Arts-Based Research in Theatre and Performance
Arts-based Research in Theatre and Performance provides a roadmap on how to conduct arts-based research, offering a vibrant exploration of how ethnography, autoethnography, poetry, and fiction can be used successfully in research projects.
Aesthetics of Dalit Theatre
Since Dalit theatre has not garnered as much recognition as the other genres of Dalit literature have, this book, being one of the pioneering works in the field, aims to highlight the genre within the framework of Dalit literature and the Dalit Movement in India. The discussion extensively delves into the historical background, context and aesthetics of Dalit drama and theatre from epistemological viewpoints. To illustrate the subtleties of caste, class and gender in the pan-Indian scenario, the book includes textual understandings of specific Dalit plays, available in English translation, originally written in Marathi, Tamil, Telugu, and Bengali, covering diverse regions of India. The inclusion of full-length interviews, conducted by the author, of all the living playwrights whose texts have been taken up for analysis, is another substantial facet of this study.
Hollywood Femmes Fatales and Ladies of Film Noir. Volume 3
3rd Edition. Volume 3 from a set of 4 volumes. The set contains approximately 1,100 photographs of a rare beauty; vintage, and of an extreme historical importance. Hundreds upon hundreds of photos are full page size of a large format 8.5" by 11". Lavishly printed. It is a massive and a major publication unmatched in the abundance of its materials, photos, and information. Enter the world of glamour, beauty, magic, nostalgia and human drama of Hollywood's greatest stars, the divas, the legends, and the forgotten. Unquestionably, this is the alpha and omega, and the bible of the Femmes Fatales from the dawn of the silver screen to the present day. If there is a bona fide femme fatale in the world, around the globe, you will find her here in this book. Written by the legendary Maximillien de Lafayette, who has to his credits more than 750 books and encyclopedias, 80 of them are in this field. The author brings to the table his 50 years of experience, as a historian, a critic and showbiz producer.
The Atheist's Prayer
After a solar eclipse, nineteen people were found dead in a remote area of the California National Forest. They were lying in a circle, holding hands and wearing plastic fairy wings. Years later, on the other side of the country, no one in the southern city of Jefferson is concerned about fairies or fairy-worshiping suicide cults. Except for Candy. She might not have proof, but she's damn sure it's going to happen again. The problem is, Candy is a coke-dealing stripper and the only person who will listen to her is an alcoholic mall Santa named Hank, who's only listening because, well...she's hot. There are seven days until the next eclipse.,
Theatrical Sketches
"Theatrical Sketches: Here and There With Prominent Actors" offers a glimpse into the world of late 19th-century theatre through a series of biographical sketches. This volume provides intimate portrayals of actors and actresses, capturing their personalities, professional lives, and the social milieu in which they operated. Presenting a vibrant snapshot of a bygone era, these sketches offer both theatrical history and a fascinating look at the lives of performers. Originally published in 1894, this collection provides valuable insights into the theatrical conventions and celebrity culture of the time. This book appeals to readers interested in theatre history, biography, and social history, offering a unique window into the personalities that shaped the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Liberation
Shortlisted for the Alfred Fagon Award 2025. To liberate anyone, you must first overthrowwhat you fear within yourself, Nkrumah.(Beat) It was never going to happen over oneweek in Manchester. (Beat) It is your life'swork. (Beat) It is a marathon. It's 15 October 1945, Manchester. Africa's freedom and future is in the hands of her descendants at the Fifth Pan-African Congress at Chorlton-on-Medlock Town Hall. Emerging African & Caribbean activists and scholars offer new radical ideas of liberation. However, the organiser, Trinidadian activist George Padmore is unsure who to pass the baton to. Kwame Nkrumah is fuelled by an idealistic desire to become the first Black president of the Gold Coast. Resourceful Jamaican social worker Alma La Badie is grappling with who must be sacrificed for the cause. And what of the revered Amy Ashwood-Garvey how does she ensure the voices of Black women are heard? With generational shifts and gender politics added to a swirling mix of power dynamics, Liberation asks timeless questions about revolution, freedom, and what it means to be an activist. This edition of Liberation commissioned by the Royal Exchange Theatre was published to coincide with the world premiere produced by Royal Exchange Theatre and Factory International Manchester in June 2025.
The Theatre in Its Relation to the State
"The Theatre in Its Relation to the State" offers a compelling examination of the symbiotic and sometimes contentious relationship between the performing arts and governmental authority. Penned by the esteemed Sir Henry Irving, this insightful work delves into the crucial role theatre plays in reflecting and shaping public sentiment, as well as the responsibilities of the state in fostering artistic expression.Irving's treatise explores how state support, or the lack thereof, can significantly impact the development and character of theatrical productions. He argues for a nuanced understanding of theatre's social and political influence, advocating for policies that encourage artistic innovation while safeguarding against censorship and undue interference. This book remains relevant for anyone interested in the intersection of culture, politics, and the enduring power of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Electric Grandma Experience
Best feel good story ever, about rock and roll, lost parents and Stairway to Heaven! Bobbo fancied himself as a player of the electrified guitar, but fame was hard to come by in the tiny town of Elsewhere. And when your grandmother gets more airplay than you, it's time to ask the big questions. The Electric Grandma Experience is: A book for people who don't like to read.A book about the pitfalls of rock, and or roll.A book with pictures - Vintage retro from magnificent humans in the Public Domain. A book also written by a human. All of it!A book featuring a cameos by Vincent Van Gogh, Eddie Van Halen and a fake Jimmy Page.A book that's been read on the Nile. Twice!A story about finding yourself where you least expected yourself to be.A book to be read and re-read, whether you're young, not so young, or unsure about what that means.A book by Seaside comedy writer and absurdist Alex Oliver. His first!
Undercover Nuns
They were supposed to spread the Good Word... not chaos.Sister Margaret and Sister Shirley aren't your average nuns. With a knack for bending the rules (and maybe breaking a few Commandments), they've just been kicked out of St. Peter's Parish for "creative" fundraising methods. Ordered to take their mission to the streets, the pair quickly trade sermons for scams-selling fake holy water and hustling small-city locals.
Theatrical Sketches
"Theatrical Sketches: Here and There With Prominent Actors" offers a glimpse into the world of late 19th-century theatre through a series of biographical sketches. This volume provides intimate portrayals of actors and actresses, capturing their personalities, professional lives, and the social milieu in which they operated. Presenting a vibrant snapshot of a bygone era, these sketches offer both theatrical history and a fascinating look at the lives of performers. Originally published in 1894, this collection provides valuable insights into the theatrical conventions and celebrity culture of the time. This book appeals to readers interested in theatre history, biography, and social history, offering a unique window into the personalities that shaped the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Theatre in Its Relation to the State
"The Theatre in Its Relation to the State" offers a compelling examination of the symbiotic and sometimes contentious relationship between the performing arts and governmental authority. Penned by the esteemed Sir Henry Irving, this insightful work delves into the crucial role theatre plays in reflecting and shaping public sentiment, as well as the responsibilities of the state in fostering artistic expression.Irving's treatise explores how state support, or the lack thereof, can significantly impact the development and character of theatrical productions. He argues for a nuanced understanding of theatre's social and political influence, advocating for policies that encourage artistic innovation while safeguarding against censorship and undue interference. This book remains relevant for anyone interested in the intersection of culture, politics, and the enduring power of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Book of Horror
"... the definitive guide to what properly messes us up." ― SFX Magazine "Glasby anatomises horror's scare tactics with keen, lucid clarity across 34 carefully selected main films - classic and pleasingly obscure. 4 Stars."― Total Film​ The Book of Horror introduces the scariest movies ever made and examines what makes them so frightening. Horror movies have never been more critically or commercially successful, but there's only one metric that matters: are they scary? Back in the silent era, viewers thrilled at Frankenstein and Dracula. Today, the monsters may have changed, but the instinct remains the same: to seek out the unspeakable, ride the adrenaline rush and play out our fears in the safety of the cinema. The Book of Horror focuses on the most frightening films of the post-war era - from Psycho (1960) to Longlegs (2024) - examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than 100 classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don't Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019), Host (2020), Talk to Me (2022), Longlegs (2024)
Our Old Actors
"Our Old Actors" (Volume 1) by Henry Barton Baker offers a fascinating glimpse into the lives and careers of prominent British stage actors from the past. Through a series of biographical sketches, Baker illuminates the personalities, triumphs, and challenges faced by these performers. This volume provides valuable insights into the development of British theater and the cultural landscape of the 19th century. Explore the world of the Victorian stage and discover the stories behind the names that once captivated audiences. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Our Old Actors
"Our Old Actors" (Volume 1) by Henry Barton Baker offers a fascinating glimpse into the lives and careers of prominent British stage actors from the past. Through a series of biographical sketches, Baker illuminates the personalities, triumphs, and challenges faced by these performers. This volume provides valuable insights into the development of British theater and the cultural landscape of the 19th century. Explore the world of the Victorian stage and discover the stories behind the names that once captivated audiences. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Invisible Digital
Invisible Digital helps us makes sense of something we cannot see by presenting an innovative approach to digital images and digital culture. At its heart is a novel method for exploring software used in the creation of moving images as markers of converging cultural, organizational and technological influences. The three main case studies of Invisible Digital are the animated feature Moana (2016) and the computer games No Man's Sky (2016) and Everything (2017). All three were created using procedural techniques: simulation software for Moana, and procedural content generation for No Man's Sky and Everything. Production culture disclosures associated with procedural techniques often emphasize the influences of automated systems and their algorithms, making them ideal for a study that interrogates digital processes. The approach of Invisible Digital is informed by relational theories and the concept of entanglement based on materialist perspectives, combined with insights from work that more explicitly interrogates algorithms and algorithmic culture. Aylish Wood employs the notion of assemblages to introduce the concept of material-cultural narratives. Using this conceptual framework, she draws out material-cultural narratives for each case study to demonstrate what they reveal about software and digital culture. These analyses of software provide a widely applicable method through which moving image studies can contribute more fully to the wider and growing debates about algorithmic culture.
Spectatorship and the Real in French Contemporary Theatre
This book explores how avant-garde directors in French theatre play on their audiences' frustration to generate an encounter with the real. Focusing on the work of directors such as Gis癡le Vienne, Jan Lauwers, Rodrigo Garcia, Jan Fabre and Romeo Castellucci, the book looks at how these directors manipulate their audiences to experience a raw perception of materiality and physical bodies on stage, set within narratives of mystery and the uncanny. This approach has led to these directors' work described as 'obscene', 'pretentious', 'demagogic' and 'provocative'. Because of this, the act of spectating and the nature of spectatorship itself becomes complicated and tends to leave French audiences doubting traditional codes and practices. It leads to the directors' work being misjudged and to contradictory discourses between critics, researchers and directors. The book examines how directors implement strategies on stage to trigger such experiences, while evaluating how problematic these strategies are. It develops critical and philosophical tools that help spectators extend their field of perception and better engage with these contemporary practices. And, in doing so, it analyses a fascinating paradox: the French theatre scene hosting both active avant-garde practices, especially when it comes to spectator experience, and strong rejections from audiences.
A Delsartean Scrap-book;
A Delsartean Scrap-book, compiled by Frederic Sanburn and Edmund Russell, offers a fascinating glimpse into the world of Fran癟ois Delsarte's method of expression in the late 19th century. This collection provides insights into the Delsarte system, which aimed to harmonize the body, mind, and spirit through a system of aesthetics and expression. Focusing on elocution, gesture, and emotional expression, the book reflects the era's interest in self-improvement, artistic cultivation, and the power of effective communication. The volume explores Delsarte's influence on acting, oratory, and physical culture, showcasing its significance in shaping performance techniques and aesthetic ideals. With its exploration of movement and emotion, this "Scrap-book" provides a unique historical perspective on the development of modern performance arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Unlocking Dracula A.D. 1972
Poorly received upon its release, Dracula A.D. 1972 has since evolved into a controversial cult classic. This book, the first dedicated solely to the film, analyzes the political, social, and cinematic contexts in which the film was created. Key themes explored include the occult revival of the early 1970s, the psycho-geography of the Chelsea neighborhood where the story is set, and the role of the film's distinctive cars, costumes, and set design. Situating Dracula A.D. 1972 within the traditions of revenge tragedy and contemporary horror cinema, this volume examines the film's nostalgic power, highlighting Mike Vickers' musical score, the impact of actors Christopher Lee and Peter Cushing, and the creative vision of director Alan Gibson. It provides crucial insights into the film's production and lasting significance, highlighting the artistic and historical influence that established it as a cult classic.
Drag Vistas and Visions
This third and final volume in Edward and Farrier's groundbreaking trilogy spotlights the vibrant spectrum of drag as an art form, identity category and political force. Drawing on practice, research, and interdisciplinary approaches, the volume captures drag's continual capacity to challenge, critique and create. Drawing from a range of academic disciplines, including critical disability studies, media, philosophy, linguistics, the book celebrates the many faces - and possibilities - of drag as a cultural and performance form. The contributions include chapters that are assertively activist, deeply reflective, and thought provoking. This third volume goes in search of new conversations through the exploration of critical drag studies. The frameworks that formulate these conversations advocate for a broader, inclusive vision of drag, while not shying away from some of its problematic components. The chapters peek behind the glamourous veneer of drag, exposing the grit and sweat that underpin the performance, while winking at the theory that we may use to understand. Drag Vistas and Visions sees drag through a transformative lens that pushes boundaries and transcends the ordinary.
Radical Realisms in Contemporary British Theatre
This book offers radical new insights into the relation between realism, feminism and gender identities in contemporary theatre. It maps the theatrical forms emerging from a 'new wave' of women's playwriting in Britain in the 2010s, unsettling the boundaries between what is conventionally considered realist and what is considered experimental. While realism has often been characterized as a politically conservative form in feminist criticism, the author argues that contemporary feminist plays demonstrate the potential of realism, both artistically and politically, to adapt and respond to our changing world. By re-encountering realism as an experimental form through close analysis of plays and productions, the author reveals the radicalism of realism anew. Reconsidering longstanding debates in feminist theatre scholarship in the light of contemporary theatre practice in the UK, this book also offers a new, 'feminist formalist' theoretical approach to analyzing plays. Playwrights and practitioners studied include RashDash, Katie Mitchell, Alice Birch, Ella Hickson, Jasmine Lee-Jones, Tanika Gupta, Young Jean Lee, Lucy Kirkwood, Travis Alabanza, Ya禱l Farber, Split Britches and Caryl Churchill. Case studies are enriched by original interviews with practitioners, as well as performance analysis, close reading and archival research. This book explores and celebrates the vitality and inventiveness of contemporary feminist playwriting.
Comedie Francaise
This is a print on demand edition of an important, hard-to-find publication.
Rhythm in Postdramatic Performance Process
Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US). While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on 'rhythmanalysis', bringing distinctive and insightful attention to rhythm as permeating key areas of performance process. By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism. Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company.
Practice, Research, and Cognition in Devised Performance
This interdisciplinary study explores devised performance and practice research at the intersection of the cognitive sciences and arts. It interrogates relationships between epistemology and cognition, action and aesthetics, and first-person experience and third-person investigation. Pairing practice research methodologies from theatre and performance with cognitive and neuroscientific approaches-both theoretical and empirical-it reveals new insights into the practices of collective creation in theatre. To foreground the insider knowledge inherent to practice research, the main case studies are works created and performed by Maiya Murphy's international movement-based devising collective, Autopoetics. Autopoetics' work is contextualized in reference to major international devising companies, dance companies, and interdisciplinary research projects including Complicit矇, Frantic Assembly, Forced Entertainment, Tectonic Theater Project, The Necessary Stage, Company Wayne McGregor, Australian Dance Theatre, Choreography and Cognition, Motion Bank and Watching Dance: Kinesthetic Empathy. Practice, Research, and Cognition in Devised Performance proposes a model for breaking down disciplinary silos to freshly access the processes of collaborative practice and invigorate research in the humanities and arts.
Creativity in Theatre-Making
Creativity in Theatre-Making identifies and explores relationships between theatre-makers. The book seeks to expand opportunities for creativity and collaboration from concept to realisation.
Experimental Xiqu Performances Endure
This book presents a detailed, thorough and theoretical study on experimental Xiqu performances that have taken place in recent decades in Mainland China, Hong Kong and Taiwan.
The Art of Collaboration
The Art of Collaboration explores the critical relationship between directors and stage managers; an essential guide for theatre professionals seeking to build strong creative partnerships, emphasising mutual respect, clear communication and shared goals.
The Girls Of Gottenberg
Rediscover the charm of early 20th-century musical theater with "The Girls Of Gottenberg," a delightful musical play in two acts. Written by a celebrated team of composers and lyricists including Ivan Caryll, George Grossmith, L.E. Berman, and Lionel Monckton, this play promises a nostalgic journey to a bygone era of theatrical entertainment.Perfect for theater enthusiasts, students of musical history, and anyone who appreciates the timeless appeal of classic stage productions, "The Girls Of Gottenberg" offers a glimpse into the lighthearted and enchanting world of vintage musical comedy. Experience the wit, melody, and vivacity of a truly memorable theatrical work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ten Fun, Short Plays
Ten Fun, Short Plays for Seniors Readers Theatre By Dennis Winkleblack Laughter, heart, and unforgettable characters fill the pages of Ten Fun, Short Plays for Seniors Readers Theatre. This delightful collection features ten engaging one-act plays written specifically for older adult performers-perfect for staged readings, senior center productions, or just for fun among friends. From humorous misunderstandings and heartfelt reunions to witty dialogue and gentle satire, these plays are easy to stage with minimal props and memorization. Each script includes clear character roles, casting suggestions, and light blocking notes to make production a breeze-even for amateur groups. These are plays with depth, charm, and a sense of humor about aging, family, love, and community. Whether you're organizing an activity for a retirement home or looking for performance material that resonates with mature audiences and actors, this book is your go-to resource. Perfect for: Senior centers & retirement communities Readers theatre groups Drama educators working with older adults Anyone who loves short plays with humor and heart No royalties required for performances at senior living centers-just bring the joy and give proper credit.
Ready for My Close-Up
For readers of Sam Wasson and Glenn Frankel, a cultural history about the making and lasting significance of Sunset Boulevard, whose piercing--and in many ways, prophetic--critiques of fame continue to resonate today. Great films are born of great collaborations, and Sunset Boulevard represents one of the most extraordinary confluences of cinematic talent in film history--but its production was surprisingly fraught, filled with unexpected twists. Why was William Holden, who had never caught fire as a leading man, hired to play Joe Gillis after the fastest-rising star in the business dropped out at the last minute? After Mae West and Mary Pickford turned down the now iconic role of Norma Desmond, how did Billy Wilder convince Gloria Swanson, who had long been absent from Hollywood at this point, to leave her low-paying job as a TV talk show host to join the cast? From the writers' room during Billy Wilder and Charles Brackett's final collaboration to the moment when the film won three Academy Awards, scholar and former Rolling Stone staffer David M. Lubin takes readers on a fascinating journey through film history that proves, once and for all, why Sunset Boulevard is one of the most iconic films in cinematic history. Just in time for the film's 75th anniversary, Ready for My Closeup breathes life into a beloved masterpiece of American cinema.
Queen Lessons
At an age when some women feel like they have to begin to cover themselves up, Holly Shaw, a performance coach and hypnotherapist, did the opposite, taking the stage as a stand-up comedian. In this book, hovering between memoir and self-help, Shaw invites readers into the wild world of comedy, chronicling the experiences that have shaped her, the victories and the trauma, and expertly extracts the wisdom from them into lessons for women entering their "queen years."Do you feel like your life has changed since you hit your forties? Are you done with being "nice" and pleasing everyone else? Do you feel ready to explode with fury and the injustice of it all?Queen Lessons hands you the mic. Read it and you will: Learn practical ways to cope and grow as your body changes and the world begins to treat you differently.Pick up simple strategies for dealing with everyday hecklers.Strengthen the Five Muscles of Stand Up Comedy Courage. Caution! These may make other people not like you as much, but you will like yourself more! Explore your relationship with attention and how you can change it for the better.Meet Holly's inner Earthquake Woman, Wise Woman, and Comedian (who might just be inside you, too.)Say goodbye to "Nice Girl."Change the temperature of a room and shamelessly ask for what you want. There are thousands of books on courage and self-confidence, but how many of those were written by someone trying to make it through mid-life while bombing in front of an audience? No one is more suited to tell you how to take it on the chin and keep going than a stand-up comedian experiencing hot flashes.Before you make one more vision board, read this book!
Breaking Into New Hollywood
For the millions seeking to pursue their Hollywood dreams, this is the definitive guide to breaking into the entertainment industry that explores and demystifies dozens of careers from acting to post-production, and also takes into account changes brought by the rise of streaming and AI. Everyone loves a captivating Hollywood rags-to-riches story. Take Charlize Theron, who was on her last paycheck and in a heated discussion with a bank teller when a kind stranger--who happened to be a talent agent--stepped in to help her cash an out-of-town check. Or consider Rosario Dawson, discovered right on her front porch by filmmakers looking for fresh talent for Kids. And then there's Leonardo DiCaprio, the son of a secretary and a writer and distributor of underground comics, who saw acting as a way out of poverty. But that's not how it usually happens for the tens of thousands of people who work in the entertainment industry. For many just starting out, and even those already in the business, the road can feel mysterious and overwhelming. From actors and directors to behind-the-scenes heroes like managers, grips, and sound designers, Breaking into the New Hollywood is here to uncover the many opportunities for newcomers hustling in what the Los Angeles Times calls the "company town"--and beyond. This practical guide offers invaluable insights on navigating the industry today. How has working in film changed in the age of streaming? What does CGI mean for special effects? Even with the rapid rise of YouTubers and social media stars raking in millions of views and competing for traditional movie theater audiences, there are still more job opportunities than ever for those eager to start a career in film and TV. Breaking into the New Hollywood is an up-to-date roadmap for aspiring stars wanting to make a living in front of the camera, but it's also for those passionate about being part of the collaborative, creative community like no other.
Kanpur
Winner of a Scotsman Fringe First Award 2025 This isn't a story, this isn't myth, nor legend, this is my life, it is my people's lives. Strapped to a cannon, an Indian rebel finds themselves answering to a British officer for the crimes of Kanpur - an Indian uprising against British colonial forces. Based on historical events, this new play comically satirises contemporary conflictsaround gender, colonial violence, and making art in times of crisis. But who is the hero and who is the villain? Whatever happens, it's going to be explosive. This edition of Kanpur: 1857, winner of the Pleasance's Charlie Hartill Fund, was published to coincide with the production at the Pleasance Theatre, Edinburgh Festival Fringe in July 2025.
The Girls Of Gottenberg
Rediscover the charm of early 20th-century musical theater with "The Girls Of Gottenberg," a delightful musical play in two acts. Written by a celebrated team of composers and lyricists including Ivan Caryll, George Grossmith, L.E. Berman, and Lionel Monckton, this play promises a nostalgic journey to a bygone era of theatrical entertainment.Perfect for theater enthusiasts, students of musical history, and anyone who appreciates the timeless appeal of classic stage productions, "The Girls Of Gottenberg" offers a glimpse into the lighthearted and enchanting world of vintage musical comedy. Experience the wit, melody, and vivacity of a truly memorable theatrical work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Delsartean Scrap-book;
A Delsartean Scrap-book, compiled by Frederic Sanburn and Edmund Russell, offers a fascinating glimpse into the world of Fran癟ois Delsarte's method of expression in the late 19th century. This collection provides insights into the Delsarte system, which aimed to harmonize the body, mind, and spirit through a system of aesthetics and expression. Focusing on elocution, gesture, and emotional expression, the book reflects the era's interest in self-improvement, artistic cultivation, and the power of effective communication. The volume explores Delsarte's influence on acting, oratory, and physical culture, showcasing its significance in shaping performance techniques and aesthetic ideals. With its exploration of movement and emotion, this "Scrap-book" provides a unique historical perspective on the development of modern performance arts.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
McQueen
A full and frank portrait of the complex man behind the icon of cool. Steve McQueen, one of the first 'cool' film stars, remains a cultural icon the world over. His image is used to sell everything from cars, to beer, to a range of dolls. From the Cincinnati Kid to Frank Bullitt, Tom Crown to Papillon, his roles exemplified a certain school of male charm, as well as grit and a hint of menace. McQueen was born in 1930 into a poor Mid-western family to a highly strung mother and truant father. In and out of reform school from a young age, he was eventually made a ward of court and the resulting sense of abandonment never left him. His big break came with the TV Saga Wanted: Dead or Alive and the now cult-classic B-movie The Blob. Just two years later he was one of the leading lights of tinseltown. Sandford goes on to chart McQueen's phenomenal Hollywood career, starring in some of the world's best-loved films, in tandem with his turbulent private life: his marriages, his bisexuality, the drink, the fast cars, casual sex and violence. As a close friend has remarked: 'You couldn't peg him. He wanted to be memorable as an actor - but in his private life you got the impression he was trying to speed up, to get into the next hour without quite living out the last one.' As Sandford reveals, McQueen's public demeanour of studied nonchalance hid chronic self-destrutive urges which emerged in his favourite hobbies, including bare-knuckle boxing and porsche-racing, as well as several suicide attempts. His 'lost' years at the very height of his fame are illuminated with disclosures of rampant addiction, bizarre health cures, fringe religion and androgyny. McQueen died in 1980 at a 'wellness' clinic in New Mexico, having been earlier diagnosed with lung cancer . His last words were 'Lo hice' - Spanish for 'I did it'. Sandford has spoken to a wide range of McQueen's contemporaries - Hollywood stars, friends and family - and discovered the man behind the myth, the abandoned little boy underneath the movie-god swagger.
The Play Pictorial
Step back in time with "The Play Pictorial, Volume 9," a fascinating glimpse into the vibrant world of Edwardian theater. This meticulously preserved volume offers a unique window into the popular plays and stage productions of the early 20th century. Featuring stunning photographs and insightful commentary, "The Play Pictorial" captures the essence of theatrical performances that captivated audiences. This volume is a treasure trove for theater enthusiasts, historians, and anyone interested in the cultural landscape of a bygone era. Discover the artistry, drama, and spectacle that defined British theater at the turn of the century.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
TT-Train of Thought
Comedy film and theatre project set inside a train. The whole story is set inside a train carriage. Due to an engine failure the journey is dragging on without knowing when it will end. The only information received is from the "camp" voice of the main train driver blasting away throughout the train at regular intervals. The passengers are forced to endure this, pushing them to the limits; into some deep agonizing fits and often deeply traumatic moments. During the journey they all speak to each other either together and in unison or they are responding to their own respective conversation without even acknowledging their receiver's end conversation all veering deep toward their own monologue. No one is really listening to what the other one has to say but the interaction is still vibrant, and often high-ended. Toward the end, it's almost like if all the passengers were talking to a brick wall; but the difference is of course that a brick hasn't got a face or a sound. All the groups share the same conversation but never interact between and with the different groups. They only share the same train of thoughts. The project has later been turned into a feature film: "Adventures Beyond the Hemisphere".
Theatre Magazine
Theatre Magazine, 14 offers a fascinating glimpse into the world of early 20th-century theater. This issue, part of a larger series, captures the vibrant and evolving landscape of dramatic arts during a pivotal period. While authored anonymously, the magazine provides invaluable insights into the plays, players, and theatrical trends of its time. Readers will discover a rich tapestry of reviews, interviews, and features, shedding light on both popular productions and emerging talents. The magazine serves as a historical document, preserving the energy and creativity of a bygone era for contemporary audiences. A must-read for theater enthusiasts, historians, and anyone interested in the cultural heritage of the stage.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
San Francisco Theatre Research
San Francisco Theatre Research, Volume 1, offers a glimpse into the vibrant theatrical scene of 19th-century San Francisco. This volume, edited by Lawrence Estavan, features monographs on two significant figures: Stephen C. Massett, a singer, writer, and showman, and Joseph A. Rowe, a pioneer circus manager. Explore the lives and careers of these influential personalities who shaped the entertainment landscape of early San Francisco. Discover Massett's contributions as a performer and writer, and delve into Rowe's pioneering efforts in circus management. This meticulously researched work provides valuable insights into the cultural history of San Francisco and the evolution of American entertainment.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Laika: The Magic Behind a Stop-Motion Dream Factory
An unprecedented look behind the curtain of the preeminent stop-motion studio, this comprehensive volume is brimming with exclusive artwork, photography, and interviews with key creatives. In this rare glimpse at LAIKA's 500,000-square-foot dream factory, read how the visionaries of the renowned stop-motion studio bring LAIKA's handcrafted films to life one frame at a time. Stunning new puppet photography, never-before-seen artwork, and interviews with the studio's community of storytellers take readers on an unforgettable tour through the studio's key people, places, and processes, from script development to production design, puppet fabrication, 3D face printing, animation, and visual effects. Featuring a double-page gatefold measuring nearly three feet wide, this expansive illustrated publication on the illustrious studio reveals LAIKA's innovations in stop-motion filmmaking over the last two decades, from Kubo and the Two Strings to ParaNorman, The Boxtrolls, Coraline, Missing Link, and Wildwood. Copyright (c) 2026 LAIKA, LLC. All Rights Reserved.
Faces Of The Footlights
"Faces Of The Footlights" offers a glimpse into the vibrant world of the theater, likely during the early 20th century. Through biographical sketches and anecdotes, E. B. Colvan illuminates the lives and careers of stage actors, offering readers a unique perspective on their experiences, challenges, and triumphs. The book explores the social dynamics of the theatrical community, capturing the spirit of a bygone era and appealing to those interested in theater history and social history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Theatre Magazine
Theatre Magazine offers a fascinating glimpse into the world of early 20th-century stagecraft and dramatic arts. This issue provides a snapshot of the theatrical landscape, capturing the trends, personalities, and performances that defined the era. Readers will discover insightful articles, reviews, and perhaps even behind-the-scenes glimpses of productions. For historians, theater enthusiasts, and anyone interested in the cultural fabric of the past, Theatre Magazine provides a valuable window into a vibrant and influential art form.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Some Account of the English Stage, From the Restoration in 1600 to 1830
"Some Account of the English Stage, From the Restoration in 1600 to 1830" offers a detailed historical overview of English theater during a pivotal period. Spanning from the Restoration era through the early 19th century, this work provides invaluable insights into the plays, playwrights, actors, and theatrical practices that shaped the English stage. Meticulously researched and comprehensive, this account captures the evolution of dramatic arts, the shifting tastes of audiences, and the social and cultural contexts influencing theatrical productions. This volume is an essential resource for scholars, students, and anyone interested in the rich heritage of English dramatic literature and performance.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Shoddy Detective and the Art of Deception
Don't be ridiculous Dusty, this isn't one ofyour Shoddy Detective Plays... A laugh-out-loud slapstick whodunnit featuring four actors, a dozen characters and a whole load of chaos. When a priceless painting vanishes during a private auction, Detective Stuart Pidcock is brought in tounravel the mystery. But when he finds himself stumped, he must turn to an old adversary for help. The unlikely duo must question the colourful array of suspects living at the manor, all while trying to track down the cunning thief and solve the crime of the century. This edition of A Shoddy Detective and the Art of Deception was published to coincide with the UK Tour and Edinburgh Fringe Festival run in Spring/Summer 2025.
