The Girl Who Walked Home Alone
THE GIRL WHO WALKED HOME ALONE: BETTE DAVIS A PERSONAL BIOGRAPHY
More Scenes and Monologs from the Best New Plays
This sequel edition contains new works from plays produced in the US and Europe. It offers young actors a broad spectrum of challenges with contemporary styles and relevant topics in a variety of lengths. In addition to the scenes and monologues, the drama book includes nineteen useful exercises for strengthening acting skills. Many of the pieces require that performers dig deep into their imaginations to use their own emotional resources. A short acting preface precedes each selection to help guide the actors' interpretations. Recommended as a theatre text or a supplemental resource for acting classes.
The Commercial Theater Institute Guide to Producing Plays And Musicals
THE COMMERCIAL CTI THEATER INSTITUTE GUIDE TO PRODUCING PLAYS AND MUSICALS
Lincoln Center
The Journey Continues for the World's Most Prestigious Cultural AssociationThis book chronicles the major milestones in the artistic, physical, and administrative history of Lincoln Center's last two-and-a-half decades. Filled with over sixty beautiful black-and-white photographs that highlight the Center's rich cultural history, it illuminates how Lincoln Center for the Performing Arts served and supported its constituent groups while producing its own innovative artistic programming and how, in the process, it became a role model for performing arts organizations throughout the world.
Producing Theatre
Whether you are a theatrical entrepreneur, an investor, an attorney, or a student, and whether the production is on Broadway, off Broadway, Off Off Broadway, instock or repertory, the revised edition of this standard theatrical reference work tells you everything you need to know about raising money, obtaining rights, and bringing a play to the stage. Written by one of the country's leading theatrical attorneys, this easy-to-use guide includes all new budgets and has been brought up-to-date to cover all the important changes over the past seven years in the legal and business aspects of producing theater. Topics include: how to obtain a property, raising money and the necessary filings, contracts with producers and theaters, licensing for Broadway and out-of-town theater. Especially useful are the updated and expanded appendixes, which include actual examples of today's commonly used legal forms and contracts.
No Applause--just Throw Money
A seriously funny look at the roots of American EntertainmentWhen Groucho Marx and Charlie Chaplin were born, variety entertainment had been going on for decades in America, and like Harry Houdini, Milton Berle, Mae West, and countless others, these performers got their start on the vaudeville stage. From 1881 to 1932, vaudeville was at the heart of show business in the States. Its stars were America's first stars in the modern sense, and it utterly dominated American popular culture. Writer and modern-day vaudevillian Trav S.D. chronicles vaudeville's far-reaching impact in No Applause--Just Throw Money. He explores the many ways in which vaudeville's story is the story of show business in America and documents the rich history and cultural legacy of our country's only purely indigenous theatrical form, including its influence on everything from USO shows to Ed Sullivan to The Muppet Show and The Gong Show. More than a quaint historical curiosity, vaudeville is thriving today, and Trav S.D. pulls back the curtain on the vibrant subculture that exists across the United States--a vast grassroots network of fire-eaters, human blockheads, burlesque performers, and bad comics intent on taking vaudeville into its second century.
Freeing the Natural Voice
A classic text for theatre and film it has sold 100,000 copies in its first edition.
Art & Artifice
From the author of Hiding the Elephant and The Glorious Deception comes a collection of five essays that shows how the great stage illusions were integrally products of their time, based on the traditions and fashions of the people, and the offspring of the incredible, inventive personalities who brought them to the stage. Like no other author, Jim Steinmeyer gives us insight into the timeless appeal of magic. His human subjects include such characters as Steele MacKaye, Maskelyne, David Devant, P.T. Selbit, Horace Goldin, and Charles Morritt. Illusions he discusses include: The Mascot Moth, Sawing a Lady in Halves, and Morritt's Disappearing Donkey.
The Actor Reherarses
With a commonsense approach, An Actor Rehearses takes performers through the rehearsal process and explains exactly what to do when. The actor's process is explained simply, sequentially, and in detail, starting from the period before rehearsals begin and continuing through first read-through, blocking rehearsals, technical rehearsals, and performances. Packed with exercises that are useful in the classroom and in the rehearsal studio, An Actor Rehearses is an indispensable guide to the rehearsal process that makes building a character easier and more rewarding for both actor and audience. And because author David Hlavsa's emphasis is on relating acting to life, performers learn to make a remarkable connection between becoming a better actor and becoming a better person: more compassionate, more vital, more alive. -Clear, practical, usable advice for actors at every level -Unique focus: learning to become a better actor means learning to become a better person -Huge potential audience Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Famous Fantasy Character Monologs
If you're looking for monologs that are witty, hysterical, and completely fresh and different, then look no further! You will recognize the fantasy characters in this collection of monologs even though the names have been changed to fit the style of a parody presentation. The monologs are short, easy to memorize, and perfect for elementary and middle school classrooms, contests, comedy auditions, or even school talent shows. Whether presented with or without costumes, these 100 monologs - 50 for girls and 50 for guys - are sure to be a hit! Not only that, they're fun, too! From The Disgruntled Tooth Fairy, Secret Agent Little Red Riding Hood, and Acrophobic Super-Duper Man to Ophthalmologist Wannabe Larry Plotter, Hemophobic Count Dracula, and more than 90 others, there's sure to be something for everyone!
Training of the American Actor
Successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.--from the introductionThe first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Each of the 10 disciplines included is described in detail by one of today's foremost practitioners.Presented in this volume are: - Lee Strasberg's Method by Anna Strasberg, Lee's former student, widow, and current director of The Lee Strasberg Theatre Institute - Stella Adler Technique by Tom Oppenheim, Stella's grandson and artistic director of the Stella Adler Institute in New York - Sanford Meisner Technique by Victoria Hart, director of the Meisner Extension at New York University - Michael Chekhov Technique and The Mask by Per Brahe, a Danish teacher inspired by Balinese dance and introduced to the Chekhov technique in Russia - Uta Hagen Technique by Carol Rosenfeld, who taught under Hagen's tutelage at the Herbert Berghof (HB) Studio - Physical Acting Inspired by Grotowski by Stephen Wangh, who studied with Jerzy Grotowski himself - The Viewpoints by Mary Overlie, the creator of Viewpoints theory - Practical Aesthetics by Robert Bella of the David Mamet-inspired Atlantic Theatre Company school - Interdisciplinary Training by Fritz Ertl, who teaches at the Playwrights Horizons Theatre School - Neoclassical Training by Louis Scheeder, director of the Classical Studio of New York UniversityArthur Bartow is the artistic director of the Department of Drama at New York University's Tisch School of the Arts. A former associate director of Theatre Communications Group, he is the author of the landmark book The Director's Voice.
Make It Mystery
Better by the dozen! This book of 12 royalty-free mystery plays have running times between 20 and 30 minutes and are perfect for classroom exercises, an evening of one acts, student directed shows, fundraisers and more. Cast sizes range from 4 to 11, and all are either balanced or favoring female roles. No cuttings here! These are all full plays including a synopsis, a cast of characters and complete production notes on setting, props, costumes and sound effects. They are especially workable for middle schools and high schools, but there are scripts here for all ages. You'll love the variety! 'The Mother Goose Mystery' features a cast of suspicious nursery-rhyme-quoting characters. In 'Queen of Hearts' a young Shakespeare helps solve a crime. 'The Clue in the Library' is perfect for a library fundraiser and 'Mommy's a Zombie!' is a wonderful farce. Best of all, they're all royalty-free!.
Close Up
Close Up is John Fraser's sometimes outrageous, often hilarious, and always rigorously honest account of an extraordinary life. It is a remarkably candid memoir, relating his affairs, friendships and working relationships with some of the biggest stars of the stage and screen. Rudolf Nureyev, Dirk Bogarde, Bette Davis and many others feature in one of the most revealing and entertaining autobiographies in years. John Fraser starred in over 30 films, including El Cid and Tunes of Glory. He was nominated for a British Academy Award as Best Actor for his performance, opposite Peter Finch, as Bosie in The Trials of Oscar Wilde.
Lessons
Tom Isbell wants you to know that this is definitely not a 'how-to' book on acting. In fact, he abhors how-to books for the arts. Still, this book is meant to improve your acting skills by developing your awareness as an actor-awareness both of yourself and those around you. By understanding what is worth pursuing, what is worth remembering, and what is worth letting go of, you can acquire knowledge about acting which will increase your skill level. This book is a series of 100 plain-speaking, highly readable lessons that convey the big and little truths of acting. Divided into 5 sections-Approach, Fundamentals, Classes and Rehearsals, Performance, and Final Lessons-Isbell presents this as a true acting book that focuses on allowing the natural artist to evolve, grow and mature, finding his or her own voice. If you're new to acting, these 100 lessons should provide a foundation on which you can build your acting life. If you've been acting for a while, these lessons should confirm what you already know deep within you but perhaps haven't yet voiced.
Little Musicals for Little Theatres
LITTLE MUSICALS FOR LITTLE THEATRES GUIDE TO MUSICALS THAT DON'T NEED CHANDELIERS
Tools and Techniques For Character Interpretation
TOOLS AND TECHNIQUES FOR CHARACTER INTERPRETATION HANDBOOK OF PSYCHOLOGY FOR ACTORS
Intermediality in Theatre and Performance
Intermediality: the incorporation of digital technology into theatre practice, and the presence of film, television and digital media in contemporary theatre is a significant feature of twentieth-century performance. Presented here for the first time is a major collection of essays, written by the Theatre and Intermediality Research Group of the International Federation for Theatre Research, which assesses intermediality in theatre and performance. The book draws on the history of ideas to present a concept of intermediality as an integration of thoughts and medial processes, and it locates intermediality at the inter-sections situated in-between the performers, the observers and the confluence of media, medial spaces and art forms involved in performance at a particular moment in time. Referencing examples from contemporary theatre, cinema, television, opera, dance and puppet theatre, the book puts forward a thesis that the intermedial is a space where the boundaries soften and we are in-between and within a mixing of space, media and realities, with theatre providing the staging space for intermediality. The book places theatre and performance at the heart of the 'new media' debate and will be of keen interest to students, with clear relevance to undergraduates and post-graduates in Theatre Studies and Film and Media Studies, as well as the theatre research community.
The Knight of the Burning Pestle
A back-in-print edition of this play by Francis Beaumont, one half of the leading playwriting partnership of Beaumont and Fletcher. Fully annotated, with a historical and critical introduction, detailed commentary and appendices.
Poetics, Politics and Protest in Arab Theatre
This book highlights the so far unappreciated merit of the Syrian playwrights Durayd Lahham and Muhammad al-Maghout, whose plays are representative of the new wave of Arab theatrical realisation in general and Syrian protest plays in particular. 'Ghawwar', the famous character type created by Lahham, combines art with politics, the past with modern times, lower class-consciousness and identity with Pan-Arab nationalism, and East with West. He also symbolizes a poetical link between the 'bitter cup' of a miserable present and the 'holy rain' of a better future.
Amusing Ourselves to Death
What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever. "It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman." -CNN Originally published in 1985, Neil Postman's groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media--from the Internet to cell phones to DVDs--it has taken on even greater significance. Amusing Ourselves to Death is a prophetic look at what happens when politics, journalism, education, and even religion become subject to the demands of entertainment. It is also a blueprint for regaining control of our media, so that they can serve our highest goals. "A brilliant, powerful, and important book. This is an indictment that Postman has laid down and, so far as I can see, an irrefutable one." -Jonathan Yardley, The Washington Post Book World
The Intent to Live
"I call this book The Intent to Live because great actors don't seem to be acting, they seem to be actually living."-Larry Moss, from the Introduction When Oscar-winning actors Helen Hunt and Hilary Swank accepted their Academy Awards, each credited Larry Moss's guidance as key to their career-making performances. There is a two-year waiting list for his advanced acting classes. But now everyone-professionals and amateurs alike-can discover Moss's passionate, in-depth teaching. Inviting you to join him in the classroom and onstage, Moss shares the techniques he has developed over thirty years to help actors set their emotions, imagination, and behavior on fire, showing how the hard work of preparation pays off in performances that are spontaneous, fresh, and authentic. From the foundations of script analysis to the nuances of physicalization and sensory work, here are the case studies, exercises, and insights that enable you to connect personally with a script, develop your character from the inside out, overcome fear and inhibition, and master the technical skills required for success in the theater, television, and movies. Far more than a handbook, The Intent to Live is the personal credo of a master teacher. Moss's respect for actors and love of the actor's craft enliven every page, together with examples from a wealth of plays and films, both current and classic, and vivid appreciations of great performances. Whether you act for a living or simply want a deeper understanding of acting greatness, The Intent to Live will move, instruct, and inspire you.
Encounters With Tadeusz Kantor
This unique set of reminiscences, written by one of the actors who worked closely with Kantor over a long period of time, ranges from the anecdotal to the theoretical.
All I Did Was Ask
A fascinating collection of revealing and entertaining interviews by the award-winning host of National Public Radio's premier interview program Fresh Air. Over the last twenty years, Terry Gross has interviewed many of our most celebrated writers, actors, musicians, comics, and visual artists. Her show, Fresh Air with Terry Gross, a weekday magazine of contemporary arts and issues produced by WHYY in Philadelphia, is one of National Public Radio's most popular programs. More than four million people tune in to the show, which is broadcast on over 400 NPR stations across the country. Gross is known for her thoughtful, probing interviewing style. In her trusted company, even the most reticent guest relaxes and opens up. But Gross doesn't shy away from controversy, and her questions can be tough--too tough, apparently, for Bill O'Reilly, who abruptly terminated his conversation with her. Her interview with Gene Simmons of Kiss, which is included in the book, prompted Entertainment Weekly to name Simmons its male "Crackpot of the Year." For All I Did Was Ask, Gross has selected more than three dozen of her best interviews--ones of lasting relevance that are as lively on the page as they were on the air. Each is preceded by a personal introduction in which she reveals why a particular guest was on the show and the thinking behind some of her questions. And in an introductory chapter, the normally self-effacing Gross does something you're unlikely ever to hear her do on Fresh Air--she discusses her approach to interviewing, revealing a thing or two about herself in the bargain. The collection focuses on luminaries from the art and entertainment world, including actors, comedians, writers, visual artists, and musicians, such as: Conan O'Brien Chris Rock Michael Caine Dennis Hopper Dustin Hoffman Jodie Foster John Updike Mary Karr Mario Puzo Nick Hornby Chuck Close Eric Clapton George Clinton Sonny Rollins Samuel L. Jackson Johnny Cash Isabella Rossellini Divine Uta Hagen Carol Shields
Acting for Life
This comprehensive textbook is aimed at high school and college level drama students who have the maturity to understand that of all the arts, drama - with its exploration of human characters and relationships - is closest to everyday life. Acting for Life emphasizes this connection, presenting the fundamentals of drama and acting techniques in the context of ordinary experiences and interactions. It is designed in scope to be adaptable for both beginning students who want to explore the experience of acting and develop basic skills for the first time and advanced students who want to improve their techniques. Five sections help readers discover the joy of acting: basic acting skills, preparing to perform a scene, techniques in character development, the play script, and film acting. Teachers will love the chapter-by-chapter planned sequence of explanations, exercises, activities, and discussion questions. This step-by-step approach offers the student a full range of experiences that should not only enhance acting abilities, but also increase self-awareness and cooperation among classmates.
Invitation to the Party
Acknowledged as the nation's foremost expert on audience development involving America's growing multicultural population by the Arts and Business Council, Donna Walker-Kuhne has now written the first book describing her strategies and methods to engage diverse communities as participants for arts and culture. By offering strategic collaborations and efforts to develop and sustain nontraditional audiences, this book will directly impact the stability and future of America's cultural and artistic landscape. Donna Walker-Kuhne has spent the last 20 years developing and refining these principles with such success as both the Broadway and national touring productions of Bring in 'Da Noise, Bring in 'Da Funk, as well as transforming the audiences at one of the U.S.'s most important and visible arts institutions, New York's Public Theater. This book is a practical and inspirational guide on ways to invite, engage and partner with culturally diverse communities, and how to enfranchise those communities into the fabric of arts and culture in the United States.
The Censorship of British Drama, 1900-1968
This is the second volume in a new paperback edition of Steve Nicholson's well-reviewed four-volume analysis of British theatre censorship from 1900-1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor. It covers the period from 1933 to 1952, and focuses on theatre censorship during the period before the outbreak of the Second World War, during the war itself, and in the immediate post-war period. The focus is primarily on political and moral censorship. The book documents and analyses the control exercised by the Lord Chamberlain. It also reviews the pressures exerted on him and on the theatre by the government, the monarch, the Church, foreign embassies and by influential public figures and organisations. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.
Gasping For Airtime
Now in paperback, the revelatory and surprising memoir of life behind the scenes at Saturday Night Live, by former cast member Jay Mohr his insider account of the inner workings of Saturday Night Live provides the scoop on quirky guests, pitch meetings, fake pitch meetings, rehearsals, cast members, live broadcasts, and of course, getting airtime. Refreshingly honest and laugh-out-loud funny, this book will appeal to fans of Jay Mohr, devotees of Saturday Night Live, and young comics yearning for stand-up stardom.
From Option To Opening
FROM OPTION TO OPENING - REVISED AND UPDATED
Japanese No Masks
Combining elements of dance, drama, music and poetry, the performances of Japanese No theater are a highly stylized form of entertainment. Accompanying the sumptuous costumes worn during performances are elaborately carved No and Kyogen wooden masks -- major works of art in their own right. This book, based on a classic two-volume German study, presents a wealth of illustrations and information relating to these magnificent theatrical devices.A new, informative introduction and extensive captions derived from the original text and newly translated, accompany the heart of the book--more than 120 full-page plates depicting museum-quality masks worn by actors playing gods, warriors, demons, and monsters, beautiful women, feudal lords, mad characters, and supernatural beings. All 303 illustrations from the original two-volume work are included.A unique introduction to classic Japanese theater for Western theatergoers, this volume will also serve as an excellent reference for students, scholars, and enthusiasts of No drama.
Shock Value
To me, bad taste is what entertainment is all about. If someone vomits watching one of my films, it's like getting a standing ovation. Thus begins John Waters's autobiography. And what a story it is. Opening with his upbringing in Baltimore ("Charm City" as dubbed by the tourist board; the "hairdo capital of the world" as dubbed by Waters), it covers his friendship with his muse and leading lady, Divine, detailed accounts of how Waters made his first movies, stories of the circle of friends/actors he used in these films, and finally the "sort-of fame" he achieves in America. Complementing the text are dozens of fabulous old photographs of Waters and crew. Here is a true love letter from a legendary filmmaker to his friends, family, and fans.
So You Want To Be In Show Business
Veteran agent Steve Stevens offers insight into breaking into TV, movies, etc-particularly in the LA market.
Casting Directors’ Secrets
CASTING DIRECTOR'S SECRETS INSIDE TIPS FOR SUCCESSFUL AUDITIONS
Before Sunrise and Before Sunset: Two Screenplays 愛在日落巴黎
In one volume, the screenplays to two contemporary classics, directed by Richard Linklater, and starring Ethan Hawke and Julie Delpy, about the immediate and life-altering attraction between two strangers. On a train from Budapest to Vienna, Jesse, a young American student, at the end of a romance and his European trip, meets Celine, a young French woman. They are immediately attracted. Despite knowing this may be the only time they will see each other, in the next few hours in the city of Vienna, they share everything and promise to meet again. Nearly a decade later, Jesse, now a novelist on a publicity tour, sees Celine in a bookstore in Paris. Again their time is short, and they spend it reestablishing the connection they experienced on their first meeting. Romantic, poignant, understated, and often profound, these two screenplays are sure to become classics in their own right.
The Art Of Directing
This revision and update of The Art of Directing, with considerable new material developed with the assistance of Christina Kirk of Otterbein College represents a new beginning for this popular text. This version continues to apply the premise "Conflict is the Essence of Drama" to every aspect of the production process. Using a rigorous and functional analysis system, the authors demonstrate how finding the root action of a script and allowing it to function as the power source for all aspects of the production can lead to a dramatically powerful result.
The Art Of Directing
This revision and update of The Art of Directing, with considerable new material developed with the assistance of Christina Kirk of Otterbein College represents a new beginning for this popular text. This version continues to apply the premise "Conflict is the Essence of Drama" to every aspect of the production process. Using a rigorous and functional analysis system, the authors demonstrate how finding the root action of a script and allowing it to function as the power source for all aspects of the production can lead to a dramatically powerful result.
Acting with the Voice
Blumenfeld convincingly argues that the basic techniques of acting apply whether the actor is performing onstage or in a sound studio. Numerous practice exercises help the actor to speak the words of a text that can be enhanced by the varying sounds of the human voice.
Classical Monologues
CLASSICAL MONOLOGUES: WOMEN VOLUME III: FROM AESCHYLUS TO RACINE
Classical Monologues
CLASSICAL MONOLOGUES VOLUME IV FOR WOMEN
The Happiest Corpse I'Ve Ever Seen
For Ethan Mordden, the closing night of the hit musical, 42nd St. sounded the death knell of the art form of the Broadway musical. After that, big orchestras, real voices, recognizable books and intelligent lyrics went out the window in favor of cats, helicopters, yodeling Frenchmen, and the roof of the Paris Opera. Mordden takes us through the aftermath of the days of the great Broadway musical. From the long-running Cats to Miss Saigon, Phantom, and Les Miserables, to gems like The Producers, he is unsparing in his look at the remains of the day. Not content to scold the shows' creators, Mordden takes on the critics, too, splaying their bodies across the Great White Way like Sweeney Todd giving a close shave. Once more, it's "curtain going up," but Mordden is not applauding.
Radio
As entertaining as it is educational, Radio: The Book is a must-have guide to success for anyone interested in a career in radio. Providing a wealth of information and relating his own personal experiences, veteran radio personality, Program Director and Programming Consultant Steve Warren shares trade secrets and industry know-how that would usually take years to accumulate through experience. An invaluable advantage over your competition, this "cheat-sheet" for the radio programmer includes practical advice regarding: -Radio as a career--from tips on getting started to job negotiations-Programming--talk radio and music, from format science to picking the hits-Relationships with listeners--everything from staying in touch with your audience to public image-Branding, marketing, and advertising the radio station-Research--music tests, audience analysis, ratings, and more-Practical information about management policies-Radio realities--information on rules and regulationsThis latest edition has been updated to include: -Important updates on an ever-evolving field-Essential forms for radio station functions--production orders, personnel files, absentee reports, PSA schedules, format clocks, remote schedule, and more.to be accompanied by an on-line section of electronic forms for convenience-Ideas for successfully programming in new radio formats like satellite, internet, and cableIn such a competitive industry where formal training can be hard to come by, Radio: The Book, 4e, is a short-cut to the fast track for current and future programmers and program directors. With an active radio broadcast career that is still exploring new ideas following s more than forty years at some of America's most prestigious radio stations (including WNBC, WHN, WNEW, and CBS radio), Steve Warren is more than qualified to mentor readers. Steve has competed successfully in all music formats from Easy Listening to Country to Top 40 to Oldies, always putting the listener first and now, putting you first.
Shawshank Redemption
This modern film classic, an extraordinary tale of hope and survival inside a maximum security prison, follows the complex twenty-year relationship between two convicts who have little in common--except friendship. Based on the novella Rita Hayworth and The Shawshank Redemption by Stephen King, director/screenwriter Frank Darabont's film, starring Tim Robbins and Morgan Freeman, was nominated for seven Academy Awards(R), including Best Picture and Best Screenplay and has been named one of the 100 Best Films of All Time by the American Film Institute.The Newmarket Shooting Script Series(R) book includes: Introductions by Stephen King and Frank Darabont Complete shooting script Analysis of script-to-screen changes Behind-the-scenes photos Storyboards Complete cast and crew credits "Memo from the Trenches" by Frank Darabont
Fashions of the Gilded Age, Volume 2
Contains 184 authentic sewing patterns and instructions for women's garments. Includes special rulers that enable drafting to custom sizes. Quotes from original fashion magazines and other sources give additional information on construction, materials, and wardrobe planning. Also included is an 87-page, illustrated manual on period dressmaking and millinery. For theatrical and reenactment costumers, vintage clothing collectors, brides, and doll artists.
Speaking Shakespeare
In Speaking Shakespeare, Patsy Rodenburg tackles one of the most difficult acting jobs: speaking Shakespeare's words both as they were meant to be spoken and in an understandable and dramatic way. Rodenburg calls this "a simple manual to start the journey into the heart of Shakespeare," and that is what she gives us. With the same insight she displayed in The Actor Speaks, Rodenburg tackles the playing of all Shakespeare's characters. She uses dramatic resonance, breathing, and placement to show how an actor can bring Hamlet, Rosalind, Puck and other characters to life. This is one book every working actor must have.
Steven Berkoff and the Theatre of Self-Performance
This book is the first substantial study of Steven Berkoff's career, examining the construction and projection of his notorious public persona through his plays and writings.
Fifty More Professional Scenes and Monologs for Student Actors
The success of Fifty Professional Scenes for Student Actors prompted us to offer a new theatre book of winning audition material -- this time including monologs! The emphasis of these monologs and scenes is on believable characters, not caricatures. Designed for professional actors seeking roles in TV shows, commercials, and stage productions, it may also be used by student performers who wish to work at a professional level. Actors have been using these same scenes to win roles at New York, L.A., and Chicago TV and film studios. Students in acting classes have been using them to advance their acting experience. This book is divided into two categories of scenes: Comedy and Drama. Most scenes are generic, easily adaptable for use by male or female actors.
The Complete Audition Book for Young Actors
This theatre text is not a typical shake-and-bake manual of quickie tips on how to have a good audition. No other book puts auditioning in the context of acting training. The nuts and bolts are all here, but this book will do much more. It will systematically develop audition and acting skills throughout the actor's study and career. This book is, first and foremost, an acting text. It shows auditioning as another acting performance, not a technical exercise or a desperate attempt to highlight every actor's skill or talent. It is a step-by-step guide for training young actors to audition well by developing acting skills. Includes more than sixty relevant acting exercises or "explorations," fourteen sample audition pieces from contemporary playwrights, and a wealth of other resource material-an all-encompassing audition text.
