Staging 21st Century Tragedies
Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice.
The Hero’s Trail
The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).
The Jeffersons - A fresh look back featuring episodic insights, interviews, a peek behind-the-scenes, and photos (hardback)
The Jeffersons, created by award winning television writer, producer Norman Lear, was one of the longest-running sitcoms in TV history. Starring Isabel Sanford, Sherman Hemsley, Mike Evans, Marla Gibbs, Zara Cully, they portrayed a family who were able to move on up to a hi-rise apartment in Manhattan, New York. The neighbors were played by Roxie Roker, Franklin Cover, Berlinda Tolbert and Paul Benedict. Prominent cast members included Ned Wertimer, Danny Wells and Ernest Harden, Jr. Many guests, such as Sammy Davis, Jr., Billy Dee Williams and Gladys Knight appeared. Laughter was the name of the game, though serious issues such as racism, alcoholism, and juvenile delinquency were tackled. The show remains a favorite through reruns, and the number of fans who tuned in to the Norman Lear 2019 Jeffersons TV remake attest to its popularity. Elva Diane Green, the author of the award-winning biography "Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer" and the daughter of Eddie Green, has crafted another fine achievement by sharing her take on The Jeffersons from a fan's point of view. She has written a fun, entertaining and informative background history. This book is enhanced with a Foreword from Marla Gibbs and includes an Endword from John H. McWhorter, linguist, author and associate professor at Columbia University.
The Jeffersons - A fresh look back featuring episodic insights, interviews, a peek behind-the-scenes, and photos
The Jeffersons, created by award winning television writer, producer Norman Lear, was one of the longest-running sitcoms in TV history. Starring Isabel Sanford, Sherman Hemsley, Mike Evans, Marla Gibbs, Zara Cully, they portrayed a family who were able to move on up to a hi-rise apartment in Manhattan, New York. The neighbors were played by Roxie Roker, Franklin Cover, Berlinda Tolbert and Paul Benedict. Prominent cast members included Ned Wertimer, Danny Wells and Ernest Harden, Jr. Many guests, such as Sammy Davis, Jr., Billy Dee Williams and Gladys Knight appeared. Laughter was the name of the game, though serious issues such as racism, alcoholism, and juvenile delinquency were tackled. The show remains a favorite through reruns, and the number of fans who tuned in to the Norman Lear 2019 Jeffersons TV remake attest to its popularity. Elva Diane Green, the author of the award-winning biography "Eddie Green The Rise of an Early 1900s Black American Entertainment Pioneer" and the daughter of Eddie Green, has crafted another fine achievement by sharing her take on The Jeffersons from a fan's point of view. She has written a fun, entertaining and informative background history. This book is enhanced with a Foreword from Marla Gibbs and includes an Endword from John H. McWhorter, linguist, author and associate professor at Columbia University.
The Art of the Batman
The official behind-the-scenes illustrated tie-in book to the smash hit The Batman by Matt ReevesThis gorgeous book offers an insider's look at the design and production process for The Batman, including insightful interviews with the filmmaking team and cast; never-before-seen conceptual paintings and set photos exploring this new version of Gotham City; shot-by-shot comparisons between the film and storyboards; and a closer look at the designs for the costumes, vehicles, gadgets, riddles, and more.Two years of stalking the streets as The Batman, striking fear into the hearts of criminals, has led Bruce Wayne deep into the shadows of Gotham City. As the evidence surrounding a series of crimes begins to lead closer to home and the scale of the perpetrator's plans becomes clear, Batman must forge new relationships, unmask the culprit, and bring justice to the abuse of power and corruption that has long plagued Gotham City.The Batman stars Robert Pattinson as Bruce Wayne/The Batman, Zo禱 Kravitz as Selina Kyle/Catwoman, Paul Dano as Edward Nashton/ The Riddler, Colin Farrell as Oswald Cobblepot/The Penguin, Jeffrey Wright as Lieutenant James Gordon, Andy Serkis as Alfred Pennyworth, and John Turturro as Carmine Falcone.
Geraldine Chaplin
Geraldine Chaplin is the most distinguished actor among Charlie Chaplin's children. Through her collaborations with major international film directors, she has created a striking performative presence across international cinema. Her acting also evokes, with varying levels of self-consciousness and in shifting cinematic contexts, the memory of her father's screen performances. This book analyses the distinctive screen art of Geraldine Chaplin and uncover parallels between her performances and her father's work on film. Through this method, this star study explores the rich and surprising relationships between art cinema and silent film comedy, and between modernist and classical cinematic performance. It offers a long overdue appreciation of Geraldine Chaplin's own remarkable screen achievements, all the while shedding new insight into the art of Charlie Chaplin through the singular prism of his daughter's bold work.
A Hero of the People
Do you know what I believe in? I believe in us. Me and you, right here. This town was once an incredible place. We have to have courage to fight for it again.Hero or enemy? Who can actually tell the difference?Everything is going to be fine, better than fine, in fact there's nothing that can't be achieved if everyone just believes a little. That's what the town's MP, Mick, thinks.He's optimistic, positively boosterish about his plan for the town. He just wants the naysayers to pipe down. But there's aproblem. His sister, Dr Rhiannon Powell, has discovered that the project appears to be polluting the town's water supply. Mick sold the town a story about the future, but what will happen when reality looks to tear that story apart?Is Mick a hero of the people, or is he in fact their enemy? Brad Birch's bold new reimagining of Ibsen's An Enemy of the People pits the personal against the political and facts against emotion. A Hero of the People is a gripping contemporary drama for 2022.
Worst. Eurovision. Ever.
Worst. Eurovision. Ever.If you want a look into the kind of nonsense that goes on behind the scenes at the contest, Worst. Eurovision. Ever. will take you on a wild ride around the rehearsals, dressing rooms and showbiz parties with such an informed eye that you'll never look at the dear old contest the same way again.
As a journalist, Roy has been covering the contest in person since the nineties, and over those years he's seen all sorts of unexpected misbehaviour and excess.When some plucky underdogs from Moldova unexpectedly won the Eurovision Song Contest, the show's organisers were instantly worried about how they were going to hold the following year's competition in such a small and little-visited country. But the location was the least of their worries as a procession of unlikely artists began to be chosen for the show, and everything from Norwegian black metallers, a Saudi Arabian prince performing for San Marino, and an Icelandic bloke dressed as a dog caused a cascade of complications before a single note had even been sung. Can they keep all the egos in check, or is the whole thing going to come tumbling down around them?

Super Eagles in the Lion's Den
The Spears govern Burunga with an iron fist, recklessly murdering the Rungans. Colm Djandhi guides his siblings to the mountains of glory, where they hide the magic sword in a cave, before joining other Rungans displaced in remote forests. The growing power of the Spears poses a major threat to the Lords, their long-time enemies. However, the Spears get a dose of their own medicine when Gustavo Payoyub, President of Dandy, threatens their increasing power with a force ten times stronger than the Spears. The Spears also fear a coalition of the Lords and the Rungans. Together, they would be too powerful to ward off. To prevent the worst case scenario, the Spears force the Rungans to the front line to act as human shields against the President's army, hoping their single-handed defense would wipe the Rungans out, along with any possible alliance with the Lords. The desperate Rungans must overcome fear and helplessness in this imposed role. They have to fight for survival. To do this, they task Colm with training the makeshift army on traditional weapons. Once at the battlefield, the Rungans are blessed with supernatural powers. They obliterate the Lords entirely and come looking for the Spears.
Erin’s Diary: An Official Derry Girls Book
Set in Derry, Northern Ireland in the 1990s, Derry Girls is a candid, one-of-a-kind comedy about what it's like to be a teenage girl living amongst conflict. It's a time of armed police in armoured Land Rovers and British Army check points. But it's also the time of Murder She Wrote, The Cranberries, Salt-N-Pepa, Doc Martens and The X Files. And while The Troubles may hang over her hometown, Erin has troubles of her own, like the fact that the boy she's in love with (actually in LOVE with) doesn't know she exists. Or that her Ma and Aunt Sarah make her include her weirdo cousin Orla in everything she does. Or that head teacher Sister Michael refuses to acknowledge Erin as a literary genius. Not to mention the fact that her second best friend has ALMOST had sex, whereas Erin's never even kissed anyone yet. These are Erin's Troubles. Described by the Guardian as 'daft, profane and absolutely brilliant', by the New Statesman as 'pitch-perfect' and by i-D as 'the greatest show on British (and Irish) TV', Derry Girls has dazzled audiences for two series, with Channel 4's biggest UK comedy launch since 2004 and the biggest television series in Northern Ireland since modern records began. Now, this autumn, comes the first official tie-in. In the manner of the very best TV comedy books, Erin's Diary is a hilarious 'in world' publication that extends the laugh-out-loud humour of Derry Girls onto the page. With Erin's inner take on everything that has happened so far, this book will both dive deeper into the events we have seen unfold on the screen and unveil brand new stories and never-before-revealed details about characters. Complete with newspaper clippings, doodles, poetry, school reports, handwritten notes from her friends, and much much more, Erin's Diary is as warm, funny and brilliantly observed as the TV; a must-have for fans this Christmas. 'Erin is sixteen and wishes she had a boyfriend and a life. Nothing else really happens... It's boring.' Orla McCool
Witness Onstage
As the Kremlin's crackdown on freedom of expression continues to tighten, Russian playwrights and directors are using documentary theatre to create space for the public discussion of injustice in the civic sphere and its connections to the country's twentieth-century past. Witness Onstage traces the history of documentary theatre's rapid growth in twenty-first century Russia and situates the form within the socio-political setting of the Putin years. It argues that through the practice of performing documents, Russian theatre artists are creating a new type of cultural and historical archive that challenges the dominance of state-sponsored media and invites individuals to participate in a collective renegotiation of cultural narratives.
Documentaries and China's National Image
Emphasizing the role of documentary in shaping a nation-state's image, demonstrating social development and promoting cultural exchanges, this book examines the changes of China's national image in documentaries at home and abroad since 1949.
Angels and Ministers of Grace Defend Us!
Like a lovingly guided midnight tour, this book covers the seductive shadows of the most fascinating horror films and melodramas from the 1930s and 1940s. From the bloody censorship battles behind 1935's Bride of Frankenstein, to the sexual controversies of 1941's Dr. Jekyll and Mr. Hyde and the gruesome Nazi atrocities of 1943's Women in Bondage, this book delves into newly excavated research to tell the behind-the-scenes sagas of some of Hollywood's most frightening films. Peek behind the scenes, revel in on-the-set anecdotes and get a look at the script notes illuminating characters like WereWolf of London, Richard III, Panther Woman and Rasputin. Included are profiles of the performers and filmmakers who made the nightmares feel all too real in the darkened theaters of yesteryear, and an examination of the factors that have kept these films popular so many decades later.
Polyrhythmicity in Language, Music and Society
This book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience.
Management and the Arts
The sixth edition of Management and the Arts has been revised and updated with the latest concepts, theories, and practices to meet the evolving demands faced by arts managers in cultural organizations around the world.
Elbows in My Ears
Like many other African American women, Danise Payne graduated from a university and headed out into the world. But she finds herself spellbound on a different path and discovers her life's song includes elephants. Enter the circus. Elbows in My Ears uncovers a never-before-told tale of a black woman with a career among little people, tigers, and wardrobe trunks. Travel with Danise on a compelling journey inside the massive Ringling Bros. and Barnum & Bailey Circus. View an all-black production called UniverSoul Big Top Circus. And witness her life as the first African American woman clown in a circus in Europe-a culture that is uncomfortable with women clowns. This intimate memoir reveals the author's encounters with prejudice, exclusion, and her fight for acceptance. It delivers adventures of hilarity and perseverance. What a testimonial to triumph over naysayers! Enjoy this behind-the-scenes peek at a traditional circus that will capture your imagination.If you love stories that inspire you to live the desire of your heart regardless of obstacles, this must-read account invites you to join the pomp that caught national attention.
How to Win the Bachelor
Perfect for fans of Bachelor Nation and Seinfeldia, an illuminating deep dive into the most successful reality TV franchise of all time--The Bachelor. Since its premiere in 2002, ABC's The Bachelor has become a staple of American television. Now, discover the fascinating history of the show, uncover the ins and outs of the phenomenon that has become Bachelor Nation, and take a deeper look at what separates the winners from the losers. From how best to exit the limo on Night One, to strategies for making a run for the all-important First Impression Rose, to how to avoid being labeled a villain, this clear-eyed guide illustrates the rules and strategies any would-be contestant should know. The ultimate must-read for every fan, How to Win the Bachelor gives you an "entertaining" (Publishers Weekly) inside look at the franchise where The Rose holds all the power.
Lady Frederick
"Women's hearts are like old china, none the worse for a break or two."-Admiral, Lady Frederick (1907) by Somerset MaughamLady Frederick (1907) by W. Somerset Maugham is a play that sparked the author's lagging writing career when it became a hit on the London stage, running for 422 performances. The title character is an aging widow with numerous suitors despite her mounting debts. When the play hit the New York stage in 1908, the role of Lady Frederick was played by Ethel Barrymore and later in the movie version, The Divorcee (1919). Considered a comedy, this play is a must-read for fans of Maugham and the early twentieth century.
Acting the Essence
Acting the Essence examines the theory, practice and history of the art of the performer, from the perspective of its inner nature as work on oneself, within, around and beyond the pedagogy of the actor.
The Jukebox Musical
This is a comprehensive guide to the unique genre of the jukebox musical, delving into its history to explain why these musicals have quickly become beloved for multiple generations of theatregoers and practitioners. The Jukebox Musical: An Interpretive History is written for students, performers, and musical theatre enthusiasts alike.
Kong, Godzilla and the Living Earth
During the 2010s, science fiction's immortal adversaries King Kong and Godzilla, representing our conflicts per Carl Sagan's "dream dragons" analogy, made comebacks in American cinema. The blockbuster Kaiju resurged onto the screen, depicting these protectors of an Earth plagued by mankind's hubris and folly. With Earth's future hanging in the balance, their climactic 2021 staging settled a score between the two giant monsters, resolving Toho's classic 1963 film King Kong vs. Godzilla. As formidable creatures emerging from Time's Tomb on Mother Earth, metaphorical Kong and Godzilla are considered here in light of new millennial environmentalism's stark reality. This book, nostalgic in tone, explores the meaning of Kong and Godzilla as planetary saviors--titanic protectors of a theoretical "living Earth" Gaia--defending the globe from a prehistoric plague of adversaries.
Brecht in India
Brecht in India analyses the dramaturgy and theatrical practices of the German playwright Bertolt Brecht in post-independence India.
Unions, Strikes, Shaw
Unions, Strikes, Shaw: 'The Capitalism of the Proletariat' is the first book to treat Bernard Shaw--socialist, dramatist, public speaker and union member--in relation to unions and strikes. For over half a century he urged workers to join unions, which he called, paradoxically, "the Capitalism of the Proletariat," because as capitalists try to get as much labor as possible from workers while paying them as little as possible, unions try to gain as high wages as possible from employers while working as little as possible. He opposed general strikes as destined to fail, since owners can hold out longer than workers, whose unions have less money to support them during strikes. This book offers background on major strikes in and before Shaw's time --including the Colorado Coalfield War and the Dublin Lockout, both in 1913--before analyzing the causes, day-by-day events and consequences of Britain's 1926 General Strike. It begins and ends with examinations of their and Shaw's relevance to actions on unions and strikes in our own time.
Time in Romantic Theatre
The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of "Unity of Time" and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.
Bernard Shaw and the Spanish-Speaking World
This book explores, through a multidisciplinary approach, the immense influence exerted by Bernard Shaw on the Spanish-speaking world on both sides of the Atlantic. This collection of essays encompasses the reception and dissemination of his ideas; the translation of his works into Spanish; the performance history of his plays in Spain and Latin America; and Shaw's influence on many key figures of literature in Spanish. It begins by delving into Shaw's knowledge of Spanish literature and gauging his acquaintance with the Spanish cultural milieu throughout his tenure as an art, music, and theatre critic. His early exposure to Spanish-speaking culture later made the return trip in the form of profuse critical reception and theatrical success in countries like Spain, Argentina, Mexico, and Uruguay. This allows for a more detailed investigation into the unmistakable mark that Bernard Shaw left in the oeuvre of leading Spanish-speaking authors like Ramiro de Maeztu, Jorge Luis Borges or Nemesio Canales. This volume also assesses the translations of Shaw's works into Spanish--while also providing a detailed publication history of these translations.
Alice in Wonderland in Film and Popular Culture
This book examines the many reincarnations of Carroll's texts, illuminating how the meaning of the original books has been re-negotiated through adaptations, appropriations, and transmediality. The volume is an edited collection of eighteen essays and is divided into three sections that examine the re-interpretations of Alice in Wonderland and Through the Looking-Glass in literature, film, and other media (including the branches of commerce, music videos, videogames, and madness studies). This collection is an addition to the existing work on Alice in Wonderland and its sequels, adaptations, and appropriations, and helps readers to have a more comprehensive view of the extent to which the Alice story world is vast and always growing.
Boxing and Performance
Boxing and Performance is the first substantial piece of work to place the lived experience of female and male boxers in dialogue with one another.Crews and Lennox critically reflect on their ethnographic experiences of boxing and their reading of the cultural representations of the sport. They conceive of the project as an extended sparring session. This book offers a unique perspective on boxing in/as performance and boxing in/as culture. It explores how the connections between boxing and performance address ideas about bodies, relationships, intimacy, and combat. It challenges and renegotiates oft-repeated narratives used to make meaning about boxing.This volume examines questions of visibility, voice, and agency and will appeal to scholars and students in the fields of performance and media, and sport and social studies.
Many Moons
Juniper is looking for love, Robert is trying to avoid it, Ollie doesn't know what it is and Meg has resigned herself to never having it. As these four people move through a July day in London, they orbit each other, unaware that they are hurtling towards one moment that could devastate them all.Many Moons opened at groundbreaking Theatre 503 in summer 2011.
Dog’s Best Friend
After a special day for Hannah June Monroe, her new best friend, Larry Luck, is prepared to help her birthday wish come true. The only problem is that he has to survive Hannah's twin older sisters, April and Mayflower, in order to do so. Can both Hannah and Larry keep his true identity a secret from everyone, especially their mother, Linda? Can Larry also help repair the relationship between Hannah and her older sisters, who constantly bully her?This is a story about communicating to an understanding, building healthy relationships, and forgiving. Read and perform the family story about a teenage younger sister wishing to build friendships and the lengths an older family pet will go to in order to see it through. After this story, you will wonder, "What would my pet say if they were given a chance to speak to me?"Hannah. Who are you? How did you get into my house?Lucky. I've always been here. I watched you grow up.Hannah. That's creepy.Lucky. Wait a minute. The wish! It came true! It actually came true!Hannah. Wish?Lucky. Yep, the wish from your birthday, it worked. Look, Hannah, it worked! Woo-hoo!Hannah. H-how do you know my name?Lucky. Because I'm your dog. I'm Lucky.
Meeting the Moment
The experiences of a diverse range of progressive theater and performance makers in their own words Curated stories from over 75 interviews and informal exchanges offer insight into the field and point out limitations due to discrimination and unequal opportunity for performance artists in the United States over the past 55 years. In this work, performers, often unknown beyond their immediate audience, articulate diverse influences. They also reflect on how artists are educated and supported, what content is deemed valuable and how it is brought to bear, as well as which audiences are welcome and whether cross-community exchange is encouraged. The book's voices bring the reader from 1965 through the first wave of the covid-19 pandemic in 2020. They point to more diverse and inclusive practices and give hope for the future of the art.
Applied Theatre and Intercultural Dialogue
This book examines applied theatre projects that bring together diverse groups and foster intercultural dialogue. Based on five case studies and informed by play theory, it argues that the playful elements of theatre processes nurture a unique intimacy among diverse people. However, this playful quality can also dampen explicit conversations about participants' cultural differences, and defer an interrogation of people's own entrenchment in systemic power imbalances. As a result, addressing these differences and imbalances in applied theatre contexts may require particular strategies.
Hamlet After Deconstruction
Post-war European adaptations of Hamlet are defined by ambiguities and inconsistencies. Such features are at odds with the traditional model of adaptation, which focuses on expanding and explaining the source. Inspired by Derrida's deconstruction, this book introduces a new interpretative paradigm. Central to this paradigm is the idea that an act of adaptation consists in foregrounding gaps and incoherencies in the source; it is about questioning rather than clarifying. The book explores this paradigm through seven representative European adaptations of Hamlet produced between the 1960s and the 2010s: dramatic texts, live theatre productions, and a mixed reality performance. They systematically challenge the post-Romantic idea of Hamlet as a tragedy of great passions and heroic deeds. What does this say about Hamlet's impact on post-war theatre and culture? The deconstructive analyses offered in this book show how adaptations of Hamlet capture crucial anxieties and concerns of post-war Europe, such as political disillusionment, postmodern scepticism, and feminist resistance, revealing exciting connections between European traditions.
Screening Contemporary Irish Fiction and Drama
In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21st Century works that have had an impact on the Irish and global cinema and literary landscape. A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland's struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation's growth pains and travails. Whereas Irish literature had long stood as the nation's foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland's key form of cultural expression. The proliferation ofsuccessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.
Adapting Spanish Classics for the New Millennium
The twenty-first-century's turn away from fidelity-based adaptations toward more innovative approaches has allowed adapters from Spain, Argentina, and the United States to draw upon Spain's rich body of nineteenth-century classics to address contemporary concerns about gender, sexuality, race, class, disability, celebrity, immigration, identity, social justice, and domestic violence. This book provides a snapshot of visual adaptations in the first two decades of the new millennium, examining how novelistic material from the past has been remediated for today's viewers through film, television, theater, opera, and the graphic novel. Its theoretical approach refines the binary view of adapters as either honoring or opposing their source texts by positing three types of adaptation strategies: salvaging (which preserves old stories by giving them renewed life for modern audiences), utilizing (which draws upon a pre-existing text for an alternative purpose, building upon the story and creating a shift in emphasis without devaluing the source material), and appropriation (which involves a critique of the source text, often with an attempt to dismantle its authority). Special attention is given to how adapters address audiences that are familiar with the source novels, and those that are not. This examination of the vibrant afterlife of classic literature will be of interest to scholars and educators in the fields of adaptation, media, Spanish literature, cultural studies, performance, and the graphic arts.
Crisis, Representation and Resilience
A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis. It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis. Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005.Topics discussed include: AgeingAusterityGenderMigrancyMulticulturalismAestheticsCompanies discussed include: Theatre UncutLost DogCamden People's PeopleLungBrighton People's Theatre Phosphoros Theatre Playwrights discussed include: Jez Butterworth Caryl Churchill Tim Crouch Vivienne Franzmann James Graham debbie tucker green Ella Hickson Charlene James Lucy Kirkwood Simon Longman Cordelia Lynn Simon Stephens Jack Thorne Chris Thorpe Gloria Williams Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilienceconsiders how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.
Eastern Heroes Bruce Lee Issue No 4 Game of Death Special
Game of Death Redux 2.0We talk to Film Maker Alan Canvan about his re-edited version of Bruce Lee's "Game of Death" with an in-depth interview and its forthcoming release. Plus! exclusive script notesPlus Interviewed Chris Kent "Voicing the Game"JJ Bona article talking "Playing the Game"Plus large Game of Death Photogallery in this special "Game of Death" Issue
Beyond the Back Row
Are you and your organization ready for the future of live entertainment?The pandemic hit live entertainment harder than any other industry-but also revealed tantalizing new possibilities. Online, streaming, and hybrid events opened the door to bigger audiences, better finances, and more innovative content for live producers. And now is the perfect time to start.Beyond the Back Row breaks down the why, how, and what of online, streaming, and hybrid live events. It helps you understand the opportunities, avoid the pitfalls, and learn what you need to master. Wherever you are in your live entertainment career, even if you're just getting started, start here. There's even advice for powerful incumbent organizations on how to prevent yourself from being "Napstered." In a few years, digital capabilities for live producers will be a given. Until then, Beyond the Back Row will give you a major head start.
A Scary Little Christmas
Controversial yet beloved among audiences, Christmas-themed horror movies emerged in the early 1970s and gained a notorious reputation with Silent Night, Deadly Night (1984), depicting Santa as an ax-wielding maniac. Some parents and conservative groups condemned the film, while others embraced the portrayal of Yuletide as a backdrop for fear and dread. Drawing on interviews with directors, producers, special effects artists, photographers and actors, this book celebrates the sordid, colorful history of the Christmas horror subgenre. Psycho Santa films such as Christmas Evil (1980) and 3615 code Pere Noel (1989) are examined, along with "Yule-Die" slashers like The Dorm that Dripped Blood (1982), Black Christmas (1974) and Silent Night, Bloody Night (1972). Commercial successes like Gremlins (1984) and Rare Exports: A Christmas Tale (2010) are covered, as well as more recent releases such as Better Watch Out (2016), Red Christmas (2016) and Deathcember (2019). Rare photographs, promotional materials and an annotated filmography are provided.
Wishbone - Behind the Scenes (hardback)
"What's the story, Wishbone?" was the question asked by the theme song of one of the most inspired children's TV shows ever made. Wishbone was a sort of Masterpiece Theater made just for youngsters - although easily enjoyed by adults as well. On Wishbone, children were introduced to the greats of classic literature as they watched a talented Jack Russell Terrier depict such literary luminaries as Ulysses, Romeo, Sherlock Holmes, and Oliver Twist. This book takes the reader behind the scenes to see how this wonderfully educational program was thought up and then put together. The reader learns how both human and animal actors were chosen and how the special challenges of working with a canine star were met. Wishbone Behind the Scenes shows how the child actors were able to combine regular schooling and the fun of childhood with the hard work of playing characters in a regular TV series. It discusses the ways human actors played both contemporary roles and classic roles and the special accommodations they made when acting with dog actors. It shows how the stunts were performed and how a few had unexpected "oopsies." Perhaps most of all, the reader learns how many varied individuals worked to create a show for children that entertained and educated in equal amounts.
Monsters in Performance
Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. An essential book for Theatre and Performance students of all levels as well as scholars.
Making an Entrance
This second edition of Making an Entrance is a practical and thought-provoking introduction to teaching dance with disabled and non-disabled students, updated with expanded coverage, new and revised exercises, and chapters that cover post-pandemic and online practice, diversity and inclusivity. With improvisation as his central concern Benjamin covers an extensive range of topics, including new autoethnographic writing, mental health, performance, feedback, and The Dancers' Forest, and interrogates what we mean when we talk about 'inclusive' and 'integrated dance.' There are over 50 stimulating and challenging exercises purposefully designed for dance students of all levels accompanied by teaching notes, and examples drawn from the author's experience as a teacher, performer, and dance maker. Useful hints are provided on the practicalities of setting up workshops covering issues such as class sizes, the safety aspects of wheelchairs and accessibility. An essential read for both students and teachers of improvisation who are seeking ways to engage with issues of diversity, written to be accessible whilst offering areas of increasing complexity and challenge for more experienced practitioners.
Towards a Philosophy of Cinematography
This book presents three interrelated essays about cinematography which offer a theoretical understanding of the ways that film practitioners orchestrate light in today's post-digital context. Cinematography is a practice at the heart of film production which traditionally involves the control of light and camera technologies to creatively capture moving imagery. During recent years, the widespread adoption of digital processes in cinematography has received a good deal of critical attention from practitioners and scholars alike, however little specific consideration about evolving lighting practices can be found amongst this discourse. Drawing on new-materialist ideas, actor-network theory and the concept of co-creativity, these essays examine the impact of changing production processes for the role and responsibilities of a cinematographer with a specific focus on lighting. Each essay advances a new perspective on the discipline, moving from the notion of light as vision to light as material, from technology as a tool to technology as a network, and from cinematography as an industry to cinematography as a collaborative art.
Wishbone - Behind the Scenes
"What's the story, Wishbone?" was the question asked by the theme song of one of the most inspired children's TV shows ever made. Wishbone was a sort of Masterpiece Theater made just for youngsters - although easily enjoyed by adults as well. On Wishbone, children were introduced to the greats of classic literature as they watched a talented Jack Russell Terrier depict such literary luminaries as Ulysses, Romeo, Sherlock Holmes, and Oliver Twist. This book takes the reader behind the scenes to see how this wonderfully educational program was thought up and then put together. The reader learns how both human and animal actors were chosen and how the special challenges of working with a canine star were met. Wishbone Behind the Scenes shows how the child actors were able to combine regular schooling and the fun of childhood with the hard work of playing characters in a regular TV series. It discusses the ways human actors played both contemporary roles and classic roles and the special accommodations they made when acting with dog actors. It shows how the stunts were performed and how a few had unexpected "oopsies." Perhaps most of all, the reader learns how many varied individuals worked to create a show for children that entertained and educated in equal amounts.
They Went That-A-Way - 101 Forgotten Westerns to Remember
LOST RIDERS OF THE HOLLYWOOD SAGE . . . Fans of Western movies have heard of (and likely seen) the key genre classics: Shane, High Noon, The Searchers, Stagecoach, Red River, Tombstone, and Unforgiven, to name a few. But how many armchair cowboys and cowgirls are aware that thirty years previous to Clint Eastwood's film, a similarly named movie, The Unforgiven, featured two top 1950s Western stars, Burt Lancaster and Audie Murphy? Or that the story told in Tombstone earlier appeared in an all but lost 1940s film featuring the sadly forgotten Richard Dix? Beginning in the pre-20th Century era of silent flickers, continuing on through Hollwood's Golden Age to overlooked masterpieces from our own time, THEY WENT THAT-A-WAY features credits for each 'Oater, ' rare images, and an analysis of each inclusion.. From serious psychological movies produced during the 1950s to those Singin' Cowboy B pictures that delighted audiences in the 1930s, here is a book designed to complete every Western buff's desire to know the whole story of an authentic American. genre.
'Other' Spanish Theatres
Challenges established opinions on modern Iberian theatre by considering the roles of contrasting figures and companies who have impacted upon both the practice and the perception of Spanish and European stages
Prey
Now an award-winning short film, this play addresses themes of depression and suicide in a compelling, sympathetic and funny way. The voice of the author speaks clearly through the intriguing and mysterious storyline, recalling the time plays of J B Priestley with shades of Joe Orton.
Contemporary Theatre Education and Creative Learning
This book considers the state of contemporary theatre education in Great Britain is in two parts. The first half considers the national identities of each of the three mainland nations of England, Scotland, and Wales to understand how these differing identities are reflected and refracted through culture, theatre education and creative learning. The second half attends to 21st century theatre education, proposing a more explicit correlation between contemporary theatre and theatre education. It considers how theatre education in the country has arrived at its current state and why it is often marginalised in national discourse. Attention is given to some of the most significant developments in contemporary theatre education across the three nations, reflecting on how such practice is informed by and offers a challenge to conceptions of place and nation. Drawing upon the latest research and strategic thinking in culture and the arts, and providing over thirty interviews and practitioner case studies, this book is infused with a rigorous and detailed analysis of theatre education, and illuminated by the voices and perspectives of innovative theatre practitioners.
