Birth of the Cool
Miles Davis and Juliette Greco, Jackson Pollock and Jack Kerouac, Marlon Brando and Bob Dylan and William Burroughs. What do all these people have in common? Fame, of course, and undeniable talent. But most of all, they were cool. Birth of the Cool is a stunningly illustrated, brilliantly written cultural history of the American avant-garde in the 1940s and 1950s -- the decades in which cool was born. From intimate interviews with cool icons like poet Allen Ginsberg, bop saxophonist Jackie McLean, and Living Theatre cofounder Judith Malina, award-winning journalist and poet Lewis MacAdams extracts the essence of cool. Taking us inside the most influential and experimental art movements of the twentieth century -- from the Harlem jazz joints where Dizzy Gillespie and Charlie Parker invented bebop to the back room at Max's Kansas City when Andy Warhol was holding court to backstage at the Newport Folk Festival the night Bob Dylan went electric, from Surrealism to the Black Mountain School to Zen -- MacAdams traces the evolution of cool from the very fringes of society to the mainstream. Born of World War II, raised on atomic-age paranoia, cast out of the culture by the realities of racism and the insanity of the Cold War, cool is now, perversely, as conventional as you can get. Allen Ginsberg suited up for Gap ads. Volvo appropriated a phrase from Jack Kerouac's On the Road for its TV commercials. How one became the other is a terrific story, and it is presented here in a gorgeous package, rich with the coolest photographs of the black-and-white era from Robert Doisneau, Henri Cartier-Bresson, Man Ray, and many others. Drawing a direct line between Lester Young wearing his pork-pie hat and his crepe-sole shoes staring out his hotel window at Birdland to the author's three-year-old daughter saying "cool" while watching a Scooby-Doo cartoon at the cusp of a new millennium, Birth of the Cool is a cool book about a hot subject...maybe even the coolest book ever.
Berlioz
Victor Lederer surveys the music of Hector Berlioz, one of the most pioneering orchestrators in history, and introduces the general music lover to both his masterpieces such as Les Troyens and lesser known gems.A bold innovator in the 19th century, Berlioz was a musical dramatist with an output that is less familiar than it should be and often misunderstood. His most famous and popular pieces are the thrilling programmatic symphonies, the Symphonie fantastique and Harold en Italie. The "dramatic symphonies" Rom矇o et Juliette and La damnation de Faust are both driven by conflict and excitement, which contrast his piercing, long-limbed melodies and startling harmonic shifts. Berlioz's strongly profiled musical style possesses high rhythmic energy, and manic outbursts that are instantly identifiable as his, and he is widely acknowledged as one of the most innovative and effective orchestrators in history. The book is accompanied by online audio tracks to select Berlioz works from the Naxos library.
Jazz Places
The social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too has the kind of venue in which it is performed. In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions. As live jazz performance has become more closely tied to nonprofit institutions, the music's heritage has become increasingly important, serving as a means of defining jazz as a social good worthy of charitable support. Though different jazz spaces present jazz and its heritage in various and sometimes conflicting terms, ties between the music and the past play an important role in defining the value of present-day music in a diverse range of jazz venues, from the Village Vanguard in New York to SFJazz on the West Coast to Preservation Hall in New Orleans.
Jazz Places
The social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too has the kind of venue in which it is performed. In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions. As live jazz performance has become more closely tied to nonprofit institutions, the music's heritage has become increasingly important, serving as a means of defining jazz as a social good worthy of charitable support. Though different jazz spaces present jazz and its heritage in various and sometimes conflicting terms, ties between the music and the past play an important role in defining the value of present-day music in a diverse range of jazz venues, from the Village Vanguard in New York to SFJazz on the West Coast to Preservation Hall in New Orleans.
The Murder of Biggie Smalls
In this second edition of The Murder of Biggie Smalls, Cathy Scott delves behind the scenes to pore over police records, coroner reports, FBI files, and interviews Biggie's mother, Voletta Wallace, to reveal new facts surrounding the gangsta rapper's murder. The Notorious B.I.G. exploded onto the hip-hop scene in 1995 with his platinum-selling album Ready to Die. Biggie Smalls, born Christopher Wallace and performing as Notorious B.I.G., grew up in the Bed-Stuy neighborhood of Brooklyn, New York, where he dropped out of high school to pursue street culture and his rapping style. Biggie began emceeing his original raps, which were discovered by producer Sean "Puffy" Combs, who took Biggie's gangsta image to the next level. Fame followed two successful rap albums earning million of dollars, a 1996 Billboard Rapper of the Year Award, marriage to R&B singer Faith Evans, a public affair with rapper L'il Kim, and hanging out with Tupac Shakur. The high life for Biggie tragically ended March 9, 1997, after a Los Angeles post-awards party, where he was gunned down in a drive-by, much like friend-turned-enemy Shakur six months earlier. Twenty-four years later, L.A. police still have made no arrests, despite their early confidence that the case would be solved quickly, and after revealing identities of persons of interest who worked for the police department. They dropped the investigation before it ended, stalling the case. Bestselling True Crime author Cathy Scott shares it all in this second edition of The Murder of Biggie Smalls.
Pump it up magazine - Freda Payne
Greetings Readers, I hope you're enjoying a wonderful spring 2021!In this issue, we are proud to have on the cover the Legendary Freda Payne. Freda is known for her smash hit, " Band of Gold" She has returned to her Jazz roots with an amazing album pairing with some of the greatest artists of all time. Johnny Mathis, Dee Bridgewater, Kurt Elling, and Kenny Lattimore. Her interview is a must-read.We have new music from R&B Crooner Saint Jaimz and smooth soul sister Aneessa . Saint Jaimz throws us back to the '90s, with his album of the same name " Throw Back The Covers" Saint Jaimz covers some of the classic hits of the '90s Then taking us further back in the Pump It Up Magazine Time Machine, Aneessa gets us roller skating and dancing to the '70s tinged song " Gonna Be Alright"A true feel-good track.And as usual, we have our beauty tips and fashion section with some of the newest 70's look.Check out the movie section and the review on How music for the roller skating rink impacted the clubs. Don't forget to tune in to Pump It Up Magazine Radio and hear your favorite indie artists and major artists. Be safe and be blessed!!Anissa Boudjaoui
Hey Suburbia!
Hey Suburbia: A Guide to the Emo/Pop-Punk RiseUnearth the Anthems of a GenerationDive into the heartbeat of the Warped Tour era with "Hey Suburbia." Authored by music journalist Mike Damante, this immersive guide traces the meteoric rise of bands like Paramore and My Chemical Romance that defined the Emo/Pop-Punk scene. Damante, a stalwart of North American media, brings you firsthand accounts, behind-the-scenes stories, and exclusive interviews with genre icons like blink-182, Taking Back Sunday, and Dashboard Confessional. From the angst-ridden '90s to the explosive 2000s, this anthology captures the spirit of a musical revolution through the eyes of those who lived it. Embrace the anthems of your underground roots with "Hey Suburbia."Mike Damante, seasoned music journalist, crafts a riveting narrative, drawing on his extensive experience covering the music scene for a major media company. His insightful storytelling illuminates the voices of bands, publicists, and dedicated fans.For fans who never stopped rocking to the beats of Paramore and blink-182, "Hey Suburbia" is not just a book--it's your backstage pass to the Emo/Pop-Punk explosion. Join Damante on a journey through the iconic Warped Tour generation, where the music shaped a culture that still resonates today. Your guide to reliving the underground sounds that defined an era.
Kraftwerk
The story of the phenomenon that is Kraftwerk, and how one band revolutionized the cultural landscape of our time. 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, experimenting in near-total secrecy in their D羹sseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation--even human and machine--to change the course of modern music. What they created changed the course of pop music forever, influencing artists as diverse as Bj繹rk, Joy Division, David Bowie, and Kanye West. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.
Robben Ford’s Urban Blues Guitar Revolution
Master Modern Blues Guitar Rhythm and Soloing - With Robben Ford Robben Ford is one of the world's most in demand modern blues guitarists. From his work with Miles Davis, to the Yellowjackets, Joni Mitchell, George Harrison and Larry Carlton, the Blues has always been at the heart of Robben's music.In his new book, Urban Blues Guitar Revolution, Robben brings six classic blues genres bang up to date and gives a modern slant to the early styles that were the foundation of urban blues guitar. Each track includes rhythm guitar and soloing studies, and begins with authentic parts that gradually get more modern with each chorus. What You'll LearnRobben Ford's Urban Blues Guitar Revolution teaches you the rhythm and soloing language of authentic blues guitar, chord by chord, lick by lick, then takes you on a journey through increasingly more modern ideas. You'll learn the roots of the style, then how to give your blues music a more contemporary edge. Each essential blues guitar component is broken down into clear instructions and you'll get access to Robben's exclusive analysis of his playing, line by line. By the end, you'll have taken away hundreds of jaw-dropping blues guitar licks, riffs and rhythm parts that you can use to dramatically improve your own blues playing. The Complete Blues Guitar Course from a Modern MasterRobben Ford's Urban Blues Guitar Revolution gives unparalleled insight into the technical and creative approach of a modern-day master blues guitarist. Through a series of carefully conceived pieces, you will master an incredibly versatile approach to playing modern blues guitar, while discovering the traditions of the style.Learn tips and tricks to create authentic blues guitar feel and toneGain a deep understanding and mastery of authentic & modern blues guitar Hundreds of licks, rhythm parts, riffs and unique blues chord approachesDiscover Robben Ford's personal approach to playing the blues on guitarMaster both delicately nuanced, and all-out powerful blues guitar solosLearn Six Fantastic Blues Guitar Performance Pieces - With Rhythms, Riffs, Chords and SolosEvery detailed chapter first teaches the important ideas that build the rhythm part of each track, before giving you a blow-by-blow breakdown of the full piece, enabling you master six blues tracks written exclusively by Robben Ford. You'll get deep into the rhythmic nuance, authentic blues guitar parts, classic stylings and modern twists. It's a journey that'll teach you everything you need to know about playing the blues. Hear It!Robben Ford's Urban Blues Guitar Revolution comes with over 60 studio quality audio examples plus six backing tracks that are all free to download. These not only let you hear the music, but help you master Robben's unique blues guitar phrasing. There are even slowed down versions of the full songs.Robben Ford is one of the greatest blues guitarists on the planet! If you want to learn blues guitar the right way, you owe it to yourself to learn from a master.
Level 42
One of the most iconic and successful British bands of the 1980s, Level 42 are also arguably the ultimate 'fusion' unit, streamlining their energetic early jazz/funk/rock sound into slick, effortlessly-soulful pop music. Encompassing eleven studio albums, including twenty UK top 40 hits and two US top twenty singles, their catalogue, in many ways, defines the '80s but also reflects their musical virtuosity and vibrant eclecticism, peppering tracks with influences from Herbie Hancock, Return To Forever and The Mahavishnu Orchestra. Emerging from the so-called 'Britfunk' scene, Level 42 developed from being one of the most electrifying live acts of the era to become a true songwriters' collective, delivering the effervescent, ubiquitous hits 'The Sun Goes Down (Living It Up)', 'Something About You' and 'Lessons In Love'. Level 42 - on track is the first in-depth study of the band's illustrious catalogue, track by track, album by album, with recording information, musical analysis, studio gossip, full musician credits and contributions from Mark King and Gary Husband. The book also covers the solo projects of the band's many members. Level 42 - on track is a must for fans and those interested in the wider musical landscape of the 1980s and 1990s.
Chapel of Love
In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan Marie Johnson traveled from the segregated South to New York City under the auspices of their manager, former pop singer Joe Jones. With their wonderful harmonies, they were an immediate success. To this day, the Dixie Cups' greatest hit, "Chapel of Love," is considered one of the best songs of the past sixty years. The Dixie Cups seemed to have the world on a string. Their songs were lively and popular, singing on such topics as love, romance, and Mardi Gras, including the classic "Iko Iko." Behind the stage curtain, however, their real-life story was one of cruel exploitation by their manager, who continued to harass the women long after they finally broke away from his thievery and assault. Of the three young women, no one suffered more than the youngest, Rosa Hawkins, who was barely out of high school when the New Orleans teens were discovered and relocated to New York City. At the peak of their success, Rosa was a na簿ve songstress entrapped in a world of abuse and manipulation. Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups explores the ups and downs of one of the most successful girl groups of the early 1960s. Telling their story for the first time, in their own words, Chapel of Love reintroduces the Louisiana Music Hall of Famers to a new audience.
10cc
Hailing from Manchester, England, sophisticated pop purveyors 10cc hit the ground running with their 1972 debut single, 'Donna'. Their pedigree reached back to bassist Graham Gouldman's '60s' songwriting successes including The Yardbirds' 'For Your Love' and The Hollies' 'Bus Stop'. Guitarist and recording engineer, Eric Stewart, was already a bonafide pop star having sung the global 1966 hit, 'Groovy Kind of Love', for his group The Mindbenders. When the pair teamed up with drummer/singer Kevin Godley and multi-instrumentalist/singer, Lol Creme, the combination wrought a legacy of four albums. They included the ambitious The Original Soundtrack and several hit singles, including the groundbreaking 'I'm Not In Love, ' that were rich in eclectic boundary-pushing pop that earned 10cc comparisons to The Beatles while still occupying a unique position in music. Departing in 1976, Godley and Creme moved on to create genre-defying experimental albums, while Gouldman and Stewart continued their run of hit singles and albums with a new 10cc lineup. Their final album was 1995's, Mirror Mirror, a highly respectable full stop on the influential band's colourful and innovative discography. This book examines every released recording by both Godley & Creme and 10cc, including the band's debut album under their early name, Hotlegs.
Performing Electronic Music Live
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.
The Big Parade
In the 1950s, Meredith Willson's The Music Man became the third longest running musical after My Fair Lady and The Sound of Music: a considerable achievement in a decade that saw the premieres of other popular works by Rodgers and Hammerstein and Lerner and Loewe, not to mention Frank Loesser's Guys and Dolls and Bernstein and Sondheim's West Side Story. The Music Man remains a popular choice for productions and has been parodied or quoted on television shows ranging from Family Guy to Grace and Frankie. Though Willson is best remembered for The Music Man, there is a great deal more to his career as a composer and lyricist. In The Big Parade, author Dominic McHugh uses newly uncovered letters, manuscripts, and production files to reveal Willson's unusual combination of experiences in his pre-Broadway career that led him to compose The Music Man at the age of 55. McHugh also gives an in depth look at the reception of The Music Man and examines the strengths and weaknesses of Willson's other three musicals, with his sustained commitment to innovation and novelty. The Big Parade is packed with new revelations about the processes involved in writing these works, as well as the trials and tribulations of working in the commercial theatre.
Critical Essays in Popular Musicology
Critical Essays in Popular Musicology is an essential reference work which reproduces in facsimile form many of the most important and innovative journal articles and papers in the field, along with an introductory overview by the editor Allan Moore. The volume is designed to improve access to the most significant, concise English-language writing, which articulates and demonstrates some of the key constituents of a popular musicology. It avoids those pieces which have been published in other collections. The essays are divided into two parts - those that articulate the key questions of popular musicology, which discuss contexts for addressing texts, and those that demonstrate the discipline in practice, which actually address those texts. This is a valuable volume for libraries expanding their collections in musicology and popular music studies and will provide scholars and graduate students with a convenient and authoritative reference source.
Don Giovanni’s Reasons: Thoughts on a Masterpiece
Although Mozart's Don Giovanni (1787) is the most analysed of all operas, Lorenzo Da Ponte's libretto has rarely been studied as a work of poetry in its own right. The author argues that the libretto, rather than perpetuating the conservative religious morality implicit in the story of Don Juan, subjects our culture's myth of human sexuality to a critical rewriting. Combining poetic close reading with approaches drawn from linguistics, psychoanalysis, anthropology, political theory, legal history, intellectual history, literary history, art history and theatrical performance analysis, she studies the Don Giovanni libretto as a radical political text of the Late Enlightenment, which has lost none of its ability to provoke. The questions it raises concerning the nature of compassion, seduction and violence, and the autonomy and responsibility of the individual, are still highly relevant for us today.
Mister Jolson and all that Jazz
In his book, which is an appreciation of the popular art, the author takes us on a fleeting excursion through the evolution of 'pop' - from ragtime to hot jazz and in to the swing era - a fascinating insight into the early Broadway Musical and the birth of the 'talkies'.The emergence of the Great American Song Book, and the influence of Al Jolson's career on popular singing; his relationship with the principal song writers, and how he inspired the great vocal stars who followed, including Ethel Waters, Bing Crosby, Judy Garland and Frank Sinatra.
The Real Ambassadors
Winner of the 2023 ASCAP Foundation Deems Taylor/Virgil Thomson Book AwardRecipient of a 2023 Certificate of Merit for Best Historical Research in Recorded Jazz from the Association for Recorded Sound Collections Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colorful characters, from Broadway impresarios to gang-connected managers, surface in the compelling storyline. During the Cold War, the US State Department enlisted some of America's greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called "free society." Honored as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humor and pathos to share perspectives on American values. On September 23, 1962, The Real Ambassadors's stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members' bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2013 by the Detroit Jazz Festival and in 2014 by Jazz at Lincoln Center. This reaffirmed the musical's place as an integral part of America's jazz history and served as an important reminder of how artists' voices are a powerful force for social change.
The Jazz Masters
The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees--Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef--have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music.
The Jazz Masters
The Jazz Masters: Setting the Record Straight features twenty-one conversations with musicians who have had at least fifty years of professional experience, and several as many as seventy-five. In all, these voices reflect some seventeen hundred years' worth of paying dues. Appealing to casual fans and jazz aficionados alike, these interviews have been carefully, but minimally edited by Peter Zimmerman for sense and clarity, without changing any of the musicians' actual words. Five of the interviewees--Dick Hyman, Jimmy Owens, Sonny Rollins, Clark Terry, and Yusef Lateef--have received the National Endowment for the Arts' prestigious Jazz Masters Fellowship, attesting to their importance and ability. While not official masters, the rest are veteran performers willing to share their experiences and knowledge. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. The musicians interviewed for the book range in age from their early seventies to mid-nineties. Older musicians started their careers during the segregation of the Jim Crow era, while the youngest came up during the struggle for civil rights. All grapple with issues of race, performance, and jazz's rich legacies. In addition to performing, touring, and recording, many have composed and arranged, and others have contributed as teachers, historians, studio musicians, session players, producers, musicians' advocates, authors, columnists, poets, and artists. The interviews in The Jazz Masters are invaluable primary material for scholars and will appeal to musicians inspired by these veterans' stories and their different approaches to music.
The Real Ambassadors
Winner of the 2023 ASCAP Foundation Deems Taylor/Virgil Thomson Book AwardRecipient of a 2023 Certificate of Merit for Best Historical Research in Recorded Jazz from the Association for Recorded Sound Collections Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colorful characters, from Broadway impresarios to gang-connected managers, surface in the compelling storyline. During the Cold War, the US State Department enlisted some of America's greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called "free society." Honored as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humor and pathos to share perspectives on American values. On September 23, 1962, The Real Ambassadors's stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members' bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2013 by the Detroit Jazz Festival and in 2014 by Jazz at Lincoln Center. This reaffirmed the musical's place as an integral part of America's jazz history and served as an important reminder of how artists' voices are a powerful force for social change.
Atomic Tunes
What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Atomic Tunes
What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
The Operetta Empire
CHOICE Outstanding Academic Title, 2022 "When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Leh獺r's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Leh獺r, Emmerich K獺lm獺n, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life--one whose transgressions helped define the musical hierarchies of its day.
Rock on Record
Shows students how to listen to and enjoy the rich repertory of rock records made between the 1950s and 1980s.An introductory textbook for Rock Music Appreciation and History courses, Rock on Record traces the story of rock from the late 1940s through the pre-rock styles of the 1950s to rock in its heyday in the 1960s and, then follows its continued growth in the 1970s and early 1980s. Rock on Record puts listening first, teaching students how to listen to key recordings in the rock repertoire. The book opens with general guidance on how to listen to a recording as well as an overview of the song structures commonly used by rock songwriters. Then, in twenty-two chronological sections, Albin J. Zak provides historical context for each new genre or style, discussing its key recordings and performers and its impact on the artists who followed. Zak analyzes seventy-three recordings using easy-to-follow listening guides, giving students the tools they will need to enhance their enjoyment and understanding while also highlighting a wide range of examples that illustrate the richness of the rock repertory. Rock on Record examines how rock changed American culture and encourages students to explore further on their own.
New Grammy Country Song Lyrics
This book is about one's ability to quickly or slowly enter into into the world of Grammy singing.
Punks
Philadelphia, 1985. A once bustling industrial metropolis is now a veritable wasteland, rife with joblessness, homelessness and explosive racial tensions. Out of the swill and misery, a familiar anarchistic sound has returned to the scene and there's a new, wild tribe of kids ready to show the city and America the error of its ways, whether either's ready for their political and musical take on things, or not.Nineteen year old Gemma 'Swan' Stinson, a tall, sultry hellcat with long, dark auburn hair, piercing green eyes and fingernails as sharp as switchblades, is a tenacious street kid who's turned her abusive, addictive, catastrophic life around, becoming a brilliant college student, vigilant activist and a hard-working punk rock busker whose guitar prowess and exquisitely ranged voice leave her with dreams of a better life but never quite remove her from a flawed, complex and nightmarish past, or a resurfacing sinister figure, hoping to crush everything she loves.Gem's undying devotion for her adopted punk family, the Misfits, is surpassed only by her love for eighteen-year-old classmate and singer, Robert 'Robbs' Cavelli, a New York expatriate with a conflicted view of where his future lies. Sharing in Gem's distaste over current politics, Rob rebels against his conservative upbringing in the suburban hell of Bucks County, Pennsylvania, which ultimately fuels his ambition to write the songs committing them to being "Punks for Life."Narrated from Rob's literary perspective, PUNKS and the subsequent novels of the trilogy is an unrestrained ride of humor and heartbreak, triumphs and tragedies and envelops them into the riotous punk scene at famous venues such as Trenton's City Gardens, New York's CBGB's and Philly's underground clubs.Rolling the dice on life's gambles, will Gem and Rob fall victim to the will of the streets or stand tall against them, because when you have the love of each other and your music, the chance to make it big, and your faithful tribe of punks, you've got nothing left to lose.
Dueling Grounds
Hamilton opened on Broadway in 2015 and quickly became one of the hottest tickets the industry has ever seen. Lin-Manuel Miranda - who wrote the book, lyrics, and music, and created the title role - adapted the show from Ron Chernow's biography Alexander Hamilton. Although it seems an unlikely source for a Broadway musical, Miranda found a liminal space where the life that Hamilton led and the issues that he confronted came alive more than two centuries later while also commenting on contemporary life in the United States and how we view our nation's history. With a score largely based on rap and drawing on other aspects of hip-hop culture, and staged with actors of color playing the white Founding Fathers, Hamilton has much to say about race in the United States today and in our past, but at the same time it leaves important things insufficiently explained, such as the role of women and people of color in Hamilton's time. Dueling Grounds: Revolution and Revelation in the Musical Hamilton is a volume that combines the work of theater scholars and practitioners, musicologists, and scholars in such fields as ethnomusicology, history, gender studies, and economics in a multi-faceted approach to the show's varied uses of liminality, looking at its creation, casting philosophy, dance and movement, costuming, staging, direction, lyrics, music, marketing, and how aspects of race, gender, and class fit into the show and its production. Demonstrating that there is much to celebrate, as well as challenging issues to confront concerning Hamilton, Dueling Grounds is an uncompromising look at one of the most important musicals of the century.
A Wonderful Guy
Fascinating, never-before-published interviews with Broadway's leading men offer behind-the-scenes looks at the careers of some of the most beloved perfomers today. In A Wonderful Guy, a follow up to Nothing Like a Dame: Conversations with the Great Women of Musical Theater, theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with nineteen of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vereen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past fifty years. Alan Cumming described Nothing Like a Dame, as "an encyclopedia of modern musical theatre via a series of tender meetings between a diehard fan and his idols. Because of Eddie Shapiro's utter guilelessness, these women open up and reveal more than they ever have before, and we get to be the third guest at each encounter." A Wonderful Guy brings more fly-on-the-wall opportunities for fans to savour, students to study, and even the unindoctrinated to understand the life of the performing artist.
Between Beats
Between Beats: The Jazz Tradition and Black Vernacular Dance offers a new look at the complex intersections between jazz music and popular dance over the last hundred-plus years. Author Christi Jay Wells shows how popular entertainment and cultures of social dancing were crucial to jazzmusic's formation and development even as jazz music came to earn a reputation as a legitimate art form better suited for still, seated listening. Through the concept of choreographies of listening, the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. It also unpacks the aesthetic and politicalnegotiations through which jazz music supposedly distanced itself from dancing bodies. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, it advances participatory dance and embodied practice as centraltopics of analysis in jazz studies. As it explores the fascinating history of jazz as popular dance music, it exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to elevate expressive forms such as jazz to elitestatus.
Classical Music Top 40
Millions of people adore classical music. Millions of other people want to, but simply don't know how or where to start--so many composers, so many pieces, so many versions, so much music! In either case, this book is for you. In this informal and informative guide, Rudel leads listeners through the forty most essential and popular compositions from the Four Seasons to Rhapsody in Blue, explaining the musical structure of each passage and highlighting special themes or elements to listen for as the music continues. By the time you're through with his guidance, the music is no longer just a jumbled mass of sound, but instead a stunning piece of music that's as understandable and enjoyable as any rock 'n' roll song.
New Book of Rock Lists
From Simon & Schuster, The New Book of Rock Lists is Dave Marsh and James Bernard's collection of the hits (and misses) from rock n' roll--present completely in the form of individual lists. The New Book of Rock Lists include Quotations from Chairman Elvis, Wisdom from the Hip-Hop Nation, 10 Ways to Tell If a Rapper's Careers on the Way Out, 10 Worst Performers of All Time, and more!
Live On The Light And Other Broadcasts
Live On The Light And Other Broadcasts is a guide to live sessions recorded for the BBC between the years 1962-1967. Included are sessionographies for the giants of the age - the Beatles, the Stones, The Who, the Yardbirds, Manfred Mann and the Kinks. But featured, too, are a myriad other acts, ranging from no hit wonders on up, from all across the rock, pop, R&B, folk... from Nadia Cattouse to Sandy Denny; jazz - from Acker Bilk to the Temperance Seven; and easy listening scenes. Plus, mini discographies pinpoint if and when individual sessions have subsequently been released. Volume One, covering the years 1957-62, will be published later in 2021.
Flowers in the Dustbin
A prizewinning historian and journalist who has covered the pop music scene for more than three decades, James Miller brings a powerful and challenging intellectual perspective to his recounting of some key turning points in the history of rock. Arguing that the music underwent its full creative evolution in little more than twenty-five years, he traces its roots from the jump blues of the forties to the disc jockeys who broadcast the music in the early fifties. He shows how impresarios such as Alan Freed and movie directors such as Richard Brooks (of Blackboard Jungle) joined black music to white fantasies of romance and rebellion, and then mass-marketed the product to teenagers. He describes how rock matured as a form of music, from Chuck Berry and Elvis Presley to the Beatles, Bob Dylan, and Marvin Gaye, defining a decade of rebellious ferment. At the same time, he candidly recounts how trendsetting rock acts from Jim Morrison and the Doors in the late sixties to the Sex Pistols in the late seventies became ever more crude, outrageous, and ugly -- "as if to mark," writes Miller, "the triumph of the psychopathic adolescent." Richly anecdotal and always provocative, Flowers in the Dustbin tells the story of rock and roll as it has never been told before.
Science and Music
As the author mentions in the Preface, the intent of the book is to explain in a non-technical manner the main outlines of parts of science specially related to the questions and problems of music, assuming no previous knowledge either of science or of mathematics on the part of the reader.Sir James Jeans, who was a noted British scientist, gave a physical analysis of musical sounds, in what is considered to be the best exposition on the subject, a book of great intellectual stature. His aim was to convey precise information, in a simple non-technical way, that will be of interest to the amateur as well as the serious student of music.The discussion begins with an explanation of the development of the human faculty of hearing. For example, why do some sounds produce pleasure when they reach our ears and some pain? How do we retain the pleasurable quality, as it passes on from one stage of electronic equipment to another? These and other pertinent questions on the transmission and reproduction of sound are answered. The various methods of producing sound, and the qualities of the sounds produced, are further discussed as they relate to vibrations of strings and harmonics, and vibrations of air. Harmony and discord are also considered. In the final chapters on the concert room and hearing, the discussion focuses on the transmission of sound from its source to the eardrum and from the eardrum to the brain. A general theory of acoustics is also covered as well as acoustical analyses."Science and Music is a rare book, as an author does not often combine very distinguished scientific abilities with musical knowledge and power of simple exposition. It will probably become a minor classic." - Manchester Guardian.
The Alphorn through the Eyes of the Classical Composer (B&W)
'The Alphorn through the Eyes of the Classical Composer' is the first and definitive book to be written about the alphorn in English. It has been written with English-speaking readers in mind, as it examines the extensive interest of primarily non-Swiss composers, writers and artists in the alphorn as a symbol of the Alps, the influence and significance of the alphorn in culture, literature and the arts across the globe, and the ways in which the instrument has been specifically utilised by the Swiss as the iconic representation of their country.This book also explores the use of the musical language of the alphorn call, to ascertain why and how such references as those of Berlioz or Beethoven can convey so much meaning. Dr Jones seeks out what it is that a composer brings into the concert hall, the theatre, the opera house, the church, or the drawing room by such a quotation, to what heritage they are referring, and upon what basis there are grounds for an assumption that such a reference will be understood by an audience.The book, which will be of interest to researchers in Swiss cultural studies and ethnomusicology, builds on Dr Jones's research and PhD thesis. The six chapters deal with a variety of topics, including a basic introduction to the alphorn and an exploration of the promotion of the instrument as the symbol of Switzerland, as well as the reasons behind symbolic references to alphorn motifs by European and British composers in concert repertoire, jazz and film.
The Alphorn through the Eyes of the Classical Composer (Premium Color)
'The Alphorn through the Eyes of the Classical Composer' is the first and definitive book to be written about the alphorn in English. It has been written with English-speaking readers in mind, as it examines the extensive interest of primarily non-Swiss composers, writers and artists in the alphorn as a symbol of the Alps, the influence and significance of the alphorn in culture, literature and the arts across the globe, and the ways in which the instrument has been specifically utilised by the Swiss as the iconic representation of their country.This book also explores the use of the musical language of the alphorn call, to ascertain why and how such references as those of Berlioz or Beethoven can convey so much meaning. Dr Jones seeks out what it is that a composer brings into the concert hall, the theatre, the opera house, the church, or the drawing room by such a quotation, to what heritage they are referring, and upon what basis there are grounds for an assumption that such a reference will be understood by an audience.The book, which will be of interest to researchers in Swiss cultural studies and ethnomusicology, builds on Dr Jones's research and PhD thesis. The six chapters deal with a variety of topics, including a basic introduction to the alphorn and an exploration of the promotion of the instrument as the symbol of Switzerland, as well as the reasons behind symbolic references to alphorn motifs by European and British composers in concert repertoire, jazz and film.
The Complete Dolly Parton Illustrated Discography (hardback)
Starting in 1959 a young girl from Locust Ridge, TN started releasing recordings on small labels and in little more than a decade became one of the top selling musical acts in country music history. Follow her rags to riches story through singles, albums, movie soundtracks, gold and platinum awards, promotional materials, lots of trivia and more!Daniel Selby has researched and compiled the most up to date discography ever published on this remarkable country music icon.Complete with recording dates, foreign releases and rare photographs. Also includes TV appearances and movie roles! Truly career spanning!
The Complete Dolly Parton Illustrated Discography
Starting in 1959 a young girl from Locust Ridge, TN started releasing recordings on small labels and in little more than a decade became one of the top selling musical acts in country music history. Follow her rags to riches story through singles, albums, movie soundtracks, gold and platinum awards, promotional materials, lots of trivia and more!Daniel Selby has researched and compiled the most up to date discography ever published on this remarkable country music icon.Complete with recording dates, foreign releases and rare photographs. Also includes TV appearances and movie roles! Truly career spanning!
Trio Op36 for violin, cello and piano
Daniel Morgade's Trío OP36 for violin, cello and piano. Score & Parts. Total time: aprox 4 min.
Serenade
Transcription for Flute and Harp.St瓣ndchen (Serenade) is part of Schwanengesang (Swan Song), D. 957, a posthumous collection of songs by Franz Schubert (1797-1828). The collection was named by its first publisher Tobias Haslinger and contains settings of three poets, Ludwig Rellstab (1799-1860), Heinrich Heine (1797-1856) and Johann Gabriel Seidl (1804-1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.
Rethinking Social Action through Music
How can we better understand the past, present and future of Social Action through Music (SATM)?This ground-breaking book examines the development of the Red de Escuelas de M繳sica de Medell穩n (the Network of Music Schools of Medell穩n), a network of 27 schools founded in Colombia's second city in 1996 as a response to its reputation as the most dangerous city on Earth. Inspired by El Sistema, the foundational Venezuelan music education program, the Red is nonetheless markedly different: its history is one of multiple reinventions and a continual search to improve its educational offering and better realise its social goals. Its internal reflections and attempts at transformation shed valuable light on the past, present, and future of SATM.Based on a year of intensive fieldwork in Colombia and written by Geoffrey Baker, the author of El Sistema: Orchestrating Venezuela's Youth (2014), this important volume offers fresh insights on SATM and its evolution both in scholarship and in practice. It will be of interest to a very varied readership: employees and leaders of SATM programs; music educators; funders and policy-makers; and students and scholars of SATM, music education, ethnomusicology, and other related fields.
Present Tense
'Present Tense is an anthology to savour . . . giving you as sharp a portrait of this unknowable band as you could hope for . . . Radiohead fans will love it' Classic RockA Rock's Backpages anthology of Radiohead, the most radical and fascinating rock band in modern music history, edited and introduced by Barney Hoskyns.For over 25 years, Radiohead have been the most radical and fascinating rock band in the world. Fearless in their desire to change and shape-shift, the Oxfordshire quintet has - through the nine studio albums from 1993's Pablo Honey to 2016's A Moon-Shaped Pool - consistently stretched the boundaries of what 'rock' means and does. Anchored in Thom Yorke's soaring voice and elliptical lyrics, and in the compositional genius of guitarist/keyboardist Jonny Greenwood, Radiohead continue to astonish as they approach their fourth decade.Present Tense collects the best writing on this most literate of pop groups, from the earliest local reports about On A Friday - Radiohead's first moniker - through the inspired commentary of Mark Greif and Simon Reynolds to the trenchant profiles of Will Self, John Harris and others. It's an anthology that goes a long way towards explaining what Rock's Backpages editor Barney Hoskyns describes as the band's 'seriousness, emotional grandeur and willingness to stare humanity's dystopian hi-tech future in the face'.
Rethinking Social Action through Music
How can we better understand the past, present and future of Social Action through Music (SATM)?This ground-breaking book examines the development of the Red de Escuelas de M繳sica de Medell穩n (the Network of Music Schools of Medell穩n), a network of 27 schools founded in Colombia's second city in 1996 as a response to its reputation as the most dangerous city on Earth. Inspired by El Sistema, the foundational Venezuelan music education program, the Red is nonetheless markedly different: its history is one of multiple reinventions and a continual search to improve its educational offering and better realise its social goals. Its internal reflections and attempts at transformation shed valuable light on the past, present, and future of SATM.Based on a year of intensive fieldwork in Colombia and written by Geoffrey Baker, the author of El Sistema: Orchestrating Venezuela's Youth (2014), this important volume offers fresh insights on SATM and its evolution both in scholarship and in practice. It will be of interest to a very varied readership: employees and leaders of SATM programs; music educators; funders and policy-makers; and students and scholars of SATM, music education, ethnomusicology, and other related fields.
Teklife, Ghettoville, Eski
How black electronic dance music makes it possible to reorganize life within the contemporary city. Teklife, Ghettoville, Eski argues that Black electronic dance music produces sonic ecologies of Blackness that expose and reorder the contemporary racialization of the urban--ecologies that can never simply be reduced to their geographical and racial context. Dhanveer Singh Brar makes the case for Black electronic dance music as the cutting-edge aesthetic project of the diaspora, which due to the music's class character makes it possible to reorganize life within the contemporary city. Closely analysing the Footwork scene in South and West Chicago, the Grime scene in East London, and the output of the South London producer Actress, Brar pays attention to the way each of these critically acclaimed musical projects experiment with aesthetic form through an experimentation of the social. Through explicitly theoretical means, Teklife, Ghettoville, Eski foregrounds the sonic specificity of 12" records, EPs, albums, radio broadcasts, and recorded performances to make the case that Footwork, Grime, and Actress dissolve racialized spatial constraints that are thought to surround Black social life. Pushing the critical debates concerning the phonic materiality of blackness, undercommons, and aesthetic sociality in new directions, Teklife, Ghettoville, Eski rethinks these concepts through concrete examples of contemporary black electronic dance music production that allows for a theorization of the way Footwork, Grime, and Actress have--through their experiments in blackness--generated genuine alternatives to the functioning of the city under financialized racial capitalism.
Hymns We Love to Sing
Here is a collection of popular hymns, including "Amazing Grace," "What a Friend We Have in Jesus," "Go Tell It on the Mountain," "I Love to Tell the Story," "Just a Closer Walk with Thee," and "Swing Low Sweet Chariot." Hymns We Love to Sing is great for use in the pew, on retreats, or during song services.
Psalms, Hymns, And Spiritual Songs, Original And Selected
Psalms, Hymns, And Spiritual Songs, Original And Selected has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Africanness in Action
When many people think of African music, the first ideas that come to mind are often of rhythm, drums, and dancing. These perceptions are rooted in emblematic African and African-derived genres such as West African drumming, funk, salsa, or samba and, more importantly, essentialized notions about Africa which have been fueled over centuries of contact between the "West," Africa, and the African diaspora. These notions, of course, tend to reduce and often portray Africa and the diaspora as primitive, exotic, and monolithic. In Africanness in Action, author Juan Diego D穩az explores this dynamic through the perspectives of Black musicians in Bahia, Brazil, a site imagined by many as a diasporic epicenter of African survivals and purity. Black musicians from Bahia, D穩az argues, assert Afro-Brazilian identities, promote social change, and critique racial inequality by creatively engaging essentialized tropes about African music and culture. Instead of reproducing these notions, musicians demonstrate agency by strategically emphasizing or downplaying them.
