Damaged
Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
Damaged
Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
Wayfaring Stranger
Can you feel nostalgic for a life you've never known? Suffused with her much-loved warmth and wit, Emma John's memoir follows her moving and memorable journey to master one of the hardest musical styles on earth - and to find her place in an alien world. Emma had fallen out of love with her violin when a chance trip to the American South introduced her to bluegrass music. Classically trained, highly strung and wedded to London life, Emma was about as country as a gin martini. So why did it feel like a homecoming? Answering that question takes Emma deep into the Appalachian mountains, where she uncovers a hidden culture that confounds every expectation - and learns some emotional truths of her own.
Middlebrow Modernism
Situated at the intersection between the history, historiography and aesthetics of twentieth-century music, this study uses Benjamin Britten's operas to illustrate the ways in which composers, critics and audiences mediated the "great divide" between modernism and mass culture. Reviving mid-century discussions of the "middlebrow," Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism and theatrical spectacle, even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of grey in the black-and-white historiographies of twentieth-century music. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Native American Song at the Frontiers of Early Modern Music
Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.
Middlebrow Modernism
Situated at the intersection between the history, historiography and aesthetics of twentieth-century music, this study uses Benjamin Britten's operas to illustrate the ways in which composers, critics and audiences mediated the "great divide" between modernism and mass culture. Reviving mid-century discussions of the "middlebrow," Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism and theatrical spectacle, even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of grey in the black-and-white historiographies of twentieth-century music. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Forests, Flowers, and Fairytales
Singing princesses from tall towers, temper tantrums gone awry, unconventional love affairs, and shepherds who can't catch a break are just a few of many things you'll find within the operas and ballets of Debussy, Dukas, and Ravel. This edition combines volumes 2 and 3 of the Tales of Love, Loss, Magic, and Reality eBook anthology to provide a one-stop place for the theatrical works of these French masters of music. Included are Debussy's Pell矇as et M矇lisande and Jeux; Dukas' Ariane et Barbe-bleue and La P矇ri; and Ravel's L'Heure espagnole, L'Enfant et les sortil癡ges, Daphnis et Chlo矇, and Ma m癡re l'Oye.
Ornamentik
Nicolas Tourney is a French experimental musician, sound designer, and owner of the label Snow in Water Records. Ornamentik is the third issue of a work started by "Blast Screen" and continued with "IR, exhibition catalog".
Voices of Dissent
This book is an interdisciplinary analysis of an art form that is crucial to the understanding of Italian contemporary society: political music from the 1960s to today. Using cultural studies, digital humanities and literary analysis, this book analyses a corpus of political music to offer insights into the sociolinguistic aspects of Italian.
The Alphorn through the Eyes of the Classical Composer (Premium Color)
'The Alphorn through the Eyes of the Classical Composer' is the first and definitive book to be written about the alphorn in English. It has been written with English-speaking readers in mind, as it examines the extensive interest of primarily non-Swiss composers, writers and artists in the alphorn as a symbol of the Alps, the influence and significance of the alphorn in culture, literature and the arts across the globe, and the ways in which the instrument has been specifically utilised by the Swiss as the iconic representation of their country.This book also explores the use of the musical language of the alphorn call, to ascertain why and how such references as those of Berlioz or Beethoven can convey so much meaning. Dr Jones seeks out what it is that a composer brings into the concert hall, the theatre, the opera house, the church, or the drawing room by such a quotation, to what heritage they are referring, and upon what basis there are grounds for an assumption that such a reference will be understood by an audience.The book, which will be of interest to researchers in Swiss cultural studies and ethnomusicology, builds on Dr Jones's research and PhD thesis. The six chapters deal with a variety of topics, including a basic introduction to the alphorn and an exploration of the promotion of the instrument as the symbol of Switzerland, as well as the reasons behind symbolic references to alphorn motifs by European and British composers in concert repertoire, jazz and film.
The Alphorn through the Eyes of the Classical Composer (B&W)
'The Alphorn through the Eyes of the Classical Composer' is the first and definitive book to be written about the alphorn in English. It has been written with English-speaking readers in mind, as it examines the extensive interest of primarily non-Swiss composers, writers and artists in the alphorn as a symbol of the Alps, the influence and significance of the alphorn in culture, literature and the arts across the globe, and the ways in which the instrument has been specifically utilised by the Swiss as the iconic representation of their country.This book also explores the use of the musical language of the alphorn call, to ascertain why and how such references as those of Berlioz or Beethoven can convey so much meaning. Dr Jones seeks out what it is that a composer brings into the concert hall, the theatre, the opera house, the church, or the drawing room by such a quotation, to what heritage they are referring, and upon what basis there are grounds for an assumption that such a reference will be understood by an audience.The book, which will be of interest to researchers in Swiss cultural studies and ethnomusicology, builds on Dr Jones's research and PhD thesis. The six chapters deal with a variety of topics, including a basic introduction to the alphorn and an exploration of the promotion of the instrument as the symbol of Switzerland, as well as the reasons behind symbolic references to alphorn motifs by European and British composers in concert repertoire, jazz and film.
Pressed for All Time
In histories of music, producers tend to fall by the wayside -- generally unknown and seldom acknowledged. But without them and their contributions to the art form, we'd have little on record of some of the most important music ever created. Discover the stories behind some of jazz's best-selling and most influential albums in this collection of oral histories gathered by music scholar and writer Michael Jarrett. Drawing together interviews with over fifty producers, musicians, engineers, and label executives, Jarrett shines a light on the world of making jazz records by letting his subjects tell their own stories and share their experiences in creating the American jazz canon.Packed with fascinating stories and fresh perspectives on over 200 albums and artists, including legends such as Louis Armstrong, John Coltrane, and Miles Davis, as well as contemporary artists such as Diana Krall and Norah Jones, Pressed for All Time tells the unknown stories of the men and women who helped to shape the quintessential American sound.
Anton穩n Dvo%r獺k’s New World Symphony
Before Anton穩n Dvor獺k's New World Symphony became one of the most universally beloved pieces of classical music, it exposed the deep wounds of racism at the dawn of the Jim Crow era while serving as a flashpoint in broader debates about the American ideals of freedom and equality. Drawing from a diverse array of historical voices, author Douglas W. Shadle's richly textured account of the symphony's 1893 premiere shows that even the classical concert hall could not remain insulated from the country's racial politics.
Faces of Rap Mothers - Book Two
Faces of Rap Mothers: Book Two (Premium color trade print)Foreword by Mr. Jeffrey CollinsGhostwritten by Donna L. QuesinberryPublished by DonnaInk Publications, L.L.C.In Book Two of the Faces of Rap Mothers series, Candy Strother DeVore-Mitchell continues her groundbreaking journey into the heart of hip-hop culture-this time joined by a powerful new chorus of women whose stories pulse with rhythm, resilience, and revelation. This volume includes a heartfelt dedication to Queen G, sister of Tyrese Gibson, honoring her presence and impact within the culture. These women don't just reflect hip-hop-they helped shape it. Their voices rise from behind the scenes to center stage, offering readers a rare glimpse into the familial, spiritual, and creative forces that fuel the music.Originally released in Fall 2020, Book Two faced challenges that only strengthened its foundation. After a well-marketed launch was compromised by unauthorized replication, Candy reengineered the manuscript and re-released the original work-restoring its integrity and amplifying its message. Like the culture it represents, this book is resilient, real, and rooted in truth. Contributor Gratitude - To the women who shared their truths in Book Two-thank you. Your courage, creativity, and commitment to legacy are the heartbeat of this series. Your stories matter. Your voices echo. Your impact is eternal. About the Foreword Contributor - Mr. Jeffrey Collins is a respected music industry executive whose career spans decades of artist development, label leadership, and cultural impact. His Foreword sets the tone for Book Two-honoring the matriarchs of rap with reverence and rhythm.About the Series - Faces of Rap Mothers is more than a book series-it's a cultural platform. Created by Candy Strother DeVore-Mitchell, the series spans ten volumes, each featuring untold stories of rap and hip-hop artisans. With stylized manga-esque design and unfiltered storytelling, these titles are eclectic, collectible, and culturally essential.Under Candy's leadership, the brand has expanded into television and music. The Faces of Rap Mothers Television Network on Roku delivers original programming to a growing audience, while the Faces of Rap Mothers Music Group empowers member artists to share rights and royalties across the airwaves.About the Author - Candy Strother DeVore-Mitchell is a visionary cultural architect, author, actress, executive producer, and CEO of Black Cash Records. As the niece of legendary trailblazer Ophelia DeVore-Mitchell, Candy carries a legacy of empowerment and innovation. She founded Faces of Rap Mothers Enterprise, a California corporation encompassing publishing, television, and music. Candy resides in Los Angeles with her husband and children, including HONEY and HoodTrophyKing-both rising stars in the hip-hop scene. About the Ghostwriter - Donna L. Quesinberry is a senior business writer, publisher, and creative strategist. As Founder & President of DonnaInk Publications and CEO of dpInk Ltd. Liability Company, she brings editorial mastery and spiritual depth to every project. Her ghostwriting transforms narratives into movements, amplifying voices with precision, grace, and cultural fluency. About the Publisher - DonnaInk Publications, L.L.C. is an independent publishing house dedicated to amplifying diverse voices and legacy literature. With imprints Beat Deep Books and Little Buggy Productions, DonnaInk delivers bold, polished, and purpose-driven works that resonate globally.For wholesale discounts, interviews, or book signings, visit: www.facesofrapmothers.com or www.donnaink.net._______#RapMothers #HipHopCulture #WomenInRap #MusicMemoir #UrbanStorytelling #RapLegacy #BehindTheMusic #FemaleEmpowerment #RapFamily #AutobiographicalVoices
Metodo di Contrabasso
Una ristampa facsimilie della prima edizione del Metodo Contrabasso di Giovanni Bottesini.
The Beatles from A to Zed
A legendary record producer and performer takes readers on an alphabetical journey of insights into the music of the Beatles and individual reminiscences of John, Paul, George, and Ringo. Peter Asher met the Beatles in the spring of 1963, the start of a lifelong association with the band and its members. He had a front-row seat as they elevated pop music into an art form, and he was present at the creation of some of the most iconic music of our times. Asher is also a talented musician in his own right, with a great ear for what was new and fresh. Once, when Paul McCartney wrote a song that John Lennon didn't think was right for the Beatles, Asher asked if he could record it. "A World Without Love" became a global No. 1 hit for his duo, Peter & Gordon. A few years later Asher was asked by Paul McCartney to help start Apple Records; the first artist Asher discovered and signed up was a young American singer-songwriter named James Taylor. Before long he would be not only managing and producing Taylor but also (having left Apple and moved to Los Angeles) working with Linda Ronstadt, Neil Diamond, Robin Williams, Joni Mitchell, and Cher, among others. The Beatles from A to Zed grows out of his popular radio program "From Me to You" on SiriusXM's The Beatles Channel, where he shares memories and insights about the Fab Four and their music. Here he weaves his reflections into a whimsical alphabetical journey that focuses not only on songs whose titles start with each letter, but also on recurrent themes in the Beatles' music, the instruments they played, the innovations they pioneered, the artists who influenced them, the key people in their lives, and the cultural events of the time. Few can match Peter Asher for his fresh and personal perspective on the Beatles. And no one is a more congenial and entertaining guide to their music.
Rock and Roll Children
"We gotta get out of this place." -Any kid in the '80s trying to make it playing rock and roll.Mix one dash of high school and two jiggers of teenage angst with a metric ton of heavy metal, and you have the recipe for the improbable wild ride of five kids with limited means and big dreams.Seventeen-year-old Sean needs a lot of things: He needs his parents to stop hassling him. He needs his car to actually start. He needs his Jewfro to grow out into heavy metal hair. But most of all, he needs a band...Without one he isn't sure that he's ever going to make it out of this two-horse town.He's been trying to put a band together for as long as he can remember, but finding like-minded metalheads in rural America has been challenging. Finally the stars align and a band is born. It's magic. But can these five talented metal kids keep things together long enough to play the show of a lifetime?If you are a fan of heavy metal music and grew up in the 1980s (or just wished you had) this story is for you.
Paul McCartney
As humanly possible, this book attempts to evaluate every track that Paul McCartney has released on a major label. Thus, the premise of this book: to sift the gems from the chaff and examine what's driven McCartney up and down for fifty years. There are plenty of tracks suitable for casual fans, adolescents, even preschoolers. But there are tracks for an older audience too, tracks so good they can supply grown-ups with a rewarding soundtrack for a lifetime. It's these that make for a playlist worth keeping. From 1970 and beyond, the songwriting Paul McCartney seemed to be saddled with a rickety who-cares system that generated iffy results. Gone were 'Eleanor Rigby' and 'Penny Lane'. Instead, came the thought-free 'Mary Had a Little Lamb' and 'Bip Bop', songs The Beatles wouldn't have considered for a second. Troubles swarmed around him as he searched for his place. The Beatles had theirs - where was his? Was he overly obsessed with perfection? Maybe. Or was it insecurity? His next record couldn't be a forward-thinking experiment, with sales falling wherever they may. It had to - had to - be a chart topper adored all over the world.
The Stephen Sondheim Encyclopedia
Praise from Jesse Green, New York Times Chief Theater Critic, Arts, in the 2023 Holiday Gift Guide: "From A (the director George Abbott) to Y ('You Could Drive a Person Crazy'), The Stephen Sondheim Encyclopedia, by Rick Pender, offers an astonishingly comprehensive look, in more than 130 entries, at the late master's colleagues, songs, shows and methods."The Stephen Sondheim Encyclopedia is a wonderfully detailed and comprehensive reference devoted to musical theater's most prolific and admired composer and lyricist. Entries cover Sondheim's numerous collaborators, from composers and directors to designers and orchestras; key songs, such as his Academy Award winner "Sooner or Later" (Dick Tracy); and major works, including Assassins, Company, Follies, Sweeney Todd, and West Side Story. The encyclopedia also profiles the actors who originated roles and sang Sondheim's songs for the first time, including Ethel Merman, Angela Lansbury, Mandy Patinkin, and Bernadette Peters.Featuring a detailed biographical entry for Sondheim, a chronology of his career, a listing of his many awards, and discussions of his opinions on movies, opera, and more, this wide-ranging resource will attract musical theater enthusiasts again and again.
Bruce Springsteen: All the Songs
A new, definitive look at one of music's greatest songbooks, by two expert authors. The latest in the bestselling All the Songs series, Bruce Springsteen: All the Songs is the most in-depth exploration of The Boss's music ever written. From Greetings from Asbury Park, NJ through Western Stars, this extensive, 670-page volume provides the full story behind each remarkable cut, with illuminating insights that reveal Springsteen's creative inspiration. It's the most complete history of one of the greatest musical legacies of all time and gives you the background on all the songs leading up to the Boss's new album, Letter to You. Arranged chronologically by album, authors Margotin and Guesdon explore the details behind early hits such as Blinded by the Light and Spirit in the Night, to masterpieces such as Born to Run, Hungry Heart, Dancing in the Dark, Born in the U.S.A., The Rising, Tucson Train, and more - including outtakes, covers and rare tracks. With hundreds of photographs and detailed analysis of every single song, this is the single-greatest record of Bruce Springsteen's music ever produced.
Whose Blues?
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities?In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
The Cambridge Companion to Wagner’s Der Ring des Nibelungen
The Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner's Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as 'leitmotif', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Br羹nnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere.
Journeys Through Galant Expositions
Ever since the nineteenth century, descriptions of musical form have tended to rely heavily on architectonic analogies. In contrast, earlier discussions more often invoked the metaphor of a journey to describe the structure of a composition. In Journeys Through Galant Expositions, author L. Poundie Burstein encourages readers to view the form of Galant music through this earlier metaphorical lens, much as those who composed, performed, improvised, and listened to music in the mid-1700s would have experienced it. By elucidating eighteenth-century ideas regarding musical form and applying them to works by a wide range of composers -- including Haydn and Mozart, as well as a host of others who are often overlooked -- this innovative study provides an accessible new window into the music of this time. Rather than dissecting concepts from the 1700s as a mere historical exercise or treating them as a precursor of later theories, Burstein invigorates the ideas of theorists such as Heinrich Christoph Koch and shows how they can directly impact our understanding and appreciation of Galant music as audiences and performers.
Analytical Approaches to 20th-Century Russian Music
Musical analyses of works by thirteen Russian composers show how approaches to tonality, modernism, and serialism forge forward-looking, independent paths from their western counterparts. Drawing from composers active throughout the twentieth century, this volume for the first time identifies large-scale trends in this repertoire.
Thomas Ad癡s in Five Essays
The British composer, conductor, and pianist Thomas Ades has achieved a level of recognition and celebrity within the world of classical music today that is almost unmatched. Once seen as the heir to Benjamin Britten, both in his importance to British music and his reputation as the enfant terrible of the concert world, Ades is a fascinating figure of contemporary composition. Reaching for the music behind the celebrity, author Drew Massey deftly tackles the challenges of writing about a living figure with such far-reaching impact by focusing on representative moments in his compositional career and critical reception.In this series of five interlocking essays, Massey provides an illuminating look at the formal characteristics of Ades's music, considers his work from the perspective of a contemporary listener, and places it within the larger context of developments in twentieth-century British music. He not only traces the diverse historical forms and traditions that Ades taps into but also reflects on where he is steering the future of composition and performance. An analysis of the key transitions in the artist's critical reception completes this book as the most comprehensive study of this pivotal figure of contemporary classical music in the English language to this day.
Music Downtown Eastside
Music Downtown Eastside draws on two decades of research in one of North America's poorest urban areas to illustrate how human rights can be promoted through music. Harrison's examination of how gentrification, grant funding, and community organizations affect the success or failure of human rights-focused musical initiatives offers insights into the complex relationship between culture, poverty, and human rights that have global implications and applicability. The book takes the reader into popular music jams and music therapy sessions offered to the poor in churches, community centers and health organizations. Harrison analyzes the capabilities music-making develops, and musical moments where human rights are respected, promoted, threatened, or violated. The book offers insights on the relationship between music and poverty, a social deprivation that diminishes capabilities and rights. It contributes to the human rights literature by examining critically how human rights can be strengthened in cultural practices and policy.
Gems of Exquisite Beauty
In the decades leading up to the Civil War, most Americans probably encountered European classical music primarily through hymn tunes. Hymnody was the most popular and commercially successful genre of the antebellum period in the United States, and the unquenchable thirst for new tunes to sing led to a phenomenon largely forgotten today: in their search for fresh material, editors lifted hundreds of tunes from the works of major classical composers to use as settings of psalms and hymns. The few that remain popular today millions have sung "Joyful, Joyful We Adore Thee" to Beethoven and "Hark, The Herald Angels Sing" to Mendelssohn are vestiges of one of the most distinctive trends in antebellum music-making. Gems of Exquisite Beauty is the first in-depth study of the historical rise and fall of this adaptation practice, its artistic achievements, and its place in nineteenth-century American musical life. It traces the contributions of pioneering figures like Arthur Clifton and the impact of bestsellers like the Handel and Haydn Society Collection, which helped turn Lowell Mason into America's most influential musician. By telling the tales of these hymns and those who brought them into the world, author Peter Mercer-Taylor reveals a central part of the history of how the American public first came to meet and creatively engage with Europe's rich musical practices.
Brithop
With ongoing debates on Scottish independence, immigration, Britain's place in the EU, multiculturalism, national identity and the specter of a past Empire complicating ethnically-defined notions of "Britishness," the Kingdom seems far from United. As a cultural force that is often discussed as giving voice to the voiceless and empowering marginalized communities, hip-hop has become a space in which to explore and debate these issues-defining global community while celebrating locality. In Brithop, author Justin A. Williams finds new hope in an often-neglected figure: the British rapper. Through themes of nationalism, history, subculture, politics, humor and identity, Brithop explores multiple forms of politics in rap discourses from Wales, Scotland and England. Featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle, Williams investigates how rappers in the UK respond to the "postcolonial melancholia" of post-Empire Britain. Brithop shows a rich, multifaceted cultural reality reflective of both the postcolonial condition of the UK and the importance of localism within its varying cultures.
Sweet Thunder
This book offers a detailed examination of the literary influences behind the experimental music of five twentieth-century Italian composers: Luigi Dallapiccola, Bruno Maderna, Luciano Berio, Giacomo Manzoni and Armando Gentilucci.
Sweet Mystery
Rida Johnson Young (ca. 1869-1926) was one of the most prolific female playwrights of her time, as well as a lyricist and librettist in the musical theater. She wrote more than thirty full-length plays, operettas, and musical comedies, 500 songs, and four novels, including Naughty Marietta, Lady Luxury, The Red Petticoat, and When Love is Young . Despite her extensive output, no significant study of her work has been produced. This book looks at her musical theater works with in-depth analyses of her librettos and lyrics, as well as her working relationships with other writers, performers, and producers, particularly Lee and J. J. Shubert. Using archival materials such as original typescripts, correspondence, and reviews, the book contextualizes her work in the early twentieth century professional theater and provides a window into the standard practices of writing and production of the era.
The Cambridge Companion to Wagner's Der Ring des Nibelungen
The Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner's Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as 'leitmotif', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Br羹nnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere.
Rolling Stones: Priceless
Contributions from Mick Jagger, Keith Richards, Charlie Watts and Ronnie WoodOver 1,400 photographs, featuring many rare and previously unpublished items of priceless memorabiliaForeword by Craig Kallman, Chairman and CEO of Atlantic RecordsCovers the entire history of the bandAfterword by Bill German, Editor and Publisher of the Stones' fanzine Baggars BanquetWritten by Guinness World Record holder Matt Lee Matt Lee has been collecting Rolling Stones memorabilia for more than two decades. He amassed so much that he had to move house; he even has his own museum dedicated to Stones memorabilia and he is the Guinness World Record holder for the largest Stones memorabilia collection. For the first time, Rolling Stones: Priceless showcases his collection, which spans all decades, and tells the story of the Stones through their memorabilia as never before.
The Little Guide to Dolly Parton
The ultimate pick-me-up to save you from the nine-to-five heartbreak blues.The Little Book of Dolly Parton is your bible of devastating Dolly-isms.Yes, that's right, the most iconic and acclaimed female country singer in the history of music is so inventive and brilliant with her clever wisecracks and sage advice that popular culture has crowned her with an -ism after her name. No one else is as worthy. For more than five decades, Dolly has been laying down her own brand of whip-smart wit and wisdom to the world, with many quotes and quips becoming as famous as her lyrical genius, for which she has won too many song writing awards and honors to mention. Stacked to the rafters with more than 150 bite-size bon-mots, one-liners and ripostes - as well profound and sincere observations - The Little Book of Dolly Parton is your new favorite life companion. 'I never think of myself as a star because, as somebody once said, "A star is nothing but a big ball of gas" - and I don't want to be that.' Reflecting on stardom during an interview with Billboard, 2014. 'The kids peed on me every night ... There were so many of us. We slept three and four in the bed. I would wash every night, and as soon as I go to bed, the kids would wet on me and I'd have to get up in the morning and do the same thing ... That was the only warm thing we knew in the winter time. That was almost a pleasure to get peed on because it was so cold. Lord. It was as cold in the room as it was outside. We'd bundle up to go to bed.' Discussing her family's humble origins during an interview with Playboy, 1978. 'I'm proud of my hillbilly, white trash background. To me that keeps you humble; that keeps you good. And it doesn't matter how hard you try to outrun it - if that's who you are, that's who you are. It'll show up once in a while.' Discussing her background, during an interview with Southern Living, 2014.
Rez Metal
Rez Metal captures the creative energy of Indigenous youth culture in the twenty-first century. Bridging communities from disparate corners of Indian Country and across generations, heavy metal has touched a collective nerve on the Navajo Reservation in Arizona in particular. Many cultural leaders--including former Navajo president Russell Begaye--have begun to recognize heavy metal's ability to inspire Navajo communities facing chronic challenges such as poverty, depression, and addiction. Heavy metal music speaks to the frustrations, fears, trials, and hopes of living in Indian Country. Rez Metal highlights a seminal moment in Indigenous heavy metal: when Kyle Felter, lead singer of the Navajo heavy metal band I Dont Konform, sent a demo tape to Flemming Rasmussen, the Grammy Award-winning producer of several Metallica albums, including Master of Puppets. A few months later, Rasmussen, captivated by the music, flew from Denmark to Window Rock, Arizona, to meet the band. Through a series of vivid images and interviews focused on the venues, bands, and fans of the Navajo Nation metal scene, Rez Metal provides a window into this fascinating world.
Beatboxing
"The masterful art of chess, Kung-fu sword play, and the sweet science of boxing are all hip-hop expressions that connect us universally. Beatboxing tells the story. It's razor sharp."-Masta Killa, Wu-Tang Clan "I love how Todd Snyder's brain works. Like him, I love hip hop, and I love boxing. But I've never seen someone tie them together so well, detailing their shared history, the way each impacted the other and the personalities involved. Beatboxing is written with such tethering, with that kind of impact and insight. It might be my favorite sports book--since the last one Snyder wrote." --Greg Bishop, Sports IllustratedStep into a world of rap moguls turned fight promoters, boxers turned rappers, and rappers turned boxers. From Mike Tyson to Tupac, from Roy Jones Jr. to J Prince, explore how a cultural collision forever altered the relationship between music, race, sports, and politics. Daryl McDonald of Run-DMC once said that the rhyme Float like a butterfly, sting like a bee! The hands can't hit what the eyes can't see! was hip-hop's most famous lyric. Muhammad Ali's poetic brilliance and swagger--ignited by hype man Bundini Brown--gave hip-hop artists the template from which they forged their identities and performed their art. Hip-hop's impact on boxing, on the other hand, has not been explored. Until now. In Beatboxing, Todd Snyder uncovers the unique connection between hip-hop and the sweet science, tracing a grassroots cultural movement from its origins in the South Bronx to its explosion across the globe and ultimately into the charged environment of the prize ring. Featuring interviews with champion fighters and music legends, this is the definitive book about an enduring phenomenon and is a must-read for boxing and hip-hop fans alike.
God Save the Queens
An NPR Best Book of the Year"Without GodSave the Queens, it is possible that the contributions of dozens ofimportant female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture wouldcontinue to go unrecognized." --AllHipHop.comCan't Stop Won't Stop meets Girls to the Front in this essential and long overdue history of hip-hop's female pioneers and its enduring stars.Every history of hip-hop previously published, from Jeff Chang's Can't Stop Won't Stop to Shea Serrano's The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre's female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved.
A History of Emotion in Western Music
When asked to describe what music means to them, most people talk about its power to express or elicit emotions. As a melody can produce a tear, tingle the spine, or energize athletes, music has a deep impact on how we experience and encounter the world. Because of the elusiveness of these musical emotions, however, little has been written about how music creates emotions and how musical emotion has changed its meaning for listeners across the last millennium. In this sweeping landmark study, author Michael Spitzer provides the first history of musical emotion in the Western world, from Gregorian chant to Beyonc矇. Combining intellectual history, music studies, philosophy, and cognitive psychology, A History of Emotion in Western Music introduces current approaches to the study of emotion and formulates an original theory of how musical emotion works. Diverging from psychological approaches that center listeners' self-reports or artificial experiments, Spitzer argues that musical emotions can be uncovered in the techniques and materials of composers and performers. Together with its extensive chronicle of the historical evolution of musical style and emotion, this book offers a rich union of theory and history.
The Beatles: Album by Album
A team of experts write about each era of the band's existence, examining what they were doing for each of their original 12 UK-release albums.This informative work tells the story of the famous Liverpool musicians, from the band's formative days in Hamburg and Liverpool to the split in 1970. From the simple, bouncy Please Please Me to the heavyweight double Let It Be. Further chapters cover the US and foreign releases, which were significantly different in the early days.
Ms. Hebert’s World Songbook
Ms. Hebert's World Songbook includes 21 original songs in 21 languages, a music curriculum that covers K through 4th grade, 21 lesson plans including Objectives, Standards, Procedures, and Virtual Learning and Diversified Instruction Strategies to use in the General Music setting that include approved guidelines for Fall 2020 for Social Distancing. These lessons can be carried out in the Virtual Music Class setting through Distance Learning and while following Social Distancing guidelines in the classroom. This songbook includes songs in Dutch, Hindi, Portuguese, Italian, Japanese, Bengali, Russian, Turkish, Greek, Polish, Hebrew, Hawaiian, Chinese, Spanish, German, French, Arabic, Czech, Swedish, Mandarin and Swahili. The author has traveled to 43 countries and taught music in the Middle East, Africa, South East Asia and in the United States. Ms. Hebert is passionate about studying cultures around the globe and learning new languages. She enjoys bringing a first hand experience of the world to her students. Music is more than just performance. Music is about connecting with one another, reacting to music, learning about different cultures, expanding our horizons and creating music.
Lessons With Hypatia (Instrumental Parts)
Lessons With Hypatia is a musical tragedy that seeks to unveil the congruities between eroticism, philosophy, religion, culture, and love. In fifth century Alexandria, Egypt, the woman HYPATIA, among the last philosophers of Late Antiquity, was schooled as a man by her father THEON, chief librarian of the great library at Alexandria. Hypatia's philosophical dialogues and discussions about love with her confidants propel the drama: A shared love of ideas prompts Hypatia to wed ISIDORE, the philosophical leader of Alexandria, in hope of resolving the brewing turmoil between CYRIL, Alexandria's religious authority (and in love with Hypatia), and ORESTES, the new Roman consul (who also falls in love with Hypatia). But Isidore's extramarital sensual exploits grow reckless, and Orestes and Cyril seek to capitalize on Isidore's rashness to grab power. Hypatia reasons that producing a child might protect Isidore, and ruminates about consummating her longstanding love with Cyril. But when she attempts to offer herself to him, unanticipated emotions terrify her. Orestes begs Hypatia for love, and after her initial repulsion she considers giving herself to him. But when Hypatia finds Orestes with another love, she yields to her passion with Cyril. Orestes becomes enraged and threatens to rile up the Alexandrian people to burn Theon's library. And Hypatia and her students determine a risky method to preserve classical knowledge should the library be destroyed. Hypatia resists Orestes, and he lovingly recants his threats, but not in time to prevent disaster. Eroticism and philosophy mingle through the songs, dialogue, and action to blend together multiple levels of interpretation: What is the nature of love and divinity? What it is to communicate and to share one's self? What is culture, and how might it be preserved? And, how does each individual assign meaning to the emotional events in his or her life?
Olivia on the Record
Foreword INDIES 2020 Silver Award Winner in LGBTQ+ NonfictionIndependent Press Awards 2021 Winner in LGBTQ nonfiction Golden Crown Literary Awards 2021 Nonfiction WinnerThe burgeoning lesbian and feminist movements of the '70s and '80s created an impetus to form more independent and equitable social and cultural institutions-bookstores, publishers, health clinics, and more--to support the unprecedented surge in women's arts of all kinds. Olivia Records was at the forefront of these models, not only recording and distributing women's music but also creating important new social spaces for previously isolated women and lesbians through concerts and festivals.Ginny Z. Berson, one of Olivia's founding members and visionaries, kept copious records during those heady days--days also fraught with contradictions, conflicts, and economic pitfalls. With great honesty, Berson offers her personal take on what those times were like, revisiting the excitement and the hardships of creating a fair and equitable lesbian-feminist business model--one that had no precedent.In a time when lesbians' participation in mainstream culture and politics is often taken for granted, we need to recognize the miraculousness of what Olivia achieved. A few years after Stonewall, Olivia not only created the first women's record label, but in the face of pervasive bigotry and repression carved out a vibrant political space for lesbian freedom. --Barbara Smith, co-founder of the Combahee River CollectiveThe women's music movement was a revolution for rights and dignity, carving out a space where none existed before: for women to seize ownership of their own narrative, for lesbians who had never been reflected in popular music, for women to write love songs to other women. A small collective of idealistic women with absolutely no experience in the music business created a model that would change the landscape for all women, indeed, for all people. --Vicki Randle, musicianGinny Berson's important memoir of building Olivia Records into a beloved lesbian institution is a timely narrative from a founding organizer. Ginny walks us through the politics, radical self-discovery, aching romantic tension, and quirky community organizing that characterized an era. In these chapters, we gain a front row seat to the collective "processing" that produced and distributed lesbian records, and meet the first generation of fans to experience women's music as lesbian liberation. --Bonnie J. Morris, PhD, author of Eden Built by Eves, The Disappearing L, and The Feminist Revolution
For The Love
In For The Love, author Kevin McDormand interviews the creators of hip-hop's classic videos, compiling the stories into a seamless narrative. In this first volume, he covers the following ten videos in depth: Madvillain: All CapsPharoahe Monch: Broken AgainYour Old Droog: We Don't Know YouDeca: WaitingPhife Dawg: Dear DillaStitches: Brick In Yo FaceDanny Brown: Grown UpAesop Rock: Zero Dark ThirtyOddisee: BreaDas Racist: GirlThe oral histories of the directors, actors, artists, and other key personnel that created these videos are both entertaining and revelatory. This book will connect to fans of hip-hop or storytelling, and serve as a template for prospective musicians and filmmakers.
Takin’ Care of Business
By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to -- and represented an idealized self-portrait of -- a very different audience: the working-class 'Average Joes' who didn't want to change the world as much as they wanted to protect their perceived place within it. To the extent that "working-class populism" describes an authentic political current, it's now beyond a doubt that certain musicians and certain of their songs helped define that current. By now, rock 'n' roll has cast a long shadow over hundreds of millions of people around the world -- not just over reckless kids, but over wage-earning parents and retired elders; not just over indignant youth challenging authority, but over indignant adults challenging their own definition of it. Not only have the politics of rock fans drifted surprisingly rightward since 1970; some rock, as Case argues, has helped reset the very boundaries of left and right themselves. That God, guns, and Old Glory can be understood to be paid fitting tribute in a heavy guitar riff delivered by a long-haired reprobate in blue jeans -- but that #Me Too, Occupy Wall Street or Black Lives Matter might not -- hints at where those boundaries now lie.
Harmony and Normalization
Harmony and Normalization: US-Cuban Musical Diplomacy explores the channels of musical exchange between Cuba and the United States during the eight-year presidency of Barack Obama, who eased the musical embargo of the island and restored relations with Cuba. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts in the wake of Ra繳l Castro assuming the Cuban presidency and the election of President Obama allowed performers to traverse the Florida Straits more easily than in the recent past and encouraged them to act as musical ambassadors. Their performances served as a testing ground for political change that anticipated normalized relations. While government actors debated these changes, music forged connections between individuals on both sides of the Florida Straits. In this first book on the subject since Obama's presidency, musicologist Timothy P. Storhoff describes how, after specific policy changes, musicians were some of the first to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba's first US tour, the Minnesota Orchestra's trip to Havana, and the author's own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and a common desire to restore the once-thriving US-Cuban musical relationship.
Groove Theory
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Harmony and Normalization
Harmony and Normalization: US-Cuban Musical Diplomacy explores the channels of musical exchange between Cuba and the United States during the eight-year presidency of Barack Obama, who eased the musical embargo of the island and restored relations with Cuba. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts in the wake of Ra繳l Castro assuming the Cuban presidency and the election of President Obama allowed performers to traverse the Florida Straits more easily than in the recent past and encouraged them to act as musical ambassadors. Their performances served as a testing ground for political change that anticipated normalized relations. While government actors debated these changes, music forged connections between individuals on both sides of the Florida Straits. In this first book on the subject since Obama's presidency, musicologist Timothy P. Storhoff describes how, after specific policy changes, musicians were some of the first to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba's first US tour, the Minnesota Orchestra's trip to Havana, and the author's own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and a common desire to restore the once-thriving US-Cuban musical relationship.
Groove Theory
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Let It Be - das letzte Album der Beatles
Am Anfang ihrer Karriere kreierte John Lennon den Slogan "to the toppermost of the poppermost, der f羹r die Beatles ma?gebend wurde. Die Fab Four eroberten innerhalb kurzer Zeit die Welt, musikalisch nat羹rlich, schufen gro?artige Alben und verzauberten mit ihrer Musik und ihrem Charme die Jugend. Doch wenn man ganz oben ist, kann man nur noch fallen. Zwei Jahre vor ihrem Ende, 1968, begann der unvermeidliche Zerfall des Kollektivs. "Let It Be - das letzte Album der Beatles" setzt hier ein, beschreibt den allm瓣hlichen Entfremdungsprozess der Vier w瓣hrend der Get Back-Sessions und verfolgt die 15-monatige Entstehung des Let-it-be-Albums. Das Buch zeigt aber auch die vielen magischen Momente, die selbst in den dunkelsten Stunden der Beatles nicht ausblieben - und diese Band bis heute so unvergesslich und einzigartig macht.
