Jane's Addiction - Shockingly Habitual
Jane's Addiction: SHOCKINGLY HABITUAL, is detailed, deep look at the history of rebellion and redemption. An ntimate and unflinching portrait of one of the most influential and groundbreaking bands to emerge from the 1980s Los Angeles underground. Chronicling their meteoric rise, turbulent years, and enduring legacy, this book captures the spirit of a band that defied convention and reshaped the sound of alternative rock.From the raw energy of their independent debut album, Jane's Addiction (Triple X), to the seismic cultural shift ushered in by Nothing's Shocking and the genre-defying masterpiece Ritual de lo Habitual, the story of Jane's Addiction is a tale of visionary artistry, uncompromising creativity, and chaotic self-destruction. Tracks like "Jane Says," "Mountain Song," and "Stop!" became anthems for a generation, blending punk, metal, funk, and psychedelia into a sound that couldn't be categorized.Led by the enigmatic Perry Farrell-an artist, provocateur, and the mind behind Lollapalooza-the band grappled with addiction, fame, and the limits of their own ambition. Dave Navarro's haunting guitar work, Eric Avery's thunderous bass lines, and Stephen Perkins' explosive drumming created a chemistry as volatile as it was transcendent. Yet their groundbreaking music often stood in stark contrast to the chaos behind the scenes: grueling tours, personal conflicts, and struggles with substance abuse that nearly derailed everything.This book delves into their beginnings in the gritty clubs of Los Angeles, their artistic peak with Nothing's Shocking, and the creative clashes that led to their first breakup at the height of their powers. It explores Farrell's vision of music as a communal, spiritual experience, Navarro's fight for self-expression amidst addiction, and Avery's deeply introspective role as the band's sonic architect. The story doesn't end with their disbandment; it follows their evolution through reunions, side projects like Porno for Pyros and Deconstruction, and their triumphant return with Strays and The Great Escape Artist.Through meticulous research and fictionalized dialogue, Jane's Addiction: A History of Rebellion and Redemption offers an honest look at the band's artistic and personal struggles, their cultural impact, and their enduring influence on the alternative music landscape. It's a testament to the power of art to challenge, inspire, and endure-a love letter to a band that broke all the rules and changed the game forever. This book isn't just about the music; it's about the people, the art, and the chaos that made Jane's Addiction a legend.
Concept Collection 11
Sometimes it can be hard to find the perfect piece to teach your student about a specific concept...That's where Concept Collections come in.Concept Collections are limited-edition volumes of music for piano. Each collection focusses on a specific concept that students need to learn through pieces from beginner to intermediate level.In this volume, we're delighted to feature four fabulous composers and their original compositions featuring everybody's forgotten articulation: portato.
Lowbury: Grade by Grade, Book 3: The Complete Resource for Cello and Piano Book with Online Material
Lowbury: Grade by Grade, Book 1: The Complete Resource for Cello and Piano Book with Online Material
Lowbury: Grade by Grade, Book 5: The Complete Resource for Cello and Piano Book with Online Material
Lowbury: Grade by Grade, Book 4: The Complete Resource for Cello and Piano Book with Online Material
Lowbury: Grade by Grade, Book 2: The Complete Resource for Cello and Piano Book with Online Material
The Ameer. A Comic Opera in Three Acts, Etc
Title: The Ameer. A comic opera in three acts, etc.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Ranken, Frederic; La shelle, Kirke; 1899. 39 p.; 8?簞. 11779.h.27.(7.)This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Garland of Scotia
"The Garland of Scotia" is a rich collection of Scottish songs, complete with descriptive and historical notes. Adapted for voice, flute, violin, and other instruments, this volume offers a glimpse into the musical heritage of Scotland during the early 19th century. Compiled by John Turnbull, this work preserves traditional melodies and provides context for each song, making it a valuable resource for musicians, historians, and anyone interested in Scottish culture. Rediscover the beauty and history of Scottish song with this meticulously curated anthology.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The English and Scottish Popular Ballads
"The English and Scottish Popular Ballads, Volume v1:1," compiled by Francis James Child and George Lyman Kittredge, is a timeless collection of traditional ballads that have echoed through generations. This compilation preserves the rich oral tradition of England and Scotland, offering a glimpse into the social customs, historical events, and enduring human emotions captured in song and verse. Each ballad tells a story, often of love, loss, adventure, or the supernatural, reflecting the cultural landscape of its time. This volume is an invaluable resource for scholars, students, and anyone fascinated by folklore, literature, and the historical tapestry of British culture. The meticulous collection and preservation of these ballads ensure their continued appreciation and study for years to come. Discover the narratives and melodies that have shaped the literary and musical heritage of the English-speaking world.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Tyneside Songs and Drolleries, Readings and Temperance Songs ... Collected Edition
Title: Tyneside Songs and Drolleries, Readings and Temperance Songs ... Collected edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Wilson, Joseph; 1890?]. xlii. 472 p.; 8?簞. 11602.dd.7.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Compositions for Renaissance Lute
Since 2013, Embleton has released a number of recordings of compositions, such as: 'Contemporary Works for Solo Flute', 'Contemporary Works for Solo Guitar' Volumes 1 & 2, 'Contemporary Works for Solo Lute', 'Fragments of a Lake', 'Journey in C-Minor', 'Late Night Sky', 'Music for Lute and Laptop' Volumes 1 to 4, 'Nocturne and Journey in D-Minor', Op 3 'From Depth' and Op 8 'Nocturne in C-Minor', and 'Small Floating Crafts'.Since 2012, Embleton's compositions have been published by the Lute Society, the Lute Society of America, and the Italian Lute Sociey (Societa del Liuto).Embleton has collaborated with many musicians including lutenists Susan King, David Van Ooijen, Stuart Walsh, and Wezi Elliot, pianist Hong Guo, flautist Attilia Mazzola, guitarists Osamu Yano and Roland Keunings, and recorderist Michael Piraner.
Compositions for Piano
Since 2013, Embleton has released a number of recordings of compositions, such as: 'Contemporary Works for Solo Flute', 'Contemporary Works for Solo Guitar' Volumes 1 & 2, 'Contemporary Works for Solo Lute', 'Fragments of a Lake', 'Journey in C-Minor', 'Late Night Sky', 'Music for Lute and Laptop' Volumes 1 to 4, 'Nocturne and Journey in D-Minor', Op 3 'From Depth' and Op 8 'Nocturne in C-Minor', and 'Small Floating Crafts'.Since 2012, Embleton's compositions have been published by the Lute Society, the Lute Society of America, and the Italian Lute Sociey (Societa del Liuto).Embleton has collaborated with many musicians including lutenists Susan King, David Van Ooijen, Stuart Walsh, and Wezi Elliot, pianist Hong Guo, flautist Attilia Mazzola, guitarists Osamu Yano and Roland Keunings, and recorderist Michael Piraner.
The New Grand Opera in Three Acts of the Bohemian Girl
This is a newly typeset edition of the libretto for "The Bohemian Girl," a grand opera in three acts. It premiered in America at the Park Theatre in November 1844. Composed by Michael William Balfe with libretto by Alfred Bunn (and Henri Saint-Georges for the French version, "La Boh矇mienne"), "The Bohemian Girl" was one of the most popular operas in the English language during the 19th century. This edition offers a glimpse into the historical performance practices and theatrical tastes of mid-19th century America and provides valuable insights for students and performers of operatic repertoire.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Boundaries, Space and Register in Beethoven's Piano Music
Develops a new theory of space and register which will be essential reading for the music analyst, while offering radical new interpretations of canonical repertoire for the pianist, Beethoven scholar and informed listener. This is the first book to demonstrate the significance of registral structure and spatial narrative in Beethoven's oeuvre across his stylistic evolution. Introducing a far-reaching new analytical method and theoretical framework to a substantial corpus of piano music including sonatas, variations and bagatelles, the book extends conventional notions of register, Beethoven's handling of the highs and lows of pitch, to the broader concepts of pitch boundaries and the shaping of sonic space. Tracing theories of register from Schenker to the present-day, Miller moves beyond these approaches in his discussions of what he terms "spatial analysis". Proceeding from simple to more complex forms in a broadly chronological sequence, the author describes 'spatial narratives' of each work by means of cutting-edge computational diagrams and close-to-the text commentary. This book shows how linear patterns at extreme boundaries correlate with structural highpoints and divisions within musical forms, for instance sonata structures, forming striking large-scale connections within, and between, individual movements. Analysed are interactions of high and low boundaries through gestures such as registral bridges, registral shifts, and the distribution of climatic peaks and wide-spans. Equally central to Miller's study is the survey of keyboard instruments of Beethoven's day, keyboard choreography, and spatial expansion and contraction, reflecting pianistic virtuosity and expression. The mediation of structural and expressive aspects culminates in the physicality and spirituality of the late works interpreted with metaphorical symbolism.
Hymn and Tune Book
This historic volume, "Hymn and Tune Book," compiled by the African Methodist Episcopal Church, stands as a testament to the rich musical traditions within the A.M.E. denomination. Dating back to the late 19th century, this collection offers a glimpse into the spiritual and cultural life of African American communities during a transformative period in American history. Containing a diverse selection of hymns and tunes, this book served as an essential resource for congregations seeking to express their faith through song. It provides valuable insight into the musical preferences and theological perspectives prevalent within the A.M.E. Church at the time. Scholars, historians, and anyone with an interest in African American religious history will find this volume a compelling and significant artifact.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hymn and Tune Book
This historic volume, "Hymn and Tune Book," compiled by the African Methodist Episcopal Church, stands as a testament to the rich musical traditions within the A.M.E. denomination. Dating back to the late 19th century, this collection offers a glimpse into the spiritual and cultural life of African American communities during a transformative period in American history. Containing a diverse selection of hymns and tunes, this book served as an essential resource for congregations seeking to express their faith through song. It provides valuable insight into the musical preferences and theological perspectives prevalent within the A.M.E. Church at the time. Scholars, historians, and anyone with an interest in African American religious history will find this volume a compelling and significant artifact.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Strauss Salome
A critical examination of Richard Strauss's opera "Salome" by Lawrence Gilman. This study delves into the musical and dramatic aspects of the work, offering insights into Strauss's compositional techniques and the opera's historical context. Gilman provides a detailed analysis, exploring the opera's themes and its impact on the world of music. "Strauss Salome" remains a valuable resource for students, scholars, and enthusiasts interested in understanding this significant work in the operatic repertoire.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
B?(c)atrice
"B矇atrice: L矇gende Lyrique En Quatre Actes" is a classic opera libretto by Andr矇 Messager with text by Gaston-Arman de Caillavet and Robert de Flers. This work presents a compelling narrative in four acts, showcasing the rich tradition of French opera and its enduring appeal. The libretto offers insight into the lyrical and dramatic elements that define the operatic experience, making it a valuable resource for both enthusiasts and scholars. Explore the interplay of music and drama in this notable example of early 20th-century French opera.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Ring Of The Nibelungs
The Ring of the Nibelungs: A Description of its First Performance in August 1876, offers a fascinating glimpse into the premiere of Richard Wagner's monumental operatic work. Written by John Rose Greene Hassard, this account transports the reader back to Bayreuth, Germany, capturing the excitement and anticipation surrounding the initial performances of this epic cycle. Hassard's description provides valuable insights into the music, staging, and overall reception of Wagner's masterpiece. This book is essential reading for opera enthusiasts, music historians, and anyone interested in the cultural significance of Wagner's "Ring Cycle."This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
B?(c)atrice
"B矇atrice: L矇gende Lyrique En Quatre Actes" is a classic opera libretto by Andr矇 Messager with text by Gaston-Arman de Caillavet and Robert de Flers. This work presents a compelling narrative in four acts, showcasing the rich tradition of French opera and its enduring appeal. The libretto offers insight into the lyrical and dramatic elements that define the operatic experience, making it a valuable resource for both enthusiasts and scholars. Explore the interplay of music and drama in this notable example of early 20th-century French opera.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hymns And Sacred Poems
Hymns and Sacred Poems, Volume 2 presents a collection of devotional verse by Charles Wesley, a pivotal figure in the Methodist movement. This volume continues to showcase Wesley's profound theological insights and poetic skill, offering readers a rich array of hymns and poems intended for both private reflection and congregational worship. Known for their emotional depth and spiritual fervor, these works explore themes of faith, redemption, and divine love. Wesley's contributions have had a lasting impact on Christian hymnody, and this collection offers valuable insight into the religious sentiments of the 18th century. Discover the enduring power of Wesley's verse in this meticulously preserved volume, appealing to scholars, theologians, and anyone with an interest in religious history and devotional literature.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Ameer. A Comic Opera in Three Acts, Etc
Title: The Ameer. A comic opera in three acts, etc.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Ranken, Frederic; La shelle, Kirke; 1899. 39 p.; 8?簞. 11779.h.27.(7.)This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Die Kirchweih-hymnen Christe Cunctorum Dominator Alme
This volume, "Die Kirchweih-hymnen Christe Cunctorum Dominator Alme. Urbs Beata Hirusalem," by Hermann Adalbert Daniel, is a scholarly festschrift commemorating the 25th anniversary of Director Prof. Dr. Kramer. The work delves into the historical and theological significance of these important Christian hymns.Exploring the rich tradition of hymns like "Christe Cunctorum Dominator Alme" and "Urbs Beata Hirusalem," Daniel provides insights into their composition, context, and enduring relevance within Christian worship. This collection offers valuable perspectives for scholars of religious music, Christian theology, and hymnody, highlighting the continued importance of these hymns in understanding Christian devotional practices and musical heritage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Ring Of The Nibelungs
The Ring of the Nibelungs: A Description of its First Performance in August 1876, offers a fascinating glimpse into the premiere of Richard Wagner's monumental operatic work. Written by John Rose Greene Hassard, this account transports the reader back to Bayreuth, Germany, capturing the excitement and anticipation surrounding the initial performances of this epic cycle. Hassard's description provides valuable insights into the music, staging, and overall reception of Wagner's masterpiece. This book is essential reading for opera enthusiasts, music historians, and anyone interested in the cultural significance of Wagner's "Ring Cycle."This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Strauss Salome
A critical examination of Richard Strauss's opera "Salome" by Lawrence Gilman. This study delves into the musical and dramatic aspects of the work, offering insights into Strauss's compositional techniques and the opera's historical context. Gilman provides a detailed analysis, exploring the opera's themes and its impact on the world of music. "Strauss Salome" remains a valuable resource for students, scholars, and enthusiasts interested in understanding this significant work in the operatic repertoire.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Twin Sisters
"The Twin Sisters" is a charming operetta by Herrman S. Saroni, meticulously adapted for performance in female colleges, schools, and exhibitions. This delightful work offers a glimpse into the musical and theatrical tastes of the 19th century while providing an engaging vehicle for young female performers to showcase their talents. With its focus on vocal performance and stagecraft, "The Twin Sisters" combines elements of classical opera with lighter, more accessible musical forms.This edition preserves the original work, making it an invaluable resource for educators and students interested in historical performance practices and the role of women in musical theater. Rediscover the joy and elegance of "The Twin Sisters," a testament to the enduring power of music and drama in education.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hymns, Religious And Patriotic
Hymns, Religious and Patriotic is a collection designed for soldiers and sailors, offering spiritual solace and patriotic inspiration. Published by the American Tract Society, this volume gathers hymns that speak to faith, duty, and love of country. The hymns provide comfort, encouragement, and a sense of unity for those serving in the military. This book preserves the sentiments and spiritual expressions of a pivotal time, offering insight into the values and beliefs upheld by those who served. "Hymns, Religious and Patriotic" stands as a testament to the role of faith and patriotism in the lives of soldiers and sailors, and serves as a valuable historical resource.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Garland of Scotia
"The Garland of Scotia" is a rich collection of Scottish songs, complete with descriptive and historical notes. Adapted for voice, flute, violin, and other instruments, this volume offers a glimpse into the musical heritage of Scotland during the early 19th century. Compiled by John Turnbull, this work preserves traditional melodies and provides context for each song, making it a valuable resource for musicians, historians, and anyone interested in Scottish culture. Rediscover the beauty and history of Scottish song with this meticulously curated anthology.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Tyneside Songs and Drolleries, Readings and Temperance Songs ... Collected Edition
Title: Tyneside Songs and Drolleries, Readings and Temperance Songs ... Collected edition.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Wilson, Joseph; 1890?]. xlii. 472 p.; 8?簞. 11602.dd.7.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Treatise On The Elements Of Dancing
"A Treatise On The Elements Of Dancing" by T. Erp Sichore offers a fascinating glimpse into the world of dance during a specific historical period. This treatise provides instruction and insight into the techniques, styles, and social significance of dance. Readers will gain a deeper understanding of the elegance and importance of dance as a form of expression and social interaction. This book serves as both a historical document and a practical guide, appealing to anyone interested in the history of dance, classical music, and social customs. It captures the artistry and cultural context of dance and provides a detailed look into the intricacies of movement and etiquette of the era.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Boccaccio
"Boccaccio, Or, The Prince Of Palermo" is a comic opera in three acts by Franz von Supp矇, with a libretto by F. Zell and Richard Gen矇e. First performed in 1879, the opera is based on the life of the Italian poet and writer Giovanni Boccaccio. Set in 14th-century Florence, the story follows Boccaccio as he navigates love, politics, and artistic inspiration. The opera is known for its lively music, humorous plot, and memorable characters. This edition preserves the original libretto, offering readers the chance to experience the wit and charm of this enduring operatic work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Iron Maiden at 50
An essential addition to the library of any Iron Maiden fan, this unique look back at the heavy metal giants examines the band's legacy through the lens of 50 key milestones. It's tough to believe Iron Maiden's been around for a half-century, but author Dan Bukszpan has the receipts. In Iron Maiden at 50, Bukszpan pays tribute to the British metal legends on the occasion of their 50th anniversary by examining 50 of the most significant moments, performances, albums, singles, and personnel decisions from throughout their career. The resulting volume features: Sturdy hardcover formatStunning concert and candid offstage photographyImages of memorabilia, including gig posters, 7-inch picture sleeves, concert T-shirts, backstage passes, and moreAn Iron Maiden timelineComplete discography Bukszpan covers everything down through the decades: Bassist Steve Harris founding the band in East LondonTheir first independent EPEarly success in JapanNumerous personnel changes that resulted in the current stable lineupGroundbreaking toursThe band's private Boeing 757, piloted by vocalist Bruce DickinsonDickinson's solo effortsAll the studio albums ...and much more! In addition, thorough sidebars examine unique aspects of the band's career, such as the post-Maiden careers of former vocalists Paul Di'Anno and Blaze Bayley, and the 1984 Polish concerts that helped spur the band's global popularity. The result is an epic tribute to one of the most influential and admired bands in rock history--in a milestone year.
Down To Donington
According to Don Airey, who writes this book's foreword, it was Cozy Powell who initially suggested the idea for what became the first "Monsters Of Rock Festival" in 1980.Held at Donington Park motor circuit it was the first major event that focused on one genre. Such an approach had generally up to then, been alien to promoters. As it turned out, it proved to be a winning formula and the annual festival grew into an institution.Down To Donington looks back at this monumental event. It explores behind the scenes, as well as the day in question, and even the aftermath.
How High: A Portrait of the Charlatans
'Tom captured the times - the lows and the many highs - and shared them all with us, documenting, encouraging and capturing a real, authentic timeline of fantastic pictures.' This is the inside story of The Charlatans, told through the lens of legendary photographer Tom Sheehan and the words of the band's frontman Tim Burgess. More than 250 of Sheehan's photographs - blending iconic shots with those seen here for the first time - are accompanied by moving and insightful text from Burgess, sharing his memories of a band at the very height of their powers. Covering a decade of the band's story, the book captures recording sessions, live performances, cover shoots, tours and intimate moments snatched backstage and around the world. Beautifully presented in a cloth-bound hardback, this book is a stunning visual history of The Charlatans, one of the defining bands of a generation.
Shostakovich's Lady Macbeth of the Mtsensk District
Shostakovich's lurid opera of sex, violence, and murder, Lady Macbeth of Mtsensk, is famous for being banned by personal decree of Joseph Stalin in 1936. Dramatically revived by Shostakovich's close friend, the cellist and Soviet 矇migr矇 Mstislav Rostropovich in 1979, Lady Macbeth is now an international hit. In the first-ever study of this beloved but still-controversial opera, Pauline Fairclough asks whether we have become so distracted by its traumatic reception history that we overlook what is truly shocking about it: namely, Lady Macbeth's frank portrayal of sexual violence against women. Arguing that Shostakovich himself vacillated over how consensual its central sex scene should be, she grounds the opera's presentation of women, sexuality, and sexual violence in both real-life events and culture of early Soviet Russia. In a challenge to the still-potent Cold War Western assumption that only the banned original was faithful to Shostakovich's true creative impulse, Fairclough asks that we take another look at the composer's revision of the 1950s, Katerina Izmailova, which cut the sex scene altogether. In questioning the assertion - repeated even today - that Shostakovich simply "sanitized" Lady Macbeth for puritanical Soviet censors, she invites us to take the older composer at his word and consider whether, in fact, his revised opera solves the intractable dramaturgical problems that had caused him to make so many revisions to the sex scene when the opera was first staged in 1934.
The Cambridge Companion to Global Rap
Rap has remapped the way we think about music. For more than fifty years its poetics, performance and political power has resonated across the globe. This Companion offers an array of perspectives on the form, from the fields of sociology, linguistics, musicology, psychology, literary studies, education and law, unpacking how this versatile form of oral communication has permeated nearly every aspect of daily life. Taking a decidedly global perspective, these accounts draw from practice in Australia, China, France, Germany, Jamaica, India and Tanzania; exploring how the form has taken hold in particular contexts, and what this can tell us about the medium itself and the environments in which it was repurposed. An indispensable resource for students and researchers, the collection provides an introduction to global rap studies as well as insights into the some of the most important and exciting new developments in this field.
The Language of Music
This collection delves into the politics of language choice when composing and performing popular music in punk, metal, Hip-Hop and rap and provides fascinating examples of language change, resistance, reclamation and revitalisation from across the globe, giving readers insights into the work of artists, the activity and functions of scenes and music spaces. Even when absorbed in solitude, the uniting power of music holds the power to instil a sense of belonging connecting outsiders, outcasts and the dissident. From the agitation of protest songs to expressions of uniqueness and diversity, music offers a means for expressing individual struggle, suffering and disadvantage that can be heard, acknowledged and understood to bring about social action, reconciliation and education. This collection will introduce new music and subcultures to the wider academic community to explore and enjoy.
Change
By 1960, musicians, critics, record buyers, and club patrons in New York City agreed that a "new thing" in jazz had arrived. That new thing was what we in the twenty-first century call free jazz, and it represented a significant change within and, for some, a dramatic departure from what was commonly understood as modern jazz. The arresting, abstract sound of the new music pioneered by ensembles led by Ornette Coleman, Cecil Taylor, and other experimentalist improvising musicians became the focal point of an ongoing controversy in the 1960s that called into question their musicianship, legitimacy, and sanity. Flourishing in an age of anti-establishment protest and radical politics--what writer Amiri Baraka characterized as the inevitable expression of Black American culture--and explained by musicians as the product of newfound consciousness, the new thing was, by 1966, almost unanimously dismissed by the music press as the discordant sound of black anger. Author Kwami Coleman integrates musical analyses of key recordings, musician interviews, periodicals, and rare archival sources to tell the story of jazz's emergent avant-garde, providing readers with ways to listen to and understand this innovative and disruptive music. By shining a comprehensive light on an important and still-misunderstood revolutionary moment in experimental music history, he illustrates the fundamental elements of this new music and what made it so experimental within the context of modern jazz. Coleman proposes heterophony--a multi-voice texture where cohesion is achieved by means other than tonal center and meter--as a theoretical lens by which to interpret the affectual force of the new thing's abstract harmonic textures and rhythms. In doing so, he draws connections to the social and political world that enveloped and motivated the musicians, writers, and listeners at the heart of the new thing's practice, recordings, and publicity. In his chronological account of the music's development in the early 1960s, Coleman offers readers a new framework to better understand the aesthetics and converging cultural currents of experimental free improvisation in the 1960s.
Music, Sound and Identity in Video Games
This book offers a comprehensive overview of how video game sound and music represent cultures, spaces and personal identifications. Focusing on the concept of identity, the volume brings together issues as diverse as belonging to an ethnic or cultural group, identifying with certain sexualities or being able to deduce the historical or geographical context of a game. This volume explores whether the musical and sound identities linked to video games are based on clich矇s and stereotyped arrangements that span cultures and times. It includes case studies that analyse the mechanisms used by game producers, composers and sound designers to "characterise" and represent different identities to broad audiences of potential players, as well as how the players perceive these sonic inputs. The book is organized into three main sections, covering topics as the representation of historical periods, musical stereotypes of cultures from different geographic locations, representations of identity in fictional spaces and sonic depictions gender.
Music, Dance and the Archive
Music, Dance and the Archive reimagines records of performance cultures from the archive through collaborative and creative research. In this edited volume, Amanda Harris, Linda Barwick and Jakelin Troy bring together performing artists, cultural leaders and interdisciplinary scholars to highlight the limits of archival records of music and dance. Through artistic methods drawn from Indigenous methodologies, dance studies and song practices, the contributors explore modes of re-embodying archival records, renewing song practices, countering colonial narratives and re-presenting performance traditions. The book's nine chapters are written by song and dance practitioners, curators, music and dance historians, anthropologists, linguists and musicologists, who explore music and dance by Indigenous people from the West, far north and southeast of the Australian continent, and from Aotearoa New Zealand, Taiwan and Turtle Island (North America).Music, Dance and the Archive interrogates historical practices of access to archives by showing how Indigenous performing artists and community members and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It not only examines colonial archiving practices but also creative and provocative efforts to redefine the role of archives and to bring them into dialogue with contemporary creative work. Through varied contributions the book seeks to destabilise the very definition of "archives" and to imagine the different forms in which cultural knowledge can be held for current and future Indigenous stakeholders. Music, Dance and the Archive highlights the necessity of relationships, Country and creativity in practising song and dance, and in revitalising practices that have gone out of use.As contemporary Australia reckons with its past, this volume is both timely and urgent. We readers are challenged to critically reflect on how history lives on in the present - with implications not only for creativity, heritage, and the arts, but also for prosperous and equitable societies and thriving cultures, now and into the future. This unique and lively collection is a landmark in scholarship on Indigenous performing arts and the archive, with relevance for Australia and beyond.
Easy Boogie-Woogie
Easy Boogie-Woogie volume-TwoThe fantastic second volume of Easy Boogie-Woogie follows on from the first one, taking the beginning boogie player a step further again. New ideas and concepts are introduced as you go along, with many examples and clear explanations throughout, all to bring your playing to another level. With downloadable audio to help you along, it's the perfect way to continue your boogie-woogie journey.Includes...Chord progressionsLeft-hand patternsRight-hand riffsChord compingIntroductionsPlaying in different keysFingering concepts and suggestionsPlaying the walking bassClear explanations throughoutPractice song examplesDownloadable audioContinue your boogie-woogie journey today.Easy Boogie-Woogie volume two is part of the 'Easy' series, that includes similar titles in different styles of music, like booge-woogie, blues, New-Orleans and rock'n'roll.
Just Because
Just Because by Gregory M. Dixon is a powerful and uplifting testament to faith, purpose, and the unshakable presence of God in our everyday lives. From the first page, Dixon invites readers into a personal spiritual journey that resonates with honesty and warmth. A U.S. Navy veteran and former federal correctional officer, Dixon writes not from theory but from experience life's struggles, redemptive moments, and the deep-rooted strength found in walking with Christ. His heartfelt collection of songs, poems, prayers, and biblical reflections serves not just as reading material, but as spiritual nourishment for anyone seeking hope and inspiration.At Bookwrights House, we are proud to present Just Because, a book that truly reflects the essence of what it means to live with purpose and faith. Dixon's voice is genuine and relatable, shaped by his years of service and his desire to uplift others through Scripture and worship. This is more than a devotional, it's a creative celebration of God's love, designed to move the heart and awaken the soul. Whether it's the poetic dissection of Jesus's name, the imaginative songs inspired by biblical events, or the engaging "Biblical Truth and Answers" sections for families and individuals alike, this book shines with personal strength and spiritual clarity.Now available at major online retailers, Just Because is the kind of book you return to again and again-for encouragement, wisdom, and heartfelt connection. We wholeheartedly endorse this book for anyone looking to deepen their faith and rediscover the beauty of walking with God-just because.
