矇 CarrerasBlessed with a glorious voice, described as "a freak of nature that comes very rarely in 100 years", Pavarotti seemingly had it all. After his entry into arenas, though, disasters began to strike with increasing regularity. He was cancelling previously scheduled concerts and operas virtually at a whim. The ego had become as large as his girth.The backstage shenanigans of the promoters, agents and others who worked on these concerts have never been revealed, until now.
Ducktails, Drive-Ins, and Broken Hearts
An unflinching look at the triumphs and tragedies of '50s rock and roll, from the biggest stars, like Chuck Berry and Carl Perkins, to those who barely grabbed the spotlight.They all tried, but few singers and musicians from the 1950s became stars. Yet many of them had stories to tell that were far more interesting than the ones you already know. Author Hank Davis was bitten by the music bug as a teenager. By the time he entered college in 1959, he was no stranger to New York's recording studios and had a few 45s of his own on the market.Spanning a 45 year career in music journalism, Davis has spent time backstage, in motel rooms, and on tour buses to uncover stories that rarely made the official annals of pop music history. Based on hundreds of hours of interviews and new research, Ducktails, Drive-Ins, and Broken Hearts offers a fascinating, behind-the-scenes look at the winners and losers during rock 'n' roll's formative era.How did a decade as uptight and puritanical as the '50s produce so much cringe-worthy, politically incorrect music? What was it like to see a pale cover version of your latest record climb the charts while yours sat unplayed by mainstream radio stations? How did precious Elvis tapes end up in a Memphis landfill? And who was that thirteen-year-old girl who made a five-dollar vanity record at Sun just two years after Elvis had-and ended up singing backup on "Suspicious Minds" and "In the Ghetto?" This book is a must-read for all fans of '50s music.In the words of Jerry Phillips, son of Sun Records founder, Sam Phillips, "Hank Davis is one of the few guys who really gets it."
Psalms and Hymns for Public and Private Use
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Processional Hymns
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Kingdom
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Collection of Psalms and Hymns for the Use of Universalist Societies and Families
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The Psalms and Hymns, With the Catechism, Confession of Faith, and Canons, of the Synod of Dort; and Liturgy of the Reformed Protestant Dutch Church in North America
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The Psalms and Hymns, With the Catechism, Confession of Faith, and Canons, of the Synod of Dort; and Liturgy of the Reformed Protestant Dutch Church in North America
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Die Frist ist um
"Die Frist ist um-Navigate the Language of 10 German Operas" is a compass, made of the author's passion for music and language. Written for singers, vocal students and their teachers this book steers its readers through the treacherous waters of the German operatic language. At first, the readers get aquainted with the most relevant grammar rules presented in concise and comprehensible explanations. Then, they will learn a simplified method to access the meaning of a text without having to consult a translation. Now, the way is clear to approach the 10 most popular operas of the German repertoire. After providing intriguing background on the composers and librettists and their times, the book introduces the operas' style, vocabulary and phrases, often uncovering the wit and depth of colloquial and local language. Highlight of each chapter are the linguistic interpretations of the most important-altogether 36-arias and duets. If the readers started reading this book fearful of a language that seems to be intimidating and complicated, they will finish it with a deeper understanding of the lyrics. From "Die Zauberfl繹te" to "Der Rosenkavalier," from "H瓣nsel und Gretel" to "Tristan und Isolde"-they might find that discovering the beauty of the poetry is as rewarding as mastering the beauty of the music. "Die Frist ist um" is a reliable companion for role preparation and auditions and will help its readers to be successful in the increasingly competitive world of opera.
Poetical Fragments
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Lion’s Share
In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion's Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its postapartheid agenda of redistributive justice and a turn to a postindustrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from antipiracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda's song "Mbube" for its hit "The Lion Sleeps Tonight" from The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society.
Griggs’ Collection for Sunday Schools and Young People’s Meetings
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Plain Music for the Book of Common Prayer
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Hymns and Spiritual Songs
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Rideshare by Robert
Rideshare by Robert, Every Rides a Short Story, is a collection of journalistic short-story essays describing an amazingly wild, life-transforming journey. The stories capture life on the road before, during, and after the Covid-19 Global Pandemic. The author shares his 7-year experiences from over 25,000 rides. Wild, witty, moving, edgy, revealing, and healing, the book will put you right inside the vehicle as real life unfolds. Random and unexpected. Addictive and poignant. You will not want to put this book down. Written for people from all walks of life. All nations and tribes. Veteran rideshare riders and drivers, and people who are learning what rideshare is for the first time.If you are a human, living on planet earth, alive and ready for a unique ride, then jump in. You will not be disappointed, and hopefully, you will be entertained and have a few good laughs, tears, or questions.All good, as they say. All are very human.Humanity is the central theme and heartbeat of this book. It's about all of us.So, let's get rolling, no time to waste. Welcome to Rideshare by Robert. A place where anything can happen, and usually does.
Hymns Adapted to Public Worship, Or Family Devotion
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The Saints’ Everlasting Rest
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
American Catholic Hymnal
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Method For Prayer
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Daily Exercises
Strengthen Your Skill with These Essential ExercisesLearn from the professor who taught famed cellist Paul Tortelier. These daily exercises by Louis Feuillard cover the most important aspects of developing skill as cellist, and have been adopted as the standard repertoire of leaning this soulful string instrument. The focus of these exercises is on thumb and neck positions and bowing.This book is also available from Echo Point Books as a hardcover (ISBN 1648372457).
Sheram In Love
With great pleasure, we announce the publication of the second book devoted to one of Armenia's most important ashughs. The focus of our attention is on Sheram as a poet of love this time.Ashough Sheram of Armenia composed so many beautiful and memorable songs that are still performed today that we are confident that his music will continue to live on long after his passing in 1938. The beauty, complexity, and sometimes unconventional nature of his melodies have earned him the nickname Sheram, which refers to a silkworm. "You are weaving your melodies in a similar manner to a silkworm", was an observation by the distinguished Armenian poet Hovhannes Hovhannisyan once, resulting in the birth of his new musical avatar.There are thirty songs by Ashough Sheram in this book, which have been translated for the first time into English by the publisher.A large part of Sheram's lyrics has been composed in the Alexandropol dialect (Gyumri) of Armenian. Therefore, to assist Armenian readers who are unfamiliar with this dialect in understanding the songs, a comprehensive dictionary is provided at the end of the book with English terms where applicable.And finally, the last chapter contains the musical notation of the songs as transcribed by Sheram's son, composer Vardges Talyan circa 1948.
