The Hymnal of the Reformed Church
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Irish Folk-songs
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Patriotic Songs
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The Song Play Book
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Songs, Merry and Sad
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English Diction in Song and Speech
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A Handbook of Orchestration
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The Sword Dances of Northern England, Together With the Horn Dance of Abbots Bromley
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Songs Of The Sea For Use In The United States Navy, U.s. Marine Corps And U.s. Merchant Marine
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The Art Of Singing
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15 Chart Hits for Piano Solo Songbook
(Piano Solo Songbook). This folio features fifteen full-sounding piano solo arrangements of recent chart hits, including: All Too Well (Taylor Swift) * As It Was (Harry Styles) * Bad Habits (Ed Sheeran) * Blinding Lights (The Weeknd) * Drivers License (Olivia Rodrigo) * Easy on Me (Adele) * Glimpse of Us (Joji) * We Don't Talk About Bruno (from Encanto ) * and more.
Hymns of the Eastern Church
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The Manner of the Coronation of King Charles the First of England
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Alan Bush, Modern Music, and the Cold War
The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.
The Cambridge History of Sixteenth-Century Music
Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.
A Short History of Russian Music
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Songs of Nature
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The Life of Ludwig Van Beethoven; Volume 2
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The New Testament of Our Lord and Saviour Jesus Christ
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Studien zur Geschichte der Italienischen Oper im 17. Jahrhundert
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The Art Of Singing
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Book of Anthems
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Hand-book Of The Songs Of Scotland, With Music, And Descriptive And Historical Notes
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Sursum Corda
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Dream Songs for the Beloved
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Catechism of Musical Aesthetics
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The Psalmist
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The Hymnal of the Reformed Church
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Singers and Songs of the Church
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Songs of Joy and Others
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The Rose Of Algeria
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The Dhammapada
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A Musician's Guide to Time
Music involves time in all its aspects - from soundwaves to dance forms to recording - but the way it is discussed depends on the perspective and discipline. This book aims to demystify the subject of time and suggest some practical means for thinking about it. A brief survey of general issues in metaphors of time and human perception leads into the ways in which these are reflected in the experience of music. Factors which shape each individual's appreciation of temporal sonic patterns and designs reveal the difference between our hard-wired perception mechanisms and others like memories, aesthetics, and personal skill in adapting our temporal 'lenses' to various time-spans. A concluding section reflects on the capacity of music to enrich our experience and understanding of time in general. The book is written in a "conversational scholarly" style and is intended for anyone who enjoys speculating about time and music, including researchers and artists from different disciplines and cultures. It therefore includes references to a wide variety of musical styles and contexts of interaction, avoids most technical language, and amplifies ideas with whimsical illustrations as appropriate.
Sea Songs and Ballads
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Hand-book Of The Songs Of Scotland, With Music, And Descriptive And Historical Notes
Allan's Illustrated Edition of Tyneside Songs and Readings
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Collected Writings On Thorough-Bass
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Songs of the Cowboys
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The Dream of Gerontius
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Experimenting the Human
An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar global capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we're already posthuman, while others endure the extended consequences of never having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar science, technology, and art movements. Rather than pursuing the human's beyond, experimental music addresses the social and technological conditions that support such a pursuit. Barrett locates this tendency of experimentalism throughout its historical entanglements with cybernetics, and in his intimate analysis of Alvin Lucier's neurofeedback music, Pamela Z's BodySynth performances, Nam June Paik's musical robotics, Pauline Oliveros's experiments with radio astronomy, and work by Laetitia Sonami, Yasunao Tone, and Jerry Hunt. Through a unique meeting of music studies, media theory, and art history, Experimenting the Human provides fresh insights into what it means to be human.
