A Fall from Grace
This is the story of Donatien Alphonse Fran癟ois, Marquis de Sade (2 June 1740 - 2 December 1814) a French aristocrat, revolutionary politician, philosopher, and writer famous for his libertine sexuality and lifestyle. His works include novels, short stories, plays, dialogues, and political tracts; in his lifetime some were published under his own name, while others appeared anonymously and Sade denied being their author. He is best known for his erotic works, which combined philosophical discourse with sexual fantasies. He was a proponent of extreme freedom, unrestrained by morality, religion, or law.Sade was incarcerated in various prisons and in an insane asylum for about 32 years of his life; 11 years in Paris (10 of which were spent in the Bastille), a month in the Conciergerie, two years in a fortress, a year in Madelonnettes, three years in Bic礙tre, a year in Sainte-P矇lagie, and 13 years in the Charenton asylum. During the French Revolution he was an elected delegate to the National Convention. Many of his works were written in prison.
3000 Facts about Animated Shows
The Simpsons is banned in Burma because "the show has too much yellow." In South Park, Stan's dog is voiced by George Clooney. Scrooge McDuck is the world's richest fictional character. In Family Guy, Meg's heart is in her head. Betty Boop was a dog in her first appearance. James Avery voiced Shredder in Teenage Mutant Ninja Turtles. He also played Uncle Phil in The Fresh Prince of Bel-Air. Ukraine's government believes Spongebob SquarePants is "a real threat to children." The Road Runner Show was created to mock the absurd violence in Tom and Jerry. Bugs Bunny isn't a rabbit. In Scooby-Doo, Shaggy's real name is Norville. Mister Freeze's backstory was created in Batman: The Animated Series and was then incorporated into the comics. Simpsons toys are banned in Iran. Fans can't decide whether Avatar: The Last Airbender is an anime or not. Four actors died while working on the show Spider-Man.
[programmes For Theatrical Performances At Various Theatres In Ontario, And In Detroit, Mich., 1900-1902
A fascinating collection of theatrical programmes from various theatres in Ontario and Detroit, Michigan, spanning the years 1900-1902. This compilation offers a glimpse into the entertainment landscape of the early 20th century, showcasing the plays, actors, and venues that captivated audiences during this period. Compiled by J.A. McNeil, these programmes serve as a valuable historical record, providing insight into popular culture and theatrical trends.Researchers, historians, and theater enthusiasts will find this collection a rich resource for understanding the social and cultural context of the era. From popular plays to emerging talents, these programmes offer a detailed snapshot of a vibrant and evolving theatrical scene. Explore the performances that delighted theatergoers over a century ago and discover the enduring appeal of live entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
[programmes For Theatrical Performances At Various Theatres In Ontario, And In Detroit, Mich., 1900-1902
A fascinating collection of theatrical programmes from various theatres in Ontario and Detroit, Michigan, spanning the years 1900-1902. This compilation offers a glimpse into the entertainment landscape of the early 20th century, showcasing the plays, actors, and venues that captivated audiences during this period. Compiled by J.A. McNeil, these programmes serve as a valuable historical record, providing insight into popular culture and theatrical trends.Researchers, historians, and theater enthusiasts will find this collection a rich resource for understanding the social and cultural context of the era. From popular plays to emerging talents, these programmes offer a detailed snapshot of a vibrant and evolving theatrical scene. Explore the performances that delighted theatergoers over a century ago and discover the enduring appeal of live entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
TV-Philosophy
This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell's work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives. The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. 'Series-philosophy' is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education-in sometimes surprising ways.
TV-Philosophy in Action
TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier's monthly columns published in the French journal Liberation. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Liberation, as well as longer pieces, to demonstrate 'TV-Philosophy in action': Laugier's response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes-relating to politics, identity, and the stories we tell ourselves about our world-the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.
Lightning In a Bottle
The Dire Strait's album, Love Over Gold, saw songwriter, lead singer & guitarist Mark Knopfler take full control over not only his band but the finished product as well, as he added the title of Producer to his credits. The result? The #16 Most Important Album of all time! From beginning to end, Knopfler created another masterpiece, to follow up Dire Strait's previous gem, Making Movies. And while Knopfler continued his new style of massive soundscapes on "Gold", lyrically he directed his genius wit towards the controlling elements of society, scathing the status quo over five, unforgettable songs that represented perhaps the finest songwriting in the history of Rock music. Knopfler took the listener on a moving journey across society's landscape pointing out how the masses were being controlled & by whom. At times the album was intense & moving, suspenseful, painfully truthful, hysterically funny, caustic & severe & painstakingly tender & honest, it was unforgettable & taught us the value of Love Over Gold!
Herrmann the Great - A Journey through Media
Lithe of build, graceful of tongue and carriage, dark, piercing eyes, and facial features cast from a prince of the underworld, Alexander Herrmann embodied the word "magician." His persona permeated the popular culture of his day, and his image still holds power in our present societal subconscious as the archetypal conjurer. A mesmeric personality both on and off the stage, he was ever the theatrical magician, ever the exhibitor of his craft. The book is intended to be a journey of Herrmann through the lens of his audience, as projected through the newsprint of the day. It does not seek to delve behind the scenes, but to hopefully paint a picture on the canvas of the goal of his craft - mystifying vast audiences of theatrical patrons. A fascinating progression of Herrmann's art and influence, as well as a glimpse of the ubiquitous theater and its value in bygone American culture.
The Theatrical 'world' Of 1895
Explore the vibrant theatrical landscape of 1895 through the eyes of William Archer, a prominent drama critic of his time. "The Theatrical 'world' Of 1895" offers a detailed and insightful look into the plays, performances, and personalities that defined the stage. Archer's keen observations and critical analysis provide a valuable historical record of the era's dramatic arts. This volume captures the essence of late 19th-century theater, examining its cultural significance and artistic trends. Readers interested in theater history, dramatic criticism, and the social context of Victorian entertainment will find this book a rich and engaging resource. Discover the enduring appeal of the theater world as it stood at the cusp of a new century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dear Annie, I Hate You
You're one of the lucky ones. Most peopledon't catch an Annie until it's too late. At twenty, Sam's life is all forward motion-until the arrival of an unexpected companion changes everything. What begins as a normal day unravels into something stranger, darker, and impossible to ignore. Years later, Sam reconstructs the story: rewiring memories, retracing her past, and trying to find the place where everything fell apart. But Annie, her unwelcome counterpart, has another plan in mind. Dear Annie, I Hate You is a bold, darkly funny exploration of memory, survival, and the slow, imperfect return to oneself-told through the messy process of reconstructing a life interrupted. This edition was published to coincide with the run at the Pleasance Courtyard, Edinburgh Festival Fringe in July 2025.
Lost Lear
Winner of a Scotsman Fringe First Award 2025 You have to look at me now and tell me I'mgood, that this is good . . . That the bits ofyou that I can't see are changed, charged, churned by the bits of me that you can't see. A moving and darkly comic remix of Shakespeare's play told from the point of view of Joy, a person with dementia, who is living in an old memory of rehearsing King Lear. Joy's delicately maintained reality is upended by the arrival of her estranged son who, being cast as Cordelia, must find a way to speak his piece from within the limited role he's given. Using puppetry, projection and live video effects, the audience are landed in Joy's world as layers of her past and present, fiction and reality, overlap and distort. Lost Lear is a thought provoking meditation on theatre, artifice and the possibility of communicating across the chasms between us. This edition of Lost Lear was published to coincide with the production at Traverse Theatre, Edinburgh Festival Fringe in July 2025.
Millennium Girls
I love my estate. I thought it was so run down when we first came here, but I'd actually hate to live on a road again. No 40-40 run outs, no water fights, no park, no astro. It's always buzzing - cars blasting music, kidsplaying. We've kinda made the wall by the entrance our spot. And we know - we get A LOT of attention. Spanning three decades, we join Jessica, Chanel and Latisha as they navigate first kisses, free yards, bullies and breakdowns. And some things you don't talk about. Ever. Sophia Leonie's debut play, MILLENNIUM GIRLS, set against a musical backdrop of UK Garage and 90s classics, is a joyful and achingly honest coming-of-age story exploring identity, girlhood and consent. This edition of MILLENNIUM GIRLS was published to coincide with the run, produced by Zoe Gibbons Productions, at Brixton House in May 2025.
Why Can't I Just Enjoy Things?
Comedian Pierre Novellie was on stage when a heckler suggested he was autistic. Usually, this disruption would be water off a duck's back but two things made this heckler different: first, he was himself autistic. Second, he turned out to be absolutely right. This random encounter led to a diagnosis of autism at the age of 31 that unraveled his world, explained his struggles and answered questions that had bothered him for his entire life: why were the other kids obsessed with Britney Spears instead of The Goon Show? Why don't people ever say what they mean? Why is everyone chewing so loudly? At once a hilarious and insightful journey through autism and neurodivergence, an entertaining explainer for the uninitiated and observational comedy for the neurodiverse, this is the perfect read for anyone who has ever asked themselves: why can't I just enjoy things?
Schechner Plays
The only collection of Richard Schechner's plays. This book offers a collection of Richard Schechner's performance texts ranging from orthodox plays to group-devised texts. Covering the full breadth of his work from the 1950s to the present, it includes several never-before-published early texts as well as updated versions of well-known productions such as Dionysus in 69, YokastaS, Makbeth, and Imagining O. M獺rta Minier's introduction gives an overview of Schechner's work, while Schechner introduces each script in terms of their intellectual and production contexts.
Beyond Borders - Sinir Boylarinda
Beyond Borders is the result of K璽zım Altan's decades-long experience as a playwright.Set in different geographies, involving different peoples, the plays in this collection share a common thread. In all, the characters linger on the borders of life or at borderland.The stories depict marginal lives, the setting a city, a no man's land, a prison cell, or a village left in ruins. In all, Kazim wields his pen to speak truths that, for some, are hard to face...Sınır Boylarında, K璽zım Altan'ın onlarca yıla yayılan tiyatro yazım birikimini i癟erir.Karakterler farklı coğrafyalardan farklı insanlar olsa da, t羹m羹, hayatın ya da bir coğrafyanın sınırlarında dolaşır: bir şehir hayatı, bir hapishane h羹cresi, yıkılmış bir k繹y... Altan, nereyi anlatırsa kalemini ger癟ekleri dile getirmek i癟in kullanır;Bunları işitmek kimileri i癟in zor olsa da...
Your Favorite Scary Movie
INSTANT NEW YORK TIMES BESTSELLER The ultimate story of the Scream movie franchise, featuring interviews from more than eighty key players and an in-depth exploration of the creation and legacy of the films that revived a dying genre In Your Favorite Scary Movie, entertainment journalist Ashley Cullins examines the making and impact of the Scream films with behind-the-scenes insight from cast, creators, and crew, as well as sharp analysis on how the movies' special blend of gruesome violence and humorous self-awareness rewrote the horror playbook. This intimate and thorough history includes brand-new interviews from Neve Campbell, Courteney Cox, David Arquette, Kevin Williamson, Skeet Ulrich, Matthew Lillard, Jack Quaid, Parker Posey, Hayden Panettiere, Jasmin Savoy Brown, Mason Gooding, Radio Silence, Roger L. Jackson, and so many more. Perfect for fans of Scream, horror lovers, and cinephiles, this is the story of how a little movie about a ghost-faced killer terrorizing high schoolers overcame countless obstacles to become an historic success that still has audiences screaming to this day.
The Princess and the Toad
These four hour-long short plays, with songs, are set around the court of the amiable muffin-loving King Horace, his twin brother Tiresias who is the Royal Soothsayer, Horace's formidable second wife Queen Beatrice, and the Queen's sister, the even more formidable Bertha, who is a witch.In each play, traditional fairy tales receive an unexpected and amusing re-working.The plays are: The Princess and the ToadBeastRumplestiltskin and the Sleeping BeautySnow white and the Big Bad Wolf
Silver Screen Cities Tokyo & London
Tokyo and London are two of the world's most exciting cities for cinema-going.David Kintore explores Tokyo by visiting cinemas from Asagaya to Roppongi, Shibuya to Shinagawa, and Ebisu to Yurakucho.In London he visits cinemas in Notting Hill, Soho, Islington, Leicester Square, Clapham, Shaftesbury Avenue, Brixton, Dalston, West India Quay, and East Finchley - plus many other enticing London destinations for the avid cinema-goer.Written by a filmgoer who loves wandering around cities as much as he enjoys sitting in cinemas watching films, the Silver Screen Cities books spring from the notion that visiting cinemas and their neighbourhoods is a wonderful way of getting to know different cities.The books in the Silver Screen Cities series are a celebration of city cinema-going.Unlike conventional collections of film reviews, the Silver Screen Cities books are about the whole experience surrounding cinema-going rather than just a series of film reviews.The film reviews in the Silver Screen Cities books sometimes take up only one or two paragraphs in a chapter.That's because city cinema-going is about much more than just the film that is being shown.It's about the cinema itself and the audience watching the film.It's about the unique vibe of different cities with their varied array of bars, caf矇s, restaurants and art museums.And it's about the feeling of freedom that comes from wandering a city's streets before or after seeing a film.
Arts-Based Research in Theatre and Performance
Arts-based Research in Theatre and Performance provides a roadmap on how to conduct arts-based research, offering a vibrant exploration of how ethnography, autoethnography, poetry, and fiction can be used successfully in research projects.
Creativity in Theatre-Making
Creativity in Theatre-Making identifies and explores relationships between theatremakers. The book seeks to expand opportunities for creativity and collaboration from concept to realisation. It does so by reconsidering the so-called 'technical roles' as 'creators', thereby dismantling the conventional distinction between creative and technical teams. The book challenges this limited views of creativity, offers an alternative model of relationships - a heterarchy - and uses this to underpin a range of techniques and strategies that improve the productivity, well-being, and inclusivity of professional theatre practice. Its core pedagogic principle is that understanding 'why' is more useful than simply knowing 'what'. The book includes an overview of all the major specialist meetings and roles in theatre-making; as well as an in-depth exploration of the key resources used to create Shows and how these can be utilised collaboratively and sustainably. There is also advice on giving and receiving effective feedback during the production process and engaging with creative, financial and safety risks. Throughout the text, the author defines the specialist terminology being used, and offers real-world examples. Creativity in Theatre-Making is for undergraduate and postgraduate students studying for a creative and/or 'technical' role in the theatre industry and related sectors, as well as early- and mid-career theatre professionals looking to appraise or refresh their practice.
Being Black and British
Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.
Being Black and British
Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.Written by Black writers working in and around the British performative industries, this book offers practical and theoretical tools to take into the classroom, studio, rehearsal room, mind, body and heart, focalised unapologetically through being Black in Britain. Structured across three acts, it covers themes present on the road to drama school such as youth theatre, the texts studied and early experiences in theatre spaces; drama school training with practical suggestions to encourage and embolden Black actors; and the world of the profession, ensuring that mental health, making work and a sense of what can be offered by Black actors is made clear.This book is a call to action and a challenge to all those who teach, lecture, direct, parent, produce, cast and/or train Black performers in Britain - and those performers themselves, to listen more, ask more, feel more and be more.
Arts-Based Research in Theatre and Performance
Arts-based Research in Theatre and Performance provides a roadmap on how to conduct arts-based research, offering a vibrant exploration of how ethnography, autoethnography, poetry, and fiction can be used successfully in research projects.
Circus for Social Change
In this volume Social Circus is explored in depth by three Circus Studies scholars working with the aim of creating new ways of engaging with the field. Lavers, Burtt, and Bochud investigate the way that Social Circus transforms in response to its immediate environment, and particularly its social, political, and cultural context.
Circus for Social Change
In this volume Social Circus is explored in depth by three Circus Studies scholars working with the aim of creating new ways of engaging with the field. Lavers, Burtt, and Bochud investigate the way that Social Circus transforms in response to its immediate environment, and particularly its social, political, and cultural context.
Aesthetics of Dalit Theatre
Since Dalit theatre has not garnered as much recognition as the other genres of Dalit literature have, this book, being one of the pioneering works in the field, aims to highlight the genre within the framework of Dalit literature and the Dalit Movement in India. The discussion extensively delves into the historical background, context and aesthetics of Dalit drama and theatre from epistemological viewpoints. To illustrate the subtleties of caste, class and gender in the pan-Indian scenario, the book includes textual understandings of specific Dalit plays, available in English translation, originally written in Marathi, Tamil, Telugu, and Bengali, covering diverse regions of India. The inclusion of full-length interviews, conducted by the author, of all the living playwrights whose texts have been taken up for analysis, is another substantial facet of this study.
Hollywood Femmes Fatales and Ladies of Film Noir, Volume 1. 2nd Edition
This is volume 1 from a set of 4 volumes. Abundance of rare, vintage and never seen before photos of all the bona fide femmes fatales of cinema; very informative texts on their private lives, affairs, ambitions, and how they reach the top. Who are these glamorous and deadly women? You will know when you read this book. Hundreds upon hundreds of photos (Full stretch-Full size page) of the women who mesmerized cinemagoers, and drove crazy all those who met them. Enter their world, their donjons, their private quarters and witness the damned, the risqu矇, the glamour and some sort of a world you fantasized about, but you would or could never enter. A most fabulous book of a huge size, format, 8".50 by 11". This is the Bible of the Femmes Fatales of Hollywood, written by a historian and expert in the field of cinema and showbiz. He brings to the table 50 years of experience, and the "juice" of more than 60 books he authored on Hollywood, stars, legends and motion pictures.
Hollywood Femmes Fatales and Ladies of Film Noir. Volume 3
3rd Edition. Volume 3 from a set of 4 volumes. The set contains approximately 1,100 photographs of a rare beauty; vintage, and of an extreme historical importance. Hundreds upon hundreds of photos are full page size of a large format 8.5" by 11". Lavishly printed. It is a massive and a major publication unmatched in the abundance of its materials, photos, and information. Enter the world of glamour, beauty, magic, nostalgia and human drama of Hollywood's greatest stars, the divas, the legends, and the forgotten. Unquestionably, this is the alpha and omega, and the bible of the Femmes Fatales from the dawn of the silver screen to the present day. If there is a bona fide femme fatale in the world, around the globe, you will find her here in this book. Written by the legendary Maximillien de Lafayette, who has to his credits more than 750 books and encyclopedias, 80 of them are in this field. The author brings to the table his 50 years of experience, as a historian, a critic and showbiz producer.
Our Old Actors
"Our Old Actors" (Volume 1) by Henry Barton Baker offers a fascinating glimpse into the lives and careers of prominent British stage actors from the past. Through a series of biographical sketches, Baker illuminates the personalities, triumphs, and challenges faced by these performers. This volume provides valuable insights into the development of British theater and the cultural landscape of the 19th century. Explore the world of the Victorian stage and discover the stories behind the names that once captivated audiences. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Theatrical Sketches
"Theatrical Sketches: Here and There With Prominent Actors" offers a glimpse into the world of late 19th-century theatre through a series of biographical sketches. This volume provides intimate portrayals of actors and actresses, capturing their personalities, professional lives, and the social milieu in which they operated. Presenting a vibrant snapshot of a bygone era, these sketches offer both theatrical history and a fascinating look at the lives of performers. Originally published in 1894, this collection provides valuable insights into the theatrical conventions and celebrity culture of the time. This book appeals to readers interested in theatre history, biography, and social history, offering a unique window into the personalities that shaped the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre in Its Relation to the State
"The Theatre in Its Relation to the State" offers a compelling examination of the symbiotic and sometimes contentious relationship between the performing arts and governmental authority. Penned by the esteemed Sir Henry Irving, this insightful work delves into the crucial role theatre plays in reflecting and shaping public sentiment, as well as the responsibilities of the state in fostering artistic expression.Irving's treatise explores how state support, or the lack thereof, can significantly impact the development and character of theatrical productions. He argues for a nuanced understanding of theatre's social and political influence, advocating for policies that encourage artistic innovation while safeguarding against censorship and undue interference. This book remains relevant for anyone interested in the intersection of culture, politics, and the enduring power of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Delsartean Scrap-book;
A Delsartean Scrap-book, compiled by Frederic Sanburn and Edmund Russell, offers a fascinating glimpse into the world of Fran癟ois Delsarte's method of expression in the late 19th century. This collection provides insights into the Delsarte system, which aimed to harmonize the body, mind, and spirit through a system of aesthetics and expression. Focusing on elocution, gesture, and emotional expression, the book reflects the era's interest in self-improvement, artistic cultivation, and the power of effective communication. The volume explores Delsarte's influence on acting, oratory, and physical culture, showcasing its significance in shaping performance techniques and aesthetic ideals. With its exploration of movement and emotion, this "Scrap-book" provides a unique historical perspective on the development of modern performance arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Our Old Actors
"Our Old Actors" (Volume 1) by Henry Barton Baker offers a fascinating glimpse into the lives and careers of prominent British stage actors from the past. Through a series of biographical sketches, Baker illuminates the personalities, triumphs, and challenges faced by these performers. This volume provides valuable insights into the development of British theater and the cultural landscape of the 19th century. Explore the world of the Victorian stage and discover the stories behind the names that once captivated audiences. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre in Its Relation to the State
"The Theatre in Its Relation to the State" offers a compelling examination of the symbiotic and sometimes contentious relationship between the performing arts and governmental authority. Penned by the esteemed Sir Henry Irving, this insightful work delves into the crucial role theatre plays in reflecting and shaping public sentiment, as well as the responsibilities of the state in fostering artistic expression.Irving's treatise explores how state support, or the lack thereof, can significantly impact the development and character of theatrical productions. He argues for a nuanced understanding of theatre's social and political influence, advocating for policies that encourage artistic innovation while safeguarding against censorship and undue interference. This book remains relevant for anyone interested in the intersection of culture, politics, and the enduring power of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Liberation
To liberate anyone, you must first overthrowwhat you fear within yourself, Nkrumah.(Beat) It was never going to happen over oneweek in Manchester. (Beat) It is your life'swork. (Beat) It is a marathon. It's 15 October 1945, Manchester. Africa's freedom and future is in the hands of her descendants at the Fifth Pan-African Congress at Chorlton-on-Medlock Town Hall. Emerging African & Caribbean activists and scholars offer new radical ideas of liberation. However, the organiser, Trinidadian activist George Padmore is unsure who to pass the baton to. Kwame Nkrumah is fuelled by an idealistic desire to become the first Black president of the Gold Coast. Resourceful Jamaican social worker Alma La Badie is grappling with who must be sacrificed for the cause. And what of the revered Amy Ashwood-Garvey how does she ensure the voices of Black women are heard? With generational shifts and gender politics added to a swirling mix of power dynamics, Liberation asks timeless questions about revolution, freedom, and what it means to be an activist. This edition of Liberation commissioned by the Royal Exchange Theatre was published to coincide with the world premiere produced by Royal Exchange Theatre and Factory International Manchester in June 2025.
The Electric Grandma Experience
Bobbo fancied himself as a player of the electrified guitar, but fame was hard to come by in the tiny town of Elsewhere. And when your grandmother gets more airplay than you, it's time to ask the big questions.
Undercover Nuns
They were supposed to spread the Good Word... not chaos.Sister Margaret and Sister Shirley aren't your average nuns. With a knack for bending the rules (and maybe breaking a few Commandments), they've just been kicked out of St. Peter's Parish for "creative" fundraising methods. Ordered to take their mission to the streets, the pair quickly trade sermons for scams-selling fake holy water and hustling small-city locals.
Rhythm in Postdramatic Performance Process
Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US). While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on 'rhythmanalysis', bringing distinctive and insightful attention to rhythm as permeating key areas of performance process. By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company.
Radical Realisms in Contemporary British Theatre
This book offers radical new insights into the relation between realism, feminism and gender identities in contemporary theatre. It maps the theatrical forms emerging from a 'new wave' of women's playwriting in Britain in the 2010s, unsettling the boundaries between what is conventionally considered realist and what is considered experimental. While realism has often been characterized as a politically conservative form in feminist criticism, the author argues that contemporary feminist plays demonstrate the potential of realism, both artistically and politically, to adapt and respond to our changing world. By re-encountering realism as an experimental form through close analysis of plays and productions, the author reveals the radicalism of realism anew. Reconsidering longstanding debates in feminist theatre scholarship in the light of contemporary theatre practice in the UK, this book also offers a new, 'feminist formalist' theoretical approach to analyzing plays. Playwrights and practitioners studied include RashDash, Katie Mitchell, Alice Birch, Ella Hickson, Jasmine Lee-Jones, Tanika Gupta, Young Jean Lee, Lucy Kirkwood, Travis Alabanza, Ya禱l Farber, Split Britches and Caryl Churchill. Case studies are enriched by original interviews with practitioners, as well as performance analysis, close reading and archival research. This book explores and celebrates the vitality and inventiveness of contemporary feminist playwriting.
Spectatorship and the Real in French Contemporary Theatre
This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real. Focusing on the work of directors such as Gis癡le Vienne, Jan Lauwers, Rodrigo Garcia, Jan Fabre and Romeo Castellucci, the book looks at how these directors manipulate their audiences to experience a raw perception of materiality and physical bodies on stage, set within narratives of mystery and the uncanny. This approach has led to these directors' work described as 'obscene', 'pretentious', 'demagogic' and 'provocative'. Because of this, the act of spectating and the nature of spectatorship itself becomes complicated and tends to leave French audiences doubting traditional codes and practices. It leads to the directors' work being misjudged and to contradictory discourses between critics, researchers and directors. The book examines how directors implement strategies on stage to trigger such experiences, while evaluating how problematic these strategies are. It develops critical and philosophical tools that help spectators extend their field of perception and better engage with these contemporary practices. And, in doing so, it analyses a fascinating paradox: the French theatre scene hosting both active avant-garde practices, especially when it comes to spectator experience, and strong rejections from audiences.
Practice, Research, and Cognition in Devised Performance
This interdisciplinary study explores devised performance and practice research at the intersection of the cognitive sciences and arts. It interrogates relationships between epistemology and cognition, action and aesthetics, and first-person experience and third-person investigation. Pairing practice research methodologies from theatre and performance with cognitive and neuroscientific approaches-both theoretical and empirical-it reveals new insights into the practices of collective creation in theatre. To foreground the insider knowledge inherent to practice research, the main case studies are works created and performed by Maiya Murphy's international movement-based devising collective, Autopoetics. Autopoetics' work is contextualized in reference to major international devising companies, dance companies, and interdisciplinary research projects including Complicit矇, Frantic Assembly, Forced Entertainment, Tectonic Theater Project, The Necessary Stage, Company Wayne McGregor, Australian Dance Theatre, Choreography and Cognition, Motion Bank and Watching Dance: Kinesthetic Empathy. Practice, Research, and Cognition in Devised Performance proposes a model for breaking down disciplinary silos to freshly access the processes of collaborative practice and invigorate research in the humanities and arts.
Drag Vistas and Visions
This third and final volume in Edward and Farrier's groundbreaking trilogy spotlights the vibrant spectrum of drag as an art form, identity category and political force. Drawing on practice, research, and interdisciplinary approaches, the volume captures drag's continual capacity to challenge, critique and create.Drawing from a range of academic disciplines, including critical disability studies, media, philosophy, linguistics, the book celebrates the many faces - and possibilities - of drag as a cultural and performance form. The contributions include chapters that are assertively activist, deeply reflective, and thought provoking. This third volume goes in search of new conversations through the exploration of critical drag studies. The frameworks that formulate these conversations advocate for a broader, inclusive vision of drag, while not shying away from some of its problematic components. The chapters peek behind the glamourous veneer of drag, exposing the grit and sweat that underpin the performance, while winking at the theory that we may use to understand. Drag Vistas and Visions sees drag through a transformative lens that pushes boundaries and transcends the ordinary.
Comedie Francaise
This is a print on demand edition of an important, hard-to-find publication.
Unlocking Dracula A.D. 1972
Poorly received upon its release, Dracula A.D. 1972 has since evolved into a controversial cult classic. This book, the first dedicated solely to the film, analyzes the political, social, and cinematic contexts in which the film was created. Key themes explored include the occult revival of the early 1970s, the psycho-geography of the Chelsea neighborhood where the story is set, and the role of the film's distinctive cars, costumes, and set design. Situating Dracula A.D. 1972 within the traditions of revenge tragedy and contemporary horror cinema, this volume examines the film's nostalgic power, highlighting Mike Vickers' musical score, the impact of actors Christopher Lee and Peter Cushing, and the creative vision of director Alan Gibson. It provides crucial insights into the film's production and lasting significance, highlighting the artistic and historical influence that established it as a cult classic.
