The Encyclopedia of Superheroes on Film and Television, 2D Ed.
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
Whotopia: The Ultimate Guide to the Whoniverse
Welcome to the Whoniverse. First stop: everywhere. Six decades may only be a handful of heartbeats to a Time Lord, but for Doctor Who it's the adventure of several lifetimes. Evolving over 60 years, the world's longest-running sci-fi TV show has gifted us a universe of menacing monsters and unforgettable heroes. You might even call it a 'Whotopia'. Now you can roam free through the Doctor's dimension as never before in this special commemorative book for Doctor Who's diamond anniversary. Join all the Doctors as each tells their own story. Learn about their legions of legendary allies - and hear from the monsters' own mouths about what makes them tick. Find danger on alien worlds and threats here on Earth in all eras. And explore the gadgets, robots, spaceships, computers and mind-blowing creations that crowd the never-ending corridors of Whotopia. Crammed with exciting new images and in full colour throughout, Whotopia: The Ultimate Guide to the Whoniverse is the essential celebration of 60 years of Doctor Who.
Modes of the Tragic in Spanish Cinema
This book focuses on expressions of the tragic in Spanish cinema. Its main premise is that elements from the classical and modern tragic tradition persist and permeate many of the cultural works created in Spain, especially the films on which the book centers this study. The inscrutability and indolence of the gods, the mutability of fortune, the recurrent narratives of fall and redemption, the unavoidable clash between ethical forces, the tension between free will and fate, the violent resolution of both internal and external conflicts, and the overwhelming feelings of guilt that haunt the tragic heroine/hero are consistent aspects that traverse Spanish cinema as a response to universal queries about human suffering and death.
Future Folk Horror
Future Folk Horror: Contemporary Anxieties and Possible Futures analyzes recent novels and films, to show that folk horror as a genre uniquely captures the anxieties of the twenty-first century and imagines visions of possible futures.
Nonprofessional Film Performance
This book offers a critical account of film performances by nonprofessional actors. Nonprofessional actors -- actors without previous acting training or experience -- have performed in films since the days of the Lumi癡re brothers. Generally associated with currents such as Early Soviet Cinema, Italian Neorealism and New Argentine Cinema, nonprofessional actors also feature prominently in the works of celebrated directors including Pier Paolo Pasolini, Robert Bresson and Joanna Hogg. Since the turn of the century and the rise of digital filmmaking, the performances of nonprofessional actors have remained a staple of independent cinemas from all over the world, including films associated with the loose trend often referred to as Slow Cinema. Despite their enduring presence in acclaimed and widely discussed films, nonprofessional actors have received scant scholarly attention. This book proposes to analyse exemplary nonprofessional performances from across the history of cinema as a means of illuminating their significance and celebrating the performers' contributions to the films.
Hong Kong’s New Indie Cinema
This book explores 2010s Hong Kong film industry, focusing on its (presumably) independent sector. Although frequently mentioned in global film industry studies, the term 'independent film' does not always carry a clear meaning. Starting with this point, this book studies closely Hong Kong's new indie cinema of the 2010s from political, economic, social, cultural, and film industrial perspectives, arguing that this indie cinema was vital to the long-term sustainability of the city's film industry.
Gothic Cinema
Gothic Cinema closes a gap in German-language film discourse: for the first time, the volume sheds light on a hitherto little-discussed film context. It considers Gothic Cinema as a form of unofficial historiography that allows a look not only at the history of film and its technique, but also at moral concepts, gender relations, collective fears or aesthetic currents. A delimitation and definition of the term and the central elements of the Gothic are followed by a comprehensive historical overview from 1896 to the present day. Three in-depth analyses of individual post-2015 gothic films and television series round out the review. On the one hand, the examples examined are representative in terms of typical elements, motifs or topoi, and on the other hand, they exhibit peculiarities and breaks that prove fruitful for a cultural and media studies investigation.
Resisting James Bond
Beginning with Casino Royale (2006) and ending with No Time to Die (2021), the Daniel Craig era of James Bond films coincides with the rise of various justice movements challenging deeply entrenched systems of inequality and oppression, ranging from sexism, racism, and immigration to 2SLGBTQIA+ rights, reproductive justice and climate change. While focus is often placed on individual actions and institutional policies and practices, it is important to recognize the role that culture plays within these systems. Mainstream film is not simply 'mindless' entertainment but a key part of a global cultural industry that naturalizes and normalizes power structures.Engaging with these issues, Resisting James Bond is a multidisciplinary collection that explores inequality and oppression in the world of 007 through a range of critical and theoretical approaches. The chapters explore the embodiment and disembodiment of power and privilege across the formal, narrative, cultural and geopolitical elements that define the revisionist-reversionist world of Daniel Craig's Bond.
Movies That Made Me Gay
Movies That Made Me Gay is a wonderfully well-informed, witty and acerbic take on iconic Hollywood films, film-stars, and indie cult favorites from an author who is himself a Black gay icon; and is also a touching and extremely readable personal memoir of growing up gay in the early '60s, surviving the AIDS pandemic of the '80s (legendary Vito Celluloid Closet Russo was a dear friend) and the adaptation of his novel 'Blackbird' into a feature film starring Mo'nique in 2014, and still thriving today."Duplechan is a master film critic, alternately praising and scathing, with a gushing heart and acerbic wit, all the while giving the reader little known facts about the classic and not-so-classic movies that shaped his colorful life. Personal anecdotes round out this well-crafted journal of the ultimate movie fan who, above all, despite the oft caustic pen, is a romantic sentimentalist."Sam Harris, author of Ham: Slices of a Life, and The Substance of All Things."Once I started reading I couldn't stop, like eating a bucket of salted cashews. But it's far more educational than nuts."Christopher Bram, author of Gods and Monsters"Fasten your seatbelts for a wild ride through "gay" movie history with Larry Duplechan at the wheel. His enlightening, bitchy, unfiltered, pithy, and sentimental observations coaxed me to take another look at countless films, and it will for you!"Michael Gregg Michaud, author of Sal Mineo, A Biography and Inventing Troy Donahue."...full of fresh ideas, good history, and smart jokes. I laughed out loud a lot. Best of all, he weaves a fine autobiography into his movie talk, one that's honest, real, complex, and moving."Christopher Bram, author of Gods and Monsters"Larry Duplechan is the storyteller you want to sit next to at the party. His deep dive into movies that molded our youth and haunt our adulthood is funny, acerbic and personal. I dare anyone to read this book without making a list of films to see or see again. I say two snaps up!"Jewelle Gomez, author of The Gilda Stories"Black gay men's autobiographies are still vanishingly rare - the more so due to the catastrophe of the AIDS crisis. Larry's wise and witty telling of his life through his love of films both classic and obscure is to be cherished."Patrik-Ian Polk, creator of Noah's Arc
Mastering the Art of Screenwriting
"Mastering the Art of Screenwriting: Essential Advice and Techniques" is your ultimate guide to the world of screenwriting. Explore the three-act structure, develop captivating characters, craft compelling dialogue, and master the art of visual storytelling. With insights from successful screenplays and practical techniques, this book equips you with the tools to create engaging narratives that captivate audiences. Refine your skills, embrace the revision process, seek feedback, and study the techniques of established screenwriters. Elevate your screenwriting and unleash your creative potential with this transformative guide.
Retrospection and Revision in Modern and Contemporary Art, Literature and Music
This interdisciplinary book investigates the various ways in which North American and European modern and contemporary artists, authors, and musicians have returned to earlier works of their own, engaging in inventive revivals and transformations of the past in the present. The book is distinctive in its focus on such revisits, as well as in the diversity of art forms under review: in addition to visual art, the book explores fiction, poetry, literary criticism, film, rock music, and philosophy. This scope, together with the time-span covered in the book, from the 1850s to the twenty-first century, allows for a broad view on retrospection and revision. The case studies presented here offer a multifaceted exploration of the widely different goals to which practitioners of the arts have made retrospection and revision functional against the background of cultural, social, political, and personal forces.
Asteroid City
The screenplay of the new film by Wes Anderson. ASTEROID CITY (adapted from a "hypothetical" play) takes place in a fictional desert town, circa 1955. Synopsis: the itinerary of the annual Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events. A theatrical ensemble character piece; a poetic meditation on the meaning of life.The film stars Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Margot Robbie, Bryan Cranston, Edward Norton, Adrien Brody, and Jake Ryan, among others.This edition features the complete screenplay, 8 pages of full-color images, and a conversation about the film with Wes Anderson, Roman Coppola, Jason Schwartzman, and Jake Ryan.
Succession: Season Two
Thecomplete, authorised scripts of the multiple award-winning Succession. ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** I wonder if the sad I'd be from being without you might be less than thesad I get from being with you? Kendall Roy is dealing with fallout from his hostile takeover attempt ofWaystar Royco and the heavy guilt from a fatal accident. Shiv stands poised tomake her way into the upper-echelons of the company, which is causingcomplications for Tom, which is causing complications for Greg. Meanwhile, Roman is reacquainting himself with the business by starting at the bottom, asConnor prepares to launch an unlikely bid for president. Collected here for the first time, the complete scripts of Succession: SeasonTwo feature unseen extra material, including deleted scenes, alternativedialogue and character directions. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece.
Succession: Season Three
Thecomplete, authorised scripts of the multiple award-winning Succession. ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** 'Love'. You're coming for me with love? In the wake of an ambush by his rebellious son, Kendall, Logan Roy is in aperilous position, scrambling to secure familial, political and financialalliances. A bitter corporate battle threatens to turn into a family civil war. Collected here for the first time, the complete scripts of Succession: SeasonThree feature unseen extra material, including deleted scenes, alternativedialogue and character directions. They reveal a unique insight into thewriting, creation and development of a TV sensation and a screen-writingmasterpiece.
Succession: Season One
Thecomplete, authorised scripts of the multiple award-winning Succession. ** Winner of thirteen Emmys, five Golden Globes, three BAFTAs and a Grammy. ** Everything I've done in my life is for my children. When Logan Roy, the head of one of the world's largest media and entertainmentconglomerates, decides to retire, each of his four grown children follows apersonal agenda that doesn't always sync with those of their siblings -- ortheir father. Collected here for the first time, the complete scripts of Succession: SeasonOne feature unseen extra material, including deleted scenes, alternativedialogue and character directions, and an exclusive introduction from creatorand showrunner, Jesse Armstrong. They reveal a unique insight into the writing, creation and development of a TV sensation and a screen-writing masterpiece. With an exclusive introduction from creator Jesse Armstrong.
The Meaning of Colour in Film
The colours represent, currently, an important element of cohesion in the cinema narrative, helping to compose meaning of the productions we watch. This work, aims to address this concept so intrinsic in a more detailed way, through an analysis guided by the chromatic choices of the feature film "The Story of Eternity" (2014), by director Camilo Cavalcante. Treating from themes such as: The concepts of colour, image, signification and cinema. Adentrando also on issues such as Direction of Photography and the psychology of colours, this work is directed to students and professionals of cinema, communication, and lovers of the seventh art in general. To all, a good reading!
Women’s Pictures
This pioneering and influential work of feminist theory has been extensively updated by the author to chart the changes in feminist film theory and practice between the eighties and the nineties. Readers, whether engaged in the making of films, the study of them, or simply the pleasure of viewing them, will appreciate the way in which the author discusses and demystifies the current methods of analysis, including semiotic and psychoanalytical approaches. The films used as points of discussion are drawn from both mainstream and alternative cinema, institutions which are themselves examined in relation to their production, distribution and exhibition practices. The thesis proposed by Annette Kuhn is an exciting one: namely, that feminism and cinema, taken together, could provide the basis for new forms of expression, providing the opportunity for a truly feminist alternative cinema in terms of film language, of reading that language and of representing the world.
Seven Minutes
Seven Minutes is a social and aesthetic history of the "controlled anarchy" of the cartoon, from the first talking Mickeys to the demise of Warners and MGM theatrical productions in 1960. Norman M. Klein follows the scrambling graphics and upside-down ballet of Fleischer's Betty Boop, Popeye, Superman of the Wolfie cartoons by Tex Avery, of the Bugs and Daffy, Tweetie and Roadrunner cartoons from Warners, of full animation at Disney, of the "whiteness of Snow White", and of how Mickey Mouse became a logo. Reviewing the graphics, scripts and marketing of each era, he discovers the links between cartoons and live action movies, newspapers, popular illustration, and the entertainment architecture coming out of Disneyland. Klein shows that the cartoon was a perverse juggling act, invaded constantly by economic and political pressures, by marketing for sound, by licensing characters to stave off bankruptcies, by Prohibition, the Great Depression, World War II and the first wave of television.
City on Fire
Hong Kong's film industry gained global attention in the 1980s, at the time of negotiations over Great Britain's return of the colony to China. Uncertainty about the post-handover era accelerated Hong Kong's race for economic growth, and found expression in cinema's depictions of a 'city on fire.' In this accessible introduction to the extraordinary cinematic output of the colony, Michael Hoover and Lisa Stokes review the directors and films that have established Hong Kong cinema internationally: John Woo's martial arts flicks, Tsui Hark's wire-worked fantasies, Ann Hui's exile melodramas, Stanley Kwan's limpid romances, and Wong Kar-wai's stylish art films.
Alien Zone II
Science fiction, more than any other film genre, allows cinema to exhibit its own distinctive matters of expression. Whether these be the state-of-the-art special effects technologies of 2001: A Space Odyssey, or the symbolic imagery of ruined cityscapes in Blade Runner, they allow the spectator to experience the totality of the audiovisual thrill. While this remains in many ways the core defining feature of the genre, recent trends in the study of science fiction cinema have seen a shift of focus away from the specifically cinematic towards the more broadly cultural. New technologies of communication and vision, revolutionary developments in the delivery and reception of moving-image media, the increasing importance of the notion of space: all are forcing new and different ways of thinking about the genre. Alien Zone II presents some of the most exciting new voices in the current debates. A companion volume to Alien Zone, it continues to pursue the critical and theoretical issues opened up in the earlier book and energetically explores fresh territory with an eye which is both reflective and interventionist: visionary cities, psycho-cybernetics, internet fandom, the convergence of science fiction literature and science action film, the body and its limits are just some of the subjects brought under its gaze.
Forgotten Disney
This work demonstrates that not everything that Disney touched turned to gold. In its first 100 years, the company had major successes that transformed filmmaking and culture, but it also had its share of unfinished projects, unmet expectations, and box-office misses. Some works failed but nevertheless led to other more stunning and lucrative ones; others shed light on periods when the Disney Company was struggling to establish or re-establish its brand. In addition, many Disney properties, popular in their time but lost to modern audiences, emerge as forgotten gems. By exploring the studio's missteps, this book provides a more complex portrayal of the history of the company than one would gain from a simple recounting of its many hits. With essays by writers from across the globe, it also asserts that what endures or is forgotten varies from person to person, place to place, or generation to generation. What one dismisses, someone else recalls with deep fondness as a magical Disney memory.
Cultural Theory in the Films of Alfred Hitchcock
This book considers several aspects of Alfred Hitchcock's filmmaking from philosophical and social scientific points of view. Its principal aim is to place Hitchcock's films in the context of debates in various philosophical and cultural traditions.
Stars, Fan Magazines and Audiences
Stars, Fan Magazines and Audiences focuses on movie magazines, publications first produced in 1911 for movie fans in the United States, but soon reaching movie fans on a global scale. Bringing together scholars from different disciplinary and international contexts, this collection considers fan magazines as objects of material and visual history. The designer's toolkit aided movie magazines in seducing their readers, with visual elements, such as fonts, photographs, and illustrations, plied across both editorial content and advertisements. In this way, each issue was subtly designed to stir desire in readers and moviegoers alike. By focusing on the visual aspects of fan magazines, a key pleasure for readers, this collection provides detailed examples of how visual elements engendered aspiration and longing, thus putting the visual contents of the fan magazines at the heart of every chapter.
Refocus: The Films of Wes Craven
This edited collection provides an insightful look at the career and output of American horror director Wes Craven, whose most famous films - such as The Last House on the Left (1972), A Nightmare on Elm Street (1984) and Scream (1996) - came to define the form in the later decades of the 20th century. Also paying attention to Craven's more underrated work, from Deadly Friend (1986) through to his melodrama Music of the Heart (1999), this academic study argues that the filmmaker's influence can still be felt on cinema today, many years after his passing. Featuring 16 chapters and an extensive introduction, this addition to the ReFocus line will prove to be essential reading for scary movie connoisseurs and brings a valuable contribution to the growing field of horror film studies.
Hiro Narita. Depth of Field
Hiro Narita is a cinematographer with a chameleonic style. During fifty years of his career in American cinema, he has photographed documentaries, television films, commercials, and major Hollywood productions. Narita has been able to work on films that are very different from each other in content and visual style, collaborating with established directors.From filming street riots for Michelangelo Antonioni's Zabriskie Point, operating camera for Martin Scorsese's The Last Waltz and capturing additional images for David Lynch's Blue Velvet, Narita began his cinematographic ventures in diverse milieu.His belief that each story motivates its own visual expression was central to his cinematic endeavor. Never Cry Wolf directed by Carroll Ballard was the film that made his reputation as a top Hollywood cinematographer. In this book Narita tells of his extraordinary artistic and human life spent alongside his wife Barbara and great cultural personalities. Hiro Narita ASC is a Japanese-American cinematographer, member of the American Society of Cinematographers and Academy of Motion Pictures and Sciences. For his work on Never Cry Wolf he won the Boston Society of Film Critics Award and the National Society of Film Critics Award. Among his films are Farewell to Manzanar, Honey, I Shrunk the Kids, Star Trek VI: The Undiscovered Country, Dirty Pictures, The Rocketeer, Hocus Pocus, The Arrival. Furthermore, Narita's credits for additional photography include work in Zabriskie Point, Star Wars: Return of the Jedi, UnbearableLightness of Being, Always and The Time Machine. Gerry Guida is an Italian film critic and expert in cinematography. His publications for Artdigiland are: Luce su Alberto Sordi! Alberto Sordi nei ricordi dell'autore della fotografia Sergio D'Offizi (2020), Caf癡 Express. Viaggio in treno al termine della notte (2021), Pane e cioccolata. Brusati, Manfredi e l'odissea della migrazione (2021) and Il sorpasso. Viaggio nell'Italia del boom (2022). Numerous English interviews with directors, cinematographers, camera and Steadicam operators, visual effects supervisors, editors, photohraphers and performers are available on Artdigiland's blog.
Galula in Algeria
BLAKE EDWARDS Blake Edwards: Film Director as Multitalented Auteur is the first critical analysis to focus on the dramatic works of Blake Edwards. Best known for successful comedies such as The Pink Panther series with Peter Sellers, Blake Edwards wrote, produced, and directed serious works in radio, television, film, and theater for seven decades. Although hit films such as Breakfast at Tiffany's and '10' remain popular, many of Edwards's dramas have been forgotten or marginalized. In this unique book, William Luhr and Peter Lehman draw on original research from numerous set visits and personal interviews with Edwards and many of his creative and business collaborators to explore his dramas, radio and television work, theatrical productions, one-man art shows, and unproduced screenplays. In-depth chapters analyze non-comedic films including Experiment in Terror, Days of Wine and Roses, and The Tamarind Seed, the theatrical feature film Gunn and the made-for-television film Peter Gunn, the musical adaptation of Victor/Victoria, and lesser-known films written but not directed by Edwards, such as Drive a Crooked Road. Throughout the book, the authors apply contemporary film theory to auteur criticism of different works while sharing original insights into how Edwards worked creatively in disparate genres and media using composition, editing, sound, and visual motifs to shape his films and radio and television series. A one-of-a-kind examination of one of the most influential film directors of his generation, Blake Edwards: Film Director as Multitalented Auteur is an excellent supplementary text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.
Producer to Producer
The comprehensive bible for low-budget, independent film producing for emerging and professional producers. Designed to use for production meetings with every aspect of the film producing process outlined in detail, including checklists to keep you on track, from pre-production to the first day of principal photography through to post production and delivery.
Writing Women for Film & Television
This book is a detailed guide to creating complex female characters for film and television. Written for screen storytellers of any level, this book will help screenwriters and filmmakers recognize complicated portrayals of women on screen and evaluate the complexity of their own characters.Author Anna Weinstein provides a thorough analysis of key female characters in film and television, illustrating how some of our greatest screenwriters have developed smart, nuanced, and intriguing characters that successfully portray the female experience. The book features in-depth discussions of women's representation both on screen and behind the scenes, including interviews with acclaimed women screenwriters and directors from around the globe. These conversations detail their perspectives on the relevance of women's screen stories, the writing and development processes of these stories, and the challenges in getting female characters to the screen. With practical suggestions, exercises, guidelines, and a review of tired clich矇s to avoid, this book leaves readers prepared to draw their own female characters with confidence.A vital resource for screenwriters, filmmakers, and directors, whether aspiring or already established, who seek to champion the development of rich, layered, and unforgettable female characters for film and television.
Deanna Durbin in Hollywood
Known as the first film teenager, Deanna Durbin was one of the most popular actresses of the 1930s and 1940s. From starring alongside legends like Judy Garland to playing the lead role in classic film musicals, her rise to fame seemed almost like fantasy. But her life behind the scenes was anything but glamorous. Though Durbin was a princess to the public, she was a puppet to film studios and producers and a punching bag for critics and gossip columnists. At the end of her twelve-year career, her only wish was to be forgotten. Impossible. This book pays tribute to Deanna Durbin by detailing her life and career in the context of her time and appraises her film work from both a contemporaneous and a modern view. It includes a short biography, an in-depth discussion of her films, and an extensive filmography and bibliography of her work. Readers will discover the true identity behind the people's Cinderella and how Durbin's career opened Hollywood's studio gates to a generation of adolescent performers.
Color It True
This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance's latest meditation on cinema has the author embed himself in various ways of thinking about color; not ways of framing it as a production trick or a symbolic language but ways of wondering how the color effect onscreen can work in the act of viewing. Pomerance examines many issues, including acuity, dreaming, interrelationships, saturations, color contrasts, color and performance (color as a performance aid or even performance substitute), and more. The lavender of the photographer's seamless in Antonioni's Blow-Uptaken in itself as an explosion of color worked into form, and then considered both as part of the story and part of our experience. The 14 chapters of this book each discuss a single primary color as regards to our experience of cinema. After opening the idea of such an exploration in terms of the history of our apperception and the variation in our experience that color germinates, Color it Truetakes form.
Let’s Go Stag!
For much of the 20th century, the underground pornography industry - made up of amateurs and hobbyists who created hardcore, explicit "stag films" - went about its business hounded by reformers and law enforcement, from local police departments all the way up to the FBI. Rumors of this illicit activity circulated and became the stuff of urban myth, but this period of pornography history remains murky.Let's Go Stag!reveals the secrets of this underground world. Using the archives of civic groups, law enforcement, bygone government studies and similarly neglected evidence, archivist Dan Erdman reconstructs the means by which stag films were produced, distributed and exhibited, as well as demonstrate the way in which these practices changed with the times, eventually paving the way for the pornographic explosion of the 1970s and beyond. Let's Go Stag! is sure to point the way for countless future researchers and remain the standard work of history for this era of adult film for a long time to come.
Studio Television Production and Directing
This updated third edition of Studio Television Production and Directing introduces readers to the basic fundamentals of studio and control room production.Accessible and focused, readers of this updated third edition will learn about essential studio and control room terminology and the common technology package. This book is your back-to-the-basics guide to common technology--including principles of directing, assistant directing, technical directing, playback, audio ops, basic studio lighting, an introduction to set design, camera ops, floor directing, story types (VO, VO/SOT, PKG), basic engineering, and more.Whether an established professional or a student, this book provides readers with the technical expertise to successfully coordinate live or recorded multicamera production.In this new edition, author Andrew Hicks Utterback offers an expanded glossary and new material on visualization walls, alternative camera mounts, basic engineering, and news narrative diagramming.
Cinematic Vistas
Dive into the intriguing and colorful history of Croatian cinema, from its inception in the early 20th century to its dynamic and promising state in the 21st. Uncover the transformation of Croatian filmmaking through diverse political and cultural eras, with every turn marked by resiliency, creativity, and innovation. Experience the stories behind groundbreaking films, iconic directors, and the socio-political changes reflected in the cinema of the day. Discover the evolution of different genres, themes, and styles, as well as the influence of Croatian cinema on the international stage. This extensive and detailed exploration celebrates the richness and diversity of Croatian cinema, offering a comprehensive view of its past, present, and exciting future potential.
Stay Tuned
STAY TUNED is used to keep all your channel surfing information in one place for easy access.Don't let your favorite shows slip through the cracks of memory. Keep your television-watching experiences organized, accessible, and easily expandable with Stay Tuned. Whether you're a casual viewer or a devoted binge-watcher, this book will help you stay on top of your entertainment game, ensuring that you never miss a beat in the ever-evolving landscape of television.Inside the book are pages for you to list your favorite shows, channels, episodes, and ratings. Also included are pages for your usernames and passwords and a list of the shows you want to watch in the future.
Freaks, Gleeks, and Dawson’s Creek
The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson's Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever. The modern television landscape is defined by influential and ambitious shows for and about teenagers. Groundbreaking series like Euphoria, Sex Education, and Pen15 dominate awards season and lead the way when it comes to progressive, diverse, and creative storytelling. So how did we get here from Beverly Hills, 90210? In Freaks, Gleeks, and Dawson's Creek, entertainment journalist Thea Glassman takes readers behind the scenes of seven of the most culturally significant series of the last three decades, drawing on dozens of new interviews with showrunners, cast, crewmembers, and more. These shows not only launched the careers of such superstars as Will Smith, Michael B. Jordan, Claire Danes, and Seth Rogen, but they also took young people seriously, proving that teen TV could be smart, revolutionary, and "important"--and stay firmly entrenched in pop culture long after it finished airing. And while many critics insist that prestige dramas like The Sopranos and Mad Men paved the way for television, some of the most groundbreaking work was actually happening inside the fictional hallways of high schools across America in teen shows whose impact remains visible on our screens today.
The Spanish Quinqui Film
This is the first major study in English of cine quinqui, a cycle of popular Spanish films from the late 1970s and early 1980s that starred real-life juvenile delinquents. The book provides a close analysis of key quinqui films by directors such as Eloy de la Iglesia, Jos矇 Antonio de la Loma and Carlos, as well as the moral panics, public fears and media debates that surrounded their controversial production and reception. In paying particular attention to the soundtrack of the films, the book shows how marginal youth cultures during Spain's transition to democracy were shaped by sound. It will be of interest to scholars and students of Spanish film, history and cultural studies, and those working in sound studies and youth subcultures more broadly.
Stanley Kubrick Photographs. Through a Different Lens
Before becoming the critically acclaimed filmmaker responsible for such iconic films as Dr. Strangelove and The Shining, Stanley Kubrick spent five years as a photographer for Look magazine. The Bronx native joined the staff in 1945, when he was only 17 years old, and shot humanist slice-of-life features that celebrate and expose New York City and its inhabitants.Through a Different Lens reveals the keen and evocative vision of a burgeoning creative genius in a range of feature stories and images, from everyday folk at the laundromat to a day in the life of a debutant, from a trip to the circus to Columbia University. It features around 300 images, many previously unseen, as well as rare Look magazine tear sheets and an introduction by noted photography critic Lucy Sante.These still photographs attest to Kubrick's innate talent for compelling storytelling, and serve as clear indicators of how this genius would soon transition to making some of the greatest movies of all time.
Bela Lugosi
Chris Wade explores the film career of movie icon Bela Lugosi. From his silent films in Europe, his early American movies, the iconic roles in the likes of Dracula, The Black Cat, and White Zombie, through the low budget B movies of the 1940s, up to his final screen work for Ed Wood, Wade celebrates the great man's performances in a series of essays, examining the career of a man who never escaped the Dracula persona but whose films are now highly regarded by his legions of fans. The book also features Q and As with those who knew and worked with him. Other films explored include: The Raven, Murders in the Rue Morgue, The Devil Bat, Son of Frankenstein, The Corpse Vanishes, Abbott and Costello Meet Frankenstein, and many more...
The Pallisers
This is a reference book on the 1974 RV series The Pallisers. The book contains all 26 episodes in original date transmission order, complete cast listings, numerous photographs, directorial credits, a story synopsis for each episode, plus an introduction and table of contents.
Dueling Harlows
In 1965 producers Joseph E. Levine and Bill Sargent were racing to get their problem-laden biopics of Jean Harlow (both titled Harlow) into theaters first. Levine's film starred Carroll Baker in a big-budget, color production. Sargent's movie starred Carol Lynley in a quickie, black and white production shot in a new process called Electronovision. In the press the two producers conducted one of the nastiest feuds Hollywood had ever witnessed, nearly culminating in fisticuffs at the 1965 Academy Awards ceremony. In recounting the making of the two films, this book (expanded from the original self-published edition) touches on Jean Harlow's life, the failed attempts to make a Harlow biopic in the 1950s, and the reviled, bestselling 1964 biography. It details the aftermath of each movie's release, from scathing reviews to disappointing box office returns to the several lawsuits. Newly discussed are the portrayals of Jean Harlow on stage shortly after the Levine and Sargent films, and the making of the 1977 film Hughes and Harlow: Angels in Hell starring Lindsay Bloom as Jean Harlow. The book is generously illustrated and includes interviews with people associated with all three films, including Carol Lynley and Lindsay Bloom.
Realist Film Theory and Bicycle Thieves
The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Realist Film Theory and Bicycle Thieves offers a concise introduction to realist film theory in jargon-free language and shows how this theory can be deployed to interpret Vittorio De Sica's 1948 Italian neo realist masterpiece Bicycle Thieves. Hilary Neroni explores the original realist film theorists from the 1940s: Andr矇 Bazin, Siegfried Kracauer, and Cesare Zavattini, among others. But rather than seeing realist film theory as simply a theory of the past to be moved beyond, the book argues that the prevalence of realism in many different forms within practice and theory suggests the importance of updating this original realist film theory with an understanding of realism that would sustain its viability. Throughout the book, Neroni analyzes neorealist film movements-such as Italian Neorealism, Parallel Cinema of India, and the Iranian New Wave-that challenge mainstream realism with a more radical form that exposes the social order instead of hiding it. Her in-depth investigation of Bicycle Thieves provides a realist methodology that reveals the radicality of its combination of realist techniques, a melodramatic story, and humanist values.
Helen of Troy in Hollywood
How a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TV Helen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the problems and dynamics of gender and idealized femininity. Paying careful attention to how the image of Helen is embodied by the actors who have portrayed her, Ruby Blondell provides close readings of such works as Wolfgang Petersen's Troy and the Star Trek episode "Elaan of Troyius," going beyond contextualization to lead the reader through a fundamental rethinking of how we understand and interpret the classic tradition. A luminous work of scholarship by one of today's leading classicists, Helen of Troy in Hollywood highlights the importance of ancient myths not as timeless stories frozen in the past but as lenses through which to view our own artistic, cultural, and political moment in a new light. This incisive book demonstrates how, whether as the hero of these screen adaptations or as a peripheral character in male-dominated adventures, the mythic Helen has become symbolic of the perceived dangers of superhuman beauty and transgressive erotic agency.
What Film Is Good for
For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical--and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.
What Film Is Good for
For well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical--and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.
Abandoned in the Wasteland
Winner of the Silver Gavel Award from the American Bar Association Two well-known experts-Newton N. Minow is a former chairperson of the FCC-suggest bold new ways to think about television and its influence on American life and, most urgently, on American children. The authors argue that to defend an unrestricted freedom to broadcast by invoking the First Ammendent is an improper use of constitutional principle. They remind us that broadcasters are required by law to serve the public interest, and that the Supreme Court and Congress have affirmed that service to children is a broadcaster's legal obligation.
Being John Malkovich
What do you get when a down-on-his-heels puppeteer working as a file clerk on the seventh-and-a-half floor of a Manhattan office building discovers a secret portal into the brain of John Malkovich? Hilarity, drama, and perhaps the most unique film of the 90s. Being John Malkovich, which stars John Cusack, Cameron Diaz and, of course, John Malkovich as himself, is Charlie Kaufman's screenwriting debut. The movie premiered to universal acclaim and is guaranteed to become a classic of modern cinema.
Torturous Etiquettes
"Etiquette," as noted toastmaster Herbert V. Prochnow once pointed out, "is knowing how to yawn with your mouth closed"--that is, to spare the feelings of the other person, one must stifle one's own. To be polite, therefore, is to perform. Onscreen, closeups often reveal the effort that goes into maintaining that performance: with a fleeting frown or a slight scowl, an actor reveals the "torture" of mannered behavior. In Torturous Etiquettes, Daniel Varndell examines such gestures to reveal the difficulties of the social encounter. Drawing on the history of etiquette, the book deconstructs an array of examples from classical and contemporary Hollywood and European cinema, taking a close look at onscreen representations of rudeness, ridiculing, racist and sexist etiquettes, hospitality, table manners, and more. In doing so, it reveals etiquette to be a persistent theme in cinema and questions the role it plays in either upholding or denying the basic humanity of others.
