Local
The Boffs were outsiders, not local like, even though we were born there. I was only really a Boff by association. Solo-storyteller Liz revisits her childhood memories and home in the North in an attempt to understand whether she still belongs there, or ever did. In this multigenerational piece, Liz takes the audience on a journey through the rural landscape and environment of her home, reconnecting with voices from the past and her young family now. In doing so, she unearths some painful home truths. By the end, Liz and the audience discover a shared reality that she hadn't set out to find. Local will have audiences laughing and crying simultaneously, it will feel familiar but unsettling. Visuals and sound help encompass Liz's world in the early 90s. This edition of Local was published to coincide with the production at Rosehill Theatre, Cumbria and subsequent UK tour in May-June 2025.
Last Ditch and Land of my Fathers
On Last Ditch: This beautiful, dark, urgent and driven play explores and pushes the boundaries of both language and stagecraft. Its rage against unchallenged authority and uncontested privilege is genuine and necessary, as are, thankfully, its insistence on the primacy and salvation of love and respect. - Niall GriffithsDavid Ian Rabey's plays fairly zip along, dancing between myth and modernity, laced with high ideals, fine poetry and pitch-dark jokes. Watching them on the stage, I was moved, amused, and horrified in equal measure. - Mike ParkerRabey's theatre is not a stage but a space, bare and uncompromised. He peoples it with figures 'on edge', in what feels like a dystopian future but very soon becomes visible as our Now, exposed. - David Rudkin The mysterious music of the writing [is] arresting and enthralling, an imaginative tour de force that addresses our own dangerous times and all the times to come. - Patricia Duncker
San Francisco Theatre Research
San Francisco Theatre Research, Volume 1, offers a glimpse into the vibrant theatrical scene of 19th-century San Francisco. This volume, edited by Lawrence Estavan, features monographs on two significant figures: Stephen C. Massett, a singer, writer, and showman, and Joseph A. Rowe, a pioneer circus manager. Explore the lives and careers of these influential personalities who shaped the entertainment landscape of early San Francisco. Discover Massett's contributions as a performer and writer, and delve into Rowe's pioneering efforts in circus management. This meticulously researched work provides valuable insights into the cultural history of San Francisco and the evolution of American entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Play Pictorial
Step back in time with "The Play Pictorial, Volume 9," a fascinating glimpse into the vibrant world of Edwardian theater. This meticulously preserved volume offers a unique window into the popular plays and stage productions of the early 20th century. Featuring stunning photographs and insightful commentary, "The Play Pictorial" captures the essence of theatrical performances that captivated audiences. This volume is a treasure trove for theater enthusiasts, historians, and anyone interested in the cultural landscape of a bygone era. Discover the artistry, drama, and spectacle that defined British theater at the turn of the century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Embracing Disruption
This volume celebrates the centrality of clowning in Shakespeare's conception of theatre and explores how he purposefully invited the clown's anarchic energy into the heart of his dramaturgy.Clowning was a potent but divisive force in the theater of Shakespeare's time, challenging the emerging tyranny of decorum and the developing notion of the authorial voice. As such, the figure of the clown is key to understanding the pervasive tension between existing and emergent forms of Elizabethan theater, and unlocks forgotten levels of meaning in Shakespeare's plays, meanings that were only fully experienced in performance rather than on the page. The great clown Dick Tarleton dominated the London theater of the 1580s and deeply informed Shakespeare's understanding of the anarchic power of performance. By the 1590s, however, the clown's voice was increasingly silenced by emerging theater practice intent on authorial control and Elizabethan codes of decorum. Against the dominant critical tide, Shakespeare continued to embrace clowning and worked closely with Will Kemp - Tarleton's successor as the greatest clown of his age - specifically and deliberately placing him alongside his leading man, Richard Burbage, the originator of the roles of Romeo, Hal, Hamlet and many others. Through an analysis of key scenes in Romeo and Juliet and Henry IV, Embracing Disruption illustrates the enormously generative, unstable, and compelling relationship between these two actors, Burbage and Kemp - the hero and the clown - and how their extraordinary dynamic was experienced on the stage rather than on the page. This hero-clown dynamic continues even after Kemp's departure from Shakespeare's company: Hamlet features the ghosts of Tarleton and Kemp, two clowns deeply informing Burbage's performance as the hero. Then a similar dynamic emerges between Kemp's replacement, a very different clown in Robert Armin playing the Fool opposite Burbage in King Lear. In each instance, the presence of the clown crucially informs the audience's understanding of the hero. Moreover, Shakespeare's increasingly sophisticated deployment of clowning comments on and resists the transformation and gentrification of the theater that defined the Elizabethan era.This study will be of great interest to students and scholars in Performance studies and Shakespeare studies.
H to He (I'm Turning Into a Man) and See Primark and Die (Buy Little Buy Less Buy Nothing at All)
In June 2025 Claire Dowie returned to the Finborough Theatre where she started her career as a stand-up comedian, playwright and performer more than forty years ago. Her Swansong featured four plays from four decades.This dual-edition was published to coincide with her 2025 return to the Finborough Theatre, and contains two of the four plays. The other two are also published by Methuen Drama in Why Is John Lennon Wearing aSkirt?: and Other Stand-up Theatre Plays.H to He (I'm turning into a man) is inspired by Kafka's Metamorphosis and tells the story of a woman discovering she's turning into a man. Claire Dowie offers a shocking exploration of gender, sexuality and ageing.See Primark and Dieconcerns a sudden inability to shop. Is this a reaction to capitalism or a desire to live like Aunt Alice digging for victory with her companion Elizabeth?Claire Dowie has won numerous awards for her writing and performances including a 1988 Time Out Theatre Award, a 1991 London Fringe Award and awards for H toHe (I'm turning into a man) from Thespis in Germany and MonoAKT in Kosovo.
Inter-Asia in Motion
This book explores dance and choreography as sites for the articulation of new theoretical and historical paradigms in inter-Asia cultural studies. It covers a range of dance works, artists, genres, and media, from Kathak to K-pop flash mob dance, Cold War diplomacy to avant-garde dance collaborations, and festival dance to dance on screen.
An Epistemology of Criminological Cinema
Standing at the intersection of criminology and philosophy, this book demonstrates the ways in which mythic movies and television series can provide understanding of actual crimes and social harms.
Reimagining Masculinity and Violence in `Game of Thrones` and `a Song of Ice and Fire`
In this examination of violence and masculinity in George R. R. Martin's fantasy series A Song of Ice and Fire and its television adaptation Game of Thrones, Tobi Evans offers a queer reading that revises the idea that the texts glorify violence. Moving from monstrous men characters and sovereigns to female, disabled, and genderqueer masculinities, Violent Fantasies understands the novels and television series to offer a complex and ambiguous negotiation of different types of violence. Deploying queer feminist poststructuralist and psychoanalytic approaches to the acts of violence that masculine characters use, Evans views hegemonic violence as part of a destructive cycle wherein characters use violence to dominate others but have their violence turned against them in such a way that their bodies become disgusting and they are unable to enter into systems of patriarchal reproduction. The only characters who succeed in proliferating their values and knowledges are those who use violence to care for others. These characters are also threatened with a bodily undoing when they use violence, but their bodily borders are secured because of their connections to others and their queer kinship bonds. Violence transforms the body, Evans argues, in ways that are both circular and ideologically ambivalent.
An Idea for a Theatre Ecology
An Idea for a Theatre Ecology is the first book in the discipline of Theatre and Performance Studies to provide a rigorous and coherent theory of the ecology that is immanent to the theatrical medium. Over six clearly written chapters, the book provides a genealogy, outlines a method, provides a lexicon and demonstrates an alternative practice of ecoperformance analysis grounded in the figure of the archipelago. Focusing on Antonin Artaud's theatre of cruelty, the book argues that theatre has no need to provide ecological messages nor to transform itself into a platform for the narration of ecological stories. Instead, more is to be gained, environmentally and politically, by concentrating on the power of images, gestures and voices to create corporeal affects and sensations that implicate the spectators in a terrestrial event.
Karma Grinders
An ambitious young psychopath whose ambitious life plans have been derailed creates a torture cult and lures in the people responsible by drugging them with a mind control psychedelic to get revenge and to try to get her old life back.
Theatre and the Threshold of Death
On the eve of a global pandemic, Kathleen Gough, a theatre professor, becomes immersed in the lives of five artist-mystics, each of whom is a pioneer in her field: Hildegard of Bingen (1098-1179), the first known musical composer; Eleanora Duse (1858-1924), the first modern actor in the Western world; Simone Weil (1909-1943), philosopher, activist, and mystic, whom Albert Camus called "the only great spirit of our time"; Marina Abramovic (b. 1946), "the grandmother of performance art"; and Hilma af Klint (1862-1944), the first known (and belatedly acknowledged) abstract painter. Each time Gough crosses a threshold into their world, she is compelled to attend courses, seminars and workshops that are simultaneously about dying and healing.Curious to learn more about the relationships between art practice, dying, and healing, Gough imagines the five artists as wisdom teachers in a mystery school. In a series of eight lectures, she turns to performance theory to provide a framework for engaging with the unknown world. In Theatre and the Threshold of Death, Gough makes a persuasive argument for the world-making power of relational thinking in our increasingly polarized age.
Dramatic Reader for Lower Grades
Unlock the world of imagination and creativity with "Dramatic Reader for Lower Grades," a timeless treasure now republished by Alpha Editions! This captivating collection, long out of print, has been meticulously restored to inspire today s and future generations of young readers. Dive into engaging stories that not only entertain but also serve as essential educational reading materials for lower grades. Each piece encourages interactive reading activities, making it a perfect tool for parents and educators alike. With a focus on drama in education, this book promotes performative reading techniques that enhance reading comprehension for beginners and foster literacy development for children. What sets this edition apart is its unique literary and historical significance. As a collector s item, it offers a glimpse into the rich tapestry of children s literature, celebrating the art of storytelling that has shaped young minds for generations. Whether you are a casual reader seeking fun reading exercises or a collector of classic literature, "Dramatic Reader for Lower Grades" is a must-have addition to your library. Embrace the joy of reading and let your child embark on an unforgettable journey through the power of words! Don t miss out on this cultural gem order your copy today!
Connecticut Wide-Awake Songster
Awaken your spirit with the "Connecticut Wide-Awake Songster," a vibrant collection of 19th-century American folk songs that celebrates the rich musical heritage of Connecticut. This beloved anthology, long out of print, has been meticulously restored by Alpha Editions for today s and future generations, making it not just a reprint, but a true cultural treasure and collector s item. Dive into a world where traditional songs echo the voices of the past, capturing the essence of regional folk traditions and the heart of American cultural heritage. Each page invites you to explore the lyrical beauty and melodies that have shaped gatherings, celebrations, and community life. This book is more than just a historical songbook; it serves as an educational resource for music lovers and a nostalgic journey for casual readers seeking to connect with the roots of American music. Whether you re a classic literature collector or simply looking to enrich your musical repertoire, the "Connecticut Wide-Awake Songster" is an essential addition to your library. Rediscover the joy of singing together and the timeless charm of folk music with this unique anthology that resonates with the spirit of connection and celebration. Don t miss your chance to own this captivating piece of American music history!
Streaming Horrors
Audiovisual content has transformed significantly with technological advancements and the rise of new media. In addition to revitalizing older works by making them accessible to a broader audience, streaming platforms also create exclusive original content designed specifically for online consumption. This is especially evident in horror films and television; new methods of narration and storytelling have enhanced the genre, and streaming has made it more widely available than before. This collection of essays examines audiovisual horror's adaptation to the features and audience of the digital era. The essays focus on the various effects of new media in the audiovisual landscape with regard to institutions, audiences, and content. The horror genre has undergone a rapid evolution and re-invention as technology has shaped both the narratives and the ways in which consumers interact with on-screen content.
Broadway Nation
A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical. At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business", particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture. Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked. Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.
The Theatre of Kander and Ebb
Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way.Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde, Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics challenges the desire of a Broadway audience for escapist entertainment, devoid of critical self-reflection, in order to create complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.
Farewell American Tour, Sarah Bernhardt, Season 1905-1906
A rare souvenir from Sarah Bernhardt's 1905-1906 American tour, offering a glimpse into the celebrated actress's performances and public image at the height of her international fame. This program provides a unique window into the cultural landscape of early 20th-century America, showcasing Bernhardt's enduring appeal to audiences across the United States. Featuring stunning visuals and insightful commentary (if available in the original text), this souvenir captures the essence of Bernhardt's theatrical prowess and her profound influence on the world of performing arts. A must-have for collectors of theatrical memorabilia and anyone interested in the history of theater, the life of Sarah Bernhardt, or the cultural exchanges between Europe and America during the Edwardian era.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Farewell American Tour, Sarah Bernhardt, Season 1905-1906
A rare souvenir from Sarah Bernhardt's 1905-1906 American tour, offering a glimpse into the celebrated actress's performances and public image at the height of her international fame. This program provides a unique window into the cultural landscape of early 20th-century America, showcasing Bernhardt's enduring appeal to audiences across the United States. Featuring stunning visuals and insightful commentary (if available in the original text), this souvenir captures the essence of Bernhardt's theatrical prowess and her profound influence on the world of performing arts. A must-have for collectors of theatrical memorabilia and anyone interested in the history of theater, the life of Sarah Bernhardt, or the cultural exchanges between Europe and America during the Edwardian era.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Constant Wife
I can't help it if you were careless with your cigarette case. I was extremely careful with your heart Constance has everything. A loving family, a beautiful home, a fulfilling career, and a husband as devoted to her as he is to his mistress. When her perfect set up is threatened, Constance fights back but refuses to play by the rules. Can she withstand society's expectations? And can society withstand the force of a woman determined to do things her own way? Laura Wade (Posh, Rivals) reunites with RSC Co-Artistic Director Tamara Harvey (Pericles) after their Olivier Award-winning collaboration, Home, I'm Darling, to reimagine Somerset Maugham's subversive comedy, The Constant Wife, in a sparkling new version. This edition was published to coincide with the RSC production at the Swan Theatre, Stratford-upon-Avon, in June 2025.
Press
"That's a powerful message! Theywon't want to see that.""It isn't, at all, and that's exactlywhy they're gonna love it."It's the big day. The announcement is in a few hours' time, and film producers David and Kate anticipate their prestigious Civil War epic Catch Me Some Freedom will be nominated for plenty of Goldies. Until, however, they learn that the film's heroic lead role, played by a white actor, was in real life actually Black.Fearing an intense and career-jeopardizing backlash, David and Kate frantically try to avoid public scrutiny, and keep the film from getting any attention whatsoever.This edition of Press- one of Black Bat Productions' most acclaimed plays, and now a signature piece for playwright Nathaniel Brimmer-Beller - was published to coincide with the production at the Jack Studio Theatre in June 2025.
54.60 Africa
London June 2025.The fate of Africa rests solely on the zeal and chivalry of eleven adventurous friends. Their ancestral 'mother' gives them seven days to prove to the rest of the world that their fabulous continent is worth celebrating and not burying. Their journeys traverse fifty-four countries, countless boundaries, and endless risks. Lives, history and destinies are rewritten forever.54.60 Africa is an exhilarating, cross-cultural pan-African encounter inspired by the travels of its author who accomplished visiting every one of Africa's then fifty-four nations, before his sixtieth birthday.This edition of 54.60 Africawas published to coincide with the production by the Arcola Theatre, in association with the Elufowoju jr Ensemble, in June 2025.
Michael John LaChiusa
Discover five time Tony Award-nominee Michael John LaChiusa, one of the most significant revolutionaries working in American musical theatre, known for his innovative and daring approach to challenging the boundaries of contemporary theatre. Michael John LaChiusa: A Critical Companion is the first study that incorporates a diverse array of theoretical lenses on the work of the celebrated American composer, dramatist and lyricist. It also poses the question of how his varied theatrical techniques anticipated the resurgence in popularity in musical theatre in the past ten years. Presented through thematic chapters, this work focuses on seven of LaChiusa's musicals (Marie Christine, First Lady Suite, First Daughter Suite, Giant, Hello Again, See What I Wanna See, and The Wild Party), surveying his oeuvre Off-Broadway, on Broadway and beyond from 1994 to 2014. Ideal for students of musical theatre looking for accessible contemporary analysis, this critical companion offers close readings and textual analysis of LaChiusa's work and original productions whilst effectively arguing for his contribution to "The New Musical Drama" that served as a foundation for some of the most successful musicals of recent years. Published in Methuen Drama's Musical Theatre Critical Companion series this book combines traditional essays with primary research and practitioner interviews that together offer the reader a fresh and accessible look at key moments of musical theatre as a form.
Traces of Dialogue
This book offers a captivating exploration of the evolving dynamics of language, dialogue and identity in modern theatre, highlighting the pioneering contributions of European playwrights Martin Crimp, Jon Fosse, Sarah Kane, Elfriede Jelinek and Roland Schimmelpfennig. The study reveals the complex interplay between written text and theatrical performance, upending traditional perceptions of language and personal identity. It demonstrates how the work of these writers serves as a catalyst for actors, directors and designers, and encourages a deep-dive into their creative processes by interrogating their boundary-pushing works. Covering the pivotal era of the 1990s and 2000s, the book considers the emergence of postdramatic theatre - in particular, the transition from conventional storylines and characters to avant-garde forms and narratives. It considers the role of language in crafting character identities and examines how contemporary textual approaches mirror and scrutinise the philosophical and aesthetic discussions of the late modern era. Ultimately, this book navigates the intricacies of modern dramaturgy and lauds the transformative potential of theatre to captivate and innovate, challenging a wide readership to re-evaluate the significance of dialogue and identity in contemporary theatre.
A Beginner's Guide to Directing Theatre
An accessible guide to the theatre directing process of text-based theatre, from the choice of the play through to an encounter with an audience.Moving from how to choose a play to the opening night, A Beginner's Guide to Directing Theatretakes the reader, via a step-by-step approach, through various techniques, practitioners, methodologies and exercises that could be applied to text-based theatre.Through doing so, the reader comes to understand: - The differences between directing (the approach) and the director (the role), how that crosses over and ways to navigate this- A range of practices, methodologies and techniques for the differing and diverse styles, genres, playwrights and movements. i.e. the 'what' of directing- How to create inclusive, safe and diverse practices of casting and rehearsal methodsBy not providing one single methodology, but introducing readers to various methods, the author garners an understanding of how different plays, genres, styles and movements require their own approaches to reach opening night.Whilst not concentrating on devised or non-text based theatre, the book makes explicit how devising, experiential and improvisatory techniques can be embraced to inform the types of methodologies a director may embrace whilst approaching text-based work.From here, readers will be able to know which practitioners and directing methodologies they may wish to employ and will understand where to head next.
Transgressing Later Life Sexualities in British Sitcoms
Based on close readings of three major sitcoms, this book unpacks how sitcoms understand later life sexualities and focusses on how they represent sexually active older adults. Focusing on three representative sitcoms - Waiting for God, The Old Guys and Vicious - it demonstrates the ways in which sitcoms specifically enable and restrict representations of later life sexualities. Tracing how transgressive portrayals of sexually active older adults are couched in comedic terms, it opens up new critical perspectives on later life sexualities that will critically inform public debates and academic research - in Britain and beyond.
Postdigital Performances of Care
Covid-19 has been described as a 'digital pandemic'. But who might the characterisation of the pandemic as 'digital' leave behind? This timely book reconsiders the pandemic as 'postdigital', examining tensions between a growing postdigital attitude of disenchantment with digital technologies and the increasing reliance on adapted modes of online practice mid-lockdown in both performance-making and healthcare. What emerged amidst the pandemic restrictions was a theatre that was unable to show its face, instead adapting into a variety of 'covid-safe' remote forms of engagement, from 'Zoom plays' to self-generating experiences sent by post. This book explores the ways that both performances and healthcare practices found proxies for direct touch and face-to-face encounters, deconstructing the way that care and resilience were spectacularized by political actors online. Liam Jarvis and Karen Savage explore aspects of care in relation to technology, spectacle and facilitation, and how new modes of delivery and the repurposing of theatre spaces that were displaced amidst the mass migration online have been enabling as well as controversial. The variety of case studies assessed includes internet memes, online films, performances of everyday resilience through social media and participatory theatre productions, including Thaddeus Phillips' Zoom Motel, Coney's Telephone and Nightcap's Handle with Care.
Broadway Nation
A groundbreaking exploration that reveals the powerful impact of marginalized groups on the evolution of the Broadway Musical. At the turn of the 20th century, immigrants, Jews, Queers, and African Americans faced exclusion from mainstream American society, with limited employment opportunities. They found their calling in the emerging field of "Show Business", particularly the burgeoning Broadway Musical. Their pioneering spirit not only seized this opportunity but also continued to shape and dominate the Broadway Musical for over a century, creating an art form that has deeply influenced American culture. Throughout its history, the Broadway Musical has subtly and at times boldly championed human rights and liberal values, reflecting its creators' and performers' diverse backgrounds. Unlike previous works on musical theatre history, this book weaves these diverse threads into a comprehensive narrative, repositioning Black, Queer, and Women artists at the heart of the story, acknowledging their long-standing contributions often overlooked. Broadway Nation is a valuable resource for both students and anyone seeking a deeper understanding of this beloved American art form. Readers will gain profound insights into the history and transformation of the Broadway Musical over a span of more than a century. Additionally, the book celebrates the remarkable artistry and craftsmanship of key figures, from George M. Cohan to Lin Manuel-Miranda, who have left an indelible mark on this extraordinary cultural phenomenon.
Theatre Magazine
Theatre Magazine, 14 offers a fascinating glimpse into the world of early 20th-century theater. This issue, part of a larger series, captures the vibrant and evolving landscape of dramatic arts during a pivotal period. While authored anonymously, the magazine provides invaluable insights into the plays, players, and theatrical trends of its time. Readers will discover a rich tapestry of reviews, interviews, and features, shedding light on both popular productions and emerging talents. The magazine serves as a historical document, preserving the energy and creativity of a bygone era for contemporary audiences. A must-read for theater enthusiasts, historians, and anyone interested in the cultural heritage of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Burgomaster
"The Burgomaster: An Original Musical Comedy in a Prologue and two Acts" is a delightful theatrical work by Gustav Luders and Frank Pixley. This early 20th-century musical comedy promises an evening of lighthearted entertainment, blending catchy tunes with a whimsical narrative. Luders's score, known for its charm and vivacity, perfectly complements Pixley's witty libretto, creating a seamless and engaging experience for audiences. Rediscover the magic of classic musical theatre with "The Burgomaster," a testament to the enduring appeal of well-crafted stage productions. A perfect addition to any theatrical collection, offering a glimpse into the vibrant world of early American musical comedy.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
豌豆豆
豌豆豆是我们的小小绿色英雄，他虽然个头小，心却一点也不小！快来加入他的精彩冒险吧，一起从小不点的视角探索这个大大的世界。在他的好朋友小象鼻虫薇薇的陪伴下，豌豆豆即使在困难的处境中也能传播友谊，并发现日常生活中的神奇与美好。 豌豆豆总是在寻找新朋友和新奇的发现，从高耸入云的花朵到神秘的小动物，他的旅程充满好奇、惊喜和让人忍俊不禁的欢乐时刻，一定会深深吸引小读者们。 这套书非常适合亲子共读，故事充满奇妙与惊喜，大人和孩子都会沉浸在快乐的阅读时光中，一起分享欢笑。
The History of the Boston Theatre, 1854-1901
"The History of the Boston Theatre, 1854-1901" offers a detailed account of one of America's most important theaters during its golden age. This meticulously researched work chronicles the theater's evolution, the notable performances staged, and the influential figures who shaped its legacy. From grand operas to celebrated plays, the book captures the vibrant cultural scene of Boston and the significant role the Boston Theatre played in it. Kilby Tompkins's historical narrative provides valuable insights into the theater's architectural design, management, and its impact on the local community. Theater enthusiasts, historians, and anyone interested in American cultural history will find this a captivating and informative read, preserving the rich heritage of a landmark institution.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The History of the Boston Theatre, 1854-1901
"The History of the Boston Theatre, 1854-1901" offers a detailed account of one of America's most important theaters during its golden age. This meticulously researched work chronicles the theater's evolution, the notable performances staged, and the influential figures who shaped its legacy. From grand operas to celebrated plays, the book captures the vibrant cultural scene of Boston and the significant role the Boston Theatre played in it. Kilby Tompkins's historical narrative provides valuable insights into the theater's architectural design, management, and its impact on the local community. Theater enthusiasts, historians, and anyone interested in American cultural history will find this a captivating and informative read, preserving the rich heritage of a landmark institution.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Some Account of the English Stage
"Some Account of the English Stage, Volume 7" by John Genest offers a detailed chronicle of English theater from the Restoration in 1660 to 1830. This volume provides a comprehensive overview of the plays, playwrights, and performances that defined the era. Genest's meticulous research and engaging narrative style bring to life the vibrant world of the English stage during a period of significant cultural and artistic change. Readers interested in theater history, literary criticism, and the social context of dramatic arts will find this book an invaluable resource. Discover the evolution of dramatic literature and performance in this essential volume.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Seasonal Screams
Although no genre is immune to the holiday-themed concept's adaptability and pulling power, no other has used this narrative quite as effectively as the horror genre. Maybe it's the irony of chaos, bloodshed, and fear during what is traditionally perceived as a joyous event regardless of the celebration in question. 'Seasonal Screams' will take you on a terrifying journey through your favourite seasons, offering a holiday horror movie for any occasion. Whether during Christmas festivities or Valentine's Day plans, you can be sure to find a horror villain within these pages ready to unleash havoc and mayhem when you least expect it. With contributions and interviews from Melissa Anderson, Ellie Cornell, Daniel Stamm, Linnea Quigley, Jeff Lieberman and others, be sure to have this book to hand for viewing inspiration when your next holiday approaches...
Some Account of the English Stage
"Some Account of the English Stage, Volume 7" by John Genest offers a detailed chronicle of English theater from the Restoration in 1660 to 1830. This volume provides a comprehensive overview of the plays, playwrights, and performances that defined the era. Genest's meticulous research and engaging narrative style bring to life the vibrant world of the English stage during a period of significant cultural and artistic change. Readers interested in theater history, literary criticism, and the social context of dramatic arts will find this book an invaluable resource. Discover the evolution of dramatic literature and performance in this essential volume.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Fort Huachuca
In the aftermath of Pearl Harbor, Mayvee, Georgia, Elinor, Marjorie, and Thelma enlist to serve their country and are sent to Fort Huachuca, an army base camp in Arizona. As Black nurses, they're in charge of treating enemy prisoners of war. They quickly learn the rules of the camp: stay segregated from the white soldiers, always treat the white soldiers first, and remember: we're all on the same team, fighting for the same country. Universal and real, this story tackles issues that are still relevant today: racism and sexism. Inspired by the true story of a group of incredible women, an inside look at survival in the army in the 1940s for those who were treated as less-than even when they were fighting for their country.
Inspired Enterprise
Star Trek creator Gene Roddenberry sought to create a work of science fiction that would immerse viewers not only through clever storylines and modern visual effects, but also by presenting the story in a scientific and technological context that felt believable. To this end, Roddenberry, a former WWII combat pilot, used his connections in the aerospace industry to seek out the latest and greatest technology. This book, authored by Glen E. Swanson, former chief historian at the NASA Johnson Space Center, uncovers the story of how NASA, the Smithsonian, and the aerospace industry helped craft, legitimize, and popularize the beloved television show Star Trek. Further context is provided through the discussion of additional factors behind the success of the show, including merchandising and syndication.
Star Wars the Mandalorian and Child 2026 Wall Calendar
Celebrate the year with the Mandalorian and Grogu as they travel a galaxy full of thrilling adventures, snacks, and friends. Includes exclusive new artwork! Based on The Mandalorian and Child by Jeffrey Brown, the New York Times bestselling author of the now-classic Darth Vader and Son series, The Mandalorian and Child 2026 Wall Calendar includes artwork unique and charmingly funny illustrations that will delight Star Wars fans and give them a chance to experience The Mandalorian in a whole new way. (c) & (TM) 2024 Lucasfilm Ltd. 24-page 12 x 12 inch month-by-month calendar Easy to hang at home or over an office desk Monthly dose of Star Wars charm and humor Includes September to December 2025 at-a-glance Printed on FSC-certified paper 100% plastic-free packaging and product A must-have and fun present for Star Wars fans of all ages Perfect for: Fans of the Darth Vader and Son series Star Wars and The Mandalorian fans Busy families
Classic Horror Movies Coloring Book
Lifelong horror fan and the acclaimed artist behind the Classic Horror Oracle deck and Eerie Legends, Ricard Dise簽o delivers beautifully creepy, fun-to-color artwork that captures the spirit, characters, unforgettable scenes, and terrors of more than fifty classic and new-classic horror movies. What color are Freddy's finger blades, the Alien chestburster, Pennywise's toothy smile, the Frankenstein monster's broken heart, The Thing's head with legs, or the Blair Witch's evil woods? It's up to you! This highly unique coloring book features a curated selection of the best, most unforgettable, visually inspiring horror movies from the 1920s to today in dimensional black-and-white illustrations teeming with detail and action, capturing the feel of each film with poster-like impact. Each waiting for your artistic to bring them to life ... or something darker. STUNNING ARTWORK: Ricardo Dise簽o's distinctive, eerie graphic artwork captures the fear and fun of each movie. NEW AND ESTABLISHED HORROR MOVIE CLASSICS: Featuring 54 incredible films, including Alien, An American Werewolf in London, The Babadook, The Birds, The Blair Witch Project, Bride of Frankenstein, Candyman, Carrie, Cat People, Children of the Corn, Creature from the Black Lagoon, Cujo, Dracula, Evil Dead II, The Exorcist, Eyes Without a Face, The Fly, Frankenstein, Friday the 13th, Get Out, Gremlins, Halloween, H瓣xan, Hellraiser, Hereditary, Invasion of the Body Snatchers, Island of Lost Souls, It, It Follows, Jaws, King Kong, Let the Right One In, Midsommar, Night of the Living Dead, A Nightmare on Elm Street, Nosferatu, Pan's Labyrinth, Pearl, Pet Sematary, The Phantom of the Opera, Poltergeist, Psycho, Re-Animator, Ringu, Rosemary's Baby, Scream, Shaun of the Dead, The Shining, Suspiria, The Texas Chainsaw Massacre, They Live, The Thing, The Wicker Man, and The Witch. RELAXATION & INSPIRATION: An adult coloring book like no other, the Classic Horror Movies Coloring Book lets you put pencil or marker to paper to color your favorite films, discover new favorites, or let the pages guide your scary movie viewing. QUALITY ART BOOK: Artwork is printed one-sided on quality uncoated white paper. Pages have 1/4" blank margin at the binding to keep images free from the center and easy to color. Perfect for: Horror and horror movie fans Fans of Shudder, Criterion, TCM, Mondo, Waxworks (Year-round) spooky season activities Coloring fans with a taste for the macabre
Alchemy Alive
In Alchemy Alive: Twelve Screen and Stage Plays, Peter Freeman transforms his acclaimed short stories from Elements: Thirteen Stories into compelling scripts for screen and stage. Organized around the four classical elements-Fire, Air, Earth, and Water-this collection brings twelve vivid narratives to life in dramatic form.Each script captures the emotional depth, social insight, and human complexity of the original stories while adapting them for visual and performative storytelling. From time travel and political intrigue to personal redemption and environmental protest, these plays span genres and settings but share a core commitment to exploring courage, connection, and transformation.FIRETeasing Out Time - Skateboard punks grapple with the paradoxes of time travel.Political Persuasion - A jailed activist must navigate an uneasy alliance with a murderer.That Uncle of Mine - A boy confronts both fear and family dynamics with the help of a giant rat.AIR 4. Hidden Message - A refugee's desperate quest across continents becomes a story of love and hope. 5. Permission - In the #MeToo era, a man searches for redemption for past harm. 6. Biblical Bytes - After abuse by a priest, a boy finds justice inside a divine video game.EARTH 7. Switch - A professor's planned tryst is disrupted by unexpected presence-and conscience. 8. Shelter - Three stranded mountaineers confront hierarchy and survival in a snowbound hut. 9. Decision - A woman confides in her friends after discovering she's unexpectedly pregnant.WATER 10. Surf's Up! - A middle-aged man reflects on life and mortality while waiting for his doctor. 11. Another Lousy Day in Paradise - Virtual reality and nostalgia collide in an unsettling way. 12. Water - Salt Springers unite to fight corporate greed and preserve their island's soul.Written with warmth, insight, and cinematic flair, Alchemy Alive invites readers, actors, and directors alike to explore the universal elements that shape our lives.
The Fifth Step
The point is to divest yourself of shame. Anything that'll make you pick up a drink in the future. It's about getting clean.After many years in the 12-step programme of Alcoholics Anonymous, James agrees to become the sponsor of newcomer Luka.On the journey to sobriety, the pair bond over black coffee, trade stories, and build a fragile friendship out of their shared experiences.On the cusp of Step 5, their conversations must turn to confessionals, with progress hinging on Luka revealing secrets that could lead back to alcohol. But it's clear that James also has dangerous truths in his past, truths that threaten the trust on which both their recoveries depend.David Ireland's The Fifth Step is a provocative, entertaining and subversively funny new play. This revised and updated edition was published to coincide with the @sohoplace production in May 2025, after its premiere at the Edinburgh International Festival.
Autistic Dreaming
The relationship between storytelling, neurodiversity, and memory remains critically overlooked. While scholarship recognizes the presence of neurodiverse thinking in popular folktales, and access to works by autistic people is growing, the opportunity neurodiverse storytelling offers to reshape communication and remembrance is largely neglected. Autistic Dreaming illuminates how the integration of neurodivergent perspectives can expand ideas of polysensory memory and the connection between human and more-than-human memory. Focusing on autistic activists' blogs, memoirs, artworks and films, this study spotlights a neuroqueer method of remembering that reforges links between the present and the past, and the individual and collective.
Parks and Rec
From the New York Times bestselling author of Seinfeldia, the definitive story of the creation and legacy of Parks and Recreation, with exclusive interview content from its cast, crew, and creators, as well as an introduction by Nick Offerman More than fifteen years after Parks and Recreation premiered, it has become a streaming and pop culture staple. It's beloved for its jokes, characters, and expressions--the show even created a now widely observed holiday, Galentine's Day. How did it all happen and how did the show transform from a ratings disappointment into a cult classic? Pop culture historian Jennifer Keishin Armstrong reveals all this and more in the definitive history of the show, which is as full of humor, optimism, and heart as Parks and Recreation itself. Through new and exclusive interviews, as well as deep insight and smart and entertaining pop culture analysis, Armstrong tells the story of how Parks and Recreation came to be: how it grew from The Office's success and Obama-inspired optimism, how producers assembled one of TV's most lovable casts but barely survived a mediocre first season, how the show found its voice by getting more political and more romantic, and how it became a cultural force despite middling ratings during its network run, going on to become a television savior of the Trump era and a modern classic. Lovingly told and deeply researched, Parks and Rec is the ultimate history of the show that taught us what's important in life: friends, waffles, and work.
From Object to Performance
From Object to Performance identifies, analyses, and critically contemplates the advent of a "performance mentality" and the gradual maturation of a "performative turn" in Israeli art.
Performance and the Disney Theme Park Experience
Most scholars and critics deny agency to the tourist in their engagement with the Disney theme park experience. The vast body of research and journalism on the Disney "Imagineers"--the designers and storytellers who construct the park experience--leads to the misconception that these exceptional artists puppeteer every aspect of the guest's experience. This anthology, now in its second edition, re-centers the park experience around its protagonist: the tourist, and addresses the Disney Parks using performance theory, an approach few to no scholars had used prior to the first edition. The authors of the individual essays, as well as the Introduction by Kokai and Robson, and an Afterword by world renowned tourism and performance expert Susan Bennett, recognize the inherently complicated nature of Disney. Many of the contributors consider themselves Disney fans, but also recognize the potentially problematic aspects of Disney parks. This collection permits both perspectives to exist side by side, informing rather than contradicting each other.
Doing Time
A wild and uncensored glimpse behind the curtain into the mad world of life as a touring stand-up comic.Drawing on countless hours of in-depth interviews with some of the most influential and respected comedians to ever grab a mic, Doing Time offers a deep dive into the realm of stand-up comedy as both a career and an art form.Composed by notoriously uncompromising cult comic favorite JT Habersaat and featuring extended conversations with comedy legends such as Patton Oswalt, Dana Gould, Jackie Kashian, Kyle Kinane, Doug Stanhope, Maria Bamford, David Gborie, Todd Glass, Chris Gethard, The Kids In The Hall, Bobcat Goldthwait, Chad Daniels, Neil Hamburger, Vanessa Gonzalez, Brian Posehn, James Adomian, Rory Scovel, Joe Derosa, Jenny Zigrino, and dozens more, Doing Time leaves no stone unturned in this often hilarious, sometimes tragic, and always compelling reveal of what it truly takes to live behind the laugh.
