Temporary Stages III
Theatre activities ask adolescents to empathize with those who are different from themselves. Recognizing divergence invites self-reflection and kindles compassion. These actions tap students' inner cores while at the same time deepening their understanding of privilege, a key component of critical consciousness.Through the lens of critical pedagogy and feminist theory, this book explores the mutually reinforcing development of spirituality and emerging critical consciousness fostered by high school theatre experience. By examining her own public high school theatre program through description, analysis and interpretation, Gonzalez explores why and how theatre work can simultaneously fortify teens' spiritual growth while activating dawning awareness of the socio-political dynamics in their own lives and the world around them. The book includes the original one-act play Free to Fly, which introduces young people to the dangers of sex trafficking of minors.Temporary Stages III will appeal especially to secondary theatre teachers, theatre education pre-service teachers, and graduate students studying theatre pedagogy and critical cultural theory.
Jaws: Memories from Martha's Vineyard (Updated and Revised Edition)
The 1st account of the making of Jaws to focus on the production's local participants, featuring 100s of never-before-seen photos, accounts and anecdotes, and a Foreword by Steven Spielberg. Updated with new material for the film's 50th anniversary. You're gonna need a bigger coffee table! The filming of Jaws was a landmark event in the history of both movies and the quaint New England island of Martha's Vineyard, where the geographic isolation necessitated hiring 100s of locals to work as cast and crew. Among them were many professional and amateur photographers with full access to the production. Memories compiles their photos and stories for the 1st time into a unique compendium. Movie buffs, SFX enthusiasts, and fans of Jaws will thrill in this definitive volume's special features: - Updated edition includes +100 new photos, most previously unseen and many in colour, new interview material with local cast and crew, and an Afterword by Wendy Benchley, wife of Jaws author Peter Benchley.- Foreword by Steven Spielberg.- 100s of previously unpublished photos taken by local participants and bystanders, and a detailed account of how the filmmakers chose Martha's Vineyard as their shooting location.- Recollections of local crew and cast, including Lee Fierro (Mrs. Kintner), Chris Crawford, real-life captain of the Orca, and Craig Kingsbury, the inspiration for Robert Shaw's portrayal of maniacal shark hunter Quint.- Newly illustrated schematics by Jaws Production Designer Joe Alves, explaining the intricacies of the revolutionary sea sled fin mechanism, and his original 1974 storyboards.- Insight on adapting Jaws from page to screen from Screenwriter Carl Gottlieb, Location Casting Director Shari Rhodes, and more.
Serial Thrillers
'The BBC seems bent on turning the children into a new kind of drug addict for ... serial thrillers ...' (The Times - 17 December 1946) Following the end of the Second World War, a new form of radio entertainment would explode across Britain - the adventure serial. Whether solving murders, foiling conspiracies or journeying into space, the heroes of these radio serials would be the idols of an entire generation of post-war radio listeners. Dick Barton, Paul Temple, Dan Dare and Jet Morgan were once among the most famous names in British fiction. However, today they are almost forgotten. With detailed episode guides and behind-the-scenes stories, it is now once again possible to relive the excitement of one of radio's most addictive formats and enjoy again the exploits of its most daring adventurers. With a special introduction by Nicholas Parsons Covers the Serials: DICK BARTONPAUL TEMPLEDAN DAREJOURNEY INTO SPACE 'I recommend it to anyone who is interested in these heroes of radio.' Steve Winders, Bear Alley 'If you were a British radio fan in the late 40's through to the mid 50's (as I was) this is the book for you. It brings back memories of the Paul Temple, Dick Barton, Dan Dare and Journey Into Space radio serials. it describes behind the scenes background information as well as storylines and production details. A throroughly enjoyable read for British Old Time Radio fans.' Cliff Lamb, Amazon
Sahir Ludhianvi - The People's Poet
Sahir Ludhianvi is probably the only songwriter in Hindi films whose poetry was accepted in its purest form and incorporated as a film song. So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwri
Travesty Actors
Examining theatrical performance under Stalinist cultural mandates Talk of Joseph Stalin's "show trials," the public prosecutions in Moscow's Hall of Columns in the late 1930s, is so familiar as to obscure the relationship between actual shows--in the Soviet Union's major theaters--and politics. Travesty Actors: Self and Theater in Stalinist Culture examines theatrical performance within the context of the Soviet cultural establishment's fashioning of a "genuine Soviet person." Boris Wolfson focuses on prominent and controversial plays by artists including Aleksandr Afinogenov, Mikhail Bulgakov, Yuri Olesha, and Natalia Sats and the efforts of theater companies, like the Moscow Arts Theater, the Meyerhold Theater, and the Central Children's Theater, to adhere to this cultural mandate while grappling with repression, censorship, and conflicting interpretations of its aims. Drawing on archival materials, diaries and memoirs and eyewitness accounts, Wolfson greatly illuminates the achievements of Soviet theater during this harsh period and the cultural significance of artistic theories and practices for articulating and enacting ideological programs.
The Oxford Handbook of Screen Comedy
The Oxford Handbook of Screen Comedy offers a rich sampling of the most current research and evolving trends in a vast and growing field-the study of humor and comedy in movies, television, streaming content, social media, and other forms of mediated comedy. The thirty new essays in this volume, written by leading scholars and emerging researchers, are guideposts to where the field is now and where it is heading. By its very nature, comedy eludes definition and crosses boundaries. Trying to grab the wriggling creature and subject it to analysis presents special challenges. The contributors featured in this volume apply a range of methods to analyse case histories, interpret trends, and theorize the changing face of comedy. Some celebrate the diverse pleasures of laughter; some critique its more nefarious practices and warn of salient dangers. Together, they bring insights from feminist, black, and queer studies, focus on issues of identity and ideology, extend and revise notions of historical development, and follow the emergence and migration of comic forms in Latin America, China, North Korea, and South Africa. The broad aim of this book is to increase awareness of these exciting studies and inspire more productive exploration as the field continues to grow.
The Golden Girls
The Golden Girls: Tales from the Lanai is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. The Golden Girls reclaims the production history and development of the show, opens new conversations about audiences-especially Black, queer, and female audiences-and provides new insight into the meteoric rise in popularity of The Golden Girls as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day's journey into the marinara of The Golden Girls-an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of The Golden Girls.
Translating Silent Cinema
Translating Silent Cinema examines closely the translation, adaptation and reception of three silent films in English, German, and Yiddish to argue that the study of film translation should extend beyond textual translation to a wide selection of primary materials and the consideration of social, economic, cultural, and historical contexts.Close readings of Der Kaufmann von Venedig [The Merchant of Venice] (1923), Das alte Gesetz [The Old Law] (1923), Ost und West [East and West] (1923) raise a theoretical question: Can we discuss films in the same way that we discuss theater productions, regarding each individual screening as a performance, and compose a "performance history" of different films? As no two film screenings are the same, the author highlights the importance of a multidisciplinary approach to translation that combines insights from Film Studies, Translation Studies, and cultural and historical contexts. Furthermore, in linguistic comparison and in the study of the reception of the films in each language, this book argues that each film is the subject of very different receptions under very different circumstances. It also analyses the relevance of films that were made in Austria and in Germany during the 1920s on Jewish themes to a contemporary debate about immigration, racism, and discrimination.This book's pioneering analysis of the study of film translation encompasses a wide context of multiplicity of ideologies, economic interests, and historical contexts. It will be of interest for readers in Translation Studies (particularly in Audiovisual Translation), Film Studies, German Studies (and German Cinema) and Jewish Studies (and Cinema).
Shakespeare's Heartbeat
This updated and revised edition of Shakespeare's Heartbeat offers a step-by-step guide detailing how to demonstrate, play and perform sensory games based on two of Shakespeare's most popular plays with autistic people of all ages.
New York Animation 1966-1999
Focusing on a specific period in New York's rich animation history, this book examines the unique styles, movements, personalities, and projects that emerged in the city from 1966 to 1999. During this era, New York became a hub of significant stylistic, cultural, and market transformations, playing a crucial role in nurturing the rise of independent animation as well as the development of digital production platforms and methods. This shift ultimately led to the decline of cel and film techniques, which had been the dominant means of animation production until that time. Nonetheless, it also provided independent artists with opportunities to influence the future direction of animation. A central theme of this work links the efforts in New York to today's creator-driven animation, illustrating a direct connection between New York independents and properties such as Sesame Street, MTV, Adult Swim, and The Simpsons.
The Routledge Companion to Performance-Related Concepts in Non-European Languages
Neuroaesthetic Stage Lighting Design
Neuroaesthetic Stage Lighting Design redefines stage lighting through the lens of neuroaesthetics, exploring how light shapes human perception, emotion, and experience. Interweaving science, philosophy, and art, it reveals the power of lighting to enhance beauty and meaning on the stage.This book provides a comprehensive exploration of the aesthetic and functional principles of light by weaving together multiple threads of interdisciplinary integration, faithful reproduction of natural light, scientific foundation, and visual symbolism. It explores lighting that mimics originals including natural light to enhance beauty and audience immersion, explains the biological and psychological effects of light on human experience, and examines how set, lighting, costumes, and videos contribute to the performance's imagery and audience perception. By using scientifically informed lighting design, the book seeks to create immersive and fully emotional performances. It encourages lighting designers to adopt an interdisciplinary, artistically informed approach and provides valuable insights into the lighting design process, surpassing traditional technical manuals.A compelling read for theatre professionals, designers, students and researchers of neuroaesthetics, and anyone curious about the meaning and reasons behind beauty, Neuroaesthetic Stage Lighting Design reimagines lighting as an essential component of human experience and artistic excellence.
Stranger Things
Go deeper into the groundbreaking Emmy-winning series with the complete, authorized scripts of Stranger Things: Season Two, including an exclusive introduction from the Duffer Brothers. EXT. DOWNTOWN HAWKINS - THE PALACE (THE UPSIDE DOWN)Will steps outside. Scared. Cautious.It's a very familiar nightmare landscape. Fog. Spores. Nether growths. Only. . . it's worse now. The spores are heavier; the growths, thicker, smothering the buildings. If the Upside Down is a supernatural cancer . . . then that cancer has spread. Nearly a year after the Demogorgon attacked Hawkins and Eleven sacrificed herself to save her friends, life has largely returned to normal for everyone. Mike and his friends are competing for high scores at the new arcade. Hopper is dealing with locals complaining about rotting crops. And Joyce is dating super nice guy, Bob. But Will is still being plagued with terrifying visions of the Upside Down, and the rot affecting local crops is spreading . . . and stemming from Hawkins Lab. The Duffer Brothers' critically acclaimed series, Stranger Things, took the world by storm with its 80s nostalgia, dimension-hopping secrets, and charming cast of characters. Season Two brings a cool new kid Max and her jerk brother, Billy, to Hawkins along with TV dinners for El and Hopper; Bob's heroics; the cute-but-suddenly-not-cute demodogs; and the terrifying Mind Flayer. Collected here for the first time, the complete scripts of Stranger Things: Season Two include the scenes, dialogue, and character directions for all nine episodes as well as an exclusive introduction from the creators and showrunners, Matt and Ross Duffer.
#Byop: Be Your Own Producer
Written by Broadway actress and award-winning indie film and music producer Ashley Kate Adams, #BYOP: Grief and Productivity for the Artist guides artists through loss, creative transformation, and healing.In her second book, Adams shares that through grief, artists might find themselves more awake and creating more authentically than ever before. In this memoir-fueled, how-to guide filled with personal stories of loss and transformation, both in the entertainment industry and in her own life, she seeks to assist creatives through the most challenging times of their lives by focusing on the duality of creativity.Through interviews, poems, and lyrics, she also celebrates the productivity of artistry when people dare to create through their sorrow and pain. Adams believes that grief allows the opportunity for true realignment and gives artists the understanding to live more boldly than ever before.
A Fall from Grace
This is the story of Donatien Alphonse Fran癟ois, Marquis de Sade (2 June 1740 - 2 December 1814) a French aristocrat, revolutionary politician, philosopher, and writer famous for his libertine sexuality and lifestyle. His works include novels, short stories, plays, dialogues, and political tracts; in his lifetime some were published under his own name, while others appeared anonymously and Sade denied being their author. He is best known for his erotic works, which combined philosophical discourse with sexual fantasies. He was a proponent of extreme freedom, unrestrained by morality, religion, or law.Sade was incarcerated in various prisons and in an insane asylum for about 32 years of his life; 11 years in Paris (10 of which were spent in the Bastille), a month in the Conciergerie, two years in a fortress, a year in Madelonnettes, three years in Bic礙tre, a year in Sainte-P矇lagie, and 13 years in the Charenton asylum. During the French Revolution he was an elected delegate to the National Convention. Many of his works were written in prison.
[programmes For Theatrical Performances At Various Theatres In Ontario, And In Detroit, Mich., 1900-1902
TV-Philosophy
This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell's work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives. The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. 'Series-philosophy' is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education-in sometimes surprising ways.
TV-Philosophy in Action
TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier's monthly columns published in the French journal Liberation. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Liberation, as well as longer pieces, to demonstrate 'TV-Philosophy in action': Laugier's response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes-relating to politics, identity, and the stories we tell ourselves about our world-the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.
Why Can't I Just Enjoy Things?
Comedian Pierre Novellie was on stage when a heckler suggested he was autistic. Usually, this disruption would be water off a duck's back but two things made this heckler different: first, he was himself autistic. Second, he turned out to be absolutely right. This random encounter led to a diagnosis of autism at the age of 31 that unraveled his world, explained his struggles and answered questions that had bothered him for his entire life: why were the other kids obsessed with Britney Spears instead of The Goon Show? Why don't people ever say what they mean? Why is everyone chewing so loudly? At once a hilarious and insightful journey through autism and neurodivergence, an entertaining explainer for the uninitiated and observational comedy for the neurodiverse, this is the perfect read for anyone who has ever asked themselves: why can't I just enjoy things?
Your Favorite Scary Movie
The ultimate story of the Scream movie franchise, featuring interviews from more than eighty key players and an in-depth exploration of the creation and legacy of the films that revived a dying genre In Your Favorite Scary Movie, entertainment journalist Ashley Cullins examines the making and impact of the Scream films with behind-the-scenes insight from cast, creators, and crew, as well as sharp analysis on how the movies' special blend of gruesome violence and humorous self-awareness rewrote the horror playbook. This intimate and thorough history includes brand-new interviews from Neve Campbell, Courteney Cox, David Arquette, Kevin Williamson, Skeet Ulrich, Matthew Lillard, Jack Quaid, Parker Posey, Hayden Panettiere, Jasmin Savoy Brown, Mason Gooding, Radio Silence, Roger L. Jackson, and so many more. Perfect for fans of Scream, horror lovers, and cinephiles, this is the story of how a little movie about a ghost-faced killer terrorizing high schoolers overcame countless obstacles to become an historic success that still has audiences screaming to this day.
Schechner Plays
The only collection of Richard Schechner's plays. This book offers a collection of Richard Schechner's performance texts ranging from orthodox plays to group-devised texts. Covering the full breadth of his work from the 1950s to the present, it includes several never-before-published early texts as well as updated versions of well-known productions such as Dionysus in 69, YokastaS, Makbeth, and Imagining O. M獺rta Minier's introduction gives an overview of Schechner's work, while Schechner introduces each script in terms of their intellectual and production contexts.
Arts-Based Research in Theatre and Performance
Arts-based Research in Theatre and Performance provides a roadmap on how to conduct arts-based research, offering a vibrant exploration of how ethnography, autoethnography, poetry, and fiction can be used successfully in research projects.This volume delves into a rich array of works from the theatre and performance canon, reframing them through the lens of arts-based research. Readers are introduced to the innovative methodologies and bold contributions of diverse artists and scholars, both contemporary and historical, who may help to redefine how readers understand, document, and engage with performance as arts-based research. Each chapter walks the reader through practical exercises so they can develop their techniques and research projects.With reflections on professional and academic practice throughout, this is an accessible guide for students and practitioners wanting to conduct their own arts-based research in theatre, performance, drama therapy, drama education, applied theatre, and other similar fields.
Creativity in Theatre-Making
Creativity in Theatre-Making identifies and explores relationships between theatre-makers. The book seeks to expand opportunities for creativity and collaboration from concept to realisation. It does so by reconsidering the so-called 'technical roles' as 'creators', thereby dismantling the conventional distinction between creative and technical teams. The book challenges this limited views of creativity, offers an alternative model of relationships - a heterarchy - and uses this to underpin a range of techniques and strategies that improve the productivity, well-being, and inclusivity of professional theatre practice. Its core pedagogic principle is that understanding 'why' is more useful than simply knowing 'what'. The book includes an overview of all the major specialist meetings and roles in theatre-making; as well as an in-depth exploration of the key resources used to create Shows and how these can be utilised collaboratively and sustainably. There is also advice on giving and receiving effective feedback during the production process and engaging with creative, financial and safety risks. Throughout the text, the author defines the specialist terminology being used, and offers real-world examples. Creativity in Theatre-Making is for undergraduate and postgraduate students studying for a creative and/or 'technical' role in the theatre industry and related sectors, as well as early- and mid-career theatre professionals looking to appraise or refresh their practice.
Being Black and British
Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.Written by Black writers working in and around the British performative industries, this book offers practical and theoretical tools to take into the classroom, studio, rehearsal room, mind, body and heart, focalised unapologetically through being Black in Britain. Structured across three acts, it covers themes present on the road to drama school such as youth theatre, the texts studied and early experiences in theatre spaces; drama school training with practical suggestions to encourage and embolden Black actors and the world of the profession, ensuring that mental health, making work and a sense of what can be offered by Black actors is made clear.This book is a call to action and a challenge to all those who teach, lecture, direct, parent, produce, cast and/or train, Black performers in Britain - and those performers themselves, to listen more, ask more, feel more and be more.
Being Black and British
Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.Written by Black writers working in and around the British performative industries, this book offers practical and theoretical tools to take into the classroom, studio, rehearsal room, mind, body and heart, focalised unapologetically through being Black in Britain. Structured across three acts, it covers themes present on the road to drama school such as youth theatre, the texts studied and early experiences in theatre spaces; drama school training with practical suggestions to encourage and embolden Black actors and the world of the profession, ensuring that mental health, making work and a sense of what can be offered by Black actors is made clear.This book is a call to action and a challenge to all those who teach, lecture, direct, parent, produce, cast and/or train, Black performers in Britain - and those performers themselves, to listen more, ask more, feel more and be more.
Arts-Based Research in Theatre and Performance
Arts-based Research in Theatre and Performance provides a roadmap on how to conduct arts-based research, offering a vibrant exploration of how ethnography, autoethnography, poetry, and fiction can be used successfully in research projects.This volume delves into a rich array of works from the theatre and performance canon, reframing them through the lens of arts-based research. Readers are introduced to the innovative methodologies and bold contributions of diverse artists and scholars, both contemporary and historical, who may help to redefine how readers understand, document, and engage with performance as arts-based research. Each chapter walks the reader through practical exercises so they can develop their techniques and research projects.With reflections on professional and academic practice throughout, this is an accessible guide for students and practitioners wanting to conduct their own arts-based research in theatre, performance, drama therapy, drama education, applied theatre, and other similar fields.
Aesthetics of Dalit Theatre
Since Dalit theatre has not garnered as much recognition as the other genres of Dalit literature have, this book, being one of the pioneering works in the field, aims to highlight the genre within the framework of Dalit literature and the Dalit Movement in India. The discussion extensively delves into the historical background, context and aesthetics of Dalit drama and theatre from epistemological viewpoints. To illustrate the subtleties of caste, class and gender in the pan-Indian scenario, the book includes textual understandings of specific Dalit plays, available in English translation, originally written in Marathi, Tamil, Telugu, and Bengali, covering diverse regions of India. The inclusion of full-length interviews, conducted by the author, of all the living playwrights whose texts have been taken up for analysis, is another substantial facet of this study.
The Atheist's Prayer
After a solar eclipse, nineteen people were found dead in a remote area of the California National Forest. They were lying in a circle, holding hands and wearing plastic fairy wings. Years later, on the other side of the country, no one in the southern city of Jefferson is concerned about fairies or fairy-worshiping suicide cults. Except for Candy. She might not have proof, but she's damn sure it's going to happen again. The problem is, Candy is a coke-dealing stripper and the only person who will listen to her is an alcoholic mall Santa named Hank, who's only listening because, well...she's hot. There are seven days until the next eclipse.,
