Caravaggio
Four hundred years after the death of Caravaggio, some of the world's most illustrious art historians comment on an extraordinary collection of twenty-five of his works. How is it possible that an artist who lived over four centuries ago is still seen today as an icon of modernity? The answer must be sought in his works; this is where we will grasp Caravaggio's aesthetic pursuit. He observed without prejudice, hewing close to the truth of things. In short, his was a revolutionary art, one which continues to fascinate laypeople and experts alike to this day. The editors asked some of the world's preeminent Caravaggio scholars to share their feelings and insights about their favorite works by the artist. The result is an original catalogue of great rigor expressed in deeply human and richly subjective tones. With works from all over the world including Saint John the Baptist from the Nelson-Atkins Museum of Art, Kansas City; and The Musicians from New York's Metropolitan Museum of Art.
Light & Shade in Charcoal, Pencil and Brush Drawing
An instructional book for intermediate and advanced students, this volume is also a valuable tool for teachers looking to master the principles of light and shade. One of the most in-depth treatments available, it offers a wealth of details on mediums and techniques, including natural and artificial light, gradations, and more.Author Anson K. Cross begins with studies of chiaro-oscura, or light and shade, and examples of values and their tests. He discusses the aims of students and artists and offers some general advice on technique and method before exploring the specifics of charcoal, pencil, and brush drawing. Sixty-five black-and-white illustrations, many of them drawn by students, appear throughout the book.
Chris Johanson
This board book documents Totalities, Chris Johanson's recent "contemporary living installation" at Deitch Projects, New York. The theme of the work is the planet Earth and its place in the universe. There is also a meditation on the natural world of plants and animals--how they live within themselves, and how they are affected by humans--with an emphasis on conservation. All of the wood used in the exhibition was recycled, either from New York State, from dumpsters near the artist's Brooklyn studio or from discarded art-shipping crates. The artist even asked his friends and acquaintances for scraps of wood, endeavoring to give his materials a third life. In this volume, he alludes to the degradation of the planet and the beauty of the world through art, reminding us all of our terrestrial responsibilities.
Jennifer Steinkamp
Los Angeles-based new media artist Jennifer Steinkamp's installation, "Dervish," anchored the United States presentation at the 11th International Cairo Biennale in 2008. Steinkamp is known for virtually transforming architectural space through her immersive video works, in a manner that tests viewers' sense of perception, combining political and cultural elements with state-of-the-art technologies to create a sophisticated illusionism. This volume is designed to read from right to left, in accordance with Arabic conventions. It features the photographic series, Dervish Cairo, published here for the first time, as well as a newly-commissioned essay by art historian Nizan Shaked and U. S. commissioner Kimberli Meyer laying out a new theoretical basis for the artist's multifaceted practice.
The Thousands
- An extensive collection of some of the biggest names in Street Art by one of the movement's premier chroniclers In The Thousands, an 18-year-old RJ Rushmore curates an extensive collection of some of the biggest names in Street Art including Faile, Banksy, KAWS, Shepard Fairey, Swoon, Herakut, Jenny Holzer, Blek le Rat, Futura 2000 and Barry McGee. As the founder and editor-in-chief of Vandalog, Rushmore has achieved a reputation for "genuine reporting, insight and analysis" (Papermag). This quality and attention to detail shines through the compelling writing in his book. Many of the works featured have come from private collections and several pieces have been provided directly by the artists participating in the show and the book. Each artist or group of artists is explored in an immersive two-page spread with an insightful biography and intricate analysis of their work. This fascinating anthology is a must-have for Street Art followers and those simply interested in the movement.
Dalek
Dalek, one of the most exciting artists from the burgeoning Brooklyn art scene, has published a collection of his most ambitious works to date. This book arrives as a celebration of his exhibit with Mike Giant, Coup d'Etat, at the Magda Danysz Gallery in Paris. Together the exhibition and the book explore the evolution of this extraordinary artist throughout his years of immersion in the American art scene, from the street to the gallery. His new body of work reveals, in a profusion and hyper-abundance of color alongside planes of space, that the familiar lines and iconic Space Monkey references that defined his earlier work are only a starting point for this new series. Each of Dalek's paintings is an innovation that has led him to the vibrant iconography that we see today, as he seamlessly fuses street art, cartoons, Japanese pop, and the energy of and the urban punk scene. Having been Takashi Murakami's assistant in 2001, Dalek has turned to the subcultures of graffiti, skateboarding and punk rock to help form his identity.
Kultur Industrie Krise!
This book catalogues a selection of work by German artist Johannes Albers that was exhibited in Berlin in November 2008. Albers' works feature in Damien Hirst's Murderme art collection, including several of the pieces illustrated in the book. Reproducing images of popular culture and everyday domesticity, Johannes Albers' work seems to simultaneously praise and poke fun at modern-day interests and values. Albers' work has encompassed a range of motifs, from bathmats to band tapes, ping-pong tables to Stanley knives. His incessant reproduction of these images reflects - and criticises - the disposability of much of today's media culture and marketing imagery.
Anxiety & Depression
How we live now: an anthropological survey of contemporary human futilityA headlong plunge into the dregs of contemporary human futility, Anxiety and Depression--published in JRPRingier's Hapax series--describes, with relentless and clerical rigor, how we live now. Author Scott King has packed this almost anthropological survey with case studies in self-hatred, anxiety and despair, as well as exercises in which the reader can measure his or her daily humiliations.
Picasso
The definitive Picasso monograph, back in printNearly a decade after its initial publication, Picasso: The Monograph 1881-1973 is back in print, updated and redesigned in a more user-friendly format. Poligrafa's brand new edition of this classic volume offers more than 1,200 newly scanned reproductions, spanning Picasso's entire career and illustrating his breathtaking range of artistic expression, including paintings, drawings, lithographs, ceramics and sculpture. Elegantly translated from the original French, the monograph weaves biographical details with thorough elucidations of the artist's work into a concise and seamless narrative. All three contributors are highly regarded in Picasso scholarship: Brigitte L矇al and Marie-Laure Bernadac, both former curators of the Mus矇e Picasso in Paris, are now respectively curators of the Centre Pompidou and the Louvre Museum, while Christine Piot co-authored the catalogue raisonn矇 of Picasso's sculpture. Leal covers Picasso's formative years through 1916, including his co-invention of Cubism with Georges Braque. Piot focuses on the artist's glory years from 1917 through 1952, and Bernadac discusses the vigor of Picasso's later years, from 1953 until his death in 1973. With clearly organized visual sources, acknowledgements of leading art historians' interpretations and quotes from Picasso's contemporaries, this book remains unsurpassed as the definitive Picasso monograph for students and art lovers alike.
Francis Bacon
Irish-born English painter Francis Bacon (1909-1992) created work that remains unmatched in raw force and vitality, and he is widely considered one of the greatest artists of the twentieth century. Critic Ronald Jones has described his themes as "the howling subjects with which Bacon struggled--Existentialism, Abstract Expressionism and the primal drama of a world newly acquainted with the Bomb." Bacon was preoccupied with probing the isolation and terror of the human condition, which he chiefly conveyed through a labored distortion of the human body. As Sam Hunter--who penned one of the first major essays on Bacon in 1950--writes in his introductory essay to this volume, "what has become increasingly clear with the test of time...is the clarity, durability and powerful authority of his visual discourse." This concise monograph presents an in-depth survey of Bacon's entire oeuvre. British artist Francis Bacon is one of the greatest painters of the twentieth century. His canvases of the 1940s bore witness to the traumatized psychology of the time and bestowed upon him a prominence that did not diminish in the course of his 50-year career. Recent auction sales have confirmed his works as some of the most sought-after of the Modern era.
Jononerock
Published for JonOne's solo exhibition at the Magda Danysz Gallery in Paris, the pieces featured in JonOne Rock stunningly capture New York's dynamic lifestyle and the magic that he felt when he painted there. The book is a testament to how JonOne never fails to produce a piece that is powerful, harmonious, dynamic, and multidimensional. "Jonone's style is an innovation for street art. He is famous for working outside conventions and not following the "rules" of graffiti. What sets JonOne apart from other artists is his focus on the excitement and movement of colour as opposed to the typical associations of character drawing and insignias. Evolving from his early days tagging the streets of New York his style now goes beyond traditional codes of graffiti and finds its roots in American abstract expressionism." - Magda Danysz
Glories of the Hudson
"The site is the result of a careful study of the river-banks, and commands so many views of varied beauty, that all the glories of the Hudson may be said to circle it."--H. W. French, Art and Artists in Connecticut, 1879In 1609, Henry Hudson sailed up the river that now bears his name. The exhibition and its accompanying publication Glories of the Hudson: Frederic Edwin Church's Views from Olana mark the quadricentennial of his discovery by highlighting Frederic Church's sketches of the prospect from his hilltop home overlooking the river. Church made his first sketch of the Hudson River and Catskill Mountains from Red Hill--the south end of the property that became his home, Olana--in 1845, on a sketching expedition suggested by his teacher Thomas Cole. Returning to the Hudson Valley in 1860 as the nation's most famous and best-paid artist, Church settled on a farm on the lower slope of the Sienghenbergh, securing for himself and his new wife a splendid vantage point for studying, sketching, and painting the river.Church continued to add land to his property, attaining new and varied vistas of the river, and crowned the estate with a Persian-inspired house designed to frame splendid views of the Hudson River and Catskill Mountains. Church never tired of his views of the river, documenting his passion for the Hudson in paintings, oil sketches, and drawings. From Olana, he observed the transformations wrought by the changing seasons, weather, and light, capturing chilly winter snows, brilliant sunsets, and passing storms in sketches executed with a few brushstrokes or autumn colors and clear winter light in more finished easel paintings. The best of these are reproduced here, in eighty-three illustrations, sixty-nine in full color, some of them published for the first time. The essay by Evelyn D. Trebilcock and Valerie A. Balint, the introduction by Kenneth John Myers, and the foreword by John K. Howat together provide an absorbing narrative of the development of the Hudson River School and its most successful artist.The Olana Partnership, Hudson, New York, and New York State Office of Parks, Recreation and Historic Preservation, Albany, New York, organized Glories of the Hudson: Frederic Edwin Church's Views from Olana, held from May 23 to October 12, 2009
Weavings
During a three-week residency at Portland, Oregon's Small A Projects in 2007, New York-based artist Corin Hewitt, born in 1971, constructed an elaborate workspace within the gallery, complete with a kitchen, photo studio and theater in which the apron-wearing artist performed a series of tasks--cooking, sculpting, eating and weaving--as gallery visitors viewed him through a peephole. Merging elements representing both the contemporary and the historic Northwest, Hewitt transformed such materials as baskets, fabric, canned food, fresh vegetables and grass--as well as elements from the first performance in this ongoing series--into hybridized objects. The 75 color photographs in this book, all taken on-site by Hewitt, document the performance. Combining the sculptural with the theatrical, the photographic with the performative, Hewitt's innovative work has also been shown at the Whitney Museum of American Art, the Seattle Art Museum and Taxter & Spengemann gallery in New York.
Ensemble
New York-based Christian Marclay has been a pioneering DJ since the 1970s, when he began to rock turntables and even old gramophones--bending, breaking and mixing records in the creation of a brand new instrument. Since then, in addition to DJing, he has exhibited his sound-based artwork internationally. Ensemble is a group exhibition of sound art at the ICA, which Marclay organized. Likening his approach to that of a composer rather than a curator, Marclay chose sculpture and installations based on their sound quality and sonic compatibility. An ambient sound environment resulted, with iconic works by such artists as Harry Bertoia, Yoko Ono and Michelangelo Pistoletto, mixed in with newer pieces. This publication includes a CD featuring a once-in-a-lifetime gathering of artist/musicians, including Shelly Hirsch, Alison Knowles, Alan Licht, Marina Rosenfeld and Mika Tajima "playing" the show.
The Letters of Vincent van Gogh
A literary classic, The Letters of Vincent van Gogh Captures the voice of one of the most beloved and important artists of all time. Though Vincent van Gogh is often thought of as a mad genius, in The Letters of Vincent van Gogh the thoughtful, effervescent, and sensitive man is revealed to readers through his own voice. This collection of letters, arranged in chronological order and written to Vincent's closest confidant, his brother and art dealer, Theo, provide a riveting narrative of van Gogh's life. The letters expose Vincent's creative process; his joy and inspiration derived from literature, Japanese art, and nature; as well as his many romantic disappointments and constant poverty. Also documented are Vincent's close relationships with fellow artists, especially Paul Gauguin. Van Gogh's tender and often ebullient letters provide a sharp contrast to the devastating and frequently violent mental breakdowns that plagued and eventually destroyed him. Collected and edited by art historian Mark Roskill, this volume also includes a chronology, a short memoir by van Gogh's sister-in-law that fills in many of the blanks of Vincent's early years, and reproductions of selected artwork discussed in van Gogh's letters. An epistolary classic, The Letters of Vincent van Gogh is not just an important historical collection but also a captivating treasure.
The Daily Zoo
Provides a page upon page of exercises that can provide you with ample opportunities to create your own personal zoo of characters. This book features step-by-step renderings showing a line by line (shape by shape) progression, provided with blank spaces next to each step for one to follow along.
Joan Miro
Henri Matisse, Pablo Picasso, Joan Mir籀 and Andy Warhol each significantly shaped the development of art in the twentieth century. These Modern masters are the subjects of four small books, the first volumes in a series featuring important artists in the collection of The Museum of Modern Art. Each book presents a single artist and guides readers through a dozen of his most memorable achievements. Works are reproduced in color and accompanied by informative and accessible short essays that provide background on the artworks and on the artist himself, illuminating technique, style, subject matter and significance. Written by Carolyn Lanchner, former Curator of Painting and Sculpture at the Museum, these books are excellent resources for readers interested in the stories behind masterpieces of the Modern canon and for those who wish to understand the contributions of individual artists to the history of Modern art. This volume focuses on Mir籀.
New Religion
Published in 2006 following Damien Hirst's first major print exhibition at the Paul Stolper Gallery in London in 2005, New Religion explores Hirst's central themes: ''I was thinking that there are four important things in life: religion, love, art and science... Of them all, science seems to be the right one now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.'' With full-color reproductions of this entire series of Hirst silkscreen prints produced for the New Religion exhibition, such as "The Apostles," "The Wound of Christ," "The Last Supper" and "The Stations of the Cross," as well as editioned sculptures and multiples such as "The Fate of Man" and the 'box/cabinet' called "New Religion," this hardback publication is a modern day biblical picture-book exploring combinations between science and religion. And the ideas about Hirst's science/religion dichotomy are further explored through an intriguing interview with Sean O'Hagan that moves effortlessly from the macro to the micro, and back again, ''I just can't help thinking that science is the new religion for many people. It's as simple and as complicated as that really.''
The Elusive Truth
This catalogue illustrates the complete paintings featured in Damien Hirst's Gagosian Gallery, New York exhibition, The Elusive Truth, in 2005. Extended captions written by the artist accompany many of the paintings.
Notebooks
Most of what we know about Leonardo da Vinci, we know because of his notebooks. Some 6,000 sheets of notes and drawings survive, perhaps one-fifth of what he actually produced. With an artist's eye and a scientist's curiosity, he recorded in these pages his observations on the movement of water and the formation of rocks, the nature of flight and optics, anatomy, architecture, sculpture, and painting. He jotted down fables, epigrams, and letters and developed his belief in the sublime unity of nature and man. Through his notebooks we can get an insight into Leonardo's thoughts, and his approach to work and life. This selection, organized in seven themed sections, offers a fascinating and informative sample of his writings. Fully updated, this new edition includes some 70 line drawings and a Preface by Martin Kemp, one of the world's leading authorities on Leonardo, who explores the artist's genius and the contents and legacy of his manuscripts. The book also features new notes and a chronology of Leonardo's life. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Art of Self Invention
Both an exploration of the ways in which we fashion our public identity and a manual of modern sociability, this lively and readable book explores the techniques we use to present ourselves to the world: body language, tone of voice, manners, demeanor, ""personality"" and personal style. Drawing on historical commentators from Castiglione to Machiavelli, and from Marcel Mauss to Roland Barthes, Joanne Finkelstein also looks to popular visual culture, including Hollywood film and makeover TV, to show how it provides blueprints for the successful construction of ""persona."" Finkelstein's interest here is not in the veracity of the self - recently dissected by critical theory - but rather in the ways in which we style this ""self,"" in the enduring appeal of the ""new you"" and in our fascination with deception, fraudulent personalities and impostors. She also discusses the role of fashion and of status symbols and how advertising sells these to us in our never ending quest for social mobility.
Museum Highlights
Essays, criticism, and performance scripts written between 1985 and 2003 by an artist whose artistic practice investigates and reveals the social structures of art and its institutions.Andrea Fraser's work, writes Pierre Bourdieu in his foreword to Museum Highlights, is able to "trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social reality to reveal itself." It often does this by incorporating and inhabiting the social role it sets out to critique--as in a performance piece in which she leads a tour as a museum docent and describes the men's room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser's interventionist art draws on four primary artistic and intellectual frameworks--institutional critique, with its site-specific examination of cultural context; performance; feminism, with its investigation of identity formation; and Bourdieu's reflexive sociology. Fraser's writings form an integral part of her artistic practice, and this collection of texts written between 1985 and 2003--including the performance script for the docent's tour that gives the book its title--both documents and represents her work. The writings in Museum Highlights are arranged to reflect different aspects of Fraser's artistic practice. They include essays that trace the development of critical "artistic practice" as cultural resistance; performance scripts that explore art institutions and the public sphere; and texts that explore the ambivalent relationship of art to the economic and political interests of its time. The final piece, "Isn't This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao)," reflects on the role of museums in an era of globalization. Among the book's 30 illustrations are stills from performance pieces, some never before published.
Rembrandt
The Mauritshuis has ten paintings by Rembrandt. The most famous is undoubtedly The Anatomy Lesson of Dr Nicolaes Tulp, but just as popular are Simeon's Song of Praise, Portrait of an Old Man and Self-Portrait, one of the last which the Master painted. In this playfully designed book, the paintings and their distinctive features are conveyed in an accessible manner. A large number of detailed images capture Rembrandt's extraordinary painting technique from close by: the quick brushstrokes, the crisscrossing in wet paint and the carefully placed dabs and jabs. The recent restoration of three Rembrandts at the Mauritshuis also receives special attention.
Jess
Jess: To and From the Printed Page focuses on the artist simply known as "Jess" (1923-2004), and celebrates his lively and lifelong dialogue with poets, poetry and printed matter. Published to accompany the iCI touring exhibition, it features collages made for publication, the books and magazines in which they were reproduced, as well as many previously unreproduced paintings, drawings and assemblages. The book offers a fresh perspective on Jess's work by specifically addressing the interrelation between his art and the California literary culture of which he was a part. It also explores the intimacy of the collaborations and conversations in which he participated over five decades, and points to his effect on younger artists today--through his use of "pop" materials in collage and paint, his early homoerotic themes and his enjoyment of the book format as a compositional vehicle.
Random Order
An examination of the artistic development of Robert Rauschenberg, focusing on his relationship with John Cage and his role in the making of the American neo-avant-garde.Robert Rauschenberg is one of the most important visual artists of the second half of the twentieth century. In Random Order, Branden Joseph examines Rauschenberg's work in the context of the American neo-avant-garde. One of the foundations of his study is Rauschenberg's professional relationship with experimental composer John Cage. From the moment of their encounter at Black Mountain College in 1952, Joseph argues, Rauschenberg and Cage initiated a new avant-garde project, one that approached the idea of difference not in terms of negation but as a positive force. Claiming that Rauschenberg's work cannot be understood solely from the standpoint of the Frankfurt School--whose theories have dominated discussions of avant-garde and neo-avant-garde aesthetics--Joseph turns to the theoretical positions of Gilles Deleuze and Jacques Derrida. Rauschenberg's neo-avant-garde was not a simple repetition of earlier avant-garde movements, Joseph shows, but a series of practices that opposed the rise of postwar spectacle, commodification, and mass conformity.Beginning with the White Paintings, Joseph examines Rauschenberg's artistic development from 1951 to 1971. He looks at the black paintings, Red Paintings, Elemental Paintings and Elemental Sculptures, Combines and Combine paintings, transfer drawings and silkscreens, performances, and explorations in art and technology. Joseph's study not only offers new interpretations of Rauschenberg's work, but also deepens our understanding of the entire neo-avant-garde project.
Barron Storey's Watch Annual
Compilation of the legendary, San Francisco bay-area underground art magazine from award-winning, avant guard illustrator and art instructor, Barron Storey. This issue features notable contributors Dave McKean, George Prart, a selection of the highly coveted Barron Storey instructional notes, a foreword by best selling author Neil Gaiman, Holocaust poetry by Gabor Barabas, Slidehouse Portfolio by Storey and, the comics story Psychic Pedestrian by Bill Koeb.
Alberto Giacometti
Gathered writings from the seminal 20th-century Swiss artist Alberto GiacomettiAlberto Giacometti's early Surrealist and Cubist forms, compact volumes inspired by Africa and the Cyclades, eventually led this seminal twentieth-century Swiss artist to acknowledge a formal void that he would spend the balance of his career filling with the human figure. In the mid-1930s, influenced by the terrible social and political changes that were taking place across Europe, Giacometti began to develop heads and nudes in a signature style--they were universally elongated, skeletal, haunting, solitary and above all, transcendent. Giacometti's written testimony and reflections on his change of perspective, and on his artistic ideas and goals, are remarkable for their aptness and poetic quality. In his writings, gathered here, the artist pours out his doubts, his suffering and his creative hopes as very few artists have been capable of doing before or since.
Architecture of the Air
Irena Mausner (n矇e Frydman) was three-and-a-half years old when the Nazi army invaded Poland in 1939. A few weeks later, they ordered her family to vacate her family home in an elegant Warsaw neighborhood-to leave forever. Irena and her sister, Margaret, hid in a Catholic orphanage on the outskirts of Warsaw during most of the war. Their father, Roman, a soldier in the Polish army, was captured in Budapest in 1944 and taken to a German POW camp; their mother subsisted in the Warsaw Ghetto and then was sent to Ravensbr羹ck, also in 1944.Improbably, the entire family survived. Thanks to a note that the quick-thinking Margaret had posted to the door frame of their former family home, the Frydmans were reunited.Surviving the Holocaust is just the beginning of Irena's remarkable story. Her memoir takes us through boarding school in London, a happy marriage to a childhood friend of her sister's, and a move to the United States. Raised in conditions of scarcity, uncertainty, and terror, Irena developed a sense of purpose and of perseverance that drove her to a life of academic and professional achievement and material success. More importantly, she absorbed the understanding of impermanence and the importance of decency-qualities that helped her appreciate a happy marriage and overcome a second round of tragedy that struck late in her life.
Ann Hamilton
Ann Hamilton: An Inventory of Objects is a major new publication of the work of one of today's most important and influential artists. The book is a comprehensive catalogue of Hamilton's object-based work from 1984 to 2006. The more than 130 color plates document photographs, sculpture, video, audio and language pieces (both unique and editioned), as well as multiples and prints. Many of the objects relate to the large-scale installations for which Hamilton is internationally known. Each object in the inventory is accompanied by a text by Joan Simon, who also contributes a significant new essay setting Hamilton's objects in critical context. The complete inventory of Hamilton's objects made over the past 20-plus years is reproduced in this essential publication, which also contains an extensive biography, bibliography and index. The book, designed by the Swedish designer Hans Cogne in conversation with Ann Hamilton, is a beautiful object in its own right and evokes many of the conceptual qualities of Hamilton's art.
Der Mond
Part of the Neon Genesis Evangelion phenomenon--the most talked-about anime series of last ten years! New look, a hard cover version for Der Mond! Stylish, delicate, and consistently edgy, Der Mond collects the color illustrations of Yoshiyuki Sadamoto, perhaps the most acclaimed manga and anime artist of all time. The book includes 74 pages of paintings and designs devoted to Neon Genesis Evangelion, plus another 50 pages from The Wings of Honneamise, Nadia--The Secret of Blue Water, Blue Uru, and other works--including Sadamoto's cover to Eric Clapton's 1998 album, Pilgrim.
Jokes & Cartoons
In conveying the seriousness with which he sees and uses his lighthearted material, Richard Prince has said, "Jokes and cartoons are part of any mainstream magazine. Especially magazines like The New Yorker or Playboy. They're right up there with the editorial and advertisements and table of contents and letters to the editors. They're part of the layout, part of the ?sights' and ?gags.' Sometimes they're political, sometimes they just make fun of everyday life. Once in a while they drive people to protest and storm foreign embassies and kill people. Prince has always recycled found materials from American popular culture, most often images from advertisements and magazine photography. He re-photographs, silkscreens, overpaints, frames, enlarges or composes collages, playing with the material's somehow empty meaning. Citation, deflection, appropriation: every treatment is explored and played with. Among these works, as among the pages of the magazines, jokes and cartoons occupy an important place. This book, conceived by the artist, assembles for the first time the raw material of the creation of his "Joke Paintings"--not just the well-known works, but never-before-seen examples from his personal collection, his unpublished manuscripts and the original cartoons and jokes themselves.
Pirates, Patriots And Princesses
A giant in the field of illustration and children's books, Howard Pyle (1853-1911) published some 3,300 illustrations during his thirty-five-year career. He also wrote many of the stories he illustrated and, as a teacher, shared his artistic views and skills with such students as Maxfield Parrish and N. C. Wyeth, who, along with many others, went on to become celebrated artists in their own right.)This volume contains more than sixty of Pyle's best works. Characterized by an imaginative and colorful realism, his art dramatized themes with universal appeal: the romantic nature of medieval chivalry, the ruthlessness of pirate greed, and the pride of embattled soldiers. Selected from beloved classics and hidden gems and amassed over years of research by an expert in the field, these richly colored drawings will delight a wide audience of art lovers and book collectors.
Burlesque and the Art of the Teese/ Fetish And The Art Of The Teese
On one side, Dita Von Teese shares the beauty of the burlesque world, with bubblegum dreams and show tunes to strip to. Flip over for fantasies in fetish with dramatic costumes and the allure of submission.Burlesque and the Art of the Teese"I advocate glamour. Every day. Every minute." I'm a good dancer and a nice girl, but I'm a great showgirl. I sell, in a word, magic. Burlesque is a world of illusion and dreams and of course, the striptease. Whether I am bathing in my martini glass, riding my sparkling carousel horse, or emerging from my giant gold powder compact, I live out my most glamorous fantasies by bringing nostalgic imagery to life. Let me show you my world of gorgeous pin-ups, tantalizing stripteases, and femmes fatales. I'll give you a glimpse into my life, but a lady never reveals all.Fetish and the Art of the TeeseYou may have come for the fetish. Or you may just be sneaking a peek at this mysterious and peculiar other side. No matter what you've come for, there is something for you to indulge in.My world of fetish may not be the one that you would expect. As a burlesque performer, I entice my audience, bringing their minds closer and closer to sex and then -- as good temptress must -- snatching it away. As a fetish star, I apply the same techniques. . . . An opera-length kid leather glove, a strict wasp waist, an impossibly high patent leather heel, a severely painted red lip. . . . Come with me into my world of decadent fetishism.
Jeanne Dunning
Jeanne Dunning's unwavering focus over the past two decades has been the terrain of the human body, in particular the ways in which we perceive and conceive norms of gender, sexuality, and reality itself. Her images--including recent widely circulated work that showed subjects sitting in a pink, pudding-like substance that evoked liquid flesh or liquid body fat--interrogate the boundaries between inside and outside, normal and abnormal, the erotic and the abject. They have made significant contributions to contemporary visual culture. Study After Untitled presents a selective survey of the Chicago artist's photographic and video works, including among its essays one from Dunning herself, revealing her work anew in the play of intention and hindsight. As Dunning gains international recognition, Study After Untitled broadens her work's associations and clarifies its well-earned place in the canon and in contemporary art history.
Life Lessons
As a master of realism, Jerome Witkin illustrates in his art the moral plight of everyday lives. His most complex and critically acclaimed works--intense, often disturbing scenes of the Holocaust--have earned him a growing international audience. This second edition of Life Lessons incorporates material from the past decade, including ten of his most important and provocative paintings. It brings the viewer in intimate contact with the dense interior landscapes of both people and places. Often regarded as belonging to an artistic pantheon including the work of Lucien Freud, Manet, Ingres, Goya, and Courbet, Witkin's paintings range from moody urban landscapes and penetrating portraits to intimate figure studies and vivid, psychologically charged tableaux, frequently referencing seminal moments in history. Witkin's newer work includes-an enormous six-panel exploration of Dachau's 1945 liberation (Entering Darkness, 2001)--his culmination of a twenty-year series on the Holocaust, regarded by critics as among the most compelling of paintings made on the subject.
The Diary of Frida Kahlo
An intimate self-portrait of one of the most renowned Mexican artists of the twentieth century, The Diary of Frida Kahlo: An Intimate Self-Portrait is "a visual document, engaging the eye with a volcanic profusion of penned-and-painted imagery" (New York Times). Published in its entirety, Frida Kahlo's amazing illustrated journal documents the last 10 years of her turbulent life. These passionate, often surprising, intimate records, kept under lock and key for some 40 years in Mexico, reveal many new dimensions in the complex personal life of this remarkable artist. The 170-page journal contains the artist's thoughts, poems, and dreams--many reflecting her stormy relationship with her husband, artist Diego Rivera--along with 70 mesmerizing watercolor illustrations. Her views of love, politics, and more come into sharp focus in a kaleidoscope of creativity and thought. In his introduction, award-winner Carlos Fuentes, one of Mexico's most important writers and critics, ties Kahlo's images of pain, loss, mutilation, and transcendence to Mexico's historic cycles of revolution and reaction. Sprinkled with irony, black humor, even gaiety, and augmented with translations of the diary entries plus commentaries and photographs, her diary stands as a reminder of not only Kahlo's formidable talent, but also her resilience and courage. The text entries, written in Frida's round, full script in brightly colored inks, make the journal as captivating to look at as it is to read. Her writing reveals the artist's political sensibilities, recollections of her childhood, and her enormous courage in the face of more than 35 operations to correct injuries she had sustained in an accident at the age of 18. This intimate portal into her life is sure to fascinate fans of the artist, art historians, and feminist scholars alike.
Wild Exuberance
Augmented by scholarly essays on aspects of Weston's painting, this catalog offers over 100 colour plates of his work.
Transfigurations
The most extensive collection of Grey's visionary artwork and life's journey in one volume - Includes a foreword by Albert Hofmann and essays on Grey's work by renowned art critic Donald Kuspit, philosopher Ken Wilber, and Stephen Larsen, author of Joseph Campbell: A Fire in the Mind Every once in a great while an artist emerges who does more than simply reflect the social trends of the time. Such an artist is able to transcend established thinking and help us redefine ourselves and our world. Today, a growing number of art critics, philosophers, and spiritual seekers believe that they have found that vision in the art of Alex Grey. Transfigurations, the follow-up to Grey's Sacred Mirrors (1991)--one of the most successful art books of the 1990s--includes all of Grey's major works completed in the following decade, including the masterful seven-paneled altarpiece Nature of Mind, called "the grand climax of Grey's art" by Donald Kuspit. His portrayals of human beings blend anatomical exactitude with visionary depictions of universal life energy. Alex Grey's striking artwork leads us on the soul's journey from material world encasement to recovery of the divinely illuminated core.
Candy and Me
As a seven-year-old child, Hilary Liftin poured herself a glass (or two) of powdered sugar. Those forbidden cups soon escalated to pound bags of candy corn and multiple packets of dry cocoa mix, launching the epic love affair between Hilary and all things sweet. In Candy and Me: A Love Story, Liftin chronicles her life through candy memories and milestones. As a high school student, Hilary used candy to get through track meets, bad hair days, after-school jobs, and her first not-so-great love. Her sweet tooth followed her to college, where she tried to suppress the crackle of Smarties wrappers in morning classes. Through life's highs and lows, her devotion has never crashed -- candy has been a constant companion and a refuge that sustained her. As Liftin recounts her record-setting candy consumption, loves and friendships unfold in a funny and heartbreaking series of bittersweet revelations and restorative meditations. Hilary survives a profound obsession with jelly beans and a camp counselor, a forgettable fling with Skittles at a dot-com, and a messy breakup healed by a friendship forged over Circus Peanuts. Through thick and thin, sweet and sour, Hilary confronts the challenges of conversation hearts and the vagaries of boyfriends, searching for that perfect balance of love and sugar. Written with a fresh dry humor that will immediately absorb you into Liftin's sweet obsessions and remind you of your own, Candy and Me unwraps the meaning found in the universal desire for connection and confection. Treat yourself to Candy and Me -- being bad never read so good.
Georgia O’Keeffe and New Mexico
When Georgia O'Keeffe first visited New Mexico in 1917, she was instantly drawn to the stark beauty of its unusual architectural and landscape forms. In 1929, she began spending part of almost every year painting there, first in Taos, and subsequently in and around Alcalde, Abiquiu, and Ghost Ranch, with occasional excursions to remote sites she found particularly compelling. Georgia O'Keeffe and New Mexico is the first book to analyze the artist's famous depictions of these Southwestern landscapes. Beautifully illustrated and gracefully written, the book accompanies an exhibition of the same name at the Georgia O'Keeffe Museum in Santa Fe, New Mexico. It reproduces the exhibition's 50 paintings and includes striking photographs of the sites that inspired them as well as diagrams of the region's distinctive geology. The book examines the magnificence of O'Keeffe's work through essays by three noted authors. Barbara Buhler Lynes, Curator of the Georgia O'Keeffe Museum and organizer of the exhibition, discusses the relationship of the artist's paintings to the places that inspired her. Frederick Turner offers an illuminating essay contrasting O'Keeffe's fabled aloofness from the well-established art colony in Santa Fe with her intense closeness to the local landscape she so fiercely loved. Lesley Poling-Kempes furnishes a fascinating chronicle of O'Keeffe's years in the region as well as a useful explanation of the geological forces that produced the intense colors and dramatic shapes of the landscapes O'Keeffe painted. EXHIBIT SCHEDULE: ? Georgia O'Keeffe Museum Santa Fe, New MexicoJune 11-September 12, 2004 Columbus Museum of Art Columbus, OhioOctober 1, 2004-January 16, 2005 Albright-Knox Art Gallery Buffalo, New YorkJanuary 28-May 08, 2005
Strapless
The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.
About Rothko
As the Washington Post says, "Dore Ashton brings the reader to the very core of Mark Rothko's art." She draws on her countless interviews with the artist--giving little credence to the false mythology surrounding his work--to take us to the heart of Rothko's painting, showing its derivation from his reading, travel, and thought.
Marcel Duchamp in Perspective
Best known for cheeky conceptual works--like his signed urinals ("R. Mutt") and his graffitioed Mona Lisa--Marcel Duchamp (1887-1968) was also an extraordinary painter and sculptor (Nude Descending a Staircase) who changed the language of twentieth-century art and reigns with Picasso and Matisse as one of its greatest influences. Joseph Masheck has compiled a sampler of the best writing on Duchamp, with pieces that include Duchamp's obituary from Artforum, written by Jasper Johns; Octavio Paz on the ready-mades; a Duchamp post-mortem by Hans Richter; Donald Judd's investigation of Rrose S?(c)vy; a "Counter-Avant-Garde" by Clement Greenberg; a consideration by Guillaume Apollinaire; and John Cage's "26 Statements on Marcel Duchamp." Illustrated with photographs of Duchamp's seminal pieces, and updated with a substantial preface that offers new scholarship as well as a fascinating consideration of why Duchamp's popularity has exponentially increased since this book first appeared, this is an essential volume for the Duchamp devotee.
The John Buscema Sketchbook
The John Buscema Sketchbook spans the career of well-known Marvel Comics artist and art teacher, John Buscema. Hundreds of vintage, new and unpublished drawings are included. Also featured is commentary by the artist and an introduction by comic book creator, illustrator, filmmaker, and pop-culture historian Jim Steranko. The John Buscema Sketchbook is a valuable addition to the collection of comic book and Conan the Barbarian enthusiasts and is also of unique interest for aspiring artists.
