The Musical World of Marie-Antoinette
For decades, eighteenth-century Paris had been declining into a baroque backwater. Spectacles at the opera, once considered fit for a king, had become "hell for the ears," wrote playwright Carlos Goldoni. Then, in 1774, with the crowning of Louis XVI and Marie-Antoinette, Paris became one of the world's most vibrant musical centers. Austrian composer Christophe-Willibald Gluck, protege of the queen, introduced a new kind of tragic opera--dramatic, human and closer to nature. The expressive pantomime known as ballet d'action, forerunner of the modern ballet, replaced stately court dancing. Along the boulevards, people whistled lighter tunes from the Italian opera, where the queen's favorite composer, Andre Modeste Gretry, ruled supreme. This book recounts Gluck's remaking of the grand operatic tragedy--long symbolic of absolute monarchy--and the vehement quarrels between those who embraced reform and those who preferred familiar baroque tunes or the sweeter melodies of Italy. The turmoil was an important element in the ferment that led to the French Revolution and the beheading of the queen.
Long Strange Trip
Autobiography by a Punk Rock star by Bobby Hollar Autobiography by a Punk Rock star by Bobby Hollar
Jazz and Psychotherapy
Blending the insights of musicians and psychologists from D.W. Winnicott to Gregory Bateson to Ornette Coleman, Jazz and Psychotherapy is a groundbreaking exploration of improvisation that reveals its potential to transform our experience of ourselves and the challenges we face as a species.What we all share with the professional improvisers known as "psychotherapists" and "jazz musicians" is the reality of not knowing what those around us-or even we ourselves-are going to do next. Rather than avoiding it, however, these practitioners have learned to revere our inherent unpredictability as precisely the feature of human living that makes transformative change possible, fully incorporating it into the theories and practices that constitute their disciplines. Jazz and Psychotherapy provides a sophisticated but accessible overview of the revolutionary approaches to human development and creative expression embodied in these two seemingly disparate twentieth-century cultural traditions.Readers interested in music, psychotherapy, social psychology and contemporary theories of complexity will find Jazz and Psychotherapy engaging and useful. Its colorful synthesis of perspectives and multidimensional scope make it an essential contribution to our understanding of improvisation in music and in life.
Compositional Process in Elliott Carter's String Quartets
This is an interdisciplinary study examining the evolution and compositional process in Elliott Carter's five string quartets. The book's narrative reveals new aspects of understanding these works and draws novel conclusions on their collective meaning and Carter's place as the leading American modernist.
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini's influence on British musical life through his multifaceted career as performer, teacher, composer, concert promoter and opera impresario. The crux of the study is a detailed account of Giardini's partnership with the music seller/publisher John Cox during the 1750s, presented using new biographical information which contextualizes their business dealings and subsequent disaccord. The resulting litigation, the details of which have only recently come to light, is explored here via a complex set of archival materials. The findings offer new information about the economics of professional music culture at the time, including detailed figures for performers' fees, the printing and binding of music scores, the charges arising from the administration of concerts and operas, the sale, hire and repair of various instruments and the cost of what today we would call intellectual property rights. This is a fascinating study for musicologists and followers of Giardini, as well as for readers with an interest in classical music, social history and legal history.
Electroacoustic Music in East Asia
This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan).The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied - while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces.This book was originally published as a special issue of Contemporary Music Review.
The Consolations of History: Themes of Progress and Potential in Richard Wagner's Gotterdammerung
Alexander H. Shapiro provides a fresh look at the influences on Wagner's G繹tterd瓣mmerung, and critically re-evaluates the composer's intellectual worldview as revealed in his own prose works, letters and diary entries. The book challenges conventional views that continue to impede a clear understanding of this work's meaning.
Charlie & His Banjo
Charlie & His Banjo: The Story of Charlie Poole is a children's book about musical legend Charlie Poole and his band, the North Carolina Ramblers. Written by Louise Wright Price. Illustrated by Benjamin Reid Phillips. Cover and book design by Sharon Tongbua.
Orbit
The sequel to the sold-out FAME comic book biography on Bon Jovi. "Orbit: Bon Jovi" goes back to the beginning of Bon Jovi shot to rock stardom in the eighties while going strong till today as well as the bands induction to Rock N Roll Hall Of Fame. The series has been featured in Rolling Stone, People and Time magazines.
The Kumulipo
The Kumulipo (1897) is a traditional chant translated by Lili'uokalani. Published in 1897, the translation was written in the aftermath of Lili'uokalani's attempt to appeal on behalf of her people to President Grover Cleveland, a personal friend. Although she inspired Cleveland to demand her reinstatement, the United States Congress published the Morgan Report in 1894, which denied U.S. involvement in the overthrow of the Kingdom of Hawaii. The Kumulipo, written during the Queen's imprisonment in Iolani Palace, is a genealogical and historical epic that describes the creation of the cosmos and the emergence of humans, plants, and animals from "the slime which established the earth." "At the time that turned the heat of the earth, / At the time when the heavens turned and changed, / At the time when the light of the sun was subdued / To cause light to break forth, / At the time of the night of Makalii (winter) / Then began the slime which established the earth, / The source of deepest darkness." Traditionally recited during the makahiki season to celebrate the god Lono, the chant was passed down through Hawaiian oral tradition and contains the history of their people and the emergence of life from chaos. A testament to Lili'uokalani's intellect and skill as a poet and songwriter, her translation of The Kumulipo is also an artifact of colonization, produced while the Queen was living in captivity in her own palace. Although her attempt to advocate for Hawaiian sovereignty and the restoration of the monarchy was unsuccessful, Lili'uokalani, Hawaii's first and only queen, has been recognized as a beloved monarch who never stopped fighting for the rights of her people.Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
Punk Women
In this far-reaching anthology, David Ensminger delves underground to explore the oft overlooked community of badass women who shaped the punk scene. There is a common thread of women being excluded and gatekept from the hardcore music scene but this anthology challenges that notion and shows that women have still been able to overcome, kick ass, and shred alongside the best of them. Biographies, interviews, band anecdotes, and never-before-published photos showcase the talent and artistry of bands like Bikini Kill, The Guttersluts, Bratmobile, Spitboy, the Germs, The Slits, and dozens more. Through its intimate aesthetic analysis and raw zine-like presentation, this is an essential resource for anyone looking to discover, rediscover, and cherish punk history. Includes a foreword by Katy Otto of Trophy Wife.
Czech Songs in Texas, 7
On any weekend in Texas, Czech polka music enlivens dance halls and drinking establishments as well as outdoor church picnics and festivals. The songs heard at these venues are the living music of an ethnic community created by immigrants who started arriving in Central Texas in the mid-nineteenth century from what is now the Czech Republic. Today, the members of this community speak English but their songs are still sung in Czech. Czech Songs in Texas includes sixty-one songs, mostly polkas and waltzes. The songs themselves are beloved heirlooms ranging from ceremonial music with origins in Moravian wedding traditions to exuberant polkas celebrating the pleasures of life. For each song, the book provides music notation and Czech lyrics with English translation. An essay explores the song's European roots, its American evolution, and the meaning of its lyrics and lists notable performances and recordings. In addition to the songs and essays, Frances Barton provides a chapter on the role of music in the Texas Czech ethnic community, and John K. Novak surveys Czech folk and popular music in its European home. The book both documents a specific musical inheritance and serves as a handbook for learning about a culture through its songs. As folklorist and polka historian James P. Leary writes in his foreword, "Barton and Novak take us on a poetic, historical, and ethnographic excursion deep into a community's expressive heartland. Their Czech Songs in Texas just might be the finest extant annotated anthology of any American immigrant/ethnic group's regional song tradition."
Vocal Virtuosity
Nothing strikes the ear quite like a soprano singing in the sonic stratosphere. Whether thrilling, chilling, or repellent to the listener, the reaction to cascades of coloratura with climaxing high notes is strong. Coloratura-agile, rapid-fire singing-was originally essential for all singers, but its function changed greatly when it became the specialty of particular sopranos over the course of the nineteenth century. The central argument of Vocal Virtuosity challenges the historical commonplace that coloratura became an anachronism in nineteenth-century opera. Instead, the book demonstrates that melismas at mid-century were made modern. Coloratura became an increasingly marked musical gesture during the century with a correspondingly more specific dramaturgical function. In exploring this transformation, the book reveals the instigators of this change in vocal practice and examines the historical traces of Parisian singers who were the period's greatest exponents of vertiginous vocality as archetypes of the modern coloratura soprano. The book constructs the historical trajectory of coloratura as it became gendered the provenance of the female singer, while also considering what melismas can signify in operatic performance. As a whole, it argues that vocal virtuosity was a source of power for women, generating space for female authorship and creativity. In so doing, the book reclaims a place in history for the coloratura soprano.
Directions to the outskirts of town
In 1994 punk rock fanzine writer Welly Artcore jumped in the van with legendary British punk band CHAOS U.K. for a two month tour around the U.S. Four years later he did it all again with his own band, FOUR LETTER WORD, this time also travelling across Canada. From the impossible drives, to scrapes with the authorities and the bands they shared stages and floors with along the way, with often nothing more than the name of a club on a piece of paper that turned out to be a disused unit in an industrial estate, they somehow made most of the gigs. All the while, he did something so many others don't, he wrote it all down.
The First Collection of Criticism by a Living Female Rock Critic
"Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large." --Annie Clark, St. VincentAn acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Bj繹rk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need "the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together." The First Collection of Criticism by a Living Female Rock Critic--published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby--is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.
Surinamese Music in the Netherlands and Suriname
Contributions by Herman Dijo, J. Ketwaru, Guilly Koster, Lou Lichtveld, Pondo O'Bryan, and Marcel Weltak When Marcel Weltak's Surinamese Music in the Netherlands and Suriname was published in Dutch in 1990, it was the first book to provide an overview of the music styles originating from the land that had recently gained its independence from the Netherlands. Up until the 1990s, little had been published that observed the music of the country. Weltak's book was the first to examine both the instruments and the way in which they are played as well as the melodic and rhythmic components of music produced by the country's ethnically diverse populations, including people of Amerindian, African, Indian, Indonesian/Javanese, and Chinese descent. Since the book's first appearance, a new generation of musicians of Surinamese descent has carried on making music, and some of their elders referred to in the original edition have passed away. The catalog of recordings that have become available has also expanded, particularly in the areas of hip-hop, rap, jazz, R&B, and new fusions such as kaskawi. This edition, in English for the first time, includes a new opening chapter by Marcel Weltak giving a historical sketch of Suriname's relationship to the Netherlands. It includes updates on the popular music of second- and third-generation musicians of Surinamese descent in the Netherlands, and Weltak's own subsequent and vital research into the Amerindian and maroon music of the interior. The new introduction is followed by the integral text of the original edition. New appendices have been added to this edition that include a bibliography and updated discography; a listing of films, videos, and DVDs on or about Surinamese music or musicians; and concise, alphabetically arranged notes on musical instruments and styles as well as brief biographies of those authors who contributed texts.
Musics of the World
Musics of the World offers a rich and inviting introduction to music from around the globe, exploring a diverse array of traditions and genres in depth while helping students develop skills for approaching new music in their lives. Clear, accessible introductory chapters give students a solid overview of ethnomusicology, setting the stage for eighteen geographically focused chapters that ground students in a region's cultural context before exploring what makes each place musically unique. Throughout, videos, timed musical tracks, definitions, color photographs, recipes, and discussion questions provide a variety of avenues through which to engage with the music and cultures at hand.
Ranking the ’80s
From "Upside Down" to "Straight Up"; "Off The Wall" to "Hangin' Tough" and everything in between. Ranking the '80s is the Who's Who and the What's What of pop music in the video decade.It's the complete reference. All the singles and all the albums, as well as all the acts that recorded them, ranked and indexed. Chart statistics are included for each record-Entry, Peak, Weeks at Peak, Total Weeks--and more. Every single's entry includes writers, producers and the album from which the single came. The top writers and producers are ranked and listed along with the acts and singles for whom they wrote and produced.Acts and records-both singles and albums-are united in tables with the acts in alphabetical order, records sorted by chart strength with vital statistics for both. Singles acts and Album acts are indexed together making relative comparisons easy.Ranking the '80s is full of new analytics. Albums are scored two ways: on the album's chart strength and according to the chart strength of the singles they produced. The difference can be telling: which albums are collections of hits and which albums are works greater than the sum of their parts? Acts are analyzed as well: Which acts are singles acts, which are album acts and which do both equally well?There is a unique Chronology section-a two-page graph and text snapshot of the decade for the top 20 singles acts and top 20 album acts. Each vignette traces singles history, album history week-to-week, important interactions between singles and albums, and a narrative summary of the act's decadal chart achievements.Then there are the fun lists: Highest scoring singles and albums never to make the weekly top 5Lowest scoring number 1sWeakest follow-up releases to number 1 hitsActs with consecutive number 1sActs with the most records and the most weeks in the Top 10, Top 40 and on the chartsMost records on the charts simultaneously...and many, many moreFinally, there is a trivia quiz that will challenge any expert.Open Ranking the '80s to any page and find a memory, an insight or a surprise.
London, Reign Over Me
Capturing the stark contrast of bursting artistic energy with the post-WWII city, London, Reign Over Me reveals why classic rock 'n' roll could only have been born in London. Original interviews with over ninety musicians and movers-and-shakers immerse readers in a generation of young hopefuls who would change the face of music forever.
Colm ? Caodh獺in
One of the most sought after aspects of Irish vernacular culture is traditional song. Access to earlier recordings is a way to ensure the best understanding and appreciation of earlier singers, styles and repertoires. Within Ireland this is often primarily associated with the Irish Folklore Commission and Radio ?ireann. Such material was not only sought by these bodies but international recognition came about through bodies such as the BBC and individual collectors such as Alan Lomax. Such material was sought by these organisations and international recognition also came about through bodies such as the BBC. For the first time ever, a dedicated presentation of the renowned Conamara singer Colm ? Caodh獺in is on offer encapsulating that apex of ethnographic fieldwork in Ireland. The book includes 33 audio tracks. It places Colm in the context of life in Conamara during his lifetime as a farmer and a fisherman for whom song, lore and music were the fabric of his everyday life. Colm's autobiography as collected through S矇amus Ennis is available here in the original Irish with an accompanying translation. The importance of making archival material accessible is one of the primary concerns of the author as former Director of the National Folklore Collection and this publication contributes greatly to the pursuit of these aims.
Tupac, Biggie and Dinosaur Killing Asteroids
Hip hop music and culture grew out of the party scene of 1970's South Bronx into a worldwide, billion dollar industry. The genre has not been known for artist longevity and it's changes in eras are similar to mass extinctions in the fossil record. Science teacher and lifelong hip hop fan Gary C. Booker reflects on the similarities between hip hop history and the natural history of life on Earth in four essays. These four essays compare critical game-changing moments in hip hop to evolutionary changes that would shape the future of life.
Old Salem in Ballad and Song
Old Salem in Ballad and Song is a collection of ballads and songs that have roots in Salem Massachusetts' history through the oral and the written tradition. The songs, ballads and broadsides describe events and give a hint of Salem's past and its influence in helping to shape America, both politically and socially. The book traces the history of Salem not only through ballads and songs but vintage photographs, postcards and newspaper clippings. The book can be a learning tool to teach Salem's history through singing. The rich material unearthed laid the foundation for Old Salem in Ballad and Song. In the introduction, the author examines the role ballads and songs played in chronicling current events and saving them for posterity. The pages that follow are crammed with lyrics, verses, musical scores, illustrations and historical tidbits relating to works with Salem connections. Some names will be familiar to many readers. Famed 19th century bandleader Patrick Sarsfield Gilmore, who wrote the best-known version of When Johnny Comes Marching Home, led the Salem Brass Band from 1855 until 1858. The equally famous Hutchinson Family Singers performed at a New England Anti-Slavery Society convention held in Salem in 1844, and the group's temperance song King Alcohol, says the author, was inspired by the town's controversial Deacon Giles Distillery. And while Manuel Fenollosa is hardly a household name, the Salem composer's Emancipation Hymn (1863) was one of the most popular tunes of the Civil War era.
Tallinn ’67 Jazz Festival
Tallinn '67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials - including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs - while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate 'how it really was'. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn '67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.
Freedom Girls
Freedom Girls: Voicing Femininity in 1960s British Pop shows how the vocal performances of girl singers in 1960s Britain defined-and sometimes defied-ideas about what it meant to be a young woman in the 1960s British pop music scene. The singing and expressive voices of Sandie Shaw, Cilla Black, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold, reveal how vocal sound shapes access to social mobility, and consequently, access to power and musical authority. The book examines how Sandie Shaw and Cilla Black's ordinary girl personas were tied to whiteness and, in Black's case, her Liverpool origins. It shows how Dusty Springfield and Jamaican singer Millie Small engaged with the transatlantic sounds of soul and and ska, respectively, transforming ideas about musical genre, race, and gender. It reveals how attitudes about sexuality and youth in rock culture shaped the vocal performances of Lulu and Marianne Faithfull, and how P.P. Arnold has re-narrated rock history to center Black women's vocality. Freedom Girls draws on a broad array of archival sources, including music magazines, fashion and entertainment magazines produced for young women, biographies and interviews, audience research reports, and others to inform analysis of musical recordings (including such songs as "As Tears Go By," "Son of a Preacher Man," and others) and performances on television programs such as Ready Steady Go!, Shindig, and other 1960s music shows. These performances reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers used voice to navigate the boundaries of race, class, and gender.
Storytelling in Jazz and Musicality in Theatre
Art forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the 'tone' in a book and of the 'rhythm' in a painting. In attempts to understand music better, we turn instead to the narrative arts, speaking of the 'story' of a musical piece. This book focuses on two examples of such conceptual mirror reflexivity: narrativity in jazz music and musicality in spoken theatre. These intermedial metaphors are shown to be significant to the practice and reflection of performing artists through their ability to mediate holistic views of what is considered to be of crucial importance in artistic practice, analysis, and education. This exploration opens up possibilities for new theoretical and practical insights with regard to how the borderland between temporal art forms can be conceptualized. The book will be of interest not only to scholars of music and theatre, but also to those who work in the fields of aesthetics, intermedial studies, cognitive linguistics, arts theory, communication theory, and cultural studies.
The Evolution of Electronic Dance Music
The Evolution of Electronic Dance Music establishes EDM's place on the map of popular music. The book accounts for various ambiguities, variations, transformations, and manifestations of EDM, pertaining to its generic fragmentation, large geographical spread, modes of consumption and, changes in technology. It focuses especially on its current state, its future, and its borders - between EDM and other forms of electronic music, as well as other forms of popular music. It accounts for the rise of EDM in places that are overlooked by the existing literature, such as Russia and Eastern Europe, and examines the multi-media and visual aspects such as the way EDM events music are staged and the specificity of EDM music videos. Divided into four parts - concepts, technology, celebrity, and consumption - this book takes a holistic look at the many sides of EDM culture.
SOME OTHER GUYS 2021 REVISED EDITION - AN ANTHOLOGY OF ’SOME OTHER GROUPS’ THAT HELPED CREATE THE 1960’s ’MERSEY SOUND’
440 pages, with more than 900 black & white illustrations, 7.4 x 9.7 inches 18.8 x 24.6 cm. an anthology of some of the 'other' groups that were part of the 1960's 'Merseybeat' era. However, it is not possible to consider this book without reference to Manfred's previous publication, 'Beat Waves 'Cross the Mersey' (ISBN 9781588502018). This 2021 revised edition of the previous 2013 publication chronicles the stories of an additional 110 Merseyside groups, plus 133 line-ups that were not included in 'Beat Waves 'Cross the Mersey'. The combination of both books accounts for more than 825 'Merseybeat' groups that Manfred has researched and documented. As such, this publication should be considered to be a companion volume to 'Beat Waves 'Cross the Mersey'. While most people are familiar with the 'Beatles', there is a universal misconception that they invented the 'Mersey Sound' that later became known as 'Merseybeat'. However, nothing could be further from the truth as 'Merseybeat' was 'under construction' long before the 'Beatles' exploded onto the scene. While not in any way attempting to detract from their ability, it is important that anyone interested in that era gives consideration to the other groups that were the backbone of this phenomenon. 'Merseybeat' was a product created by the many hundreds of Liverpool groups and those from the surrounding areas that played there. So, here are the complete stories of another 110 'Merseybeat' groups, the names of some of them may be unfamiliar to those that were not part of the era. Regardless, it is a fascinating insight into one of the greatest musical revolutions of the 20th century.
Beethoven’s String Quartet in C-Sharp Minor, Op. 131
Beethoven's String Quartet in C-sharp minor Op. 131 (1826) is not only firmly a part of the scholarly canon, the performing canon, and the pedagogical canon, but also makes its presence felt in popular culture. Yet in recent times, the terms in which the C-sharp minor quartet is discussed and presented tend to undermine the multivalent nature of the work. Although it is held up as a masterpiece, Op. 131 has often been understood in monochrome terms as a work portraying tragedy, struggle, and loss. In Beethoven's String Quartet in C-sharp Minor, Op. 13, author Nancy November takes the modern-day listener well beyond these categories of adversity or deficit. The book goes back to early reception documents, including Beethoven's own writings about the work, to help the listener reinterpret and re-hear it. This book reveals the diverse musical ideas present in Op. 131 and places the work in the context of an emerging ideology of silent or 'serious' listening in Beethoven's Europe. It considers how this particular 'late' quartet could speak with special eloquence to a highly select but passionately enthusiastic audience and examines how and why the reception of Op. 131 has changed so profoundly from Beethoven's time to our own.
Three-Finger-Chord Ukulele Old Timey Songs
During the pandemic of 2020-2021 an initial list of 20 old timey songs I wanted to sing grew to these 132 traditional and folk songs, spirituals, shanties, gospel, country, bluegrass and work songs from the American, English, Irish, Scottish, Hawaiian and other traditions, all from 1926 and earlier, compiled by a fellow beginner. Yes. I have much to learn. And ain't that great. The first songs I learned on the ukulele were the ones I use in daily prayer, found now in Fr. Steve's Three-Finger Chord Ukulele Hymns (ISBN 978-1-937081-65-2, IDJC Press, 2018, 2019). I call them Three-Finger Chords because they are formed using only the index, middle, and ring fingers of the left hand (or the right hand for left-handed ukers). I have not given up on the more difficult chords, but this lets me play these songs in the meantime. If you are a total beginner, see the back cover for eight suggested steps, one at a time. The best advice I was given from the beginning was play every day for at least fifteen minutes. The Trappist monk Thomas Merton contended that we can concentrate on anything difficult for a quarter hour. When learning a new chord and find yourself pushed to your limit, stop; and come back to it the next day. All of these songs are believed to be in the public domain. Lyrics to many of the songs have been altered. Most of the songs include a link to a video, most from YouTube, to play with and learn the tune, some suggesting the use of a Capo.
Women in Jazz
Women in Jazz: Musicality, Femininity, Marginalization examines the invisible discrimination against female musicians in the French jazz world and the ways in which women thrive as professionals despite such conditions. The author shines a light on the paradox for women in jazz: to express oneself in a "feminine" way is to be denigrated for it, yet to behave in a "masculine" manner is to be devalued for a lack of femininity. This masculine world ensures it is more difficult for women to be recognized as jazz musicians than it is for men - even when musicians, critics and audiences are ideologically opposed to discrimination. Female singers are confined by the feminine stereotypes of their profession, while female instrumentalists must comport themselves into traditionally masculine roles. The author explores the academic and professional socializations of these musicians, the musical choice they make and how they are perceived by jazz professionals as a result. First published in French by CNRS Editions in 2007 (and later reissued in paperback in 2018, with the author's postscript that "nothing much has changed"), Women in Jazz: Musicality, Femininity, Marginalization expands the conversation beyond the French border, identifying female jazz musicians as a discriminated minority all around the world.
Jazz Places
The social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too has the kind of venue in which it is performed. In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions. As live jazz performance has become more closely tied to nonprofit institutions, the music's heritage has become increasingly important, serving as a means of defining jazz as a social good worthy of charitable support. Though different jazz spaces present jazz and its heritage in various and sometimes conflicting terms, ties between the music and the past play an important role in defining the value of present-day music in a diverse range of jazz venues, from the Village Vanguard in New York to SFJazz on the West Coast to Preservation Hall in New Orleans.
Jazz Places
The social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too has the kind of venue in which it is performed. In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions. As live jazz performance has become more closely tied to nonprofit institutions, the music's heritage has become increasingly important, serving as a means of defining jazz as a social good worthy of charitable support. Though different jazz spaces present jazz and its heritage in various and sometimes conflicting terms, ties between the music and the past play an important role in defining the value of present-day music in a diverse range of jazz venues, from the Village Vanguard in New York to SFJazz on the West Coast to Preservation Hall in New Orleans.
The Murder of Biggie Smalls
In this second edition of The Murder of Biggie Smalls, Cathy Scott delves behind the scenes to pore over police records, coroner reports, FBI files, and interviews Biggie's mother, Voletta Wallace, to reveal new facts surrounding the gangsta rapper's murder. The Notorious B.I.G. exploded onto the hip-hop scene in 1995 with his platinum-selling album Ready to Die. Biggie Smalls, born Christopher Wallace and performing as Notorious B.I.G., grew up in the Bed-Stuy neighborhood of Brooklyn, New York, where he dropped out of high school to pursue street culture and his rapping style. Biggie began emceeing his original raps, which were discovered by producer Sean "Puffy" Combs, who took Biggie's gangsta image to the next level. Fame followed two successful rap albums earning million of dollars, a 1996 Billboard Rapper of the Year Award, marriage to R&B singer Faith Evans, a public affair with rapper L'il Kim, and hanging out with Tupac Shakur. The high life for Biggie tragically ended March 9, 1997, after a Los Angeles post-awards party, where he was gunned down in a drive-by, much like friend-turned-enemy Shakur six months earlier. Twenty-four years later, L.A. police still have made no arrests, despite their early confidence that the case would be solved quickly, and after revealing identities of persons of interest who worked for the police department. They dropped the investigation before it ended, stalling the case. Bestselling True Crime author Cathy Scott shares it all in this second edition of The Murder of Biggie Smalls.
Pump it up magazine - Freda Payne
Greetings Readers, I hope you're enjoying a wonderful spring 2021!In this issue, we are proud to have on the cover the Legendary Freda Payne. Freda is known for her smash hit, " Band of Gold" She has returned to her Jazz roots with an amazing album pairing with some of the greatest artists of all time. Johnny Mathis, Dee Bridgewater, Kurt Elling, and Kenny Lattimore. Her interview is a must-read.We have new music from R&B Crooner Saint Jaimz and smooth soul sister Aneessa . Saint Jaimz throws us back to the '90s, with his album of the same name " Throw Back The Covers" Saint Jaimz covers some of the classic hits of the '90s Then taking us further back in the Pump It Up Magazine Time Machine, Aneessa gets us roller skating and dancing to the '70s tinged song " Gonna Be Alright"A true feel-good track.And as usual, we have our beauty tips and fashion section with some of the newest 70's look.Check out the movie section and the review on How music for the roller skating rink impacted the clubs. Don't forget to tune in to Pump It Up Magazine Radio and hear your favorite indie artists and major artists. Be safe and be blessed!!Anissa Boudjaoui
Hey Suburbia!
Hey Suburbia: A Guide to the Emo/Pop-Punk RiseUnearth the Anthems of a GenerationDive into the heartbeat of the Warped Tour era with "Hey Suburbia." Authored by music journalist Mike Damante, this immersive guide traces the meteoric rise of bands like Paramore and My Chemical Romance that defined the Emo/Pop-Punk scene. Damante, a stalwart of North American media, brings you firsthand accounts, behind-the-scenes stories, and exclusive interviews with genre icons like blink-182, Taking Back Sunday, and Dashboard Confessional. From the angst-ridden '90s to the explosive 2000s, this anthology captures the spirit of a musical revolution through the eyes of those who lived it. Embrace the anthems of your underground roots with "Hey Suburbia."Mike Damante, seasoned music journalist, crafts a riveting narrative, drawing on his extensive experience covering the music scene for a major media company. His insightful storytelling illuminates the voices of bands, publicists, and dedicated fans.For fans who never stopped rocking to the beats of Paramore and blink-182, "Hey Suburbia" is not just a book-it's your backstage pass to the Emo/Pop-Punk explosion. Join Damante on a journey through the iconic Warped Tour generation, where the music shaped a culture that still resonates today. Your guide to reliving the underground sounds that defined an era.
Kraftwerk
The story of the phenomenon that is Kraftwerk, and how one band revolutionized the cultural landscape of our time. 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, experimenting in near-total secrecy in their D羹sseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation--even human and machine--to change the course of modern music. What they created changed the course of pop music forever, influencing artists as diverse as Bj繹rk, Joy Division, David Bowie, and Kanye West. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.
Robben Ford’s Urban Blues Guitar Revolution
Master Modern Blues Guitar Rhythm and Soloing - With Robben Ford Robben Ford is one of the world's most in demand modern blues guitarists. From his work with Miles Davis, to the Yellowjackets, Joni Mitchell, George Harrison and Larry Carlton, the Blues has always been at the heart of Robben's music.In his new book, Urban Blues Guitar Revolution, Robben brings six classic blues genres bang up to date and gives a modern slant to the early styles that were the foundation of urban blues guitar. Each track includes rhythm guitar and soloing studies, and begins with authentic parts that gradually get more modern with each chorus. What You'll LearnRobben Ford's Urban Blues Guitar Revolution teaches you the rhythm and soloing language of authentic blues guitar, chord by chord, lick by lick, then takes you on a journey through increasingly more modern ideas. You'll learn the roots of the style, then how to give your blues music a more contemporary edge. Each essential blues guitar component is broken down into clear instructions and you'll get access to Robben's exclusive analysis of his playing, line by line. By the end, you'll have taken away hundreds of jaw-dropping blues guitar licks, riffs and rhythm parts that you can use to dramatically improve your own blues playing. The Complete Blues Guitar Course from a Modern MasterRobben Ford's Urban Blues Guitar Revolution gives unparalleled insight into the technical and creative approach of a modern-day master blues guitarist. Through a series of carefully conceived pieces, you will master an incredibly versatile approach to playing modern blues guitar, while discovering the traditions of the style.Learn tips and tricks to create authentic blues guitar feel and toneGain a deep understanding and mastery of authentic & modern blues guitar Hundreds of licks, rhythm parts, riffs and unique blues chord approachesDiscover Robben Ford's personal approach to playing the blues on guitarMaster both delicately nuanced, and all-out powerful blues guitar solosLearn Six Fantastic Blues Guitar Performance Pieces - With Rhythms, Riffs, Chords and SolosEvery detailed chapter first teaches the important ideas that build the rhythm part of each track, before giving you a blow-by-blow breakdown of the full piece, enabling you master six blues tracks written exclusively by Robben Ford. You'll get deep into the rhythmic nuance, authentic blues guitar parts, classic stylings and modern twists. It's a journey that'll teach you everything you need to know about playing the blues. Hear It!Robben Ford's Urban Blues Guitar Revolution comes with over 60 studio quality audio examples plus six backing tracks that are all free to download. These not only let you hear the music, but help you master Robben's unique blues guitar phrasing. There are even slowed down versions of the full songs.Robben Ford is one of the greatest blues guitarists on the planet! If you want to learn blues guitar the right way, you owe it to yourself to learn from a master.
Chapel of Love
In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan Marie Johnson traveled from the segregated South to New York City under the auspices of their manager, former pop singer Joe Jones. With their wonderful harmonies, they were an immediate success. To this day, the Dixie Cups' greatest hit, "Chapel of Love," is considered one of the best songs of the past sixty years. The Dixie Cups seemed to have the world on a string. Their songs were lively and popular, singing on such topics as love, romance, and Mardi Gras, including the classic "Iko Iko." Behind the stage curtain, however, their real-life story was one of cruel exploitation by their manager, who continued to harass the women long after they finally broke away from his thievery and assault. Of the three young women, no one suffered more than the youngest, Rosa Hawkins, who was barely out of high school when the New Orleans teens were discovered and relocated to New York City. At the peak of their success, Rosa was a na簿ve songstress entrapped in a world of abuse and manipulation. Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups explores the ups and downs of one of the most successful girl groups of the early 1960s. Telling their story for the first time, in their own words, Chapel of Love reintroduces the Louisiana Music Hall of Famers to a new audience.
The Big Parade
In the 1950s, Meredith Willson's The Music Man became the third longest running musical after My Fair Lady and The Sound of Music: a considerable achievement in a decade that saw the premieres of other popular works by Rodgers and Hammerstein and Lerner and Loewe, not to mention Frank Loesser's Guys and Dolls and Bernstein and Sondheim's West Side Story. The Music Man remains a popular choice for productions and has been parodied or quoted on television shows ranging from Family Guy to Grace and Frankie. Though Willson is best remembered for The Music Man, there is a great deal more to his career as a composer and lyricist. In The Big Parade, author Dominic McHugh uses newly uncovered letters, manuscripts, and production files to reveal Willson's unusual combination of experiences in his pre-Broadway career that led him to compose The Music Man at the age of 55. McHugh also gives an in depth look at the reception of The Music Man and examines the strengths and weaknesses of Willson's other three musicals, with his sustained commitment to innovation and novelty. The Big Parade is packed with new revelations about the processes involved in writing these works, as well as the trials and tribulations of working in the commercial theatre.
Performing Electronic Music Live
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.
Critical Essays in Popular Musicology
Critical Essays in Popular Musicology is an essential reference work which reproduces in facsimile form many of the most important and innovative journal articles and papers in the field, along with an introductory overview by the editor Allan Moore. The volume is designed to improve access to the most significant, concise English-language writing, which articulates and demonstrates some of the key constituents of a popular musicology. It avoids those pieces which have been published in other collections. The essays are divided into two parts - those that articulate the key questions of popular musicology, which discuss contexts for addressing texts, and those that demonstrate the discipline in practice, which actually address those texts. This is a valuable volume for libraries expanding their collections in musicology and popular music studies and will provide scholars and graduate students with a convenient and authoritative reference source.
Don Giovanni’s Reasons: Thoughts on a Masterpiece
Although Mozart's Don Giovanni (1787) is the most analysed of all operas, Lorenzo Da Ponte's libretto has rarely been studied as a work of poetry in its own right. The author argues that the libretto, rather than perpetuating the conservative religious morality implicit in the story of Don Juan, subjects our culture's myth of human sexuality to a critical rewriting. Combining poetic close reading with approaches drawn from linguistics, psychoanalysis, anthropology, political theory, legal history, intellectual history, literary history, art history and theatrical performance analysis, she studies the Don Giovanni libretto as a radical political text of the Late Enlightenment, which has lost none of its ability to provoke. The questions it raises concerning the nature of compassion, seduction and violence, and the autonomy and responsibility of the individual, are still highly relevant for us today.
Mister Jolson and all that Jazz
In his book, which is an appreciation of the popular art, the author takes us on a fleeting excursion through the evolution of 'pop' - from ragtime to hot jazz and in to the swing era - a fascinating insight into the early Broadway Musical and the birth of the 'talkies'.The emergence of the Great American Song Book, and the influence of Al Jolson's career on popular singing; his relationship with the principal song writers, and how he inspired the great vocal stars who followed, including Ethel Waters, Bing Crosby, Judy Garland and Frank Sinatra.
The Jazz Masters
The Jazz Masters: Setting the Record Straight is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as "our native art form." Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward "setting the record straight."
The Real Ambassadors
Winner of the 2023 ASCAP Foundation Deems Taylor/Virgil Thomson Book AwardRecipient of a 2023 Certificate of Merit for Best Historical Research in Recorded Jazz from the Association for Recorded Sound Collections Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colorful characters, from Broadway impresarios to gang-connected managers, surface in the compelling storyline. During the Cold War, the US State Department enlisted some of America's greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called "free society." Honored as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humor and pathos to share perspectives on American values. On September 23, 1962, The Real Ambassadors's stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members' bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2013 by the Detroit Jazz Festival and in 2014 by Jazz at Lincoln Center. This reaffirmed the musical's place as an integral part of America's jazz history and served as an important reminder of how artists' voices are a powerful force for social change.
The Jazz Masters
The Jazz Masters: Setting the Record Straight is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as "our native art form." Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward "setting the record straight."
The Real Ambassadors
Winner of the 2023 ASCAP Foundation Deems Taylor/Virgil Thomson Book AwardRecipient of a 2023 Certificate of Merit for Best Historical Research in Recorded Jazz from the Association for Recorded Sound Collections Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement. A variety of colorful characters, from Broadway impresarios to gang-connected managers, surface in the compelling storyline. During the Cold War, the US State Department enlisted some of America's greatest musicians to serve as jazz ambassadors, touring the world to trumpet a so-called "free society." Honored as celebrities abroad, the jazz ambassadors, who were overwhelmingly African Americans, returned home to racial discrimination and deferred dreams. The Brubecks used this double standard as the central message for the musical, deploying humor and pathos to share perspectives on American values. On September 23, 1962, The Real Ambassadors's stunning debut moved a packed arena at the Monterey Jazz Festival to laughter, joy, and tears. Although critics unanimously hailed the performance, it sadly became a footnote in cast members' bios. The enormous cost of reassembling the star-studded cast made the creation impossible to stage and tour. However, The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation caps this jazz story by detailing how the show was triumphantly revived in 2013 by the Detroit Jazz Festival and in 2014 by Jazz at Lincoln Center. This reaffirmed the musical's place as an integral part of America's jazz history and served as an important reminder of how artists' voices are a powerful force for social change.
The Operetta Empire
CHOICE Outstanding Academic Title, 2022 "When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Leh獺r's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Leh獺r, Emmerich K獺lm獺n, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth-century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life--one whose transgressions helped define the musical hierarchies of its day.
