The Censorship of British Drama 1900-1968
This is the third volume in a new paperback edition of Steve Nicholson's comprehensive four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. Focusing on plays we know, plays we have forgotten, and plays which were silenced for ever, Censorship of British Drama demonstrates the extent to which censorship shaped the theatre voices of this decade. The book charts the early struggles with Royal Court writers such as John Osborne and with Joan Littlewood and Theatre Workshop; the stand-offs with Samuel Beckett and with leading American dramatists; the Lord Chamberlain's determination to keep homosexuality off the stage, which turned him into a laughing stock when he was unable to prevent a private theatre club in London's West End from staging a series of American plays he had banned, including Arthur Miller's A View from the Bridge and Tennessee Williams's Cat on a Hot Tin Roof; and the Lord Chamberlain's attempts to persuade the government to give him new powers and to rewrite the law. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.
Mastering Monologues and Acting Sides
Mastering Monologues and Acting Sides: How to Audition Successfully for Both Traditional and New Media is everything an actor needs to be ready for that perfect part, from webisodes to Shakespeare. Scripts, acting technique tips, and exercises keep a performer toned and ready, while industry experts give advice on how to audition professionally. Invaluable Internet listings keep you on top of changing trends, as well. Casting directors, agents, managers, and actors share insights on proper protocol for different performance settings, and practice is made simple with script excerpts and exercises to keep skills sharp for last minute auditions. Includes instructional CD.
Self-Supporting Scenery for Children’s Theatre... and Grown-Ups’ Too
Free-standing scenery creates its own theatre - compact, economical, and flexible. It marches right into any stage space, classroom, recreation hall, or outdoor theatre space. This stagecraft book, with over 175 drawings, tells how to construct self-supporting scenery, covering tools, materials, designs, and craft. An excellent theatre reference book, now in its fifth edition, James Hull Miller is a leading designer in the field with over 50 years of experience.
Fundamentals of Theatrical Design
"Focusing on the analytical, intellectual, and artistic 'how and why' of the design process, Brewster and Shafer have written a wonderful, insightful text for young designers "--Vickie J. Scott, Dept. of Theatre and Dance, UC Santa Barbara Veteran theater designers Karen Brewster and Melissa Shafer have consulted with a broad range of seasoned theater industry professionals to provide an exhaustive guide full of sound advice and insight. With clear examples and hands-on exercises, Fundamentals of Theatrical Design illustrates the way in which the three major areas of theatrical design--scenery, costumes, and lighting--are intrinsically linked. Chapters include: Script Analysis for DesignersThe Objectives of Theatrical DesignResearching the DesignCollaborationDesign ElementsDesign Principles and Visual CompositionScenic DesignCostume DesignLighting DesignBuilding a Career in Theater DesignAttractively priced and designed for classroom use, this is a comprehensive resource for all levels of designers and directors.
The Drama Teacher’s Survival Guide 2
Drama teachers everywhere have enjoyed Ms. Johnson's first survival kit so much that she wrote another one! While the first book focuses on everything about a complete stage production, this one covers every aspect of classroom theatre arts. Students will learn group activities, improvisation, technical theatre, choral reading, mime, stage fighting, and more. The book includes a step-by-step 10-day assignment using monologues for character development and a unit that teaches students how to write their own show. Examples, illustrations, and photos help the reader understand how to use these proven ideas. Reproducible forms, tests, handouts, and a list of additional resources add value to this survival kit. Both beginning and seasoned drama directors will find this book to be an invaluable aid. As with the original book, it will banish your stress and guarantee your success!
Baby Crib
It was a time when personal exploration was a way of life-a time when it was still okay to hitchhike, grow your hair long, and be carefree. But during the 1970s and early 1980s, it still was not okay to be gay. In Complex, the first of the two plays presented in Baby Crib, author Michael J.-P. Williams introduces Mickey, a man haunted by guilt-and a dark secret. Just as a new consciousness is lighting the way for those who wish to escape the closet, artist wannabe Mickey is battling internal demons. Ashamed that he is homosexual and even more ashamed that he is still alive after his twin brother dies from cancer, Mickey must struggle to accept himself and his desires. In the second play, I Ski Maybell, Paul West is on the road to success. With a newly acquired MBA in hand and a good job in a new city, Paul's fresh start in life suddenly goes awry when he allies himself with Nova McWorth. Unfortunately, she is his boss. Williams interweaves multifaceted characters within poignant storylines that prove that perhaps life really is too short to worry about what we cannot control.
Baby Crib
It was a time when personal exploration was a way of life-a time when it was still okay to hitchhike, grow your hair long, and be carefree. But during the 1970s and early 1980s, it still was not okay to be gay. In Complex, the first of the two plays presented in Baby Crib, author Michael J.-P. Williams introduces Mickey, a man haunted by guilt-and a dark secret. Just as a new consciousness is lighting the way for those who wish to escape the closet, artist wannabe Mickey is battling internal demons. Ashamed that he is homosexual and even more ashamed that he is still alive after his twin brother dies from cancer, Mickey must struggle to accept himself and his desires. In the second play, I Ski Maybell, Paul West is on the road to success. With a newly acquired MBA in hand and a good job in a new city, Paul's fresh start in life suddenly goes awry when he allies himself with Nova McWorth. Unfortunately, she is his boss. Williams interweaves multifaceted characters within poignant storylines that prove that perhaps life really is too short to worry about what we cannot control.
The Well Read Play
The Well Read Play, deepens our appreciation and enjoyment of drama. Clear and practical guidance helps the reader to understand the workings of a play, spot clues that the playwright has planted, imagine how it can be staged, and decide whether it will stand the test of time. Absorbing and informative, whether for purposes of study, staging or simply leisure, it is the ideal guide for students, directors, teachers and anyone who loves the theatre.
How to Run a Theatre
"All of us in the arts field are hungry to improve our skills in arts management. The grim tenor of the times makes this witty and fun guide even more valuable to us all!" Ben Cameron, Former Executive Director, Theater Communications Group "Dr. Jim Volz knows how to organize, how to manage, how to motivate, how to assign priorities. In short, he knows how to get the job done." Abe J. Bassett, Former Dean, Indiana University/Purdue University Jim Volz is one of America's leading theatre consultants with over three decades of work with theatre, dance, music, museum and arts center management. Now, Jim Volz brings his expertise to anyone who works in arts management, from novices to middle managers to executive directors. How to Run a Theater is a unique, dynamic, and savvy guide to building an arts institution that works. Drawing on more than 30 years of experience, here is practical advice on a variety of management skills: Financial Management; Personnel Management; Fundraising Development; Board of Trustees Communications; and Marketing & Audience Development. This new edition is thoroughly updated and revised and now includes a Board of Trustee Contract, new budget exercise with ticket income formulae and the use of social networking for marketing and fundraising.
The Works of Shakespear
This collection, "The Works of Shakespear," presents several of William Shakespeare's most beloved comedies. Included are "As You Like It," a pastoral comedy of love and disguise; "The Taming of the Shrew," a spirited battle of wills; "All's Well That Ends Well," a romantic comedy with complex characters; and "Twelfth-Night: Or, What You Will," a riotous comedy of mistaken identity and unrequited love.This edition, prepared with commentary by Alexander Pope, offers readers a glimpse into the enduring appeal of Shakespeare's work during the 18th century. These plays, celebrated for their wit, intricate plots, and profound understanding of human nature, continue to captivate audiences and readers alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Works of Shakespeare
This collection, "The Works of Shakespeare," presents a selection of the Bard's most beloved comedies. Included are "Much Ado About Nothing," a witty exploration of love and deception; "The Merchant of Venice," a complex play delving into themes of justice and mercy; "Love's Labour's Lost," a charming comedy of youthful folly; "As You Like It," a pastoral romance filled with memorable characters; and "Taming of the Shrew," a boisterous battle of wits between Petruchio and Katherina.This edition, dating back to 1762, offers a glimpse into how Shakespeare's works were appreciated and presented in the 18th century. The volume is further enhanced by the contributions of Gerard Vandergucht, Hubert Fran癟ois Gravelot, and Hubert Fran癟ois Theobald.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Works of Shakespeare
This volume, part of a larger collection of "The Works of Shakespeare," presents the timeless plays and poems of William Shakespeare, collated with the oldest available copies and meticulously corrected. This edition offers readers a glimpse into the world of Shakespeare as it was understood in the 18th century, reflecting the editorial practices and scholarly interpretations of the period. With enduring themes and unparalleled language, Shakespeare's works continue to resonate with audiences today. Volume 7 is an essential addition to any Shakespearean library, providing a valuable resource for scholars and enthusiasts alike. Experience the genius of the Bard through this carefully preserved and thoughtfully presented edition.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Works of Shakespear
This collection, "The Works of Shakespear: King Henry IV, -Ii. King Henry V. King Henry Vi", forms part of Series I and presents three significant historical plays by William Shakespeare. Included are both parts of "King Henry IV" along with "King Henry V" and "King Henry VI". This edition offers readers the opportunity to engage with Shakespeare's exploration of English history, power, and the complexities of kingship. Edited by Alexander Pope, this volume provides valuable insight into the interpretation and enduring appeal of Shakespeare's dramatic works. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Something’s Coming, Something Good
SOMETHING'S COMING SOMETHING GOOD: THE ROMANCE AND RESONANCE OF WEST SIDE STORY
Questions about Music
"We are asked (to put it politely) for whom we are writing..." From his perspective as a composer, Roger Sessions discusses some basic questions raised by the experience of music: what do we mean by "knowing" a piece of music, or "understanding" it? In what ways is the relationship between composer and listener different today from what it was in the past, and what demands can each make on the other? Music, like all nonverbal arts and certainly like mathematics and some branches of science, has its own dialectic, which is not that of words at all." Mr. Sessions warns against the pitfalls of metaphorical terms used to describe music, and explores the nature of musical form and communication. It is the quality and character of the musical gesture that constitutes the essence of the music...." He discusses the performer, why his role is inestimably important, and why the "definitive performance" is a legend we can dispense with. The conception itself is a musical image, and in bringing it to fuller realization, the composer is not pursuing a line of reasoning, but producing an object." Two chapters on composition offer an illuminating view of how a composer's mind works, how a musical idea takes shape and logically develops, what a musical train of thought is like. The willing ear does not imply an undiscriminating ear, but the contrary: only a willing ear is a genuinely discriminating one." Mr. Sessions addresses the question of criteria and how the listener makes judgments about a piece of music. Concerning the new and experimental music now being written, he summarizes his own views in Mahler's comment, "The younger generation is always right."
Essays on Music
Alfred Einstein, one of the great musical scholars of this century, was the editor of the third edition of K繹chel's Mozart catalogue. His tremendous three-volume history The Italian Madrigal, summing up forty years of work, is a veritable monument of Renaissance music. He was equally at home in the Romantic world, as he demonstrated in his Music in the Romantic Era.
The King’s Speech
After the death of his father King George V (Michael Gambon) and the scandalous abdication of his brother King Edward VIII (Guy Pearce), Bertie (Colin Firth) who has suffered from a debilitating speech impediment all his life, is suddenly crowned King George VI of England. With his country on the brink of war and in desperate need of a leader, his wife, Elizabeth (Helena Bonham Carter), the future Queen Mother, arranges for her husband to see an eccentric speech therapist, Lionel Logue (Geoffrey Rush). After a rough start, the two delve into an unorthodox course of treatment and eventually form an unbreakable bond. With the support of Logue, his family, his government and Winston Churchill (Timothy Spall), the King will overcome his stammer and deliver a radio-address that inspires his people and unites them in battle.As David Seidler writes in his introduction, "The King's Speech is about a great deal more than a speech impediment. It is about friendship. I'm talking about mentoring and support and a great deal of humor. We lose these deep, meaningful friendships at our peril."The Newmarket Press Book includes: A fascinating introduction by screenwriter David Seidler about how and why an idea that came to him almost thirty years ago evolved into the award-winning screenplayComplete Shooting ScriptComplete cast and crew credits
The Enraged Accompanist’s Guide to the Perfect Audition
THE ENRAGED ACCOMPANIST'S GUIDE TO THE PERFECT AUDITION
Texas High School Hotshots
Texas High School Hotshots: The Stars Before They Were Stars is a one-of-a-kind book that offers an entertaining look back at the younger years of more than 200 celebrities who attended high school in Texas.
Trends in Twenty-First Century African Theatre and Performance
Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume provides a broad exploration of the current state of African theatre and performance and considers the directions they are taking in the 21st Century. It contains sections on current trends in theatre and performance studies, on applied/community theatre and on playwrights. The chapters have evolved out of a working group process, in which papers were submitted to peer-group scrutiny over a period of four years, at four international conferences. The book will be particularly useful as a key text for undergraduate and postgraduate courses in non-western theatre and performance (where this includes African theatre and performance), and would be a very useful resource for theatre scholars and anyone interested in African performance forms and cultures.
The Actor’s Survival Kit
The Actor's Survival Kit is required reading in Canadian theatre schools and is a constant resource for its many readers across the country. This fifth edition gives actors fresh research from today's experience, new lists of Canada-wide contacts, and input from success stories. It speaks to a new generation of artists, giving them an up-to-date guide to the business of acting. The book addresses a range of new issues: performer websites, video self-production, and sending rmand networking on the Internet. It also takes a fresh look at old ones: agents, self-promotion, and work opportunities for women and minorities. The authors learn by constantly talking to emerging artists about the problems they face in the business in Canada. Often those conversations begin with, "You wrote the book!" The authors are still receiving thanks from grateful artists who have been guided by this irreplaceable book over the years.
The Works of Shakespeare
This volume of "The Works of Shakespeare" presents the text regulated by the recently discovered Portfolio of 1632, containing early manuscript emendations. Edited by John Payne Collier, this edition offers a meticulously curated collection of Shakespeare's plays, enhanced by a history of the stage, a biography of the poet, and insightful introductions to each play. Scholars and enthusiasts alike will appreciate the depth of analysis and the careful attention to detail in this historic edition. Explore Shakespeare's timeless genius through this authoritative and richly contextualized collection.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Winter’s Tale
An excellent study of the performance of one of Shakespeare's perceived 'problem plays', complete with interview material with actors and directors, an awareness of global productions and an insight to theatrical art.
Avenue Q: the Musical
Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)
The Acting Bible
The complete resource for aspiring actors! Includes tips, tricks, and 300+ instructive illustrationsDo you love acting and want to pursue it as a career? Professional acting is both an art and a business, and this book advises beginning actors on how to succeed on both fronts. In this comprehensive and accessible guide, you will learn about: Exploring basic acting techniques, including memory exercises and methods for developing stage presenceReading scripts effectively and learning to build the character that you will be portrayingDeveloping your voice as an actor, imitating regional accents, and moreExpressing the character's thoughts and ideas through body posture and movementAdapting acting techniques to different media: stage, film, TV, and radioLearning the business side of acting by marketing and selling your talents effectivelyAuthor Michael Powell strips away the preconceptions and clich矇s often associated with acting, and pinpoints common mistakes that inexperienced actors can avoid and overcome. Whether you're interested in pursuing a career on the Broadway stage, Hollywood screen, as a voice actor, or a combination of them all, The Acting Bible is your first step toward a creative, fulfilling career as an actor.
Generating Theatre Meaning
This book offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. The underlying theme is that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator. Many new understandings result, including how the theatre medium is iconic in the new sense of operating images of real or mental models, and how this impacts on the verbal text and stage metaphor; how poetic principles structure fictional worlds and bestow unity and wholeness on performance-texts; how a dialogue between implied director and implied spectator is inscribed in the performance-text; and how the implied spectator is characterised by functions of framing, reading, interpreting and experiencing a performance-text. It follows that actors' bodies on stage fulfil functions of textuality, metatheatricality, personification, characterisation and aesthetic effect. An Introduction surveys major contributions made to a methodology of performance analysis, particularly throughout the twentieth century, and problematises the main issues. Part I is devoted to the semiotic substratum of the performance-text, i.e. to the theatre medium and its basic means of generating theatre texts and meaning. The innovation of this approach lies in seeing theatre first and foremost as a non-verbal medium. Part II deals with the poetic structure of fictional worlds described by the theatre medium and the metaphoric and rhetoric structures that operate on the level of relationship between the description of such a world and the world of a spectator. Part III contains analyses of actual performance-texts that illustrate the application of principles previously presented. This is the first comprehensive book to address the necessity of a methodology of performance analysis.
Acting Duets for Young Women
This collection of 24 original duet scenes are based on the real-life situations faced by young women today. Split evenly between comedic and dramatic scenes, the 8 to 10-minute length of each royalty-free scene is ideal for forensic competition or acting practice. Laurie Allen grew up in a small West Texas town where her high school often won the coveted State UIL One-Act competition. An award-winning playwright, she knows what it takes to create winning scenes with interesting situations and colorful characters. Titles include "And the Winner Is...", "Dirty Laundry," "Broken Promises," "Reflection," and many more!
Speaking Out
We want students to understand that their confidence and ability with public speaking can have a direct impact on their school and career success. This introductory text emphasizes both competitive events and speaking as a life skill. The book is divided into four sections: Getting Started, The Basics, Competitive Speaking Events and Honing Your Skills. In these four sections are 30 chapters that cover all the basics of public speaking, from the vocabulary of speech and debate to how to develop listening skills. Included in the book are learning games, information about group dynamics, visual aids, nonverbal communication exercises, readers theatre and choral reading. Section Three specifically teaches students about various competitive speaking events such as original oratory, extemporaneous speaking, policy debate and Lincoln-Douglas debate and includes exercises and activities for preparation. Two appendices -- one with reproducible forms, worksheets and handout and the other with additional notes for the teacher -- add value to this student-friendly guide to public speaking.
102 Great Monologues
You loved her 100 Great Monologues so much that Rebecca Young has generated a new book of fresh monologues and duologues specifically written for teens of today. Keep in mind that duologues are not scenes for two people. Rather, they are a pair of monologues about the same subject from two different viewpoints. This book gives tribute to the many facets that make up the typical teenage life. All the emotional ups and downs have been captured in ways that both the actor and the audience can easily connect to. Each monologue is short and easy to memorize and perfect for auditions, competition, class presentations, and more! Titles include "Teenage Vampire," "Fender Bender," "Tattoos are Forever," "Where's the White Bread?" and many more!
So You Think You’re Funny?
Every year, tens of thousands of acting students dip their toes into the world of "improv comedy." From Harvard University, the Immediate Gratification Players bring a new way to learn this popular art form. Written from the student's perspective, the book is divided into two sections of six chapters each. Building the Skills gives students training with useful drills, important rules to remember, and a basic tutorial in building your first improv scene. Storming the Stage will explain what no other book does: how to put your product in front of an audience. From creating a troupe to treating your audience right, this is the only book that can make its readers show-worthy. Sample chapters include: A Scene: The Basic Unit of Improv; To Do or Not to Do; Short Form or Long Form?: The Eternal Debate; Developing Format; Creating a Troupe; Auditions: Finding Your Best; Publicity: Turning on the Machine; And the Crowd Goes Wild: A Successful Show. Full of practical tips and techniques. An excellent resource for any theatre book library.
World Stages, Local Audiences
This book argues that local performance events offer a way to read the world, and an opportunity to remake that world, helping to foster a global political consciousness. Surveying a wide array of theatre, dance, performance and visual art, as well as sporting contests, marriage ceremonies human rights protests, even acts of extreme weather.
The Broadway Musical Quiz Book
The Broadway Musical Quiz Book includes nearly 80 quizzes on every aspect of the Broadway musical, including sections devoted to the careers of major Broadway stars, songwriters, directors, and producers, ranging from Ethel Merman to Stephen Sondheim. It also features thematic quizzes - such as musicals set in France, adaptations from literature, food and drink, British shows, references to sports, biographical shows, and jukebox musicals - and quizzes covering each decade from 1900 to the present. With over 700 shows mentioned, and over 1200 questions, The Broadway Musical Quiz Book is detailed and thorough: the answer section doesn't merely list the answers, it provides further information on the quizzes' subjects (and often on wrong answers, too!). The Broadway Musical Quiz Book is more than just a compendium of trivia; it's a anecdotal history of musical theatre, with something for everyone who loves The Great White Way!
The Charismatic Chameleon
Leslie O'Dell's current research focuses on the psychology of acting and the phenomenology of creativity. She has worked in theatre and film as a director, actor, and script writer as well as a coach and dramaturge. A working actor needs chameleon-like skills to transform into fictional characters shaped by the conventions of any of a wide variety of genres. Equally important is charisma, that unique personal energy that transforms a skilled mimic into a star. What is the secret of the charismatic chameleon? Beginning with the premise that actors are creative artists, and tracing individual creativity to six distinct temperaments (personality types), Leslie O'Dell demonstrates how actors can tap the profound resources of the psyche in even the most stress-filled situations. After introducing the nuances of the theory behind the practice, readers encounter a "Virtual Workshop" -- A dialogue among acting students, each representing one of the six Creative Personality types, as they diagnose their individual temperaments and then explore how the charismatic chameleon insight might assist each of them in mastering their craft, confronting barriers to personal excellence, and in preparing themselves for a successful acting career. The volume concludes with an annotated bibliography that positions the concepts of charisma, creative temperament, and the dangers and challenges of acting training within the context of writings by leading scholars and theatre practitioners. At the heart of the book is one simple truth: that an effortless flow of charismatic energy is available at any time and that the process for tapping into that source of authenticity and creativity is straightforward, flexible, and easily blended with other acting strategies and styles. This book is essential reading for working actors, for students of acting, and for teachers and directors who seek a more finely-nuanced understanding of the source of acting excellence and how best to optimise creativity through collaborative and individual praxis.
2001: A Space Odyssey (BFI Film Classics)
Stanley Kubrick's 2001: A Space Odyssey (1968) is widely regarded as one of the best films ever made. It has been celebrated for its beauty and mystery, its realistic depiction of space travel and dazzling display of visual effects, the breathtaking scope of its story, which reaches across millions of years, and the thought-provoking depth of its meditation on evolution, technology and humanity's encounters with the unknown. 2001 has been described as the most expensive avant-garde movie ever made and as a psychedelic trip, a unique expression of the spirit of the 1960s and as a timeless masterpiece. Peter Kr瓣mer's insightful study explores 2001's complex origins, the unique shape it took and the extraordinary impact it made on contemporary audiences, drawing on new research in the Stanley Kubrick Archive to challenges many of the widely-held assumptions about the film. This edition includes a new afterword by the author.
The Sound of Music
The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern captain, and they marry. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the captain's immediate service in their navy. The family's narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling and inspirational finales ever presented in the theatre. The motion picture version remains the most popular movie musical of all time.
The Works of Shakespeare
This meticulously edited edition, "The Works of Shakespeare, Volume 4," presents the Bard's timeless plays with a dedication to textual accuracy. Regulated by the recently discovered Portfolio of 1632, this volume incorporates early manuscript emendations, offering readers a closer approximation to Shakespeare's original intent. Edited by John Payne Collier, this edition further enriches the reading experience with a comprehensive history of the stage, a detailed life of the poet, and insightful introductions to each play. Scholars and enthusiasts alike will appreciate the depth of analysis and the historical context provided, making this volume an invaluable resource for understanding and appreciating Shakespeare's enduring genius. A treasure trove for those seeking a deeper connection to the world's greatest playwright.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Works of Shakespear
This edition of "The Works of Shakespear" features several of William Shakespeare's most celebrated plays. Included in this volume are "The Comedy of Errors," a farcical comedy involving mistaken identities; "The Winter's Tale," a play of jealousy, forgiveness, and reconciliation; "The Life and Death of King John," a historical drama chronicling the reign of King John; and "King Richard II," another historical play exploring the deposition of Richard II. Edited by Alexander Pope, this collection offers readers a glimpse into the timeless genius of Shakespeare, showcasing his mastery of language, character development, and dramatic structure. These plays continue to resonate with audiences and readers alike, cementing Shakespeare's legacy as one of the greatest playwrights in the English language.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Works of Shakespeare
This eighth volume of "The Works of Shakespeare" offers readers a comprehensive collection of the Bard's timeless plays and poems. Edited by William Theobald, this volume provides a valuable resource for scholars, students, and enthusiasts alike. Delve into the rich language, complex characters, and enduring themes that have made Shakespeare a literary icon. Experience the genius of Shakespeare's dramatic works, exploring the depths of human emotion and the complexities of the human condition. This collection preserves the legacy of one of history's greatest writers, inviting readers to engage with his profound insights and unparalleled artistry.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
She Always Knew How: Mae West
SHE ALWAYS KNEW HOW: MAE WEST A PERSONAL BIOGRAPHY
New Insights into Audiovisual Translation and Media Accessibility
This volume aims to take the pulse of the changes taking place in the thriving field of Audiovisual Translation and to offer new insights into both theoretical and practical issues. Academics and practitioners of proven international reputation are given voice in three distinctive sections pivoting around the main areas of subtitling and dubbing, media accessibility (subtitling for the deaf and hard-of-hearing and audio description), and didactic applications of AVT. Many countries, languages, transfer modes, audiences and genres are considered in order to provide the reader with a wide overview of the current state of the art in the field. This volume will be of interest not only for researchers, teachers and students in linguistics, translation and film studies, but also to translators and language professionals who want to expand their sphere of activity.
Star Power
STAR POWER! establishes a new wave of Acting. It speaks to current and relevant issues that creative Actors are grappling with: How do I "BE" authentic and respond from my truth and still BE the character? How do I respond spontaneously and still fulfill the Director's vision? How do I bring my rich inner imaginative world out to be visible in the material world? What is the the"IT" factor? It's STAR POWER! STAR POWER! engages the Actor in new possibilities, helping them develop their Authentic Self and define their Individual Signature. As an acting coach, it is Ms. Shurin's job to transform good actors into "brilliant" ones. This is a book about Ms Shurin's new discoveries on how to create an Individual Signature for the actor. The combination of "Individual Signature", becoming that "brilliant actor" and having the the "commitment" to become a star is the missing link. Actors of all levels of experience will find interesting interviews from industry professionals and fellow Actors confirming these principles. STAR POWER! works. It is the future of acting. Ms. Shurin has recently found that these same principles benefit anyone in any profession: attorneys, doctors, salespeople, parents, teachers, students, politicians and more. She hopes these life-altering principles will be used for the betterment of humanity.
A Serious Man
It is 1967 and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him since she has fallen in love with one of his more pompous colleagues. His domestic woes accumulate: his unemployable brother Larry is sleeping on the couch, his son Danny is playing hooky from Hebrew school, and his daughter is sneaking money from his wallet in order to save up for a nose job. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation, thus putting in jeopardy Larry's chances for tenure at the university. As if all this wasn't enough, he is tormented by the sight of his beautiful next door neighbor sunbathing nude. Larry's search for some kind of equilibrium is conveyed with the kind of humor, imagination, and verbal wit that have made the work of Ethan and Joel Coen so distinctive.
In the Eye of the Storm
Winner of the 2010 Serra d'Or Prize for Research in Catalan Studies
Hiding in Plain Sight
HIDING IN PLAIN SIGHT: THE SECRET LIFE OF RAYMOND BURR
Fictional Thinking
This book offers a theory of the archaic mode of fictional thinking and a methodology for the analysis of fictional worlds. It presupposes the mutual independence of the description of a fictional world, in any language or medium, and the described fictional world. Such a world is generated by an autonomous fictional structure, which reflects the spontaneous expectations of the spectator, and thematic specification. A model of this structure is presented, comprising seven layers: personified, mythical, praxical, naive, ironic and aesthetic -- and overriding these layers, the fictional experience on the level of relationship between the fictional world and spectator. This experience depends on the spectator's ability to complement such a description with pertinent associations, drawn from shared cultural resources, and psychical mechanisms of response. Explanations and examples are couched in poetic, pragmatic, aesthetic and rhetoric methodologies. An Introduction surveys the major contributions made to a methodology of fictional analysis since Aristotle's Poetics, problematises them and suggests possible alternatives. Part I is devoted to the inner structure of fictional worlds; i.e., to the poetic rules that generate them. The innovation of this approach lies in its multi-layered nature. Part II deals with the structure of the fictional experience, which is metaphoric and rhetoric in nature. Part III deals with the specific structures of fictional worlds that reflect the particular intentions and purposes of their authors. Part IV contains analyses of actual fictional worlds that illustrate the application of the previously presented principles. The focus throughout is on theatre fictional worlds which by their nature exhibit the most complex fictional thoughts that the human brain can generate. The theoretical insights gained for theatre assumedly apply to descriptions of such worlds in any language or medium. More than a hundred fictional worlds created during 2500 years of theatre recorded history are analysed. The volume has been purposefully designed to address undergraduate and postgraduate student needs to provide a fundamental competence of theatre studies.
Auto/Biography and Identity
This book looks at how a range of women in the theatre - actors, managers, writers and live artists - have used, and still use, autobiography and performance as both a means of expression and control of their private and public selves on the page and on the stage from the late eighteenth century to the present day.
Treading the Bawds
Treading the bawds breaks the traditional boundaries that have separated the histories of the first actresses and the early female playwright. This is a story of collaboration and influence, played out on the seventeenth-century London stage as women's words and women's bodies come together for the first time.
