The Legacy of the Blues
Blues is a language--one which has evolved its own rules and which is the sole property of a culture always forced to the periphery of white society. As such it is a political language. Whether it is passed as a legacy from African village to Mississippi farm, or from farm to Chicago ghetto, or from ghetto to Paris cafe, it is part of a larger oral heritage that is an expression of black America. Makeshift instruments, runaway slaves, railroads, prisons, empty rooms, work gangs, blindness, and pain have all been involved in the passing of this legacy, which has moved from hand to hand like a bottle of whiskey among friends and which now, for whatever reasons, seems faced with extinction. As Lightnin' Hopkins says: "I see a few young musicians coming along. But it's not many. It's not many at all, and the few that is--I'll tell you, you know what I mean, they don't have it. They just don't feel it. . . . I never had that trouble. I had the one thing you need to be a blues singer. I was born with the blues."With an awareness of the urgency involved, and with considerable devotion, Samuel Charters has chosen twelve major bluesmen, each whom represents a major facet of the blues, and has written about them. Rather than adopt the voyeuristic tone of the academician, he has used the direct visceral images that have always composed the blues. Also included are interviews, photographs, lyrics, and separate chapters on the black experience in America, and the evolution of the blues language from its African origins. Samuel Charters has renewed contact with the greatness of the blues legacy--from the haunting lyric songs of the bluesmen like Robert Pete Williams and Lightnin' Hopkins to the fiercely joyous shouts of Champion Jack Depree, Memphis Slim, and Mighty Joe Young.
Bowie Comp PB
Despite his vast influence and perennial popularity, David Bowie remains one of the most elusive figures in rock, and few books have taken a serious look at his remarkable career. The Bowie Companion provides an entertaining overview of nearly three decades of popular culture commentary, giving full weight to his stage, screen, and musical careers. From both American and English publications, the editors have come up with some astonishing selections, and have added to them a slew of new material. Included are the words of Patti Smith, Anne Rice, Jon Savage, William Burroughs, Lester Bangs, Marc Bolan, Simon Frith, Pauline Kael, John Rockwell, and Ellen Willis, among others. Together with a lengthy introduction, a select discography, and an extensive bibliography, they make up a book that is a must for Bowie fans, and a perfect companion for anyone interested in the phenomenon of pop stardom.
Cats of Any Color
In a series of candid interviews with jazz players, composers, and critics, Gene Lees explores racism in the past and present of jazz--both the white racism that for decades ghettoized black musicians and their music, and the prejudice that Lees documents of some black musicians against their white counterparts. With subjects ranging from Horace Silver to Dave Brubeck to Red Rodney, and a new introduction analyzing recent developments, Cats of Any Color chronicles jazz as a multiethnic art.
Listen to the Stories
Here is Nat Hentoff's deeply felt exploration of jazz, blues, country, and gospel -- and the musicians who bring the music to life. Hentoff has not only loved music all his life, he has lived it by being friends with many of the musicians he writes about in this collection. Hentoff poignantly describes the early days of Roy Eldridge and the last years of Billie Holiday and Bird. He tells amazing stories of the Count, Duke, and Dizzy. "Full of insightful behind-the-scenes encounters" (San Francisco Chronicle), Listen to the Stories covers new recordings and old legends, remarkable lives and unforgettable music.
Billie’s Blues
Anyone who has ever heard a Billie Holiday record knows the sound of her voice--sad, sexy, always relaxed but securely aware of the beat. Conveying a poignancy that cut to the heart of a song, she redeemed even trivial material with her impeccable sense of dramatic phrasing and time. The well-known tale of her lifelong battle with drugs has obscured the artistry that has made her one of the most revered singers of the twentieth century. Everyone from Frank Sinatra (who in the 1950s called her "unquestionably the most important influence on American popular singing in the last twenty years") to Ella Fitzgerald and Sarah Vaughan has recognized the singularity of her interpretations. The racism that Billie found at every turn, whether in Artie Shaw's band or in the heart of the south, immortalized in the chilling song "Strange Fruit," cannot be overlooked in her biography. Jazz historian John Chilton has told the story of her short, tragic, influential career with restraint, correcting many of the more sensational tales she wrote about herself in Lady Sings the Blues. Buck Clayton, who knew Billie in the Basie band during the 1930s, has written a warm and personal foreword to this fascinating biography of a great American artist.
The Roots of the Blues
"I went to Africa to find the roots of the blues." So Samuel Charters begins the extraordinary story of his research. But what began as a study of how the blues was handed down from African slaves to musicians of today via the slave ships, became something much more complex. For in Africa Samuel Charters discovered a music which was not just a part of the past but a very vital living part of African culture. The Roots of the Blues not only reveals Charters's remarkable talent in discussing African folk music and its relationship with American blues; it demonstrates his power as a descriptive and narrative writer. Using extensive quotations of song lyrics and some remarkable photographs of the musicians, Charters has created a unique contribution to our understanding of both African and American cultures and their music.
The Accidental Evolution of Rock ’n’ Roll
History, jokebook, buying guide, book of lists, and treatise all rolled into one, The Accidental Evolution of Rock'n'Roll is most of all a joyride through the wildest music ever made. Whether discussing Def Leppard or Nirvana, Vanilla Ice or Public Enemy, Donna Summer or Bob Dylan, Chuck Eddy is an unparalleled master at deciphering unknown tongues and disentangling musical accidents. In this lavishly and hilariously illustrated book, he reveals the roots of rap, disco, power ballads, bubblegum, suburban country, and noise-rock; why selling out is good and honesty is never what it seems; the similarities between disco and garage rock and between reggae and heavy metal; whether songs can ever really "mean" anything; what math rock has in common with amputation rock and orgasm rock; and much, much more. By eventually encompassing the whole wacky world of popular music, this book is destined to change it forever.
World of Count Basie PB
The late Count Basie is one of the jazz immortals. The master of swing, whose beat was the subtlest and supplest of all the bandleaders, Basie featured some of the great soloists in jazz history while he sat unobtrusively at the piano, keeping time with his unmatched rhythm section, showing off the surging power of his brass players, and commenting wittily with a single chord or phrase. A man and musician of reserve and modesty, Basie nonetheless will always be a landmark for his won achievements and for the jazz musicians who passed through his band. In this sociable and pioneering oral history of Basie and his band, Stanley Dance talks with the Count himself, Jimmy Rushing, Buddy Tate, Buck Clayton, Joe Williams, Jay McShann, Jo Jones, Dicky Wells, Lester Young, and a dozen others, who reminisce about each other, Kansas City jazz, and their legendary peers Billie Holiday and Charlie Parker. With a rich flow of anecdote, opinion, and biographical information--and with striking photographs--this history both documents and assesses the legacy of Basie for American music.
Celtic Music
Celtic music means many things to many people. To some it recalls the Irish rebel songs of the Clancy Brothers, to others the ensemble playing of the Chieftains or Enya's ethereal vocals. Yet Celtic music is much more than reels, jigs, and sentimental ballads. It is also unaccompanied singing, feverish fiddle tunes, the sweet strains of the Irish uileann pipes. It comes not just from Ireland and Scotland but from Wales, Brittany, the Isle of Man, and Cornwall. It informs the musical roots of Van Morrison and U2, the performances of Riverdance, and the scores for such films as Braveheart and Titanic. Celtic Music explores all aspects of this music-from its roots to the exciting developments on the contemporary scene. Sawyers profiles hundreds of artists, and compiles suggestions for recommended listening as well as the one hundred essential Celtic recordings. Lists of Celtic festivals and publications are also included, together with record outlets, record labels, and music schools, making this book essential for all lovers of the music.
The Magic of Opera
Among the many introductions to opera, this is perhaps the best. J. Merrill Knapp, Professor Emeritus at Princeton University, divides his subject into two parts: In the first, he discusses the structure, production, theatrical conventions, and esthetics of opera; in the second, he features biographies of the major composers and cogent analyses of exemplary qualities in their works. "Opera should have a wide appeal," says Knapp in his Preface. "In the past too many sensible people have associated it with diamond tiaras, exclusive theater boxes, opening night social snobbery, and haughty prima donnas. For more understanding and knowledge are needed to get rid of these past impressions and to prove that opera is both within the comprehension of the ordinary person and worthy of high aspiration and serious study." This book will open ears and change minds. It is the ideal foundation for anyone curious about-or already in love with-the magical world of opera.
The Da Capo Book of Rock & Roll
Since the early days of rock 'n' roll--since Elvis Presley came out of Memphis to startle the world--a whole body of writing has grown up around it, from the album notes to obituaries, from on-the-road insider tales to dissections of the meaning behind the meaning. The Da Capo Book of Rock & Roll Writing presents the very best of this writing, on the best of the music: the Beatles, Elvis, Bruce Springsteen, the Sex Pistols, Bob Dylan, Jim Morrison, Janis Joplin, and countless others. Part history, part literature, part reference book--part hyperbole and part disillusionment--The Da Capo Book of Rock & Roll Writing is an extraordinary tribute to one of the great creative achievements of the century: rock & roll. And where else can you find "The First Tycoon of Teen" by Tom Wolfe "In Which Yet Another Pompous Blowhard Purports to Possess the True Meaning of Punk Rock" by Lester Bangs "What the Sixties Had That the Eighties Don't Have" by Paul Williams "You and the Boss" by Tama Janowitz
Jazz
The names of Nat Hentoff and Albert J. McCarthy have become almost synonymous with jazz writing. Hentoff, editor of Jazz Review, writer for Downbeat, High Fidelity, New Yorker, and the Village Voice, and McCarthy, editor of Jazz Monthly, have raised jazz beyond mere appreciation and discography to a subject which demands the rigorous application of musicological, sociological, and historical analysis. In addition to their own contributions, the twelve articles they have commissioned by internationally noted critics and scholars provide almost revolutionary evidence of the emergence of Jazz as a serious art form.
Who’s Who of Jazz
John Chilton's Who's Who of Jazz has established itself as a major jazz reference book on the lives of over a thousand musicians born before 1920. The informative biographies give the essential details of each musician's life and career, and jazz greats jostle with unknowns for the readers attention. This completely revised edition adds much new information to the musical histories of the players, and the biographies of some of the major figures have been rewritten to incorporate recent research.
Wagner on Music and Drama
A compendium of Richard Wagner's prose works. Selected and arranged, and with an introduction by Albert Goldman and Evert Sprinchorn
Jazz Singing
This book is an overview of jazz and jazz-influenced pop singers. Among the major figures discussed are Armstrong, Crosby, Holiday, Fitzgerald, Sinatra, Eckstine, Vaughan, Torme and Bennett, along with descriptions of the contributions of secondary and forgotten talents.
The Da Capo Jazz and Blues Lover’s Guide to the U.S.
Where did Charlie Parker first play with Dizzy Gillespie? What are the coolest clubs in Chicago? Which city has the largest jazz museum? Where is Howlin' Wolf buried? The answers can be found in The Da Capo Jazz and Blues Lover's Guide to the U.S., an insiders look at all the places where jazz and blues live, from national clubs to unmarked holes in the wall, in twenty-five cities and the Mississippi Delta. With the most up-to-date listings for festivals, historic theaters, record stores, and radio stations-plus anecdotes from club owners and musicians-this is the essential "where-to" for jazz and blues fans everywhere.
The Dylan Companion
"To this day, wherever great rock music is being made, there is the shadow of Bob Dylan," said Bruce Springsteen at the induction of Dylan into the Rock and Roll Hall of Fame in 1988. Or to quote John Rockwell, "Anyone who didn't live through the sixties simply cannot realize how important his albums seemed then; they defined a community." Dylan is a musical, literary, political, and religious icon whose lyrics and mystique have spawned countless articles and books. The Dylan Companion is a generous helping of the best, most pungent, and most insightful commentary on Dylan from all phases of his career right up to the present: personal recollections and professional assessments from the likes of Ken Kesey, Greil Marcus, Joan Baez, Andrew Motion, Lester Bangs, Kurt Loder, Allen Ginsberg, Pauline Kael, Geoff Dyer, Simon Winchester, and Robert Christgau -- over fifty pieces celebrating the sixty-year-old performer who somehow manages to stay forever young.
Talking Jazz
"As you read, light bulbs switch on: that's what was going when she recorded that; now I can see where he got that sound."--LA Weekly43 Jazz Conversations Miles Davis, Gil Evans, Dizzy Gillespie, Jon Hendricks, Max Roach, Betty Carter, Jackie McLean, Don Cherry, Sonny Rollins, McCoy Tyner, Archie Shepp, Herbie Hancock, Tony Williams, Keith Jarrett, Wynton Marsalis, and Jack DeJohnette-these are just a few of the jazz musicians whose conversations with Ben Sidran are recorded in this volume. In stimulating, personal, and informative discussions, they not only reveal their personalities, but also detail aspects of the performance, technique, business, history, and emotions of jazz. Newly expanded with previously unpublished dialogues with David Murray, Dr. John, and Mose Allison, Talking Jazz is undoubtedly the best oral history of recent and contemporary jazz.
A Whore Just Like the Rest
He is one of the inventors of rock criticism. His first book, The Aesthetics of Rock (acclaimed by Greil Marcus as "a disemboweling of rock's soft white underbelly"), became an instant cult classic when published in 1970. And for the next thirty years he fearlessly expanded the boundaries of music writing. Now he has collected the best of his prodigious output into a gonzo sampler of the reviews, profiles, interviews, and essays that form the heart of his rockwriter legacy. Traveling from psychedelia to the "dinosaur-rot early '70s" to the redeeming majesty of punk and the constant solace of jazz, this will stand as a remarkable document of an era by a singular voice in music writing.
Cole Porter
In 1933 Irving Berlin wrote to composer-lyricist Cole Porter, "I am mad about Night and Day." Millions of others throughout the world have been "mad about" that Porter gem, as well as dozens of others, including, to name just a few, Begin the Beguine, From This Moment On, It's De-Lovely, Just One of Those Things, Love for Sale, and My Heart Belongs to Daddy. Cole Porter (1891-1964) set new standards for popular song-writing, and his lyrics and melodies are as bright and sophisticated today as when they first dazzled audiences decades ago. Porter's own life matched that of his songs for urbanity, wit, and elegance, and in New York, Hollywood, and on the Continent he was an arbiter of taste and fashion and part of the glamorous international set of the Twenties and Thirties. He numbered among his friends Cary Grant, Noel Coward, Fred Astaire, Ethel Merman, Elsa Maxwell, Fanny Brice, and Monty Woolley, as well as many other stars of stage, screen, or society. Cole Porter: A Biography is a delightfully written and meticulously researched book that takes us from the composer's Indiana childhood to his celebrity days, discussing with exceptional honesty his family and friends, his wife and his many lovers, and above all, his music. Charles Schwartz's account of Cole Porter is the most revealing, comprehensive, and objective biography to date of an extraordinarily talented and fascinating man.
Glenn Miller & His Orchestra
Moonlight Serenade, Sunrise Serenade, Little Brown Jug, In the Mood... These and other memorable tunes endeared Glenn Miller to millions in the Swing Era and all who recall those times. After playing trombone and arranging for leading orchestras of the Dorsey brothers, Ray Noble, Ben Pollack, and Red Nichols, Glenn Miller formed his own "sweet" band, which from 1938 to 1942 achieved widespread popularity second only to Benny Goodman's. Miller learned all he could from these and other bands like Jimmie Lunceford's and Artie Shaw's, going on to create a uniquely rich sound with clarinet over four saxes and four trombones ("three-part harmony sounds too thin," he once exclaimed). Simon tells of both the successes and hard times of Miller's illustrious career, up to his celebrated Army Air Force band and his untimely death.
Body and Soul: The Making of American Modernism
In this book Robert Crunden puts the "jazz" back in the Jazz Age. Jazz was America's greatest contribution to the Modernist movement, yet it is much overlooked. When we hear the term "Jazz Age," we conjure the ghosts of Fitzgerald, Hemingway, and Eliot, not Jelly Roll Morton, Louis Armstrong, Ethel Waters, George Gershwin, and Duke Ellington. In order to correct this imbalance, Crunden re-introduces us to these musical luminaries who gave the era its name as he traces the early history of jazz from New Orleans to Chicago to New York. While Crunden emphasizes music over literature and the visual arts, he never fails to map the complex cross-currents of literature that passed between jazz musicians and their "Lost Generation" peers, a veritable pageant of the glittering personalities of the day-James Joyce, Alfred Stieglitz, Georgia O'Keeffe, Paul Strand, John Dos Passos, Langston Hughes, Gertrude Stein.
175 Musical Programmes
Music is the very spread form of art, which enchanted the human society from very early times.Based on sound as medium, on common elements as pitch, rhythm, dynamics and on sonic qualities as timbre and texture, the music completed and enriched the life of people being a natural part of their development.Classical music is a general term about the secular and religious art music of the Western music of the broad stretch of time from the years of 11th century to the present day, which includes more periods: medieval (1100-1400 years), renaissance (1400-1600 years), baroque (1600-1750 years), classical (1750-1820 years) romanticism (1800-1910 years)Classical music composers of great renown are: Antonio Vivaldi, Johann Sebastian Bach, George Frideric Handel, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Gioachino Rossini, Felix Mendelssohn, Fr矇d矇ric Chopin, Richard Wagner, Giuseppe Verdi, Johann Strauss, Johannes Brahms, Georges Bizet, Pyotr Ilyich Tchaikovsky, Anton穩n Dvoř獺k, Edvard Grieg, Edward Elgar, Sergei Rachmaninoff, George Gershwin, Aram KhachaturianTheir works and others' are subjects of the one hundred and seventy-five enjoyable musical programmes from this book. Bring them to life! Irina Rabeja - ArtFolkSch MEE DCSc WorldWho'sWho
Sounds Like An Ending
In 1982, Midnight Oil was a band in trouble. Their last album, Place Without a Postcard, was supposed to be their big breakthrough but it hadn't worked out that way. So they found themselves in London, feeling the pressure of recording what was a "make or break" album. Members threatened to leave, others had nervous breakdowns and the ANZ bank manager back home was sweating as he watched the overdraft he'd approved for the band get bigger and bigger.If this album went the same way as the last one, it could be the end of Midnight Oil. Out of the crisis came 10,9,8,7,6,5,4,3,2,1, an album that changed everything for the band. It entered the charts and stayed there for more than three years. They started playing bigger venues - and they were able to pay back the bank manager.Two years later, they headed to Japan to record the polarising Red Sails in the Sunset. It managed to do what 10-1 couldn't - give the band their first No1 album. But again the band found themselves facing the possibility it could all be over, courtesy of lead singer Peter Garrett's tilt at federal politics. If he wins, the band loses.In Sounds Like an Ending, journalist and author Glen Humphries takes a track-by-track look at these two albums and the times and turmoil that fuelled them. That includes wondering whether the 10-1 title was a sly dig at a certain Australian music TV show, finding out the stories behind some of the songs and explaining what's really happening on the cover of Red Sails in the Sunset.
Woodstock Faq
A celebration of the legendary music festival--and artists--that sparked a cultural movement.
Elton John Faq
A captivating chronicle of the rock-and-roll legend. Investigating the highs and lows throughout each of John's musical phases and sartorial changes, the book underscores not only the talent behind the legend but the unvarnished truth behind tales that are familiar only to diehard fans.
Die Zauberfl繹te - Die beliebtesten Opern
Die Zauberfl繹te ist eine Oper in zwei Aufz羹gen, die 1791 im Freihaustheater in Wien uraufgef羹hrt wurde. Das Libretto stammt von Emanuel Schikaneder, die Musik komponierte Wolfgang Amadeus Mozart. Zur Handlung: Der junge Prinz Tamino wird von der K繹nigin der Nacht ausgesandt, um ihre Tochter Pamina zu retten, die vom F羹rsten Sarastro entf羹hrt wurde. Der Vogelf瓣nger Papageno wird Tamino zur Seite gestellt. Tamino erh瓣lt eine Zauberfl繹te, Papageno ein magisches Glockenspiel, beides von den bis jetzt noch freundlichen Drei Damen der K繹nigin der Nacht. Sie brechen auf, um Pamina zu befreien. Papageno findet Pamina in Sarastros Reich und berichtet ihr, dass der verliebte Tamino zu ihrer Rettung aufgebrochen ist. Sie wollen fliehen, um Tamino entgegenzueilen, treffen dabei jedoch auf Monostatos, dem sie mit Hilfe des Glockenspiels entkommen.... Emanuel Schikaneder (1751-1812) war Schauspieler, S瓣nger, Regisseur, Dichter und Theaterdirektor. Wolfgang Amadeus Mozart (1756-1791), war ein Komponist der Wiener Klassik. Sein umfangreiches Werk genie?t weltweite Popularit瓣t und geh繹rt zum bedeutendsten im Repertoire klassischer Musik (Die Hochzeit des Figaro, Die Zauberfl繹te, Don Giovanni, Eine kleine Nachtmusik, Requiem...)
Waylon
From his earliest recordings to his posthumously released albums, the haunting baritone of Waylon Jennings marked him as an extraordinarily individualistic country music artist. This biography by the late R. Serge Denisoff, first published in 1983, recounts Waylon's west Texas upbringing, his introduction to music as a radio announcer at thirteen years old, his tutelage by rock star Buddy Holly, and his eventual stellar yet stormy music career. Where the original 1983 biography ends, music scholar Travis Stimeling picks up with the waning years of Waylon's recording and performing. Stimeling recounts in the new afterword Waylon's continued musical success in the early 1980s--though his financial troubles and battle with drugs and alcohol would soon cost him both professionally and personally--his triumphant and sober return in the 1990s and collaboration with longtime recording artists in the industry, and his continued musical relevance in an evolving industry driven by Nashville's urban popularization of country music. Additionally, series editor Ted Olson, in his foreword, touches on Waylon's legacy and the continued influence of his outlaw style of country music. Fans of Waylon, country music, and the Nashville music scene are sure to find this second edition of R. Serge Denisoff's classic biography a welcome addition to the publications on the father of outlaw country.
A Long Way Home
Dwight Yoakam has long been known to country music fans as a musiciam who is as much artist as he is superstar. Over the course of his fifteen-year career, he has received fourteen Grammy nominations. One reviewer described his work this way: "Yoakam's lyrics--Leonard Cohen meets Ernest Tubb--work so well because they're literary without being high-minded. The artfulness of the words . . . doesn't always hit you until you read them on the lyric sheet."Newsweek called Yoakam's most recent record--titled, like his book, A Long Way Home--"a daring departure. It's lush and languid, more introspective than hit-driven. He's looking for subtle emotions, melodic evocations of the distances between people, and he draws on sources as varied as Bobby Darin, Chet Baker, and Buck Owens to get there."A Long Way Home is the first collection of Yoakam's lyrics in book form. It spans his career, from such early albums as Hillbilly Deluxe and Buenas Noches from a Lonely Room to the recently released, critically acclaimed A Long Way Home. Yoakam's songwriting is really storytelling--he poetically writes of subjects ranging from God to drinking to love--and proves him to be as fine a writer as he is a musician.
Notes and Tones
Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the '60s and '70s-including:
The Queen’s Throat
This passionate love letter to opera, lavishly praised and nominated for a National Book Critics Circle Award when it was first published, is now firmly established as a cult classic. In a learned, moving, and sparklingly witty melange of criticism, subversion, and homage, Wayne Koestenbaum illuminates mysteries of fandom and obsession, and has created an exuberant work of personal meditation and cultural history.
Rapthology
A revelatory work of non-fiction from one of the most popular and influential musicians of today: part autobiography, part guide to creativity, and part cultural history.What makes a song work? What element causes us to stop, to listen, to listen again? Is it a melody? Is it a beat? Is it the words that are sung, or spoken? Is it what they speak to in us? Is it a combination of all of the above?Wretch 32 is one of the most influential musicians at work in Britain today. He is also a lyricist of unparalleled ability, and an advocate of music as a tool to educate as well as to entertain. In an age of unprecedented social and political change, Wretch's music stands as a medium of protest and of progress, helping to explain and shape a new era.Rapthology is an anthology of the songs that have shaped Wretch, and our society, over the last 30 years, from gospel music to dancehall anthems to the most innovative emerging young voices. Step by step, Wretch explains what each song means to him, why it matters and how it has become so popular, and so powerful.In Rapthology, Wretch also provides a lesson in lyric writing, taking us through his own creative process, from the first flashes of inspiration to final edits and improvisation. The result is a groundbreaking autobiography, a guidebook to the music that matters, and an insight into the artistic practices of one of the most inspiring artists of a generation.
Where You Goin’ With That Gun in Your Hand?
A captivating look at 21 true-crime cases in rock 'n' roll history.
Crosby, Stills, Nash and Young
"In what is the most comprehensive biography of the group to date, Browne compiles a fun and fast-paced music history.... an authoritative chronicle." --Publishers WeeklyThe first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne Even in the larger-than-life world of rock and roll, it was hard to imagine four more different men. David Crosby, the opinionated hippie guru. Stephen Stills, the perpetually driven musician. Graham Nash, the tactful pop craftsman. Neil Young, the creatively restless loner. But together, few groups were as in sync with their times as Crosby, Stills, Nash and Young. Starting with the original trio's landmark 1969 debut album, the group embodied much about its era: communal musicmaking, protest songs that took on the establishment and Richard Nixon, and liberal attitudes toward partners and lifestyles. Their group or individual songs--"Wooden Ships," "Suite: Judy Blue Eyes," "After the Gold Rush," "For What It's Worth" (with Stills and Young's Buffalo Springfield), "Love the One You're With," "Long Time Gone," "Just a Song Before I Go," "Southern Cross"--became the soundtrack of a generation. But their story would rarely be as harmonious as their legendary and influential vocal blend. In the years that followed, these four volatile men would continually break up, reunite, and disband again--all against a backdrop of social and musical change, recurring disagreements and jealousies, and self-destructive tendencies that threatened to cripple them both as a group and as individuals. In Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup, longtime music journalist and Rolling Stone writer David Browne presents the ultimate deep dive into rock and roll's most musical and turbulent brotherhood on the occasion of its 50th anniversary. Featuring exclusive interviews with David Crosby and Graham Nash along with band members, colleagues, fellow superstars, former managers, employees, and lovers-and with access to unreleased music and documents--Browne takes readers backstage and onstage, into the musicians' homes, recording studios, and psyches, to chronicle the creative and psychological ties that have bound these men together--and sometimes torn them apart. This is the sweeping story of rock's longest-running, most dysfunctional, yet pre-eminent musical family, delivered with the epic feel their story rightly deserves.
Songs of the Mercy Seat
Songs of the Mercy Seat is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Rescue Songs
Rescue Songs - by one hundred popular composers and gifted song song writers - specially fitted for rescue missions and meetings, rescue workers and evangelists, and revival services is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Voice of Melody
Voice of Melody - A choice collection of hymn tunes, for choirs, prayer-meetings, congregations, and family use is an unchanged, high-quality reprint of the original edition of 1860. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Songs of Love and Praise, no. 3
Songs of Love and Praise, no. 3 - For Use in Meetings for Christian Worship or Work is an unchanged, high-quality reprint of the original edition of 1896. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Peacemaker
Peacemaker - A collection of sacred songs and hymns for use in all services of the church, Sunday school, home circle is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Songs of Love and Praise
Songs of Love and Praise - For Use in Meetings for Christian Worship or Work is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Fortunate Son
Elvis Presley was celebrity's perfect storm. His sole but substantial contribution was talent, a fact Charles L. Ponce de Leon is careful to demonstrate throughout his wonderfully contextual Fortunate Son. Even as the moments of lucidity necessary to exercise that talent grew rarer and rarer, Elvis proved his musical gifts right up to the end of his life. Beyond that, however, he was fortune's child. Fortunate Son succinctly traces out the larger shifts that repeatedly redefined the cultural landscape during the 1950s, 1960s, and 1970s, using Elvis's life to present a brief history of American popular culture during these tumultuous decades.
The Whole Book of Psalms
The Whole Book of Psalms - Collected Into English Metre is an unchanged, high-quality reprint of the original edition of 1762. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Jimmy Page
An in-depth biography of Led Zeppelin guitarist Jimmy Page by the acclaimed biographer of Bob Marley and Joe Strummer, based upon the author's extensive research and interviews The original enigmatic rock star, Jimmy Page is a mass of contradictions. A towering presence in the guitar world and one of the most revered rock guitarists of all time, in private he is reclusive and mysterious, retiring and given to esoteric interests. Over the decades he has exchanged few words to the press given the level of his fame, and an abiding interest in the demonic and supernatural has only made the myth more potent. But in the midst of this maelstrom, who was Jimmy Page? Rock journalist Chris Salewicz has conducted numerous interviews with Page over the years and has created the first portrait of the guitarist that can be called definitive, penetrating the shadows that surround him to reveal the fascinating man who dwells within the rock legend.
Atlanta Pop in the '50s, '60s and '70s
Go inside the people and places that made Atlanta the pop music capital of the United States in the second half of the 20th century.Former DJ Bill Lowery attracted a galaxy of talent and created an empire of music publishing, producti
Twilight of the Gods
National Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selectionThe author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.Since the late 1960s, a legendary cadre of artists--including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who--has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks.In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock's greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself.Twilight of the Gods is also Hyden's story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music--are they ephemeral or eternal?
Twelve Persian Folk-Songs with an English Version of the Words by Alma Strettell - Sheet Music for Voice and Piano
A wonderful collection of 12 classic Persian folk songs, originally published in 1904. Classic Folk Music Collection constitutes an extensive library of the most well-known and universally-enjoyed works of folk music ever composed, reproduced from authoritative editions for the enjoyment of musicians and music students the world over.
