Motion Picture News (Oct 1915); 21
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Annual Salon of the Cleveland Camera Club; 1
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G.B.R.
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Agfa Cameras and Film for Amateur Use
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Elements of Color in Professional Motion Pictures
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Yosemite Valley Through the Stereoscope
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Home Portraiture Made Easy
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New Screen Techniques
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Photo-era; v.46
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Fred Archer on Portraiture; 2nd
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Modern Portraiture
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U.S. Camera '62
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Portrait; v. 5 1913-1914
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The Human Face of Europe
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How to Shoot a Movie Story; Technique of Pictorial Continuity
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The Architecture of Michelangelo
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At Home With the Kodak
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Where & How to Sell Your Pictures
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Weegee's Creative Camera, by Weegee [pseud.]
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Improved 35mm Techniques
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Where & How to Sell Your Pictures
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Jo Anne Lives Here, Story by Harriet A. Wratten;
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How to Shoot a Movie Story; Technique of Pictorial Continuity
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Motion Picture News Booking Guide (October 1926); 11
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At Home With the Kodak
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The Canopy Camera; no.72
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Fred Archer on Portraiture; 2nd
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Motion Picture Almanac 1932
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Enlarged Prints From Library Microforms; a Study of Processes, Equipment, and Materials
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Why Muslim Women and Smartphones
Using an assemblage approach to study how Muslim women in Norrebro, Denmark use their phones, Karen Waltorp examines how social media complicates the divide between public and private in relation to a group of people who find this distinction of utmost significance. Building on years of ethnographic fieldwork, Waltorp's ethnography reflects the trust and creativity of her relationships with these women which in turn open up nuanced discussions about both the subject at hand and best practice in conducting anthropological research. Combining rich ethnography with theoretical contextualization, Waltorp's book alternates between ethnography and analysis to illuminate a thoroughly modern community, and reveals the capacity of image-making technology to function as an infrastructure for seeing, thinking and engaging in fieldwork as an anthropologists. Waltorp identifies a series of important issues around anthropological approaches to new media, contributing to new debates around the anthropology of automation, data and self-tracking.
Under Sea With Helmet and Camera; Experiences of an Amateur
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Vintage Art
Vintage Art: George Catlin 20 Fine Art Prints showcases a curated collection of artwork by George Catlin, an American author, lawyer, painter, and explorer. His art was influenced by his travels to the American West, Catlin's specialism was figurative portraits of Plains Indians, which depicted their everyday life. How to use the prints. The detailed one-sided prints are ideal for framing, collage, mixed media, and junk journals, they can be removed by using either a box cutter or scissors.
Filmatheque Path矇-Baby; 16, 17
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Vintage Art
Vintage Art: Birds of Central Europe: 35 Botanical Prints is a curated collection of illustrations from Natural History of the Birds of Central Europe by Johann Friedrich Naumann (1897-1905). Naumann (1780-1857) was a German editor, engraver, and scientist. Within this book, there are a variety of detailed drawings of birds in natural settings, including Dendrocopus major, Numenius arcuatus, Pyrrhula pyrrhula, and many more. How to use the prints. The intricate one-sided prints can be removed by using a box cutter or scissors, the illustrations are ideal for framing, home decor, collage, decoupage, mixed media and junk journals.
Scrapbooks of Mounted Views, Portraits, Etc., Relating to Europe and Egypt, 1891-1894; v.44
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Pocket Kodak Portraiture
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
How the Other Half Lives
A classic early example of "muck-racking" journalism, or reporting by reform-minded American journalists who attacked established institutions and leaders as corrupt, "How the Other Half Lives" is a chronicle of the conditions of abject poverty that the residents of the slums of New York endured at the end of the 19th century. Danish immigrant Jacob A. Riis saw first-hand the horrible conditions of the Lower East Side of Manhattan following his immigration to the United States. A poor itinerant carpenter by trade, Riis would first begin documenting the filthy disease-ridden tenements of New York while working as a police reporter for the "New York Tribune". "How the Other Half Lives" would first be published as an eighteen page article in the Christmas 1889 edition of "Scribner's Magazine". In the following year it would be expanded into a book of the same name. This book would shed a light on the housing conditions of the working-class and help to bring about much needed reforms. Presented here is a reproduction of that original 1890 edition with the numerous illustrations included in that volume. This edition is printed on premium acid-free paper.
Bromide Paper
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Scrapbooks of Mounted Views, Portraits, Etc., Relating to Europe and Egypt, 1891-1894; v.26
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ozotype
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Under Sea With Helmet and Camera; Experiences of an Amateur
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Amateur Enlarging
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Historic Tales of Alamo, California
One of the oldest communities in the East Bay, Alamo is brimming with tales of hope, loss and triumph. Discover the story of the Romero brothers, who lost their rancho to a shrewd and litigious attorney, and the early pioneers who banded together to buy it back at an extraordinary sum. Learn about the deep agricultural roots that supported newcomers drawn to the temperate climate and beautiful valley. Revisit this rural community's transformation from grazing land for Mission San Jose to a beloved home for generations of ranchers, writers and activists. Join historian Beverly Lane and researcher Sharon Burke as they share fascinating tales of Alamo's past.
Vintage Art
Vintage Art: Reichenbachia 20 Botanical Flower Prints features beautiful orchid illustrations from the collaborative book Reichenbachia: Orchids Illustrated and Described by Henry Frederick Conrad Sander, a German orchidologist. The illustrations were drawn by several artists including Henry G. Moon, each print has a plate number and a descriptive title. Within this curated collection, there are detailed drawings of Cattleya, Laelia, Disa, Epidendrum, and much more. How to use the prints. These intricate one-sided prints are ideal for framing and home decor, collage, decoupage, mixed media, and junk journals. The illustrations can be removed by using either a box cutter or scissors.
Photo-era; v.27
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Photo-era; v.22
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Photo-era; v.48
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.