Rhythm in Postdramatic Performance Process
Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US). While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on 'rhythmanalysis', bringing distinctive and insightful attention to rhythm as permeating key areas of performance process. By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company.
Invisible Digital
Invisible Digital helps us makes sense of something we cannot see by presenting an innovative approach to digital images and digital culture. At its heart is a novel method for exploring software used in the creation of moving images as markers of converging cultural, organizational and technological influences. The three main case studies of Invisible Digital are the animated feature Moana (2016) and the computer games No Man's Sky (2016) and Everything (2017). All three were created using procedural techniques: simulation software for Moana, and procedural content generation for No Man's Sky and Everything. Production culture disclosures associated with procedural techniques often emphasize the influences of automated systems and their algorithms, making them ideal for a study that interrogates digital processes. The approach of Invisible Digital is informed by relational theories and the concept of entanglement based on materialist perspectives, combined with insights from work that more explicitly interrogates algorithms and algorithmic culture. Aylish Wood employs the notion of assemblages to introduce the concept of material-cultural narratives. Using this conceptual framework, she draws out material-cultural narratives for each case study to demonstrate what they reveal about software and digital culture. These analyses of software provide a widely applicable method through which moving image studies can contribute more fully to the wider and growing debates about algorithmic culture.
A Delsartean Scrap-book;
A Delsartean Scrap-book, compiled by Frederic Sanburn and Edmund Russell, offers a fascinating glimpse into the world of Fran癟ois Delsarte's method of expression in the late 19th century. This collection provides insights into the Delsarte system, which aimed to harmonize the body, mind, and spirit through a system of aesthetics and expression. Focusing on elocution, gesture, and emotional expression, the book reflects the era's interest in self-improvement, artistic cultivation, and the power of effective communication. The volume explores Delsarte's influence on acting, oratory, and physical culture, showcasing its significance in shaping performance techniques and aesthetic ideals. With its exploration of movement and emotion, this "Scrap-book" provides a unique historical perspective on the development of modern performance arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre in Its Relation to the State
"The Theatre in Its Relation to the State" offers a compelling examination of the symbiotic and sometimes contentious relationship between the performing arts and governmental authority. Penned by the esteemed Sir Henry Irving, this insightful work delves into the crucial role theatre plays in reflecting and shaping public sentiment, as well as the responsibilities of the state in fostering artistic expression.Irving's treatise explores how state support, or the lack thereof, can significantly impact the development and character of theatrical productions. He argues for a nuanced understanding of theatre's social and political influence, advocating for policies that encourage artistic innovation while safeguarding against censorship and undue interference. This book remains relevant for anyone interested in the intersection of culture, politics, and the enduring power of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Liberation
Shortlisted for the Alfred Fagon Award 2025. To liberate anyone, you must first overthrowwhat you fear within yourself, Nkrumah.(Beat) It was never going to happen over oneweek in Manchester. (Beat) It is your life'swork. (Beat) It is a marathon. It's 15 October 1945, Manchester. Africa's freedom and future is in the hands of her descendants at the Fifth Pan-African Congress at Chorlton-on-Medlock Town Hall. Emerging African & Caribbean activists and scholars offer new radical ideas of liberation. However, the organiser, Trinidadian activist George Padmore is unsure who to pass the baton to. Kwame Nkrumah is fuelled by an idealistic desire to become the first Black president of the Gold Coast. Resourceful Jamaican social worker Alma La Badie is grappling with who must be sacrificed for the cause. And what of the revered Amy Ashwood-Garvey how does she ensure the voices of Black women are heard? With generational shifts and gender politics added to a swirling mix of power dynamics, Liberation asks timeless questions about revolution, freedom, and what it means to be an activist. This edition of Liberation commissioned by the Royal Exchange Theatre was published to coincide with the world premiere produced by Royal Exchange Theatre and Factory International Manchester in June 2025.
Undercover Nuns
They were supposed to spread the Good Word... not chaos.Sister Margaret and Sister Shirley aren't your average nuns. With a knack for bending the rules (and maybe breaking a few Commandments), they've just been kicked out of St. Peter's Parish for "creative" fundraising methods. Ordered to take their mission to the streets, the pair quickly trade sermons for scams-selling fake holy water and hustling small-city locals.
Theatrical Sketches
"Theatrical Sketches: Here and There With Prominent Actors" offers a glimpse into the world of late 19th-century theatre through a series of biographical sketches. This volume provides intimate portrayals of actors and actresses, capturing their personalities, professional lives, and the social milieu in which they operated. Presenting a vibrant snapshot of a bygone era, these sketches offer both theatrical history and a fascinating look at the lives of performers. Originally published in 1894, this collection provides valuable insights into the theatrical conventions and celebrity culture of the time. This book appeals to readers interested in theatre history, biography, and social history, offering a unique window into the personalities that shaped the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Spectatorship and the Real in French Contemporary Theatre
This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real. Focusing on the work of directors such as Gis癡le Vienne, Jan Lauwers, Rodrigo Garcia, Jan Fabre and Romeo Castellucci, the book looks at how these directors manipulate their audiences to experience a raw perception of materiality and physical bodies on stage, set within narratives of mystery and the uncanny. This approach has led to these directors' work described as 'obscene', 'pretentious', 'demagogic' and 'provocative'. Because of this, the act of spectating and the nature of spectatorship itself becomes complicated and tends to leave French audiences doubting traditional codes and practices. It leads to the directors' work being misjudged and to contradictory discourses between critics, researchers and directors. The book examines how directors implement strategies on stage to trigger such experiences, while evaluating how problematic these strategies are. It develops critical and philosophical tools that help spectators extend their field of perception and better engage with these contemporary practices. And, in doing so, it analyses a fascinating paradox: the French theatre scene hosting both active avant-garde practices, especially when it comes to spectator experience, and strong rejections from audiences.
Our Old Actors
"Our Old Actors" (Volume 1) by Henry Barton Baker offers a fascinating glimpse into the lives and careers of prominent British stage actors from the past. Through a series of biographical sketches, Baker illuminates the personalities, triumphs, and challenges faced by these performers. This volume provides valuable insights into the development of British theater and the cultural landscape of the 19th century. Explore the world of the Victorian stage and discover the stories behind the names that once captivated audiences. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre in Its Relation to the State
"The Theatre in Its Relation to the State" offers a compelling examination of the symbiotic and sometimes contentious relationship between the performing arts and governmental authority. Penned by the esteemed Sir Henry Irving, this insightful work delves into the crucial role theatre plays in reflecting and shaping public sentiment, as well as the responsibilities of the state in fostering artistic expression.Irving's treatise explores how state support, or the lack thereof, can significantly impact the development and character of theatrical productions. He argues for a nuanced understanding of theatre's social and political influence, advocating for policies that encourage artistic innovation while safeguarding against censorship and undue interference. This book remains relevant for anyone interested in the intersection of culture, politics, and the enduring power of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Electric Grandma Experience
Best feel good story ever, about rock and roll, lost parents and Stairway to Heaven! Bobbo fancied himself as a player of the electrified guitar, but fame was hard to come by in the tiny town of Elsewhere. And when your grandmother gets more airplay than you, it's time to ask the big questions. The Electric Grandma Experience is: A book for people who don't like to read.A book about the pitfalls of rock, and or roll.A book with pictures - Vintage retro from magnificent humans in the Public Domain. A book also written by a human. All of it!A book featuring a cameos by Vincent Van Gogh, Eddie Van Halen and a fake Jimmy Page.A book that's been read on the Nile. Twice!A story about finding yourself where you least expected yourself to be.A book to be read and re-read, whether you're young, not so young, or unsure about what that means.A book by Seaside comedy writer and absurdist Alex Oliver. His first!
Radical Realisms in Contemporary British Theatre
This book offers radical new insights into the relation between realism, feminism and gender identities in contemporary theatre. It maps the theatrical forms emerging from a 'new wave' of women's playwriting in Britain in the 2010s, unsettling the boundaries between what is conventionally considered realist and what is considered experimental. While realism has often been characterized as a politically conservative form in feminist criticism, the author argues that contemporary feminist plays demonstrate the potential of realism, both artistically and politically, to adapt and respond to our changing world. By re-encountering realism as an experimental form through close analysis of plays and productions, the author reveals the radicalism of realism anew. Reconsidering longstanding debates in feminist theatre scholarship in the light of contemporary theatre practice in the UK, this book also offers a new, 'feminist formalist' theoretical approach to analyzing plays. Playwrights and practitioners studied include RashDash, Katie Mitchell, Alice Birch, Ella Hickson, Jasmine Lee-Jones, Tanika Gupta, Young Jean Lee, Lucy Kirkwood, Travis Alabanza, Ya禱l Farber, Split Britches and Caryl Churchill. Case studies are enriched by original interviews with practitioners, as well as performance analysis, close reading and archival research. This book explores and celebrates the vitality and inventiveness of contemporary feminist playwriting.
Theatrical Sketches
"Theatrical Sketches: Here and There With Prominent Actors" offers a glimpse into the world of late 19th-century theatre through a series of biographical sketches. This volume provides intimate portrayals of actors and actresses, capturing their personalities, professional lives, and the social milieu in which they operated. Presenting a vibrant snapshot of a bygone era, these sketches offer both theatrical history and a fascinating look at the lives of performers. Originally published in 1894, this collection provides valuable insights into the theatrical conventions and celebrity culture of the time. This book appeals to readers interested in theatre history, biography, and social history, offering a unique window into the personalities that shaped the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ready for My Close-Up
For readers of Sam Wasson and Glenn Frankel, a cultural history about the making and lasting significance of Sunset Boulevard, whose piercing--and in many ways, prophetic--critiques of fame continue to resonate today. Great films are born of great collaborations, and Sunset Boulevard represents one of the most extraordinary confluences of cinematic talent in film history--but its production was surprisingly fraught, filled with unexpected twists. Why was William Holden, who had never caught fire as a leading man, hired to play Joe Gillis after the fastest-rising star in the business dropped out at the last minute? After Mae West and Mary Pickford turned down the now iconic role of Norma Desmond, how did Billy Wilder convince Gloria Swanson, who had long been absent from Hollywood at this point, to leave her low-paying job as a TV talk show host to join the cast? From the writers' room during Billy Wilder and Charles Brackett's final collaboration to the moment when the film won three Academy Awards, scholar and former Rolling Stone staffer David M. Lubin takes readers on a fascinating journey through film history that proves, once and for all, why Sunset Boulevard is one of the most iconic films in cinematic history. Just in time for the film's 75th anniversary, Ready for My Closeup breathes life into a beloved masterpiece of American cinema.
Creativity in Theatre-Making
Creativity in Theatre-Making identifies and explores relationships between theatremakers. The book seeks to expand opportunities for creativity and collaboration from concept to realisation. It does so by reconsidering the so-called 'technical roles' as 'creators', thereby dismantling the conventional distinction between creative and technical teams. The book challenges this limited views of creativity, offers an alternative model of relationships - a heterarchy - and uses this to underpin a range of techniques and strategies that improve the productivity, well-being, and inclusivity of professional theatre practice. Its core pedagogic principle is that understanding 'why' is more useful than simply knowing 'what'. The book includes an overview of all the major specialist meetings and roles in theatre-making; as well as an in-depth exploration of the key resources used to create Shows and how these can be utilised collaboratively and sustainably. There is also advice on giving and receiving effective feedback during the production process and engaging with creative, financial and safety risks. Throughout the text, the author defines the specialist terminology being used, and offers real-world examples. Creativity in Theatre-Making is for undergraduate and postgraduate students studying for a creative and/or 'technical' role in the theatre industry and related sectors, as well as early- and mid-career theatre professionals looking to appraise or refresh their practice.
Experimental Xiqu Performances Endure
This book offers a detailed, comprehensive, and theoretically grounded study of experimental xiqu performances that have taken place in recent decades across Mainland China, Hong Kong, Taiwan and online platforms.Situating these performances within their specific socio-political contexts and historical trajectories, this book explores the question, what defining aesthetics and methodologies characterise experimental xiqu practices, and how do they distinguish themselves from traditional xiqu aesthetics and the 'intercultural theatre' paradigm epitomised by the 'Western story, Eastern body' approach? A performative theoretical framework is developed to facilitate a thorough examination of the evolution of xiqu from the last millennium to modern times, with particular focus on the 20th century. The primary objectives of this investigation are twofold: to establish a nuanced understanding of the dynamic and non-dualistic concept of 'traditional xiqu', and to provide a vivid depiction of the diverse soils shaping various experimental xiqu performances. Focusing on aesthetics, this book further conducts detailed performance analyses of The Outcast General, Metamorphosis, Sighing and The Spirits Play Online. This book contends that experimental xiqu performances reveal the deep wounds borne by a significant number of ordinary people. Owing to the discourse of 'beauty' surrounding xiqu, the institutional constraints, the dualistic political discourses and, most of all, the as-yet-unconstructed condition of collective cultural trauma within these contexts, all the wounds are touched 'softly'. Experimental xiqu performances help endure the deep wounds and the unarticulated cultural traumas.This book will be of great interest to theatre, performance and opera studies scholars and students.
The Girls Of Gottenberg
Rediscover the charm of early 20th-century musical theater with "The Girls Of Gottenberg," a delightful musical play in two acts. Written by a celebrated team of composers and lyricists including Ivan Caryll, George Grossmith, L.E. Berman, and Lionel Monckton, this play promises a nostalgic journey to a bygone era of theatrical entertainment.Perfect for theater enthusiasts, students of musical history, and anyone who appreciates the timeless appeal of classic stage productions, "The Girls Of Gottenberg" offers a glimpse into the lighthearted and enchanting world of vintage musical comedy. Experience the wit, melody, and vivacity of a truly memorable theatrical work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Art of Collaboration
The Art of Collaboration explores the critical relationship between directors and stage managers; an essential guide for theatre professionals seeking to build strong creative partnerships, emphasising mutual respect, clear communication and shared goals.
Breaking Into New Hollywood
For the millions seeking to pursue their Hollywood dreams, this is the definitive guide to breaking into the entertainment industry that explores and demystifies dozens of careers from acting to post-production, and also takes into account changes brought by the rise of streaming and AI. Everyone loves a captivating Hollywood rags-to-riches story. Take Charlize Theron, who was on her last paycheck and in a heated discussion with a bank teller when a kind stranger--who happened to be a talent agent--stepped in to help her cash an out-of-town check. Or consider Rosario Dawson, discovered right on her front porch by filmmakers looking for fresh talent for Kids. And then there's Leonardo DiCaprio, the son of a secretary and a writer and distributor of underground comics, who saw acting as a way out of poverty. But that's not how it usually happens for the tens of thousands of people who work in the entertainment industry. For many just starting out, and even those already in the business, the road can feel mysterious and overwhelming. From actors and directors to behind-the-scenes heroes like managers, grips, and sound designers, Breaking into the New Hollywood is here to uncover the many opportunities for newcomers hustling in what the Los Angeles Times calls the "company town"--and beyond. This practical guide offers invaluable insights on navigating the industry today. How has working in film changed in the age of streaming? What does CGI mean for special effects? Even with the rapid rise of YouTubers and social media stars raking in millions of views and competing for traditional movie theater audiences, there are still more job opportunities than ever for those eager to start a career in film and TV. Breaking into the New Hollywood is an up-to-date roadmap for aspiring stars wanting to make a living in front of the camera, but it's also for those passionate about being part of the collaborative, creative community like no other.
Queen Lessons
At an age when some women feel like they have to begin to cover themselves up, Holly Shaw, a performance coach and hypnotherapist, did the opposite, taking the stage as a stand-up comedian. In this book, hovering between memoir and self-help, Shaw invites readers into the wild world of comedy, chronicling the experiences that have shaped her, the victories and the trauma, and expertly extracts the wisdom from them into lessons for women entering their "queen years."Do you feel like your life has changed since you hit your forties? Are you done with being "nice" and pleasing everyone else? Do you feel ready to explode with fury and the injustice of it all?Queen Lessons hands you the mic. Read it and you will: Learn practical ways to cope and grow as your body changes and the world begins to treat you differently.Pick up simple strategies for dealing with everyday hecklers.Strengthen the Five Muscles of Stand Up Comedy Courage. Caution! These may make other people not like you as much, but you will like yourself more! Explore your relationship with attention and how you can change it for the better.Meet Holly's inner Earthquake Woman, Wise Woman, and Comedian (who might just be inside you, too.)Say goodbye to "Nice Girl."Change the temperature of a room and shamelessly ask for what you want. There are thousands of books on courage and self-confidence, but how many of those were written by someone trying to make it through mid-life while bombing in front of an audience? No one is more suited to tell you how to take it on the chin and keep going than a stand-up comedian experiencing hot flashes.Before you make one more vision board, read this book!
Kanpur
Winner of a Scotsman Fringe First Award 2025 This isn't a story, this isn't myth, nor legend, this is my life, it is my people's lives. Strapped to a cannon, an Indian rebel finds themselves answering to a British officer for the crimes of Kanpur - an Indian uprising against British colonial forces. Based on historical events, this new play comically satirises contemporary conflictsaround gender, colonial violence, and making art in times of crisis. But who is the hero and who is the villain? Whatever happens, it's going to be explosive. This edition of Kanpur: 1857, winner of the Pleasance's Charlie Hartill Fund, was published to coincide with the production at the Pleasance Theatre, Edinburgh Festival Fringe in July 2025.
A Delsartean Scrap-book;
A Delsartean Scrap-book, compiled by Frederic Sanburn and Edmund Russell, offers a fascinating glimpse into the world of Fran癟ois Delsarte's method of expression in the late 19th century. This collection provides insights into the Delsarte system, which aimed to harmonize the body, mind, and spirit through a system of aesthetics and expression. Focusing on elocution, gesture, and emotional expression, the book reflects the era's interest in self-improvement, artistic cultivation, and the power of effective communication. The volume explores Delsarte's influence on acting, oratory, and physical culture, showcasing its significance in shaping performance techniques and aesthetic ideals. With its exploration of movement and emotion, this "Scrap-book" provides a unique historical perspective on the development of modern performance arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Girls Of Gottenberg
Rediscover the charm of early 20th-century musical theater with "The Girls Of Gottenberg," a delightful musical play in two acts. Written by a celebrated team of composers and lyricists including Ivan Caryll, George Grossmith, L.E. Berman, and Lionel Monckton, this play promises a nostalgic journey to a bygone era of theatrical entertainment.Perfect for theater enthusiasts, students of musical history, and anyone who appreciates the timeless appeal of classic stage productions, "The Girls Of Gottenberg" offers a glimpse into the lighthearted and enchanting world of vintage musical comedy. Experience the wit, melody, and vivacity of a truly memorable theatrical work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
McQueen
A full and frank portrait of the complex man behind the icon of cool. Steve McQueen, one of the first 'cool' film stars, remains a cultural icon the world over. His image is used to sell everything from cars, to beer, to a range of dolls. From the Cincinnati Kid to Frank Bullitt, Tom Crown to Papillon, his roles exemplified a certain school of male charm, as well as grit and a hint of menace. McQueen was born in 1930 into a poor Mid-western family to a highly strung mother and truant father. In and out of reform school from a young age, he was eventually made a ward of court and the resulting sense of abandonment never left him. His big break came with the TV Saga Wanted: Dead or Alive and the now cult-classic B-movie The Blob. Just two years later he was one of the leading lights of tinseltown. Sandford goes on to chart McQueen's phenomenal Hollywood career, starring in some of the world's best-loved films, in tandem with his turbulent private life: his marriages, his bisexuality, the drink, the fast cars, casual sex and violence. As a close friend has remarked: 'You couldn't peg him. He wanted to be memorable as an actor - but in his private life you got the impression he was trying to speed up, to get into the next hour without quite living out the last one.' As Sandford reveals, McQueen's public demeanour of studied nonchalance hid chronic self-destrutive urges which emerged in his favourite hobbies, including bare-knuckle boxing and porsche-racing, as well as several suicide attempts. His 'lost' years at the very height of his fame are illuminated with disclosures of rampant addiction, bizarre health cures, fringe religion and androgyny. McQueen died in 1980 at a 'wellness' clinic in New Mexico, having been earlier diagnosed with lung cancer . His last words were 'Lo hice' - Spanish for 'I did it'. Sandford has spoken to a wide range of McQueen's contemporaries - Hollywood stars, friends and family - and discovered the man behind the myth, the abandoned little boy underneath the movie-god swagger.
TT-Train of Thought
Comedy film and theatre project set inside a train. The whole story is set inside a train carriage. Due to an engine failure the journey is dragging on without knowing when it will end. The only information received is from the "camp" voice of the main train driver blasting away throughout the train at regular intervals. The passengers are forced to endure this, pushing them to the limits; into some deep agonizing fits and often deeply traumatic moments. During the journey they all speak to each other either together and in unison or they are responding to their own respective conversation without even acknowledging their receiver's end conversation all veering deep toward their own monologue. No one is really listening to what the other one has to say but the interaction is still vibrant, and often high-ended. Toward the end, it's almost like if all the passengers were talking to a brick wall; but the difference is of course that a brick hasn't got a face or a sound. All the groups share the same conversation but never interact between and with the different groups. They only share the same train of thoughts. The project has later been turned into a feature film: "Adventures Beyond the Hemisphere".
The Play Pictorial
Step back in time with "The Play Pictorial, Volume 9," a fascinating glimpse into the vibrant world of Edwardian theater. This meticulously preserved volume offers a unique window into the popular plays and stage productions of the early 20th century. Featuring stunning photographs and insightful commentary, "The Play Pictorial" captures the essence of theatrical performances that captivated audiences. This volume is a treasure trove for theater enthusiasts, historians, and anyone interested in the cultural landscape of a bygone era. Discover the artistry, drama, and spectacle that defined British theater at the turn of the century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
San Francisco Theatre Research
San Francisco Theatre Research, Volume 1, offers a glimpse into the vibrant theatrical scene of 19th-century San Francisco. This volume, edited by Lawrence Estavan, features monographs on two significant figures: Stephen C. Massett, a singer, writer, and showman, and Joseph A. Rowe, a pioneer circus manager. Explore the lives and careers of these influential personalities who shaped the entertainment landscape of early San Francisco. Discover Massett's contributions as a performer and writer, and delve into Rowe's pioneering efforts in circus management. This meticulously researched work provides valuable insights into the cultural history of San Francisco and the evolution of American entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Theatre Magazine
Theatre Magazine offers a fascinating glimpse into the world of early 20th-century stagecraft and dramatic arts. This issue provides a snapshot of the theatrical landscape, capturing the trends, personalities, and performances that defined the era. Readers will discover insightful articles, reviews, and perhaps even behind-the-scenes glimpses of productions. For historians, theater enthusiasts, and anyone interested in the cultural fabric of the past, Theatre Magazine provides a valuable window into a vibrant and influential art form.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Theatre Magazine
Theatre Magazine, 14 offers a fascinating glimpse into the world of early 20th-century theater. This issue, part of a larger series, captures the vibrant and evolving landscape of dramatic arts during a pivotal period. While authored anonymously, the magazine provides invaluable insights into the plays, players, and theatrical trends of its time. Readers will discover a rich tapestry of reviews, interviews, and features, shedding light on both popular productions and emerging talents. The magazine serves as a historical document, preserving the energy and creativity of a bygone era for contemporary audiences. A must-read for theater enthusiasts, historians, and anyone interested in the cultural heritage of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Faces Of The Footlights
"Faces Of The Footlights" offers a glimpse into the vibrant world of the theater, likely during the early 20th century. Through biographical sketches and anecdotes, E. B. Colvan illuminates the lives and careers of stage actors, offering readers a unique perspective on their experiences, challenges, and triumphs. The book explores the social dynamics of the theatrical community, capturing the spirit of a bygone era and appealing to those interested in theater history and social history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Play Pictorial
Step back in time with "The Play Pictorial, Volume 9," a fascinating glimpse into the vibrant world of Edwardian theater. This meticulously preserved volume offers a unique window into the popular plays and stage productions of the early 20th century. Featuring stunning photographs and insightful commentary, "The Play Pictorial" captures the essence of theatrical performances that captivated audiences. This volume is a treasure trove for theater enthusiasts, historians, and anyone interested in the cultural landscape of a bygone era. Discover the artistry, drama, and spectacle that defined British theater at the turn of the century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Embracing Disruption
This volume celebrates the centrality of clowning in Shakespeare's conception of theatre and explores how he purposefully invited the clown's anarchic energy into the heart of his dramaturgy.Clowning was a potent but divisive force in the theater of Shakespeare's time, challenging the emerging tyranny of decorum and the developing notion of the authorial voice. As such, the figure of the clown is key to understanding the pervasive tension between existing and emergent forms of Elizabethan theater, and unlocks forgotten levels of meaning in Shakespeare's plays, meanings that were only fully experienced in performance rather than on the page. The great clown Dick Tarleton dominated the London theater of the 1580s and deeply informed Shakespeare's understanding of the anarchic power of performance. By the 1590s, however, the clown's voice was increasingly silenced by emerging theater practice intent on authorial control and Elizabethan codes of decorum. Against the dominant critical tide, Shakespeare continued to embrace clowning and worked closely with Will Kemp - Tarleton's successor as the greatest clown of his age - specifically and deliberately placing him alongside his leading man, Richard Burbage, the originator of the roles of Romeo, Hal, Hamlet and many others. Through an analysis of key scenes in Romeo and Juliet and Henry IV, Embracing Disruption illustrates the enormously generative, unstable, and compelling relationship between these two actors, Burbage and Kemp - the hero and the clown - and how their extraordinary dynamic was experienced on the stage rather than on the page. This hero-clown dynamic continues even after Kemp's departure from Shakespeare's company: Hamlet features the ghosts of Tarleton and Kemp, two clowns deeply informing Burbage's performance as the hero. Then a similar dynamic emerges between Kemp's replacement, a very different clown in Robert Armin playing the Fool opposite Burbage in King Lear. In each instance, the presence of the clown crucially informs the audience's understanding of the hero. Moreover, Shakespeare's increasingly sophisticated deployment of clowning comments on and resists the transformation and gentrification of the theater that defined the Elizabethan era.This study will be of great interest to students and scholars in Performance studies and Shakespeare studies.
Local
The Boffs were outsiders, not local like, even though we were born there. I was only really a Boff by association. Solo-storyteller Liz revisits her childhood memories and home in the North in an attempt to understand whether she still belongs there, or ever did. In this multigenerational piece, Liz takes the audience on a journey through the rural landscape and environment of her home, reconnecting with voices from the past and her young family now. In doing so, she unearths some painful home truths. By the end, Liz and the audience discover a shared reality that she hadn't set out to find. Local will have audiences laughing and crying simultaneously, it will feel familiar but unsettling. Visuals and sound help encompass Liz's world in the early 90s. This edition of Local was published to coincide with the production at Rosehill Theatre, Cumbria and subsequent UK tour in May-June 2025.
Last Ditch and Land of my Fathers
On Last Ditch: This beautiful, dark, urgent and driven play explores and pushes the boundaries of both language and stagecraft. Its rage against unchallenged authority and uncontested privilege is genuine and necessary, as are, thankfully, its insistence on the primacy and salvation of love and respect. - Niall GriffithsDavid Ian Rabey's plays fairly zip along, dancing between myth and modernity, laced with high ideals, fine poetry and pitch-dark jokes. Watching them on the stage, I was moved, amused, and horrified in equal measure. - Mike ParkerRabey's theatre is not a stage but a space, bare and uncompromised. He peoples it with figures 'on edge', in what feels like a dystopian future but very soon becomes visible as our Now, exposed. - David Rudkin The mysterious music of the writing [is] arresting and enthralling, an imaginative tour de force that addresses our own dangerous times and all the times to come. - Patricia Duncker
San Francisco Theatre Research
San Francisco Theatre Research, Volume 1, offers a glimpse into the vibrant theatrical scene of 19th-century San Francisco. This volume, edited by Lawrence Estavan, features monographs on two significant figures: Stephen C. Massett, a singer, writer, and showman, and Joseph A. Rowe, a pioneer circus manager. Explore the lives and careers of these influential personalities who shaped the entertainment landscape of early San Francisco. Discover Massett's contributions as a performer and writer, and delve into Rowe's pioneering efforts in circus management. This meticulously researched work provides valuable insights into the cultural history of San Francisco and the evolution of American entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Shoddy Detective and the Art of Deception
Don't be ridiculous Dusty, this isn't one ofyour Shoddy Detective Plays... A laugh-out-loud slapstick whodunnit featuring four actors, a dozen characters and a whole load of chaos. When a priceless painting vanishes during a private auction, Detective Stuart Pidcock is brought in tounravel the mystery. But when he finds himself stumped, he must turn to an old adversary for help. The unlikely duo must question the colourful array of suspects living at the manor, all while trying to track down the cunning thief and solve the crime of the century. This edition of A Shoddy Detective and the Art of Deception was published to coincide with the UK Tour and Edinburgh Fringe Festival run in Spring/Summer 2025.
Some Account of the English Stage, From the Restoration in 1600 to 1830
"Some Account of the English Stage, From the Restoration in 1600 to 1830" offers a detailed historical overview of English theater during a pivotal period. Spanning from the Restoration era through the early 19th century, this work provides invaluable insights into the plays, playwrights, actors, and theatrical practices that shaped the English stage. Meticulously researched and comprehensive, this account captures the evolution of dramatic arts, the shifting tastes of audiences, and the social and cultural contexts influencing theatrical productions. This volume is an essential resource for scholars, students, and anyone interested in the rich heritage of English dramatic literature and performance.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An Epistemology of Criminological Cinema
Standing at the intersection of criminology and philosophy, this book demonstrates the ways in which mythic movies and television series can provide an understanding of actual crimes and social harms.Taking three social problems as its subjects - capitalist political economy, structural injustice, and racism - the book explores the ways in which David Fincher's Fight Club (1999), HBO's Game of Thrones (2011-2019), and Jordan Peele's Us (2019) offer solutions by reconceiving justice in terms of personal and collective transformation, utopian thinking, and the relationship between racism and elitism, respectively. In doing so, the authors set out a theory of understanding the world based on cinematic and televisual works of art and conclude with a template that establishes a methodology for future use.An Epistemology of Criminological Cinema is authoritative and accessible, ideal reading for undergraduate and postgraduate students, criminologists, philosophers, and film, television, and literary critics with an interest in social justice and social harm.
H to He (I'm Turning Into a Man) and See Primark and Die (Buy Little Buy Less Buy Nothing at All)
In June 2025 Claire Dowie returned to the Finborough Theatre where she started her career as a stand-up comedian, playwright and performer more than forty years ago. Her Swansong featured four plays from four decades.This dual-edition was published to coincide with her 2025 return to the Finborough Theatre, and contains two of the four plays. The other two are also published by Methuen Drama in Why Is John Lennon Wearing aSkirt?: and Other Stand-up Theatre Plays.H to He (I'm turning into a man) is inspired by Kafka's Metamorphosis and tells the story of a woman discovering she's turning into a man. Claire Dowie offers a shocking exploration of gender, sexuality and ageing.See Primark and Dieconcerns a sudden inability to shop. Is this a reaction to capitalism or a desire to live like Aunt Alice digging for victory with her companion Elizabeth?Claire Dowie has won numerous awards for her writing and performances including a 1988 Time Out Theatre Award, a 1991 London Fringe Award and awards for H toHe (I'm turning into a man) from Thespis in Germany and MonoAKT in Kosovo.
Inter-Asia in Motion
This book explores dance and choreography as sites for the articulation of new theoretical and historical paradigms in inter-Asia cultural studies.The chapters in this volume cover a wide range of dance works, artists, genres, and media, from Kathak to K-pop flash mob dance, from Cold War diplomacy to avant-garde dance collaborations, and from festival dance to dance on screen. Working against the Western-centric category of "Asian dance" and Western-centric theorizations of intercultural performance that foreground "East-West" relationships, each contribution shows how dances in Asia make one another as their key aesthetic references beyond Eurocentric influences, as well as how inter-Asia relations emerge from cultural, geographical, and aesthetic diversity within the region. This book is the first of its kind in both cultural studies and dance studies. It will contribute greatly to readers' understanding of how performance shapes and transforms the cultural and political dynamics of inter-Asia, with a focus on dance circulations in and across East, South, and Southeast Asia.Inter-Asia in Motion: Dance as Method will be a key resource for academics, researchers, and advanced students of Dance Studies, Performance Studies, Cultural Studies, Asian Studies, International Relations and Politics, History, and Sociology. The chapters included in this book were originally published in Inter-Asia Cultural Studies.
Reimagining Masculinity and Violence in 'Game of Thrones' and 'a Song of Ice and Fire'
In this examination of violence and masculinity in George R. R. Martin's fantasy series A Song of Ice and Fire and its television adaptation Game of Thrones, Tobi Evans offers a queer reading that revises the idea that the texts glorify violence. Moving from monstrous men characters and sovereigns to female, disabled, and genderqueer masculinities, Violent Fantasies understands the novels and television series to offer a complex and ambiguous negotiation of different types of violence. Deploying queer feminist poststructuralist and psychoanalytic approaches to the acts of violence that masculine characters use, Evans views hegemonic violence as part of a destructive cycle wherein characters use violence to dominate others but have their violence turned against them in such a way that their bodies become disgusting and they are unable to enter into systems of patriarchal reproduction. The only characters who succeed in proliferating their values and knowledges are those who use violence to care for others. These characters are also threatened with a bodily undoing when they use violence, but their bodily borders are secured because of their connections to others and their queer kinship bonds. Violence transforms the body, Evans argues, in ways that are both circular and ideologically ambivalent.
An Idea for a Theatre Ecology
An Idea for a Theatre Ecology is the first book in the discipline of Theatre and Performance Studies to provide a rigorous and coherent theory of the ecology that is immanent to the theatrical medium. Over six clearly written chapters, the book provides a genealogy, outlines a method, provides a lexicon and demonstrates an alternative practice of ecoperformance analysis grounded in the figure of the archipelago. Focusing on Antonin Artaud's theatre of cruelty, the book argues that theatre has no need to provide ecological messages nor to transform itself into a platform for the narration of ecological stories. Instead, more is to be gained, environmentally and politically, by concentrating on the power of images, gestures and voices to create corporeal affects and sensations that implicate the spectators in a terrestrial event.
Karma Grinders
An ambitious young psychopath whose ambitious life plans have been derailed creates a torture cult and lures in the people responsible by drugging them with a mind control psychedelic to get revenge and to try to get her old life back.
Connecticut Wide-Awake Songster
Awaken your spirit with the "Connecticut Wide-Awake Songster," a vibrant collection of 19th-century American folk songs that celebrates the rich musical heritage of Connecticut. This beloved anthology, long out of print, has been meticulously restored by Alpha Editions for today s and future generations, making it not just a reprint, but a true cultural treasure and collector s item. Dive into a world where traditional songs echo the voices of the past, capturing the essence of regional folk traditions and the heart of American cultural heritage. Each page invites you to explore the lyrical beauty and melodies that have shaped gatherings, celebrations, and community life. This book is more than just a historical songbook; it serves as an educational resource for music lovers and a nostalgic journey for casual readers seeking to connect with the roots of American music. Whether you re a classic literature collector or simply looking to enrich your musical repertoire, the "Connecticut Wide-Awake Songster" is an essential addition to your library. Rediscover the joy of singing together and the timeless charm of folk music with this unique anthology that resonates with the spirit of connection and celebration. Don t miss your chance to own this captivating piece of American music history!
