Going Digital
Get digital prints that look better than film, create amazing photo and video DVDs, and even learn to use your camera phone to its maximum potential with this non-technical, easy-to-understand guideImagine displaying your photos on your television in big-screen glory, set to your favorite music. Imagine digitizing your old home movies, editing out unwanted parts, and sharing them on DVDs. And imagine sharing photos and movies of your child's first steps moments after they happen -- online, over the cell phone, or even on an electronic picture frame half a world away.With today's technology, all that is possible -- and more! Going Digital will arm you with the tools and techniques you need to share your digital memories with friends and family -- online and offline, on the computer, and in the living room. Written in down-to-earth language for people with all levels of technological knowledge, it's a user-friendly guide that will change your life -- and your family's.
Adirondack Vernacular
Henry M. Beach was a prolific and accomplished upstate New York photographer who documented the North Country during the first quarter of the twentieth century. Although much less known and celebrated, Beach's work is as important to the twentieth-century Adirondacks as Seneca Ray Stoddard's is to the nineteenth century. Illustrated with over 250 examples of his work including ten panoramic foldouts, this book covers the range of Beach's subject matter. Robert Bogdan's lively and accessible approach to the photographer's work encourages the reader to explore the North Country's people and places through Beach's photography and life. Although Beach's postcard pictures and other photographs were taken to sell in bulk to hotel managers, tourist shop owners, and other retail merchants, they are not just mass-produced, stylized, pretty pictures. Beside the bubbling brooks and shady woodland paths are factory boomtowns and paper mills belching pollution. As the rails brought increasing numbers of middle-class tourists to the Adirondacks, the wealthy created their own exclusive wilderness playground. Beach photographed dandy visitors at play as well as manual laborers sweating in the forest, logging camps, factories, mines, and construction sites. Images of "great camps" sit next to modest abodes, small stores, and family-owned resorts. Pictures of trains in scenic surroundings give way to mangled wrecks after tragic railroad accidents. In addition to standard view cards, he produced montages and advertisement postcards serious visual commentary as well as lighthearted picture play. Beach's best works stir the heart and provoke the imagination, and his whimsical, down-to-earth approach to photography produced images that are a treat to the eye.
Douglas Gordon
Throughout his career, Douglas Gordon has engaged in an ongoing reflection on the motion picture, examining the relationship between the movies and our common knowledge and perception of them. In altering, monumentalizing, and alienating our collective understanding of film, he visualizes, pictures, and "sculpts" time. Douglas Gordon, which was organized by MoMA curator Klaus Biesenbach, collects images and texts from the past 40 years (a nod to Gordon's birth date of 1966), all of which deal with ideas of visual memory, shared visual knowledge, and the interwoven texture of imagined and remembered sounds and images. It explores the relationship between film and psychoanalysis, and the way in which these systems of thought have affected the idea of individual biography: Gordon is acutely attuned to the relation of such deep experiences as love, longing, loss, and trauma to what one feels while watching film. He understands how films refer to other films, how they superimpose themselves upon each other and upon their viewers' memories, and how, through their ubiquity and accessibility, films express and represent the ideals and fears of their times. Essay by Klaus Biesenbach.
Ancient Marks
Seven years, seven continents, and thirty countries, from the African savannah to the barrios of Los Angeles, from New Zealand to Egypt, and Brazil to Burkina Faso, Chris Rainier documented the traditions of tattooing, scarification, piercing, and other forms of body altering art, the origins of which date back to the dawn of humankind. Ancient Marks reveals not only the haunting beauty of these often mystical forms, but also connects them to humanity's enduring efforts to tell stories, forge identity, and create links to the divine. "The human form became, through the brillance of inspired artistry, a sacred geography of the soul, a map of culture and myth expressed by forms painted, carved, or incised upon the canvas of the body" -- Wade Davis. A former apprentice to Ansel Adams, award-winning Chris Rainier is considered one of the leading documentary photographers working today. Co-director of the National Geographic Society's Cultural Ethnosphere Program, he has traveled to all seven continents, including extensive expeditions throughout Africa, Antarctica, and New Guinea. Rainier's photography has been featured in Time, Life, Smithsonian, The New York Times, Outside, and is a contributing editor for National Geographic Traveler, a contributing photographer for National Geographic Adventure and a contributing correspondent for NPR's Day to Day.
The Next Station to Heaven
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The Tourist
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Carolina
Like a leisurely stroll along the oak-shaded paths of campus, this vibrant collection of photographs captures the heart and soul of the community that is the University of North Carolina at Chapel Hill. From move-in day to graduation, two hundred images trace a year in the life of Carolina students, faculty, and staff, at work and at play, in the campus environment that has helped make Chapel Hill the "southern part of heaven."A foreword by beloved professor and novelist Doris Betts muses on her own experiences of the University as a compelling place at the literal and figurative heart of the state. The photographs are accompanied by captions that reveal the history and lore of notable campus places, the rituals and traditions of University life, and the wisdom and appreciation of those who have passed through the nation's first state university.Academics, arts, politics, clubs, and athletics -- these pages are filled with the memory-making moments of life at Carolina, evoking the timeless present recognizable to Tar Heels young and old. This is everyone's Carolina, to treasure and to share.
Along Some Rivers
Robert Adams, one of America's foremost living photographers, has spent decades considering and documenting the landscape of the American West and the ways it has been altered, disturbed, or destroyed by the hand of man. A professor of English before turning to photography, Adams is also a skilled writer and acute thinker on aesthetic questions. Aperture's previous bestselling collections of his essays, Beauty in Photography and Why People Photograph, assembled his thoughts on a range of subjects, including writing, teaching, photography's place in the arts and a host of fellow photographers. Along Some Rivers collects Adams's correspondence and conversations--some of which have never been published before--with writers and curators including William McEwan, Constance Sullivan and Thomas Weski. In so doing, it provides another point of entry, offering a portrait of the artist in debate and elucidating his thoughts on a number of his now legendary projects, including Cottonwoods and What We Bought. Adams also expounds on why, in his view, Marcel Duchamp has not been a helpful guide for art, and he discusses which filmmakers and painters have influenced him, which cameras he prefers and how he approaches printing his pictures. Along Some Rivers also includes a selection of 28 unpublished landscapes.
Temporary Discomfort
Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It comines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones.
Model American
Working with ordinary people who answered ads in local papers, posing them in their nondescript homes or unexceptional landscapes and using relatively simple equipment, Katy Grannan alchemizes these factors into extraordinary photographs. Disarming for their directness and for the provocative but casual nudity on display, her pictures capture the spirit of her subjects in the manner of Diane Arbus, but they also draw upon the artificial, posed tableaux of Gregory Crewdson and, indeed, art history. The posture of the tattooed and tanned (and nude) figure in "Mike," a 2003 portrait which appeared in the 2004 Whitney Biennial, resembles nothing so much as the awkward repose of the desert nomad in Henri Rousseau's "Sleeping Gypsy." In this first monograph, over half of the photographs are previously unpublished, providing a fresh depth to our understanding of this already widely known and accomplished young artist. Sitting on a dirt road in a knit bikini, standing defiantly in a corner of a cheaply paneled living room, leaning languidly against a chain-link fence, Grannan's photoraphs convey the dark side that we all have as well as the need to be recognized as unique individuals.
Nina Simone ’’black Is the Color...’’
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Richard Misrach Golden Gate
Aperture is delighted to reissue Richard Misrach's highly acclaimed publication, Golden Gate. The photographs for Golden Gate were made over a three-year period from a single vantage point on the artist's front porch, overlooking the San Francisco Bay. Photographed at all times of day and night, in every season, the pictures reveal an astonishing range of changing weather, light and color. The rigorous execution of a simple premise brings a fresh appreciation to this famous western vista. Misrach's photographs are illuminated by important essays by noted art historian T.J. Clark and geographer Richard Walker. Geoff Dyer writes of the work: "We are in the presence of that uniquely photographic and uniquely American phenomenon: the documentary sublime. [Golden Gate] takes you, metaphorically and literally, as far west as you can get. Just as Frederic Edwin Church's colossal "Niagara" (1857) still surpasses the iconic familiarity of the location, so Misrach's pictures make us see an overphotographed subject in a new light; literally. But the light that shrouds, frames, drenches and (always) dwarfs the bridge is also historical. It is as if the sky of every one of the paintings on show at Tate Britain has, at some point, ended up in the Bay Area... Church's rainbow even turns up in one of them. All--even the ones that are completely abstract, just air, color, light--attest to a verifiable truth: at that moment it really looked like this. We have arrived at a vision of the sublime that is literal and absolute. It is impossible to go any further."
Marsh Mission
Louisiana is in a desperate battle to save what remains of its coastal wetlands, which are disappearing at the rate of a football field--size area every 38 minutes. Most people are unaware of the devastating transformation of this remote region, though the effects are detrimental for the entire country economically, culturally, and environmentally. Hoping that art will inspire concern where statistics have not, and focusing on the marshlands' beauty rather than their destruction, nature photographer C. C. Lockwood and painter Rhea Gary have joined together in Marsh Mission to show that a picture is worth at least a thousand words. Their rapturous thirty photographs and thirty paintings may well leave one speechless.For an entire year, C.C. immersed himself in the wetlands, living on a houseboat -- the Wetland Wanderer -- with his wife, Sue, a schoolteacher, who created an interactive classroom from the boat via the Internet. They covered more than 5,000 miles, taking the pulse of their environs and documenting everything from oil rigs to egrets and vivid setting suns. Rhea sometimes joined the Lockwoods and other times ventured out in her own bateau, designed to hold an easel for making oil-on-paper sketches. She produced the final oil paintings on canvas in her studio.In his photographs, C.C. captures the quiet, hidden activity of the wetlands in all their paradisaical aspects. Breathtaking detail -- the reward of day-in and day-out vigilance. Rhea conveys her emotional response to the light, color, and mood of the landscape with bold impressionistic strokes in raspberry, tangerine, lime, fuchsia, azure, and yellow. Hot -- like the culture and the climate of south Louisiana. Together, the two impart an aesthetic experience that explains better than any map or scientific data the irreplaceable treasure being lost. A narrative by each artist enhances their visual testimony and gives a rare glimpse into the creative process.Formed by silt deposits from the Mississippi River, Louisiana's coastal region constitutes 40 percent of all U.S. marshlands, but it is sinking at an alarming rate because the river's leveed banks -- while essential for flood control and ship navigation -- obstruct silt replenishment. With Marsh Mission, C. C. Lockwood and Rhea Gary offer a visionary tribute to this endangered, national natural resource. Their images should arouse awareness, appreciation, and, especially, action.
Performances
This book will become a tool to guide you in writing the things that we so easily forget as years go by. Illustrations and photographs, traditional manuscript writings have been provided in this book. There is joy in reading about the organizers and contributors in Dallas County, and the part others played in shaping its history. For many contributors, this chapter has been closed, and to others it's only a beginning. The purpose of this book is to give an early version of the origination, consolidation, location, and transportation of Dallas County agencies, institutions, and people, who played a great role in the lives of individuals. The dual careers as a mother and an educator provided a complete perspective on enlightening the constituents of Dallas County in becoming aware of its rich heritage.
Steve McCurry
American photographer Steve McCurry (b.1950) is universally recognized as one of today's finest image-makers and has won many of photography's top awards. This accessible monograph reviews the complete spectrum of his work from documentary photographs of conflict in Afghanistan to memorable images of Buddhist temples in Southeast Asia, in which he captures the essence of human experience
San Francisco's Lost Landmarks
With long-forgotten stories and evocative photographs, this collection showcases the once-familiar sites that have faded into dim memories and hazy legends. Not just a list of places, facts, and dates, this pictorial history shows why San Francisco has been a legendary travel destination and one of the world's premier places to live and work for more than 150 years.
The Museum Project
In "The Museum Project," Korean photographer Atta Kim commandeers average scenes--city streets, department stores, freight depots and forests--and turns them into exhibition spaces. On display are people crammed into acrylic boxes, stacked in sets, on end, or sometimes alone. In selecting his subjects and isolating them in their boxes, Kim aims to "detach them from reality; to display and deconstruct at the same time my own concept of the world." Kim compares his efforts to that of an archaeologist, sifting through the cultural strata in order to unearth and hold up exemplary objects for our contemplation. "The Museum Project" is comprised of a number of series, such as "War Memorial," "Sex," "Suicide," and other human typologies, each intended to highlight a particular mode of behavior or belief. In certain series, the subjects are isolated from their natural settings, each display case simply framed and offset by backdrops in primary colors. The resulting images are curious and startling, straddling the indeterminate ground between performance, photography, and an alternate form of anthropology. "The subject of history is, finally, nothing but human beings," Kim says. "[The] great order of... the cosmos is that all kinds of acts conducted by human beings are always watched by someone." Atta Kim was born in Korea in 1956. He graduated from Changwon University with a Bachelor of Science degree and has been actively photographing since the mid-1980s. He has had solo shows at the Samsung Photo Gallery, Seoul; the Nikon Salon Gallery, Tokyo; the Yechong Gallery, Seoul; and has been included in numerous group exhibitions, including shows at the Museum of Contemporary Photography in Chicago; The Odens Foto Triennale in Odens, Denmark; the Australian Centre for Photography; the twenty-fifth Sao Paolo Bienal; and FotoFest in Houston.
Photographing Egypt
John Feeney arrived in Egypt in 1963 to make a documentary film, intending to stay for one year and staying forty. Photographing Egypt brings together some of his now rare color photographs of Egypt, taken over the past forty years and displayed in a major retrospective exhibition of his work in March 2005 at the American University in Cairo's Sony Gallery. The photographs depict the epic grandeur of Egypt, and include historic pictures of Gamal Abd al-Nasser's funeral cortege leaving Qasr al-Nil Bridge and of the last Nile flood to come to Egypt, as well as aspects of the country rarely dealt with previously--the unique domes of Cairo, the extraordinary multicolored pavilions of the Tentmakers' Street, the gathering of jasmine blossoms in the Nile Delta, the search for the elusive desert truffle, the shadow puppet plays of Cairo's street theater, and the hammams of the medieval city. The photographs are accompanied by extracts from the photographer's narration to his Nile film Fountains of the Sun, and from his essays that have appeared over the years in Aramco World Magazine.
Margo Veillon: Nubia
From 1964 onward much of the ancient land of Nubia sank forever in the waters of Lake Nasser, behind the new Aswan High Dam. Margo Veillon had been fascinated by the vibrancy, color, and movement of the life of ordinary people in Nubia since the 1930s. In the company of friends and fellow artists she made numerous extended visits to capture in her artwork a lifestyle that has now vanished. This book is a record of her journeys. Presenting the Nile as this beautiful land's thoroughfare, her drawings and photographs reflect the impact of this world upon her. Veillon's diaries, notes, and pictures vividly illuminate one of the world's most visually oriented cultures in a style that is as expressive as its subject, thus offering not only an image captured at a particular moment in time, which will never be seen again, but the sensitivity and skill of brain, eye, and hand that made that capture possible. Also available: Margo Veillon: The Bursting Movement edited by Charlotte Hug (AUC Press, 1996) Margo Veillon: Egyptian Harvests edited by Charlotte Hug (AUC Press, 2000) Margo Veillon: Egyptian Festivals edited by Bruno Ronfard (AUC Press, 2002) Margo Veillon: Painting Egypt: The Masterpiece Collection at the American University in Cairo edited by Bruno Ronfard (AUC Press, 2003)
The Seasons of Cumberland Island
Cumberland Island is the largest and most beloved of the Georgia barrier islands. Although it can be reached only by boat, more than forty thousand people make the trip each year to enjoy the island's natural splendor and solitude. As on most barrier islands, human activity has long been a shaping force on Cumberland. It is among the few islands, however, that we have let return to a relatively natural state. With its expansive oceanfront beaches, dunes, interior maritime forests, freshwater ponds, tidal creeks, and salt marshes, Cumberland is all the more special for its restored natural environment. In The Seasons of Cumberland Island, naturalist and photographer Fred Whitehead captures the unique allure of the island's flora and fauna in 118 stunning full-color photographs. Moving through seasons punctuated by the comings and goings of such animals as the migratory birds that rest here in autumn and the loggerhead turtles that nest here in summer, the photographs reveal the subtle but important effect of cyclical change on the island's ecosystem. The lush color images, which are often paired with detailed captions, include spectacular views of muscadine vines and Virginia creeper in autumn, a prowling bobcat in winter, a springtime nest of pileated woodpeckers, and a green tree frog announcing an impending summer rain. Featuring a introduction on the importance of the complex ecosystems of barrier islands like Cumberland, the book informs as it enchants. Here is a stunning tribute to Cumberland's sublime treasures that also serves as a thoughtful reminder to respect and protect the wildness of our barrier islands.
Dias & Riedweg
Since 1993, Maur'cio Dias and Walter Riedweg have been developing a collaborative work that probes the relationship between ethics and aesthetics through precise interventions in specific individual and group situations. Their methods, ranging from scientific documentation to complex video dramatizations, focus especially on issues associated with identity and the tension between group and individual mechanisms. The direct involvement of the public in their work process is crucial. This catalogue contains a retrospective of their works to date, including Voracidad mxima, their joint project for the Museu d'Art Contemporani de Barcelona. The enclosed DVD includes a video fragment from that piece, which explores the relationship between sexuality and economics and was made in cooperation with male sex workers from the museum's neighborhood, El Raval.
Nackig auf dem Fubballplatz
Juergen Teller's new book features black-and-white stills from a video that recorded him while he watched last year's World Cup Final between Germany and Brazil, live. Describing it as "the most disturbing thing I have ever seen" and shocked by the pure animal instincts it reveals, Teller offers us extraordinarily cruel yet mesmerizing self-portraits of himself shouting and swearing during the TV match commentary. Also included are other self-portraits, together with shots of football celebrities and images of Teller's family, among them one of his mother at his father's grave. Teller explores his subjects with equal intelligence and wit, be they celebrities, family, or friends, in striking and provocative ways. Nackig auf dem Fussballplatz--Naked On the Soccer Field, for those of you who couldn't guess--is an extension of his previous work with portraiture and self-portraiture. In it he uses football as a vehicle to explore aspects of his personal life, and in particular to reflect on his relationship with his family.
St. Augustine Impressions
Robb Helfrick brings us a photographic portfolio of the oldest permanent European settlement in North America?and the alluring city it has become today. Spaniards first settled here on the north coast of Atlantic Florida in 1565, and for centuries after the fortressed city of St. Augustine was a focal point of wars between cultures and equally challenging engagements between people and the tropical environment. By the end of the 19th century, St. Augustine was also a tourist destination, adding another layer of architectural style to the dramatic visual history that abounds in the city today.
Shadows of Silence
One of Greece's leading photographers, John Demos captures the spirit of the people. He pictures the traditional life of Greece. These are people who simply do what they have always done--with their rituals of procession, feast days, marriages and burials. These are images that reach far back in time. Consciously or unconsciously, ancient myths are reenacted.John Demos is an active promoter of photography in Greece. He founded Apeiron Photos, Greece's largest and most successful photoagency and has curated some of the most significant exhibitions in Greece. His work is held in major collections internationally, including: Bibliotheque Nationale and Centre George Pompidou (Paris), Art Institute of Chicago, Gulbenkian, and Tokyo Metropolitan Museum of Photography.
The Teds
The Teddy Boys were a flashily dressed, rebellious and sometimes violent youth movement that originated in Britain in the '50s. The three-quarter-length Edwardian jacket with velvet collar, drainpipe trousers and quiff became a focus of male fashion which still holds cult status today. The Teds combines image and text to tell their story--a fascinating tale spanning three decades.Chris Steele-Perkins is a member of the prestigious Magnum Photos. He has published eight books and exhibited worldwide. His reportages have received high public acclaim and won several awards, including the Tom Hopkinson Prize for British Photojournalism, the Oscar Barnack Prize, the Robert Cappa Gold Medal and a World Press Award.
Victorian Fashion in America
Compelling pictorial archive of 264 vintage photographs, selected from rare tintypes and other authentic materials (1850s-1910), depict little girls in their mothers' hats and clothes, sisters wearing identical plaid dresses and button boots, a young man in an everyday suit and bowler hat, a boy dressed in Little Lord Fauntleroy style, and scores of others.
Western Springs Illinois
Farming families from Germany and New York state were among the first settlers to trudge along the Native American trail-now Ogden Avenue-and build their homes on the fertile prairie land that became Western Springs, Illinois. The village, which was incorporated in 1886, was named for the mineral springs located near the local train depot. Through the medium of historic photographs, this book captures the evolution of Western Springs from the mid-1800s to the present day.Today, the village's limestone and brick water tower, built in 1892, still stands as the centerpiece for many village events and celebrations. With nearly 200 vintage photos documenting the village's first century, including the first schools and churches, old-fashioned automobiles, and a photo of a young local woman who was one of only 305 female marines in World War I, this book brings to life the evolution of Western Springs from farming village to stately suburb.
Labyrinth
Pascal Bonafoux Dolores Marat's fourth book explores contemporary life through imagery that both provokes and disturbs. Her photographs have an extraordinary dreamlike quality - as if we are drifting in and out of consciousness. They are moments as unfleeting as a TV screen - strangely disturbing and unsettling.
Oglethorpe's Dream
Oglethorpe's Dream unites the award-winning photography of Diane Kirkland with the beautifully powerful writing of David Bottoms, Georgia's poet laureate. The result is a stunning portrait of the lands, waters, culture, and people of Georgia. From the sea islands to the cities, from the wiregrass to the mountain forests, Kirkland gives us a gallery of spectacular images showcasing the state in its breadth, beauty, and diversity. Marrying landscape to history, Bottoms gives voice to a people filled with courage, pain, conviction, and, above all, hope. Together they capture the natural beauty of the diverse landscape, the richness of the state's storied past, and the essence of its spirited people. "Isn't that what you always hoped for," Bottoms writes, "to find a place . . . and yourself in that place?" Oglethorpe's Dream helps us all to see a place called Georgia, and there to find something of ourselves. The publication of this book was made possible by the financial support of the State of Georgia, the leadership of Governor Roy E. Barnes, and the partnership of the Georgia Department of Industry, Trade & Tourism, the Georgia Humanities Council, and the University of Georgia Press.
England
Inspired by their love of England and the popular response to their collection London, this book sees the father and son team travelling the length and breadth of England, cameras at the ready, to capture those special moments which represent the essence and spirit of the country. The result is an intriguing portrait of a land and its people, and contributes to the Gerald & Marc Hoberman Collection of photographs. With informative text by John Andrew, who also contributed to London, the book presents an overview of England and showcases its exceptional natural beauty, rich cultural heritage and unique attributes. It also shows England through the eyes of a South African giving a new dimension to national photography.
Associated Press Guide to Photojournalism
Written by noted AP photographer and photoeditor Brian Horton, this is an insider's manual to one of the most glamorous and exciting media professions. Emphasizing the creative process behind the photojournalist's art, Brian Horton draws upon his three decades of experience, as well as the experiences of other award-winning photojournalists, to instruct readers in the secrets of snapping memorable news photos every time. With the help of more than 100 photographs from the AP archives, he analyzes what constitutes successful news photos of every type, including portraits, tableaux, sports shots, battlefield scenes, and more, as well as offering tips on how to develop a style of your own.
Love on the Left Bank
A facsimile edition of one of the "classic" photography books. Elsken focuses on the Left Bank of Paris in the 1950s--a time when it was recognised as a centre of creative ferment which would determine the cultural agenda of a generation. With its unconventional, gritty, snapshot-like technique the work has been acclaimed as expanding the boundaries of documentary photography.
The Eternal Light
The author first came across the Eternal Light Community Singers, a New York gospel choir, at a Gospel Fest in an abandoned gas station in the Lower East Side. She spent four months photographing at rehearsals and at services throughout the city. As time passed, she herself became a choir member and, for five years, joined in every aspect of the life of this dedicated community. These photographs provide a portrait of this life.
Karenni
Burmese forces invaded the Karenni state on August 8th, 1948, and eventually annexed the independent sovereign nation. Since this time, the Karenni have been waging a war of resistance against successive Rangoon Governments whose attempts to subdue the population have included military occupation, mass relocation of civilians and human rights abuse. The desire of the Karenni for independence is now even stronger.
For Most of It I Have No Words
December 9th, 1998 marked the 50th anniversary of the signing of the United Nations convention on genocide. This book collects the photographs of Simon Norfolk as he captures the sights of war crimes, with names such as Auschwitz and Cambodia ringing like a death knoll for the 20th Century.
Life and Still Life
This collection incorporates Toni Catany's photographic work of the 1990s and features portraits, nudes and still lives. The photographer uses a technique throughout his work which is based on the original calotype process, first used by W.H. Fox Talbot - the inventor of photography.
Material World
Called "Fascinating! An incredible book" by Oprah Winfrey, this beloved photography collection vividly portrays the look and feel of the human condition everywhere on Earth. In an unprecedented effort, sixteen of the world's foremost photographers traveled to thirty nations around the globe to live for a week with families that were statistically average for that nation. At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions; a few jars and jugs for some, an explosion of electronic gadgetry for others. This internationally acclaimed bestseller puts a human face on the issues of population, environment, social justice, and consumption as it illuminates the crucial question facing our species today: Can all six billion of us have all the things we want?
Seasoned by Salt
The Outer Banks of North Carolina have had a lively and sometimes lurid history going back four centuries. These barrier islands, frequently battered by storms and hurricanes, were the site of the first English colony in North America and figured prominently in the Civil War. The hundreds of shipwrecks off their shores have earned the Outer Banks a reputation as the 'Graveyard of the Atlantic.'Rodney Barfield has assembled here more than 150 historic photographs and drawings, most of them never before published, to create a remarkable visual portrait of the Outer Banks' history and the people who lived it. Focusing especially on the nineteenth century but including some images from earlier and later periods, the book is a family album of life and work on the Banks. The photographs, accompanied by substantive captions and introductory text, document both well-known and obscure elements of the islands' past, including lighthouses, shipwrecks and rescue crews, fishing, whaling, porpoise hunting, boatbuilding, and home life.
Children of Bombay
Some 30,000 children are homeless in Bombay; living on its streets, under bridges, anywhere they can escape harassment by both police and criminals. This photographic collection captures this cruelly hazardous background for these young people.
The Power of Photography
The Power of Photography is a seminal work of such importance that it should become mandatory reading in the fields of communications, media, photography, and sociology. Taking specific images from the history of photography. Vicki Goldberg weaves her analysis of the impact that specific images have had on society. The quality of research and Goldberg's keen perception, along with her personable writing style, combine to keep the reader interested and entranced. . .Unquestionably the only book of its kind. --Choice
Reading American Photographs
Winner of the Charles C. Eldredge Prize In this book, Alan Trachtenberg reinterprets some of America's most significant photographs, presenting them not as static images but rather as rich cultural texts suffused with meaning and historical content. Reading American Photographs is lavishly illustrated with the work of such luminaries as Mathew Brady, Timothy O'Sullivan, and Walker Evans--pictures that document the American experience from 1839 to 1938. In an outstanding analysis, Trachtenberg eloquently articulates how the art of photography has both followed and shaped the course of American history, and how images captured decades ago provocatively illuminate the present.
The Chicago World’s Fair of 1893
Originally conceived to commemorate the 400th anniversary of Columbus's discovery of America, the World's Columbian Exposition of 1893 was one of the largest (633 acres) and most influential aggregations of human talent, energy, and industry ever assembled. More than 27 million visitors entered the grounds (now Jackson Park) to marvel at the exhibits and displays housed in some 200 buildings, including those of 79 foreign governments and 38 states. Although the Fair had its share of "firsts" (original Ferris wheel, first midway, Edison's kinetoscope, etc.), its chief marvel was its architecture. It is that aspect which is emphasized in this striking photographic record. Beginning with an overview of the fair's planning and conceptual stages, Stanley Appelbaum's well-researched text then proceeds to a fascinating discussion of the personalities, regional rivalries, and intense controversy surrounding the Beaux-Arts architecture (the "White City" style) of the fair, including its enormous impact on subsequent American architecture. The contributions of such outstanding architects and firms as R. M. Hunt; McKim, Mead and White; Frederick Law Olmsted; and Peabody and Stearns are described. The book then becomes a building-by-building walking tour of the fair -- imaginatively reconstructed with the help of 128 sharply reproduced rare contemporary photographs, printed on fine coated stock, and a concise, fact-filled text. The placid basins, ponds, and Lagoon that graced the fairgrounds lend a serene aura to these priceless views of the great buildings and sights of the fair: the Beaux-Arts glories of the Administration and Agriculture Buildings; Daniel Chester French's statue of the Republic; the Columbian Fountain by Frederick MacMonnies; the Golden Door of Louis Sullivan's Transportation Building; the Peristyle; Mary Cassatt's mural in the Woman's Building; the pure classicism of the Palace of Fine Arts (now the Museum of Science and Industry); numerous state and foreign pavilions, and of course, the Midway -- the first separate amusement area at a World's Fair, and the reputed location of Little Egypt's celebrated danse du ventre. In the concluding section, the author touches on other memorable aspects of the fair and its times: the Panic of 1893; the Pullman Strike; famous visitors (Archduke Ferdinand, the Spanish Infanta, etc.); cultural and social congresses, and finally, the disastrous fires that ultimately destroyed many of the buildings. For social and cultural historians, Chicagoans, and anyone interested in the special magic of a world's fair, this book is a loving and nostalgic look back -- to a time bathed in the golden light of the fin-de-si癡cle years, when a colossal spectacle of human achievement in art, science, and industry captured the world's attention for one magic and unforgettable moment.
Gardner’s Photographic Sketchbook of the Civil War
Second only to Mathew Brady as the foremost early American photographer was Alexander Gardner, the one-time manager of Brady's Washington salon and Brady's chief photographer in the field during the early days of the Civil War. Indeed, Gardner -- who later photographed the War independently -- often managed the famous horse-drawn photographic laboratory and took many of the pictures that used to be attributed to Brady. He accompanied the Union troops on their marches, their camps and bivouacs, their battles, and on their many hasty retreats and routs during the early days of the War. In 1866 Alexander Gardner published a very ambitious two-volume work which contained prints of some 100 photographs which he had taken in the field. A list of them reads like a roster of great events and great men: Antietam Bridge under Travel, President Lincoln (and McClellan) at Antietam, Pinkerton and His Agents in the Field, Ruins of Richmond, Libby Prison, McLean's House Where Lee's Surrender Was Signed, Meade's Headquarters at Gettysburg, Battery D, Second U.S. Artillery in Action at Fredericksburg, the Slaughter Pen at Gettysburg, and many others. This publication is now amoung the rarest American books, and is here for the first time republished inexpensively. Gardner's photographs are among the greatest war pictures ever taken and are also among the most prized records of American history. Gardner was quite conscious of recording history, and spared himself no pains or risk to achieve the finest results. His work indicates a technical mastery that now seems incredible when one bears in mind the vicissitudes of collodion applications in the field, wet plates, long exposures, long drying times, imperfect chemicals -- plus enemy bullets around the photographer's ears. It has been said of these photographs: photography today . . . is far easier, but it is no better.
