Embodied Experiences of Making in Early Modern Europe
Processes of making in early modern Europe were both tacit and embodied. Whether making pottery, food, or textiles, the processes of manual production rested on an intersensory connection between mind, body, and object. This volume focuses on the body of the maker to ask how processes of making, experimenting, experiencing, and reconstructing illuminate early modern assumptions and understandings around manual labour and material life. Answers can be gleaned through both recapturing past skills and knowledge of making and by reconstructing past bodies and bodily experiences using recreative and experimental approaches. In drawing attention to the body, this collection underlines the importance of embodied knowledge and sensory experiences associated with the making practices of historically marginalised groups, such as craftspeople, women, domestic servants, and those who were colonised, to confront biases in the written archive. The history of making is found not only in technological and economic innovations which drove 'progress' but also in the hands, minds, and creations of makers themselves.
Little Book of Loewe
From avant-garde accessories to directional red-carpet glamour, Loewe is the fashion house of the moment. Modern twists bring an unbridled joy to its cult items, from surreal balloon heels to the coveted Puzzle bag, with every design underpinned by craftsmanship. Loewe's fashion-forward looks are worn by everyone from Anna Wintour to Zendaya while visionary creative director Jonathan Anderson continues the heritage house's legacy of reinvention. With over 100 stunning photographs accompanied by engaging text, Little Book of Loewe uncovers the story of an iconic brand that continues to redefine the fashion landscape.
The Pocket Fendi
A beautifully concise guide to the history of Italian fashion house Fendi.Founded in a small boutique in Rome a century ago, the luxury goods company is now synonymous with elegance and experimentation, and known for its groundbreaking couture, perfume, handbags, shoes, jewellery and accessories. This unofficial and unauthorized pocket guide to Fendi describes these classics in exquisite detail.Recognized by its double F logo, designed by Karl Lagerfeld, as well as for its iconic pieces, such as the Baguette and Croissant bags popularized in the 1990s, the brand is celebrated on its centenary. Gemini PocketsFrom little guides to soothe your soul to all-access passes to the lives of pop icons, and from quizzes and puzzles to literature lovers to books on food, nature, fashion, and more, Gemini Pockets are the perfect fit for your life and interests.
The Pocket Cartier
An insider's view of the exquisite jewellery and accessories that have made Cartier one of the most prestigious brands in the world.Beloved by royaly and rockstars alike, Cartier is synonymous with qualilty and rarity. The Pocket Cartier is an unofficial and unauthorized guide to this iconic brand. It covers the historical background of Cartier, accomponied by stunning imagery of its jewellery, as well as the timeless watches and the people who popularized them. For example, Louis Cartier's simple yet enduring design of the Cartier tank has been worn by stars such as Clarke Gable and Humphrey Bogart, as well as Jackie Kennedy and Princess Di. It has become an eternal classic, evolving with updates while preserving its original integrity. Gemini PocketsFrom little guides to soothe your soul and to all-access passes to the lives of pop icons, and more quizzes and puzzles for literature lovers to books on food, nature, fashion, and more, Gemini Pockets are the perfect fit for your life and interests.
Textile Textures: Multithreaded Narratives
The new definitive reader on contemporary textiles, approaching the medium from academic, curatorial and personal perspectivesWith an exposed spine binding and packaged in a softcover slipcase, Textile Textures is a collective volume that grows out of the project Interweaving Structures: Fabric as Material, Method and Message, organized jointly by the Central Museum of Textiles in L籀dz, the Faculty of Fine Arts, Music and Design at the University of Bergen, and the Doctoral School of the Jan Matejko Academy of Fine Arts in Krakow. By virtue of its use and construction, textiles interweave a variety of different themes. Thus the book's uniqueness lies in its multifaceted treatment of the medium. Each essay takes a different methodological or personal approach in the form of a "thread," be it curatorial, postcolonial, industrial or traditional. These chapters are illustrated with work by contemporary artists, some of whom use textiles as their main medium and others who encounter it only sparingly.
Cin矇-Passion
Defying the emblematic Hollywood style, these experimental film posters shaped both graphic design and film marketingIn the history of design, the film poster has repeatedly exemplified graphic innovation. Consequently, this 36th volume of Poster Collection spotlights movie posters that defied the Hollywood conventions of canonical motifs and pompous spectacle. The unorthodox visual language of these "other" film posters largely dispenses with star portraits and film stills, favoring a more subtle and poetic visual language that consolidates content into symbols. This avant-garde approach to movie advertisements has existed for as long as there have been moving pictures to promote. Cin矇-Passion includes such striking examples as the Stenberg brothers' Constructivist posters; the radical, succinct work of Jan Tschichold; the Polish school of poster art, with exponents such as Henryk Tomaszewski and Roman Cieslewicz; and Cuban designs by Antonio Reboiro and ?iko.
Outlaws
'Dress as though your life depends on it or don't bother.' (Leigh Bowery, 1985) Outlaws pays homage to the boundary-pushing fashion and styling that defined London's vibrant 1980s club scene, celebrating the anarchic energy and experimental flair of Leigh Bowery and his fellow fashion renegades, who pioneered a unique and daring creative movement. Bowery, an Australian-born performance artist and fashion designer, was the central figure of this movement, and he and his circle of friends sparked an explosion of outrageous fashion. Outlaws features specially commissioned photography of original outfits crafted by 27 trailblazing clothes designers, including John Galliano, Stephen Linard, Bodymap, Pam Hogg, Rachel Auburn, Wayne Hemingway, Richmond Cornejo and Bowery himself. These are accompanied by interviews with icons of 1980s clubland such as musician Holly Johnson, DJ Mark Moore and artists Peter Doig and Dave Baby, while stories from those who wore the pieces are entwined with clubland flyers and rarely seen photos of the styling on show at clubs such as Taboo, the legendary weekly club night Bowery founded in 1985 in Leicester Square. The scene also encompassed art, photography, film and music and was a vibrant marker in LGBTQ+ history. It forged a creative community of people who together influenced and changed the landscape of British popular culture in the mid-1980s. Outlaws pays homage to their remarkable talents.
Dress History of Korea
Bringing together a wealth of primary sources and with contributions from leading experts, Dress History of Korea presents the most recent approaches to the interpretation of dress and fashion of Korea. Through close analysis of visual, written, and material sources-some newly excavated or recently re-discovered in global museums-the book reveals how dress and adornment evolved from the period of state formation to the modern era. Authors with a range of academic and curatorial experience discuss the close relation of dress and adornments to the socio-political and cultural history of Korea and place the dress history of Korea within broader contexts in studies of fashion, material culture, museology, and costume design. As in other cultures, modern Korean fashion owes many of its styles to historic dress and this process of adaptation is explored within high fashion and popular culture contexts in ways that benefit historians, curators, and designers alike. With key materials newly available to global readers, Dress History of Korea is the indispensable guide to the study of Korean dress and fashion.
Typography Through The Years
This book covers, in a selected way, the history and development of printing and typefaces from earliest ancient alphabets through modern typography. From scribal days through the printing revolution ushered in by Johann Gutenberg, modern typography and printing rapidly advanced, especially in western Europe. New functional typefaces through the Bauhaus school competed with classic standards. Frederick Goudy and others gave us carefully crafted typeface designs. Printing went from typewriter-like IBM Composers to phototypesetters to modern digital printing from a computer. Even the old standard Helvetica face has undergone new developments. A sampling of digitized typefaces from Lewis F. Day are highlighted, as well as a number of fonts developed or digitized by CARE Typography. Carl Shank is the owner of CARE Typography, a typographic design and printing business since the late 1980s. They have provided clients with font, layout and website designs and services.
The Women of 'Little Paris'
Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working. Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris' encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.
Miniature Worlds
An illustration collection that compresses the worlds you admire and depicts them as miniature worlds!Fantasy worlds unfold all around within small spaces like gardens. This is a collection that introduces 26 illustrators from Japan and overseas and the illustrations they draw that are brimming with originality. There are about 180 illustrations featured in this collection. The worlds that the artists want to depict are condensed, and even if they're small, they're still well worth seeing! In addition, commentary from the artists themselves explaining their worldview is also included. This book is not only enjoyable to look through, it also serves as a reference for those wanting to expand their ideas, for those wanting to make their images more profound, and for those looking for ways to stage story ideas.A neo retro world, a world of sweets and foods, a world that looks like science fiction...we hope you will fully enjoy the worlds created by various artists.Some explanations on each page of works featured, along with the artist profiles at the end of the book, are in Japanese and English bilingual text.
Poggy Style
Poggy Style is the modern man's guide to getting dressed, from Motofumi "Poggy" Kogi--a sought-after fashion tastemaker and street style star known for his refreshing perspective on men's dressing for today. In Japanese culture, there is the concept of hare (roughly translated as festive or extraordinary occasions) and its antonym is ke (roughly translated as ordinary, or day-to-day). It is often said that living a life of ke alone withers the spirit. Human beings need the occasional moment of hare, and they should dress accordingly. Resolving this tension of dressing for both work and play, and for both formal and informal settings, is what has driven Poggy over two decades of design and curation. By mixing streetwear savvy with what is referred to in Japan as "Traditional" Western fashion, he challenges rigorous definitions of what is done or not done, inventing new ways of dressing up. In his own inimitable way, Poggy shares with readers how fun and appropriate it can be when you break the so-called rules. His sartorial approach is casual, but with a little effort: a hoodie layered under a tweed jacket, a tailored suit styled with sneakers and topped with a wide-brimmed hat, a basketball jersey paired with a cozy vintage coat. In contrast to fashion titles devoted to the collections of one creator, Poggy Style is all about self-expression, and how inexpensive or lovingly worn items can be extremely versatile or can express one's individuality: a new wabi-sabi sensibility.
Interrogative Design
A timely collection that shows how design can animate public space and catalyze democratic processes through vital discussion and public engagement. "Design thinking" emphasizes the production of solutions after a period of research. By contrast, interrogative design focuses on activating the public sphere and enriching public discourse through the production of questions. A notable contribution to the fields of critical design and media art, interrogative design traces its development to Krzysztof Wodiczko and his 1990s public art projects, documented in the book Critical Vehicles. In Interrogative Design, Ian Wojtowicz showcases this lineage with new writing from Wodiczko and a host of contributions from diverse and influential practitioners, including Rosalyn Deutsche and Antoni Muntadas. This book highlights the dynamism of interrogative design as it is practiced today. Never has the need for work that provokes thoughtful discourse been more necessary, and this volume catalogs both the need and potential viable techniques. A consolidated collection on the legacy and the vital currency of interrogative design, this volume will delight practitioners with new material and serve students as a practical handbook. Contributors also include: Dora Apel, Dan Borelli, Harrell Fletcher, Pete Ho Ching Fung, Dana Gordon, Sara Hendren, Garnet Hertz, Sohin Hwang, Ekene Ijeoma, Marisa Mor獺n Jahn, Mark Jarzombek, Jaekyung Jung, Sung Ho Kim, Jean-Baptiste Labrune, Pia Lindman, Ani Liu, Andrew Todd Marcus, Matthew Mazzotta, Alex Milton, Max Mollon, Mariana Morais, Antoni Muntadas, Gauri Nagpal, Maria Niro, Ginger Nolan, Robert Ochshorn, Adam Ostolski, Sofia Ponte, Gustavo Romeiro, Natalia Romik, Warren Sack, Kirk Savage, Nitin Sawhney, Sanjit Sethi, Samein Shamsher, James Shen, Carl Solander, Richard Streitmatter-Tran, Orkan Telhan, Bruce M. Tharp, Stephanie M. Tharp, Zenovia Toloudi, Marek Wasilewski, Lani Watson, Sampson Wong, and Ben Wood.
Jews in Suits
Shortlisted for the Leslie and Sophie Caplan Award for Jewish Non-FictionSurviving photographs of Jewish Viennese men during the fin-de-si癡cle and interwar periods - both the renowned cultural luminaries and their many anonymous coreligionists - all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched.Jews in Suitsuses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.
Armed by Design
A stunning full-color, multilingual exploration of the profound graphic and intellectual legacy of the Organization of Solidarity of the Peoples of Asia, Africa, and Latin America (OSPAAAL) for internationalism, solidarity, communication, and art among movements today.Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America.OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements around the world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements.Armed By Design brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.This full-color multilingual edition includes ten international contemporary political poster-makers, artists, and designers commissioned to produce OSPAAAL-inspired prints in solidarity with today's movements: Friends of Ibn Firnas (USA), Yuko Tonohira (Japan/USA), Ganzeer (Egypt/USA), Un Mundo Feliz (Spain), Steven Rodriguez (USA), Dignidad Rebelde, Tomie Arai (USA), Sublevarte Colectivo (Mexico), Jamaa Al-Yad (Lebanon/Worldwide), and A3CB (Japan).
Application of Random Search Method for Selection of Optimum Ergonomic Femoral Intramedullary Rod
This Book is carried out combining the concept of ergonomics and biomechanics by designing an intramedullary rod for the fractured human femur bone. Many failures in the human femur implantations are being encountered in post-surgical operations. One of the reasons is the inappropriate selection of the intramedullary rod material, dimensions and its designing. In this project, the ultimate strength of the original femur bone and the femur intramedullary rod are compared and the optimum length, material and optimum diameter of the rod are calculated using the data with respect to the height of 31 female individual humans. The optimization process is carried out using RANDOM SEARCH METHOD which is a type of non-gradient, unconstrained optimization technique. The softwares used in this work include, MATLAB for the calculation of femur strength, length and diameter, CATIA V5R20 for the designing and modeling of human femur bone and human femur intramedullary rod and ANSYS 16.0 for the analysis of the stresses acting on the designed models. Results of this work gives the optimized length and optimized diameter of the human femur intramedullary rod required for the 31 female human individuals considered with different heights. The designed model helps in the easy insertion of the intramedullary rod during surgery due to its simple design. These dimensions can be useful in further study and minimization of the femur implant failures.
Marital Misfortune
I am Amara, a woman who once believed in the sanctity of marriage and love. I was married to Chijioke, a man I thought was my soulmate. We had dreams, shared laughter, and built a life together, but slowly, the cracks began to show. I was blindsided by his infidelity and emotional neglect, and I found myself lost in a marriage that no longer resembled the one I had once envisioned. I tried to hold on, to mend the broken pieces, but in the end, I was left with a heart full of pain and disappointment. I spent months trying to come to terms with the collapse of my marriage. I questioned my worth, wondering if I had failed, if I was not enough. I distanced myself from friends and family, not wanting anyone to see my vulnerability. But over time, I realized that I needed to rebuild my life. I could no longer live in the shadow of my failed marriage, so I took the painful step of walking away from Chijioke, hoping that it would be the beginning of my healing journey. I decided to focus on myself, to rediscover who I was without the weight of a toxic relationship holding me down. I started to embrace the little things that brought me joy-reading, cooking, spending time with people who cared for me. But despite my progress, the scars from my past relationship lingered. I was still afraid to open my heart to anyone new, terrified of repeating the same mistakes. It wasn't until I received a phone call from Chijioke that I was forced to confront the past once more. I agreed to meet Chijioke at a quiet caf矇, unsure of what to expect. I wanted closure, but I wasn't sure if I was ready to face him again. When I saw him, I felt a rush of old emotions-anger, betrayal, sadness-but also a strange sense of calm. He was apologizing for everything he had done, admitting his mistakes, and asking for forgiveness. In that moment, I realized that I no longer needed his validation. I had forgiven him long ago, but I had to forgive ii myself too. I had to let go of the pain that had kept me captive for so long. I understood then that the journey toward healing wasn't linear. It wasn't about erasing the past or pretending it didn't matter. It was about accepting that I had been hurt, but also acknowledging that I had the strength to move forward. Chijioke and I parted ways for the last time, not with bitterness, but with a quiet understanding that it was time for both of us to move on. I had finally made the decision to take control of my future, to choose happiness and peace over lingering resentment. I walked away from that meeting with a sense of freedom. The weight of my past no longer defined me. I was ready to start a new chapter, one that was mine and mine alone. As I stepped into the world with a renewed sense of self, I realized that Marital Misfortune wasn't just a story of loss and heartbreak-it was a story of strength, resilience, and the power of choosing yourself.
Transnational Discourses in Nordic Design
Challenging the stereotypes of Scandinavian design, these essays explore design in Denmark, Norway and Sweden and assess the different roles that Finland and the wider Nordic region had in forming an image of Scandinavian design throughout the world. By examining the legacy of Nordic design and its global impact, editors Astrid Skjerven and Rachel Gotlieb shed light on the development of national and regional design identities and their historical associations. Authors investigate the transnational circulation of ideas throughout the later 20th century and consider the influences on design practices, production and consumerism. They look at how different countries negotiated and promoted Nordic branding and ideology, and offer new perspectives on design in relation to sustainability, changing economies and indigenous traditions. A range of leading international scholars evaluate the popularity of Nordic style in Soviet material culture, the influence on jewellery design in post-war Britain, the impact of national design conferences, exhibitions, and education in Europe, the USA, Canada and Japan. Drawing from a wealth of archival material and interviews with designers, makers and other stakeholders, this book reveals a lesser-known history of cross-cultural collaborations, exhibition production and tensions between mainstream and indigenous design in Scandinavia. Transnational Discourses in Nordic Design also provides an insight into some of the authors' own design practices and reveals the challenges facing Nordic designers today.
Carla Sozzani
Louise Baring's captivating text is based on interviews with Carla Sozzani, and each chapter covers a foundational aspect of Sozzani's inspirational life and career. Beginning with her bourgeois childhood in Italy, the text takes us through her early love of fashion and passion for travel; her trajectory as a magazine editor, including working on special issues for Vogue Italia (her sister Franca Sozzani would edit the magazine for 28 years) and launching the Italian edition of Elle; embracing unmarried motherhood in conservative Milan; founding her own publishing company as well as a gallery that has staged hundreds of exhibitions, including of her own extensive photography collection; launching her own fashion label; helping to propel fashion designers Romeo Gigli and Azzedine Ala簿a to worldwide fame; and creating--in collaboration with her long-term partner, artist Kris Ruhs--the world's first concept store, 10 Corso Como, later rolled out in Tokyo, Seoul, Shanghai, Beijing, and New York; and founding the Fondazione Sozzani cultural space. Ever restless and in search of new ways to share her vision, the interdisciplinary Sozzani continues to tread her own path: a true trailblazer.Interspersed with images that illustrate each chapter are pull quotes in Sozzani's own words. Complete with guest appearances by a veritable who's who of the fashion, art, and design worlds--photographers Paolo Roversi, Helmut Newton, Sarah Moon, Nick Knight, and Bruce Weber; designers Yohji Yamamoto, Zoran, Rei Kawakubo, the Memphis Group, and Marc Newson, to name but a few--Carla Sozzani offers a fascinating look at the remarkable life and work of a visionary icon.
The Texture of Change
The Texture of Change examines historical change across a broad region of western Africa--from Saint Louis, Senegal, to Freetown, Sierra Leone--through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas. Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters.
More-Than-Human Design in Practice
This book provides an overview of the diverse multidisciplinary field of more-than-human design, offering a philosophical grounding of more-than-human design in posthumanism while putting practical design examples and methods to the forefront.There is an urgent need to radically re-imagine design, as its current processes are contributing to global warming, pollution, deforestation, ocean acidification, ozone layer depletion, loss of biodiversity and species extinction. Given this need, 'more-than-human design' has emerged as a perspective that widens our thinking beyond solely human-oriented considerations and needs, such as animals, plants and microbes. The book explores the relationship between sustainability and design, touching on topics such as AI, systems thinking, futures studies and pedagogy, and discusses a range of case study projects that are grounded in more-than-human thinking, demonstrating how this can be incorporated into practice.This easily accessible and theoretically grounded book will provide design researchers and educators an excellent introduction to more-than-human thinking. It will also be of interest to students and scholars studying design more broadly, sustainability, environmental studies and service design, as well as to practicing designers interested in sustainability.Chapters Introduction, 6, 7, 10 and 15 of this book are freely available as a downloadable Open Access PDF at http: //www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
The Dance of the King
The Dance of the King teaches you how to recognize the underlying messages of visual language. What can you learn from the seven liberal arts, the Seven Wonders of the Ancient World, and the seven chakras? Answers are hidden in sunflower seeds, Black Pete, Halloween, and Noah's Ark, among many other topics. Rognvaldr reveals hidden meanings in plain sight by connecting a thousand and one subjects to familiar contemporary logos. "Your book is amazing. Finally, a book on symbols, not just with fragmentary explanations but with connections and a storyline. I'm enjoying it immensely." Through this book, the author aims to demonstrate that the images you encounter daily trace back to the same source, even if different people may have other mental pictures associated with them. Above all, you will discover what symbols tell you about your body and mind. It is a must-read for anyone who wants to see the forest through the trees or for the unprepared reader who is eager to be surprised by things they didn't even know existed. From now on, you will view symbols from history, art & culture, language, religion, science, sports, media, and advertising in a different light. The Dance of the King comprises 360 pages, covering 1001 topics, and is packed with countless images."The unique combination of images and text - controversial yet universal - will make you eager to keep reading."
The Anton Seder Collection
Immerse yourself in the captivating beauty of Art Nouveau with The Anton Seder Collection, a carefully curated archive of 100 exquisite illustrations by renowned artist and educator Anton Seder. This colourful collection is a treasure trove of meticulously restored Art Nouveau images inspired by the natural world-from delicate plant forms to intricate animal motifs-that reveal his unique ability to transform flora and fauna into timeless, ornamental designs.Image Download Included: Each copy of The Anton Seder Collection includes high-resolution digital downloads of every illustration, accessible via a convenient download link in the back of the book. This feature allows artists and designers to explore Seder's intricate linework and inventive compositions in stunning clarity. Whether you want to study his techniques or incorporate these beautiful elements into your creative projects, this collection is an invaluable resource for modern creatives. These downloadable assets also make it easy to create elegant decorative prints, adding a touch of stunning Art Nouveau style to your home or workspace.Perfect for artists, designers, and art lovers, this collection is a powerful tool to inspire and enhance your artistic journey. With 100 iconic illustrations that continue to influence art and design, The Anton Seder Collection offers exceptional value and a timeless reference for anyone captivated by the elegance of nature-inspired Art Nouveau design.
The Texture of Change
The Texture of Change examines historical change across a broad region of western Africa--from Saint Louis, Senegal, to Freetown, Sierra Leone--through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas. Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters.
An Eye for Couture
In this stunning book, one of the world's leading art dealers reveals her passion project--collecting French haute couture from the twentieth century and telling the stories of the women who wore them. Francesca Galloway's collection, unique in concept, spans the great period of French haute couture and fashion. It includes an outstanding group by the luminary Paul Poiret and important pieces by, among others, Jeanne Lanvin, Gabrielle Chanel, Madeleine Vionnet, Sonia Delaunay, Elsa Schiaparelli, Cristobal Balenciaga, Christian Dior, Yves Saint Laurent, Paco Rabanne and Yohji Yamamoto.These garments and accessories come to life through the women who wore them. Denise Poiret--Paul's muse, collaborator and model--is the subject of a specially commissioned essay. So is Princess Niloufer of Hyderabad: known as one of the most beautiful women in the world. She was photographed by Horst P. Horst for Vogue in 1939 and used her status to campaign for women's rights. With an eye for design innovation, technical brilliance, and the material dialog between East and West, Galloway has assembled a collection spanning more than one hundred pieces--from evening gowns to hats and shoes.The striking imagery is the result of a collaboration between a fashion photographer, set designer and costume conservator/dresser. The images are positioned between haute couture and still life photography to bring these pieces of fashion history to life.
The Book of Birkenstock
From fashion aficionados to casual wearers, this sumptuous book is the perfect companion for Birkenstock's loyal fans on the company's 250th anniversaryThe Birkenstock brand is adored the world over for its function-first footwear and commitment to high-quality European production. Its sandals and famous cork footbeds have filtered into countless cultures and subcultures over many decades. The rich visual history of the Birkenstock brand and the creativity it has inspired over the years is gathered here in book form for the first time.The Book of Birkenstock provides a lush, image-led history of the company, its family origins in shoemaking and its relationship with the health and fashion industries. It also offers a peek behind the scenes into the company's German production and world-leading design processes that form the Birkenstock footbed, appreciated by millions of wearers. Enhancing this narrative, The Book of Birkenstock is not just a publication but a premium product in itself, mirroring the brand's dedication to excellence. It boasts beautiful printing and finishing, with a debossed cover for a tactile sense of luxury. This attention to detail ensures that each page turn is an experience in itself, inviting readers not only to engage with the content but also to appreciate the fine craftsmanship of the book. Published in 2024, a landmark year for Birkenstock in which it celebrates its 250-year family tradition in shoemaking, this project is a testament to Birkenstock's enduring legacy and a celebration of its continuous influence on footwear and fashion.
The Bad Corset
Both a translation and critique of an early 20th century seminal French text on the physical effects of corseting, The Bad Corset explores contemporary anti-woman bias to challenge the commonly accepted assertions about corsetry's contribution to disease, disfigurement, and disorders of the female body. The original 1908 French book, Le Corset by Ludovic O'Followell-with its graphic illustrations, some of which are reproduced here-tells a story, familiar to anyone interested in popular culture and fashion history, of women suffering for fashion, tormented by and subject to their corsets. However, a close reading of the texts tells a very different, and more complicated, story. This fascinating exploration, approaching the topic from a scientific perspective, and reproducing facsimiles of the original text, with translations and annotations, critiques the presumptions and anxieties of male medical professionals on the 'damage' caused by corsets to the female body and psyche. Rather than seeing the women who wore these perceived instruments of torture as victims or dupes, The Bad Corset confidently asserts the agency of the women who wore them and highlights the way in which seminal texts can continue to influence our interpretation of the past, and women's lives and histories. The Bad Corset is a remarkable resource for scholars and students of fashion, medicine and gender history, taking a feminist approach to female agency and choice, and helping us reconsider the way we think about the shaping of women's bodies, and their lives.
Fashion in American Life
An original contribution to fashion studies, Fashion in American Life challenges existing approaches to fashion in America by considering who 'makes' fashion-when, where, and how. Avoiding the usual emphasis on the 'history of fashion' which perpetuates the myth of fashion designers, and New York, as the originators of American fashion, this exploration of the everyday allows us to see American fashion as a form of agency, self-identification, creative engagement, and politics. Moving away from the well-trodden accounts of fashion designers and the dominance of New York, much of the fashion uncovered has been under-represented in previous accounts. Through contemporary and historical research, authors challenge the nature of both 'fashion' and 'America' by addressing the many complexities of a nation whose people have diverse histories and cultures, including stories and experiences that have been forgotten, marginalized and left out of the fashion 'canon'. Race, gender, ethnicity, and class are employed as critical lenses to shed new light on how fashion might be defined and addressed within America (as a country, but not as a series of United States), with case studies looking at First Nations, Latinx and African American dress. The intellectual framing of the volume, and the methods and case studies included, also present tactics that can be applied to other contexts, making this book about revisiting 'fashion' more widely, not just in America. Fashion in American Life makes a unique contribution to the literature of fashion studies, fashion history, cultural studies, and beyond.
Rose B. Simpson
A new and exciting voice in contemporary art that enriches the wider discourse on Native women artists Rose B. Simpson (b. 1983), a mixed-media artist from Santa Clara Pueblo, New Mexico, is from a long lineage of women working in ceramics in her tribe, dating back hundreds of years. Her signature figures draw heavily on her ancestral Kha'po Owingeh (Santa Clara Pueblo) tribe's centuries-long ceramic tradition while also integrating modern methods, materials, and processes to express bold interventions in colonial legacies of dependency, erasure, and assimilation. Published on the occasion of a large-scale commission for the Cleveland Museum of Art, this richly illustrated volume features essays that contextualize Simpson's work in terms of the history of art, Indigenous feminisms, and Native American art in general. It also includes a moderated conversation with the artist that elucidates Simpson's conceptual framework and practice. Distributed for The Cleveland Museum of Art Exhibition Schedule: The Cleveland Museum of Art (July 14, 2024-April 13, 2025)
Vintage Eyewear Style
The first book to describe vintage eyewear from the 1920s to the 1990s. Vintage-eyeglass shop staff and owners were interviewed and their wares photographed, with the resulting 131 valuable frames presented full size. This means that many of these frames, with the exception of a few, can be seen in person and even purchased at stores. Some classic models still hold up, even when viewed today, while others remain decorative, like jewelry. Every frame is one of a kind and has a certain aura about it, and the historical fact that they were made from 25 years to a century ago is tantalizing. In an age when it is easy to buy reasonably good-quality eyewear, choosing a vintage piece for your very own "special" look is a decadent pleasure. We hope that this book will prove a starting point for you to jump into the deep world of vintage eyeglasses.
Weaving Europe, Crafting the Museum
Weaving Europe, Crafting the Museum delves into the history and the changing material culture in Europe through the stories of a basket, a carpet, a waistcoat, a uniform, and a dress. The focus on the objects from the collection of the Museum of European Cultures in Berlin offers an innovative and challenging way of understanding textile culture and museums. The book shows that textiles can be simultaneously used as the material object of research, and as a lens through which we can view museums. In doing so, the book fills a major gap by placing textile knowledge back into the museum. Each chapter focuses on one object story and can be read individually. Swooping from 19th-century wax figure cabinets, Nazi-era collections, Cold War exhibitions in East and West Berlin, and institutional reshuffling after German unification, it reveals the dramatically changing story of the museum and its collection. Based on research with museum curators, makers and users of the textiles in Italy and Germany, Poland and Romania, the book provides intimate insights into how objects are mobilised to very different social and political effects. It sheds new light on movements across borders, political uses of textiles by fascist and communist regimes, the objects' fall into oblivion, as well as their heritage and tourist afterlives. Addressing this complex museum legacy, the book suggests new pathways to prefigure the future. Featuring new archival and ethnographic research, evocative examples and images, it is an essential read for students of textile and material culture, museum and curatorial studies as well as anyone interested in history, heritage and craft.
Design for All?
Revamping the concepts of Universal Design and Design for All for a more participatory, community-based design practiceCan design cater to a diverse society? How does it respond to the disparate demands of the people using it? Since the 1980s, debates about inclusion and participation have been an important part of the design discourse. Today's design approaches expand on the concepts of Universal Design and Design for All, reinterpreting them in a community-based, participatory design practice. Design for All? Inclusive Design Today gathers together a variety of recent projects, initiatives and concepts drawn from different design disciplines, and sets up a dialogue with an international cohort of teachers and researchers. Dealing with a range of different voices in inclusive design strategies, from feminism to postcolonialism, this book is part of a paradigm shift that radically questions society's normative values.
Charlotte Perriand: Objects and Furniture Design
An affordable overview of the great French modernist's essential inventionsThis volume compiles iconic furniture pieces by Charlotte Perriand (1903-99). The French designer's career began in 1927, when she was just 24, and presented her steel and aluminum bar, "Bar under the roof," at the Salon d'Automne--prompting Le Corbusier to hire her as a furniture designer. Perriand produced works with Le Corbusier and Pierre Jeanneret that remain canonical today. In 1940, she was invited to Japan to be the official advisor on industrial design for the Ministry of Trade and Industry; she recommended that the Japanese turn their efforts to creating products for export to the West. Unable to return to Paris because of naval blockades, she stayed in Vietnam for four years, where she learned about weaving, woodwork, rattan and other natural products. This experience prompted her to use materials such as bamboo and cane to create affordable mass-produced furniture--featured here along with other classic works.
Nike: Form Follows Motion
Unfolding five decades of design, collaboration and cultural impact from one of the most iconic sneaker brands of all timePublished to accompany the fall 2024 exhibition at the Vitra Design Museum in Germany, this volume explores the design history of Nike, one of the world's most revered sports brands. The exhibition catalog follows the evolution of the company's design culture, tracing milestones, iconic objects and inspirations across their 50-year legacy. It also highlights Nike's scientific research, which always begins with close examination of the body in motion, ultimately melding technology, function and aesthetics.The book features a wealth of previously unseen materials including rarities and one-offs from the company's early days in the 1960s, original design drawings and prototypes of iconic sneaker models, historical documents and films, and the results of collaborations with creative figures such as Virgil Abloh and Marc Newson. It also illuminates the stories behind iconic objects and innovations, such as the development of the first waffle sole in the kitchen of Nike cofounder Bill Bowerman, or the story of the Tennessee State University Tigerbelles, a team of Black female athletes during the Black Power era in the United States.Leading design historians provide essays on diverse topics including the use of graphics, collaborative relationships with athletes and fashion designers, advanced R&D and more. In addition, the book features excerpted interviews with over 50 figures who have played a key role in Nike's history, arranged in a readable conversational format. Not just for "sneakerheads," the book provides deep insight into one of the world's most sophisticated design entities and the relationship between product design, technical innovation and social change.
72 Seasons-Capturing Nature in Typography
"72 Seasons" is a seasonal system that originated in ancient China, dividing the 24 solar terms into periods of five days each to represent natural phenomena, plants, and animals. In this visual book, information about the 72 seasons is depicted using kanji characters, geometric elements symbolizing nature, and various colors. Kanji characters embody culture and history, aiming to provide visual impact.
After Form
The National Conference on the Beginning Design Student (NCBDS) is the leading organization for peer-reviewed research on beginning design and beginning design education. These proceedings were published in conjunction with the 36th Annual Meeting of the NCBDS, hosted by Texas A&M University in 2021.
After Form
The National Conference on the Beginning Design Student (NCBDS) is the leading organization for peer-reviewed research on beginning design and beginning design education. These proceedings were published in conjunction with the 36th Annual Meeting of the NCBDS, hosted by Texas A&M University in 2021.
After Form
The National Conference on the Beginning Design Student (NCBDS) is the leading organization for peer-reviewed research on beginning design and beginning design education. These proceedings were published in conjunction with the 36th Annual Meeting of the NCBDS, hosted by Texas A&M University in 2021.
Cut the World Awake
- A captivating journey through the collages of the renowned Antwerp-Six fashion designer, Walter Van Beirendonck- This books comprises hundreds of original collages, tracing Van Beirendonck's creative evolution from his formative years at the Antwerp Fashion Academy to the present day- A unique collection of hundreds of collages that served as Walter Van Beirendonck's source of inspirationA captivating journey through the collages of the legendary Antwerp-Six fashion designer, Walter Van Beirendonck. Dive into a selection of original and inspiring collages, tracing Van Beirendonck's creative journey from his early days at the Antwerp Fashion Academy right up to the present. Cut the World Awake is a wild ride through Van Beirendonck's imaginative evolution, showcasing his bold and boundary-pushing style like never before. Whether you're a fashion fanatic or just love a good visual feast, this collection offers a vibrant glimpse into the mind of a true mastermind in fashion design.
Charles and Ray Eames: Objects and Furniture Design
Midcentury masterpieces from the inventors of the Eames chairBest known for their contributions to architecture, furniture design, industrial design, film and photography, Charles and Ray Eames remain among the most renowned American designers of the 20th century. The couple married in 1941 and moved to California, where they pursued their furniture design in molded plywood. During the war they were commissioned by the US Navy to produce molded plywood splints, stretchers and experimental glider shells. In 1946, Evans Products began producing the Eames' molded plywood furniture. Their iconic molded plywood chair was called "the chair of the century" by the influential architectural critic Esther McCoy. In 1949, the Eameses designed and built their own home in Pacific Palisades, their design and imaginative use of materials making this house a mecca for architects and designers internationally. Today it is considered one of the most important postwar residences in the world.This volume introduces key works by the couple from across their career.
Black, Queer, and Untold
Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions: What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer? A Queer graphic designer? Someone from the South? Could his identity be communicated through a poster or a book? How could identity be archived in a design canon that has consistently erased contributions by designers who were not white, straight, and male? In Black, Queer, & Untold, acclaimed designer and artist Jon Key answers these questions and manifests the book he and so many others wish they had when they were coming up. He pays tribute to the incredible designers, artists, and people who came before and provides them an enduring, reverential stage - and in so doing, gifts us a book that takes its place among the creative arts canon. \
Absolutely Chanel
CHANEL is one of the best-known luxury brands in the world. Yet it remains the most mysterious of them all. From Paris and rue Cambon, CHANEL will forever be Gabrielle - a woman who revolutionized feminine elegance. Carefree and audacious, the designer turned simplicity into the height of luxury. Bold and unpredictable, the brand, now over 100 years old, continues to astound with its one-of-a-kind fashion shows, iconic N簞5 perfume and 2.55 bag, exquisite jewellery and cutting-edge beauty products. By passing on its unparalleled expertise over time - from Gabrielle Chanel, to Karl Lagerfeld, to Virginie Viard - it has built its legend. With a wealth of beautiful images and fascinating inserts, including previously unpublished facsimile documents, this volume is an invitation into the sublime and eternal world of the House of CHANEL.
Women Pioneers of the Arts & Crafts Movement
Women Pioneers of the Arts & Crafts Movement is a celebration of the work and ambition of the women who were at the heart of the most influential art and design movement of the late nineteenth and early twentieth centuries. It shines a light on the vital contribution of figures such as May Morris, Gertrude Jekyll, Annie Garnett, and many others, and describes the Arts and Crafts Movement from the perspective of these women who worked against the odds as artists, makers, teachers, authors, and entrepreneurs.Women of the era took part in, and often led, the founding of exhibitions, societies, art schools, and small craft industries. Some were activists and social disruptors while using their skills and talents to make a living. This book highlights the versatility and range of these talented women, who worked across a host of disciplines, including textile design, embroidery, bookbinding, illustration, painting, enameling, stained glass, metalwork, furniture design, and architecture. It is richly illustrated with a wide array of their work, much of it previously unpublished. Featuring objects from the V&A's renowned Arts and Crafts collection, the book also includes key pieces from other museums and private collections across the UK.
1,000 Marks
A well-honed mark is the cornerstone of any brand identity. There are many approaches to crafting a distinctive mark, and all of them are showcased here.Originally produced in a limited print run by Pentagram themselves, this edition offers more than double the content and will be an invaluable source of inspiration for all designers working on identity projects, as well as a fascinating study of the trends and evolution of over sixty years of Pentagram's logo design.The one thousand marks reproduced within these pages represent the diverse array of identity work produced by Pentagram's partners, past and present. Pentagram has designed marks for large corporations and small businesses, government agencies and nonprofit institutions, clubs and societies, and even individuals, all of whom were seeking a representative symbol to appear on letterhead, books, buildings, websites, and everywhere else imaginable.
On Ladies and Handbags
He is always by her side. He's got everything she needs. She strokes him lovingly and breathes in his scent. And yet she'll eventually trade him for a new one: the lady and her handbag.In this book, Mylo Freeman introduces fifty inspiring women from all over the world. From big names such as Queen Elizabeth II, Jane Birkin and Paris Hilton, to lesser known women such as South African fashion designer Palesa Mokubung, Hello Kitty designer Yuko Yamaguchi and journalist-explorer Nellie Bly. For each of them, their handbag carries a different meaning: accessory, practical aid, feminist manifesto. However different the women and their bags, each of them are unique and a force to be reckoned with.
