Addenda to Players of a Century
"Addenda to Players of a Century: A Record of the Albany Stage, Including Notices of Prominent Actors who Have Appeared in America" offers a fascinating glimpse into the vibrant theatrical scene of 19th-century Albany, New York. Compiled by Henry P. Phelps, this addendum complements existing records of the Albany stage by providing additional details and insights into the actors and performances that graced its boards. The book serves as a valuable historical resource, shedding light on the careers of numerous performers who contributed to the development of American theater. It highlights the importance of local stages in nurturing talent and fostering a love of the dramatic arts.This volume is an essential addition to the libraries of theater historians, researchers, and anyone interested in the cultural heritage of Albany and the broader history of American performing arts. It is a testament to the enduring appeal of live theater and the captivating personalities who bring stories to life on stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Pocket Rocky Horror
A campy celebration of the queer cult classic.The Rocky Horror Picture Show has had a lasting impact on cinema and pop culture, iconic for its catchy songs and unforgettable cast of characters. This pocket guide delves into the origins, evolution and legacy of the 1975 musical, exploring how audience participation was able to transform a box-office failure into a cult phenomenon. Packed with trivia, behind-the-scenes stories, interactive elements and more, this book is a celebration of the rebellious spirit of this campy classic.Let's do the Time Warp again! Gemini Pockets From little guides to soothe your soul to all-access passes to the lives of pop icons, and from quizzes and puzzles for literature lovers to books on food, nature, fashion and more, Gemini Pockets are the perfect fit for your life and interests.
Theatre Arts
Theatre Arts, Volume 1, published in 1917, offers a captivating glimpse into the world of early 20th-century theater. This volume serves as a valuable resource for students, scholars, and enthusiasts of dramatic literature and the performing arts. Explore insightful essays, critical analyses, and engaging discussions on various aspects of theatrical production, design, and performance. Delve into the historical context of the era and gain a deeper appreciation for the evolution of theater as an art form.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Theatre Arts
Theatre Arts, Volume 1, published in 1917, offers a captivating glimpse into the world of early 20th-century theater. This volume serves as a valuable resource for students, scholars, and enthusiasts of dramatic literature and the performing arts. Explore insightful essays, critical analyses, and engaging discussions on various aspects of theatrical production, design, and performance. Delve into the historical context of the era and gain a deeper appreciation for the evolution of theater as an art form.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Bernard Shaw and St. John Hankin
This book proposes a vibrant intertextual dialogue between St. John Hankin's manners comedies and what are considered Bernard Shaw's "minor" Edwardian comedies and, after the war, some of his most experimental "extravagant" plays. Engaging thematic topics ranging from philanthropy and parenting to marital alliances and comic endings, their dramaturgy was truly in conversation over form and content as they re-purposed one another in a vital wrangling to direct the creative evolution of modern British comedy. "This original study will no doubt draw attention to St. John Hankin's work, which may in turn receive further scrutiny from scholars, students, and theatre practitioners." Michel Pharand, Queen's University
Backstaging Modern Chinese Theatre
Modern Chinese theatre once entailed a variety of forms, but now it primarily refers to spoken drama, or huaju. Backstaging Modern Chinese Theatre looks beyond scripts to examine visuality, acoustics, and performance between the two World Wars, the period when huaju gained canonical status. The backstage in this study expands from being a physical place offstage to a culturally and historically constructed social network that encompasses theatre networks, academies, and government institutions--as well as the collective work of dramatists, amateurs, and cultural entrepreneurs. Early huaju was not a mere imitation of Western realist theatre, as it is commonly understood, but a creative synthesis of Chinese and Western aesthetics. Charting huaju's evolution from American colleges to China's coastal cities and then to its rural hinterland, Man He demonstrates how the formation of modern Chinese theatre challenges dominant understandings of modernism and brings China to the center of discussions on transnational modernities and world theatres.
The Pocket Horror Movies
Get ready to be spooked by this introductory guide to Horror movies. Horror in the movies comes in all shapes and sizes. It can be gooey, slimy, and misty. It can be solid, pointed, or blunt. It can be subtle, careful, and delicate. It can be brutal, graphic, and gruesome. It can jump out from a wall or be hidden under a bed. It can be long drawn out or over in a flash. It can make you laugh, cry and scream. So there's something for everyone. The Pocket Horror Movies provides a comphrensive guide to the top fifty horror movies of all time. Some are gory, some are subtle, but all of them are good, and will leave an impression on you, whether you like it or not... Gemini Pockets From little guides to soothe your soul to all-access passes to the lives of pop icons, and from quizzes and puzzles for literature lovers to books on food, nature, fashion, and more, Gemini Pockets are the perfect fit for your life and interests.
One Night One Morning
A comedy about singles and social graces, after a night that went so right goes so wrong the next morning.Rachel and Greg wake up together after a night out on the town, much to the surprise of both.An awkward situation at the best of times, made all the more awkward as details from the previous night slowly filter back to them ...
The Art of Drag
The Art of Drag: A Practical Performers' Handbook is the ultimate guide for all drag kings, queens and queers who want to bring their best to the stage.Filled with a wide range of exercises and advice from working performers, this book is a guide and support for every working drag act, but also the drag-curious wanting to step a sequinned toe onto the stage for the first time. The book focuses on practical performance advice for creating new work, refining existing work and exploring new skills and perspectives from the world of drag. It also includes: Practical performance tips demystifying live performance skills such as singing, lip-sync, impersonation and comedy. Top tips on how to get bookings, get paid and make a profit. Advice on how to communicate with an audience and create an unforgettable live experience. Interviews with seven sensational acts who discuss how they use the art of drag: Adam All, Simply Barbra, Ada Campe, Hugo Grrrl, Le Fil, Me the Drag Queen and Son of a Tutu. Written by a drag act, for drag acts, The Art of Drag is an invaluable resource for new and aspiring drag performers, along with academic performance courses covering Drag, Cabaret, or Queer Performance.
Welcome to the San Francisco Opera House
Welcome to the San Francisco Opera House offers a fascinating glimpse into one of the world's most iconic performing arts venues. This book explores the history and architecture of the San Francisco Opera House, detailing its significance as a cultural landmark. From its grand design to its role in showcasing world-class opera performances, this volume captures the essence of this magnificent building. A must-read for opera enthusiasts, architecture buffs, and anyone interested in the vibrant cultural landscape of San Francisco.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Martin Beck Offers Madame Sarah Bernhardt in Vaudeville, With her own Company From the Th?(c)璽tre Sarah Bernhardt, Paris, in an act From These Plays From her Repertoire. Une Nuit of No禱l; La Dame aux
An intriguing glimpse into the world of early 20th-century American vaudeville, this volume highlights the performances of the legendary Sarah Bernhardt on the Martin Beck circuit. Showcasing her repertoire from the Th?(c)璽tre Sarah Bernhardt in Paris, Bernhardt presented excerpts from acclaimed plays such as "Une Nuit of No禱l," "La Dame aux Camelias," "La Tosca," "Th?(c)odora," "Lucrece Borgia," and "Ph癡dre." This collection offers a unique perspective on Bernhardt's adaptation to the vaudeville stage and her enduring impact on American audiences. A valuable resource for theater historians and enthusiasts, it captures a moment when high art met popular entertainment, solidifying Bernhardt's status as a global icon.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Marvel Studios’ the Infinity Saga - Doctor Strange: The Art of the Movie
The official art book for the movie Doctor Strange, the 13th title reissue of the 24-book Marvel Studios' The Infinity Saga series published as a resized matching set. The 13th of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. When a terrible accident befalls extraordinary surgeon Dr. Stephen Strange, he'll do anything to regain mobility in his crippled hands. His journey will take him to unbelievable realms and bring him face-to-face with petrifying dangers. Explore the fantastic worlds of Doctor Strange with exclusive concept artwork and in-depth analysis from the filmmakers. Go behind the scenes in this deluxe keepsake volume as Marvel once again brings its strange history to the silver screen! Here is everything you need to know about the making of the movie from all the key players--including director Scott Derrickson, Marvel Studios President Kevin Feige, along with the talented cast, special-effects gurus, concept illustrators, visual-effects designers, and storyboard artists who worked on the set and behind the scenes to create the art of Doctor Strange.
The 56
Nobody dies in football matches in fires. It doesn't happen.At 3.40pm on 11th May 1985, a small fire broke out in the main stand at Valley Parade football ground during the last game of the season. Within four minutes, the wooden structure was ablaze. Adapted solely from over sixty real-life testimonies, this pertinent piece of documentary theatre pays homage to the supporters who lost their lives in one of the darkest days in British footballing history. The 56 examines the solidarity, strength and community in the face of overwhelming tragedy.This edition of The 56was published to coincide with Lung Theatre's rehearsed reading staged on the 40th anniversary of this momentous event in the history of Bradford.
Meta Television
This book explores the ways in which the current metatextual turn, in both the usual genres in which it appears and its movement into drama and sitcom, represents the next turn in television's inherent self-awareness.
Martin Beck Offers Madame Sarah Bernhardt in Vaudeville, With her own Company From the Th?(c)璽tre Sarah Bernhardt, Paris, in an act From These Plays From her Repertoire. Une Nuit of No禱l; La Dame aux
An intriguing glimpse into the world of early 20th-century American vaudeville, this volume highlights the performances of the legendary Sarah Bernhardt on the Martin Beck circuit. Showcasing her repertoire from the Th?(c)璽tre Sarah Bernhardt in Paris, Bernhardt presented excerpts from acclaimed plays such as "Une Nuit of No禱l," "La Dame aux Camelias," "La Tosca," "Th?(c)odora," "Lucrece Borgia," and "Ph癡dre." This collection offers a unique perspective on Bernhardt's adaptation to the vaudeville stage and her enduring impact on American audiences. A valuable resource for theater historians and enthusiasts, it captures a moment when high art met popular entertainment, solidifying Bernhardt's status as a global icon.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Wit and Humor of the Stage; a Collection From Various Sources Classified Under Appropriate Subject Headings
Wit and Humor of the Stage is a delightful collection of anecdotes, jokes, and humorous observations related to the theater. Gathered from various sources and carefully classified under appropriate subject headings, this anthology offers a fascinating glimpse into the lighter side of the performing arts. Compiled by Henry Frederic Reddall, this volume captures the essence of theatrical wit, providing readers with a treasury of amusing stories and clever remarks. Whether you are a theater enthusiast, a performer, or simply someone who appreciates a good laugh, "Wit and Humor of the Stage" promises hours of entertainment and a unique perspective on the world of theater.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Wit and Humor of the Stage; a Collection From Various Sources Classified Under Appropriate Subject Headings
Wit and Humor of the Stage is a delightful collection of anecdotes, jokes, and humorous observations related to the theater. Gathered from various sources and carefully classified under appropriate subject headings, this anthology offers a fascinating glimpse into the lighter side of the performing arts. Compiled by Henry Frederic Reddall, this volume captures the essence of theatrical wit, providing readers with a treasury of amusing stories and clever remarks. Whether you are a theater enthusiast, a performer, or simply someone who appreciates a good laugh, "Wit and Humor of the Stage" promises hours of entertainment and a unique perspective on the world of theater.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Welcome to the San Francisco Opera House
Welcome to the San Francisco Opera House offers a fascinating glimpse into one of the world's most iconic performing arts venues. This book explores the history and architecture of the San Francisco Opera House, detailing its significance as a cultural landmark. From its grand design to its role in showcasing world-class opera performances, this volume captures the essence of this magnificent building. A must-read for opera enthusiasts, architecture buffs, and anyone interested in the vibrant cultural landscape of San Francisco.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Darkroom
"One must make films with this knowledge: there's no point anymore. Let film meet its end, that's the only cinema." The Darkroom contains the script for Marguerite Duras's 1977 radically experimental film Le camion (The Truck). Between images of a truck in motion, juxtaposed voiceovers, and cutaways to Duras in conversation with G矇rard Depardieu, Le camion turns the art of film into a means of enabling the viewer to engage multiple faculties--not only the visual and the aural, but also memory, imagination, and desire. Also included here is a series of short essays in which Duras makes provocative connections between film and textuality, as well as a fascinating dialogue with Michelle Porte. Together amounting to a crucial contribution to the field of film theory, these texts make brilliantly apparent the depth and integrity of Duras's aesthetic, philosophical, and political thinking.
Star Trek: Discovering the TV Series
Join a two-year mission through Star Trek's highs, lows, and behind-the-scenes revelations from Deep Space Nine to Voyager.How well do you know Star Trek?Lifelong science fiction fan, podcaster and author Tom Salinsky decided that the answer was "not well enough", and so at the beginning of 2022, he embarked on a two-year mission to watch everything from the start of The Original Series to the end of Enterprise, at the rate of one episode per day. This book is the second part of that odyssey, covering Deep Space Nine, and the first two seasons of Voyager plus the first two Next Generation movies.As well as having fun saluting the show's triumphs, cringing at its lapses in taste, and admiring its willingness to swing for the fences, there's lots of fascinating behind-the-scenes information here. Was Morn really such a chatterbox? Why was Deep Space Nine allowed to do so much serialisation? Did Star Trek need Michael Dorn more than Michael Dorn needed Star Trek? Just whatever happened to Genevi癡ve Bujold? How is Nicholas Locarno related to Tom Paris?But you'll also get the benefit of a complete overview of these hugely successful and beloved spin-offs, which expanded and extended the Star Trek universe to new quadrants, new eras and new modes of storytelling. Plus there are contributions from notable fans, writers, authors and experts, giving their own perspectives on these classic episodes.Whether you're a die-hard fan, a casual viewer, or just someone interested in the history of television, you'll adore coming on this daily journey though the highs and lows of one of the most significant and much-loved media properties in the world.**Praise for Volume I: ****The Original Series, The Animated Series and The Next Generation**"Funny, absorbing, perceptive and a fine reminder of the wealth of work that Star Trek has produced through the decades." - Critical Popcorn"Even if you're not the world's biggest Star Trek fan, the way this book is written will certainly keep you entertained." - Total Entertainment"Whether you're a devoted aficionado or a casual viewer, this book offers an immersive experience." - Kuriositas.com"An honest labour of love from a lifelong sci-fi specialist, and even gives the episodes that fail a fair hearing." - Lou Reviews
How to See a Play
璽€œHow to See a Play璽€ by Richard Burton offers a comprehensive guide to understanding and appreciating the theatrical arts. Written in a clear and accessible style, this book explores the essential elements of dramatic performance, from the playwright's craft to the actor's interpretation and the audience's role. Burton delves into various aspects of theater, including plot construction, character development, and the use of dramatic conventions. Designed for both casual theatergoers and serious students of drama, 璽€œHow to See a Play璽€ provides valuable insights into the art of play-watching. It encourages readers to engage actively with the performance, fostering a deeper understanding and enjoyment of the theatrical experience. This book remains a timeless resource for anyone seeking to enhance their appreciation of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
How to See a Play
璽€œHow to See a Play璽€ by Richard Burton offers a comprehensive guide to understanding and appreciating the theatrical arts. Written in a clear and accessible style, this book explores the essential elements of dramatic performance, from the playwright's craft to the actor's interpretation and the audience's role. Burton delves into various aspects of theater, including plot construction, character development, and the use of dramatic conventions. Designed for both casual theatergoers and serious students of drama, 璽€œHow to See a Play璽€ provides valuable insights into the art of play-watching. It encourages readers to engage actively with the performance, fostering a deeper understanding and enjoyment of the theatrical experience. This book remains a timeless resource for anyone seeking to enhance their appreciation of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Backstaging Modern Chinese Theatre
Modern Chinese theatre once entailed a variety of forms, but now it primarily refers to spoken drama, or huaju. Backstaging Modern Chinese Theatre looks beyond scripts to examine visuality, acoustics, and performance between the two World Wars, the period when huaju gained canonical status. The backstage in this study expands from being a physical place offstage to a culturally and historically constructed social network that encompasses theatre networks, academies, and government institutions--as well as the collective work of dramatists, amateurs, and cultural entrepreneurs. Early huaju was not a mere imitation of Western realist theatre, as it is commonly understood, but a creative synthesis of Chinese and Western aesthetics. Charting huaju's evolution from American colleges to China's coastal cities and then to its rural hinterland, Man He demonstrates how the formation of modern Chinese theatre challenges dominant understandings of modernism and brings China to the center of discussions on transnational modernities and world theatres.
Rum
This plaster will outlive me. I shape these rooms but in turn they have moulded me. Hiding secrets. Weak spots made to look strong. Meet Danny, plastering since he was a kid, he's not scared of anything, he's RUM. Danny's been up all night and now he's rushing to finish a job before he has to give the speech of his life. RUM is a darkly humorous and powerful new play that wrestles with masculinity, mental health and addiction in the trade. RUM is published to coincide with the production at ARC Stockton Arts Centre and subsequent UK Tour in April-June 2025.
Julius Laschott and his Dissolving Views
Julius Laschott was best known for his "dissolving views" but he began as and remained a magician, performing sleight of hand and "chemical and physical experiments" in his shows. Born Joseph Tschernoth in Ljubljana he studied Physics in Graz and began his stage career in 1842. His dissolving views were favourably compared to D繹bler's and his skill in magic was said to rival that of both D繹bler and Bosco. There is also new information here on D繹bler and his Oxyhydrogen microscope and on the career of another rival Carl Schuh.
A History of Intimacy Professionals in Entertainment
A History of Intimacy Professionals in Entertainment is the first book that explores the evolution of intimacy coordinators, choreographers and directors in the performing arts, highlighting the history of their critical role in fostering safe(r) and respectful environments on set and in theaters.Readers will gain a deep understanding of the history and importance of intimacy work in the entertainment industry, as told by an insider, along with insights into the creation of best practices and protocols and the emergence of training organizations. Focused primarily on the USA, part one dives into the cultural events that impacted and galvanized the role of intimacy professionals, like TIME'S UP, #MeToo, Black Lives Matter and the Covid-19 pandemic. It also looks at how unions and the press responded to and affected the movement, as well as other communities that influenced the creation of protocols. Part two consists of interviews with global thought leaders, analysis and resources. A love letter to the intimacy industry, A History of Intimacy Professionals in Entertainment is meant for producers, directors, actors, educators, students in performing arts programs and anyone who advocates for safer practices in entertainment. Intimacy professionals will also greatly benefit from having the knowledge of how we got here recorded.
Costumers at Work
Costumers at Work: The Collaborative Creativity, Emotional Labour, and Technical Skill of Costume Creation explores the various forms of work carried out in the costume workshop by the myriads of skilled professionals who transform ideas and sketches into the wearable costumes seen on stage.Costume work, as collective, collaborative, and material labour produced by a predominantly female workforce, has been long overlooked by the performance industry and those who study it. This book exposes the inherent tensions between theatre's strict hierarchies and collaborative ideology and how these inform the structures negotiated day to day by costumers as they carry out their work. Through close attention to their work, the book establishes costumers' work as collaborative and complex, a creative and emotional labour that contributes to enhanced storytelling, actor performance, and audience experience. Using extensive ethnographic observation conducted over 14 months at three professional theatre costume workshops around Australia, combined with extant interviews and research from across the globe, Costumers at Work provides explicit theories and guidance about the behaviours, skills, and communication modes that make costume collaboration more effective and enjoyable.This book is written for costume researchers, practitioners, and students of theatrical costume design and construction, along with theatre scholars broadly.
Communication for Effective Stage Management
Communication for Effective Stage Management: A Collaborative Production Tool provides a comprehensive examination of communication theory through the lens of effective stage management and offers ideas and methods for stage managers to enhance their communicative presence throughout a theatrical process.This book offers new, extensive in-depth discussion of communication techniques and how these methods apply to the role of the theatrical stage manager as the facilitator of information. Part I dives into the methods and principles of business communication employed by stage managers and discusses how these techniques are best implemented throughout a theatrical process, all supported with real-life examples. It also offers discussion questions and resources to enhance the content and encourages the reader to self-analyze their own communication techniques during the production process. Part II contains excerpts from other industry professionals who offer their own unique perspective as to the collaborative and communicative work of stage managers and how their own artistic careers are impacted by the communication systems of a stage management team.This book is best suited for advanced stage management students, professional theatre practitioners, and theatrical educators.
Between the Layers
The Spiderwoman Theatre, the longest-running Indigenous theatre company in North America has heralded the revolutionary methodology of Storyweaving for generations of Indigenous artists. Storyweaving is a distinct methodology that governs the dramaturgical structure and performed transmission of the company's plays on the contemporary stage. The practice of Storyweaving predates written history. It has been (and remains) specific to tribal storytellers across the continent. The reclamation, then, of this aesthetic legacy by contemporary Indigenous storytellers is a crucial act of recovery. Jill Carter, an Anishinaabe-Ashkenazi theatre-worker and scholar, examines the process and development of Storyweaving. She studies how Storyweaving imagines and architects a functional framework that is being adopted and adapted by artists from myriad nations to create works (on the page and stage) that facilitate the healing, transformation, and survivance of their communities. Between the Layers pays respects to the teachers and visionaries that moulded this practice and encourages future generations to continue its legacy, while making a much-needed contribution to the study of Indigenous theatre and performance.In its painstaking documentation of the Storyweaving artform, Between the Layers refuses the devaluation, erasure, and suppression of Indigenous culture, while contributing to the dissemination and celebration of Indigenous Knowledge Systems.
Dealer’s Choice
Play the man, not the cards. Sunday night. Stephen hosts a weekly poker game in the basement of his failing London restaurant. All the usual suspects are there; the chef, the waiters, the errant son . . . but tonight a stranger has come to play. Patrick Marber's acclaimed 1995 debut won the Evening Standard Award (Best Comedy) and the Writers' Guild of Great Britain Award (Best West End Play). Dealer's Choice has since been performed in more than fifty cities across the world. This updated edition with a new introduction by Patrick Marber was published to coincide with the 30th anniversary production at the Donmar Warehouse in April 2025.
The Pedagogic and the Performative in Indian Theatre
This book foregrounds the realm of Contemporary Indian Feminist Theatre in order to explore the inter-relationships between feminist theatrical theory, practice and its historical antecedents. The study focuses on the performance processes, training methods and pedagogical vocabulary used by four Indian women directors: Anamika Haksar, Anuradha Kapur, Kirti Jain and Tripurari Sharma. The book interprets the feminist emphasis on process as extended into actor training and rehearsal dynamics, investigating its innovations as well as limitations, while examining how successful these director-pedagogues were in bringing gendered and radical feminist sensibilities to their work in classroom spaces.
Stupid Tv, Be More Funny
This comprehensive account of the meteoric rise of The Simpsons combines incisive pop culture criticism and interviews with the show's creative team that take readers inside the making of an American phenomenon during its most influential decade, the 1990s. "The best Simpsons book ever."―Alan Sepinwall​, Rolling Stone's chief television critic and author of The Soprano Sessions and TV (The Book) The Simpsons is an American institution. But its status as an occasionally sharp yet ultimately safe sitcom that's still going after 33 years on the air undercuts its revolutionary origins. The early years of the animated series didn't just impact Hollywood, they changed popular culture. It was a show that altered the way we talked around the watercooler, in school hallways, and on the campaign trail, by bridging generations with its comedic sensibility and prescient cultural commentary. In Stupid TV, Be More Funny, writer Alan Siegel reveals how the first decade of the show laid the groundwork for the series' true influence. He explores how the show's rise from 1990 to 1998 intertwined with the supposedly ascendent post-Cold War America, turning Fox into the juggernaut we know today, simultaneously shaking its head at America's culture wars while finding itself in the middle of them. By packing the book with anecdotes from icons like Conan O'Brien and Yeardley Smith, Siegel alaso provides readers with an unparalleled look inside the making of the show. Through interviews with the show's legendary staff and whip-smart analysis, Siegel charts how The Simpsons developed its singular sensibility throughout the '90s, one that was at once groundbreakingly subversive for a primetime cartoon and shocking wholesome. The result is a definitive history of The Simpsons' most essential decade.
The Builders of Chinese Drama
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights. It also offers insights into the features of Chinese stage design and the most prominent theatres in China, highlighting their role in the development of Chinese drama. Additionally, it provides a detailed description of Chinese audiences and their interactions with theatres. Furthermore, it provides a comprehensive overview of the major debates and discussions within the critical community surrounding Chinese drama.
A Theatre of Powerlessness
Over the course of Edit Kaldor's Inventory of Powerlessness, developed and performed in four European cities (Amsterdam, Berlin, Poznan, Prague) between 2013-16, a range of situations, states and feelings - from quotidian frustrations to extremes of affliction, disadvantage and oppression - were brought into the collective setting of the theatre as spoken testimony. Meanwhile, a cumulative and archivable database or 'inventory' of powerlessness and its contemporary intersections was projected on stage, generated live by the participants at each performance. Thus, individual accounts of powerlessness were placed in relation to others, as acts of living knowledge and as claim upon the shared articulation that theatrical working together can foster. This book, departing from but not confined to the example of Inventory, explores contemporary ways of making and performing that bring marginalised knowledges into appearance and action. The book is not only for students of theatre, performance and art, but for anyone looking to develop ways of processing their experiences of affliction, injustice and violence in a collective setting. The book begins with an in-depth account of the Inventory of Powerlessness theatre project. Analysis of its production processes and dramaturgical strategies is set alongside the voices of several of the participants as well as other collaborators and people associated with the project, focusing on the 'acts of knowledge' that are performed as connections are made and shared - in the contingency of live performance - between diverse life-affecting experiences. A section of commissioned essays explores the knowledge-generating potential of the contemporary stage through the same optic of powerlessness and marginalised experience worked through an international range of examples.
The Post-Zombie
The living dead have come a long way from the shambling corpses depicted by George A. Romero. While traditional zombie monsters continue to flourish--thanks in part to the ongoing popularity of The Walking Dead universe--the global community now features reanimated zombies, resurrected zombies, protagonist zombies, robotic zombies, romantic zombies, fake zombies, zombie-adjacent monsters, and post-zombie zombies. This collection of scholarly essays considers recent and contemporary examples of zombies in fiction, literature, popular culture, and politics from around the world and makes the case that, because of the evolution of the undead, the zombie remains an important allegorical feature of horror fiction, satire, and ideological perspectives.
The Adventures of Teddy and The Order of The Bear
Step into a world of magic, imagination, and heartfelt adventure in The Adventure of Teddy and The Order of The Bear. Written by acclaimed author and theatrical director Tullio Barrecchia, this beautifully crafted children's story is more than just a tale-it's a journey of courage, kindness, and self-discovery.Join Teddy, a lovable young bear with a heart full of wonder, as he embarks on an extraordinary quest guided by Bee and the wise voices of The Order of the Bear. Along the way, Teddy learns about bravery, friendship, alchemy, and the incredible power of believing in oneself. Blending Arthurian legend with playful storytelling and interactive coloring elements, this unique book invites young readers not only to enjoy the story but to become a part of it, one crayon stroke at a time.Perfect for children aged 5 to 10, this book is ideal for shared family reading, classroom inspiration, or imaginative solo exploration. With rich themes of empathy, creativity, and environmental awareness, The Adventure of Teddy and The Order of The Bear is a timeless tale that will spark young hearts and minds-encouraging every child to become their own kind of hero.
The Adventures of Teddy and The Order of The Bear
Step into a world of magic, imagination, and heartfelt adventure in The Adventure of Teddy and The Order of The Bear. Written by acclaimed author and theatrical director Tullio Barrecchia, this beautifully crafted children's story is more than just a tale, it's a journey of courage, kindness, and self-discovery.Join Teddy, a lovable young bear with a heart full of wonder, as he embarks on an extraordinary quest guided by Bee and the wise voices of The Order of the Bear. Along the way, Teddy learns about bravery, friendship, alchemy, and the incredible power of believing in oneself. Blending Arthurian legend with playful storytelling and interactive coloring elements, this unique book invites young readers not only to enjoy the story but to become a part of it. One crayon stroke at a time.Perfect for children aged 5 to 10, this book is ideal for shared family reading, classroom inspiration, or imaginative solo exploration. With rich themes of empathy, creativity, and environmental awareness, The Adventure of Teddy and The Order of The Bear is a timeless tale that will spark young hearts and minds-encouraging every child to become their own kind of hero.
A Viewing Guide to the Pandemic
"I have had a headache all day. I am afraid of what will happen next."A Viewing Guide to the Pandemic is a film book like no other. It opens with the author's first-hand account of the Covid-19 pandemic and life in lockdown. His sense of dread, and anxiety about his state of health, were experiences shared with millions of others across the world. For author Richard Scheib, already committed to writing a book about plagues and pandemics in popular culture, Covid-19 felt like a perverse twist of fate. Media depictions of deadly contagions had, to this point, been speculative and often off the mark; his book takes an in-depth look at what filmmakers imagined would happen and contrasts it with the reality. International in scope, A Viewing Guide to the Pandemic examines films in a wide variety of genres, from the silent era to the present day. Black Death, Ebola, Mad Cow Disease, Bird Flu -- it explores fictionalized accounts of plague and pestilence such as box-office hit Outbreak (1995), as well as documentary treatments of real-life incidents. Whether the threats depicted have a basis in reality -- the biowarfare of the Cold War era, for instance -- or are, like zombies and vampires, more fantastical, Scheib demonstrates how the fear of contagion has provided a wealth of inspiration for the big and small screen.
Identity, Culture, and the Science Performance Volume 2
Volume 2 of Identity, Culture, and the Science Performance investigates performances that illuminate the hidden recesses and inscrutable mysteries of the natural and human-made worlds. While the first volume of this series prioritizes public, outward-facing, and activist work at the intersections of art and science, this volume considers performances of localized, concealed, inexplicable, or intimate phenomena, from the closed-door procedures of biomedical trials to the impacts of climate change. Interdisciplinary science dialogues have long been shaped by the cultures and identity communities in which they arise and circulate. The essays, interviews, and creative works included here not only expose the historical and contemporary harms created by exclusive and prejudicial processes in art and science, they also contemplate how a diverse, inclusive body of science performers might help deepen how we "see" the unseen forces of our universe, contribute to novel scientific understandings, and disrupt disciplinary hierarchies long dominated by white men of privilege. This collection expands upon extant scholarship on theatre and science by foregrounding identity as a crucial thematic and representational element within past and present performances of science. Featuring interviews with science-integrative artists such as Lauren Gundersen (The Half-Life of Marie Curie) and Kim TallBear (Native American DNA) as well as creative works by playwrights Chantal Bilodeau and Claudia Barnett, among others, Identity, Culture, and the Science Performance, Volume 2: From the Curious to the Quantum proposes shifts in perspective and procedure necessary to establish and maintain sustainable cultures of science and art.
The Sense-Ability Ensemble’s Guide to Creating Theatre for Audiences that are Neurodiverse
The Sense-Ability Ensemble's Guide to Creating Theatre for Audiences that are Neurodiverse is a practical handbook that explores how to create theatre for audiences that are neurodiverse.This book explores the journey of the Sense-Ability Ensemble in its quest to create theatre from the ground up for audiences that are neurodiverse. It demonstrates how to embark on this work, and how to move from a sensory-friendly model that adapts work to make it inclusive to a model that designs work with this specific audience in mind.This is accomplished through highlighting recommended practices, such as using live music, puppetry, and one-on-one audience member/actor interaction, exploring design considerations, sensory engagement, length, actor/staff training, non-linear storytelling, and the use of social narratives, as well as partnering with special education and occupational therapy professionals. It also offers practical suggestions for touring this theatre model, providing sample forms and methods of communication.Part case study, part how-to guide, this book will be of interest to theatre educators, practitioners, and students enrolled in courses on children's theatre, devising, applied theatre, theatre for young audiences, and drama in education.
