Whose Blues?
Mamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities?In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
The Cambridge Companion to Wagner’s Der Ring des Nibelungen
The Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner's Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as 'leitmotif', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Br羹nnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere.
Thomas Ad癡s in Five Essays
The British composer, conductor, and pianist Thomas Ades has achieved a level of recognition and celebrity within the world of classical music today that is almost unmatched. Once seen as the heir to Benjamin Britten, both in his importance to British music and his reputation as the enfant terrible of the concert world, Ades is a fascinating figure of contemporary composition. Reaching for the music behind the celebrity, author Drew Massey deftly tackles the challenges of writing about a living figure with such far-reaching impact by focusing on representative moments in his compositional career and critical reception.In this series of five interlocking essays, Massey provides an illuminating look at the formal characteristics of Ades's music, considers his work from the perspective of a contemporary listener, and places it within the larger context of developments in twentieth-century British music. He not only traces the diverse historical forms and traditions that Ades taps into but also reflects on where he is steering the future of composition and performance. An analysis of the key transitions in the artist's critical reception completes this book as the most comprehensive study of this pivotal figure of contemporary classical music in the English language to this day.
Brithop
With ongoing debates on Scottish independence, immigration, Britain's place in the EU, multiculturalism, national identity and the specter of a past Empire complicating ethnically-defined notions of "Britishness," the Kingdom seems far from United. As a cultural force that is often discussed as giving voice to the voiceless and empowering marginalized communities, hip-hop has become a space in which to explore and debate these issues-defining global community while celebrating locality. In Brithop, author Justin A. Williams finds new hope in an often-neglected figure: the British rapper. Through themes of nationalism, history, subculture, politics, humor and identity, Brithop explores multiple forms of politics in rap discourses from Wales, Scotland and England. Featuring rappers and groups such as The Streets, Goldie Lookin Chain, Akala, Lowkey, Stanley Odd, Loki, Speech Debelle, Lady Sovereign, Shadia Mansour, Shay D, Stormzy, Sleaford Mods, Riz MC and Lethal Bizzle, Williams investigates how rappers in the UK respond to the "postcolonial melancholia" of post-Empire Britain. Brithop shows a rich, multifaceted cultural reality reflective of both the postcolonial condition of the UK and the importance of localism within its varying cultures.
Music Downtown Eastside
Music Downtown Eastside draws on two decades of research in one of North America's poorest urban areas to illustrate how human rights can be promoted through music. Harrison's examination of how gentrification, grant funding, and community organizations affect the success or failure of human rights-focused musical initiatives offers insights into the complex relationship between culture, poverty, and human rights that have global implications and applicability. The book takes the reader into popular music jams and music therapy sessions offered to the poor in churches, community centers and health organizations. Harrison analyzes the capabilities music-making develops, and musical moments where human rights are respected, promoted, threatened, or violated. The book offers insights on the relationship between music and poverty, a social deprivation that diminishes capabilities and rights. It contributes to the human rights literature by examining critically how human rights can be strengthened in cultural practices and policy.
Gems of Exquisite Beauty
In the decades leading up to the Civil War, most Americans probably encountered European classical music primarily through hymn tunes. Hymnody was the most popular and commercially successful genre of the antebellum period in the United States, and the unquenchable thirst for new tunes to sing led to a phenomenon largely forgotten today: in their search for fresh material, editors lifted hundreds of tunes from the works of major classical composers to use as settings of psalms and hymns. The few that remain popular today millions have sung "Joyful, Joyful We Adore Thee" to Beethoven and "Hark, The Herald Angels Sing" to Mendelssohn are vestiges of one of the most distinctive trends in antebellum music-making. Gems of Exquisite Beauty is the first in-depth study of the historical rise and fall of this adaptation practice, its artistic achievements, and its place in nineteenth-century American musical life. It traces the contributions of pioneering figures like Arthur Clifton and the impact of bestsellers like the Handel and Haydn Society Collection, which helped turn Lowell Mason into America's most influential musician. By telling the tales of these hymns and those who brought them into the world, author Peter Mercer-Taylor reveals a central part of the history of how the American public first came to meet and creatively engage with Europe's rich musical practices.
God Save the Queens
An NPR Best Book of the Year"Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." --AllHipHop.comCan't Stop Won't Stop meets Girls to the Front in this essential and long overdue history of hip-hop's female pioneers and its enduring stars.Every history of hip-hop previously published, from Jeff Chang's Can't Stop Won't Stop to Shea Serrano's The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre's female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved.
The Cambridge Companion to Wagner's Der Ring des Nibelungen
The Companion is an essential, interdisciplinary tool for those both familiar and unfamiliar with Wagner's Ring. It opens with a concise introduction to both the composer and the Ring, introducing Wagner as a cultural figure, and giving a comprehensive overview of the work. Subsequent chapters, written by leading Wagner experts, focus on musical topics such as 'leitmotif', and structure, and provide a comprehensive set of character portraits, including leading players like Wotan, Br羹nnhilde, and Siegfried. Further chapters look to the mythological background of the work and the idea of the Bayreuth Festival, as well as critical reception of the Ring, its relationship to Nazism, and its impact on literature and popular culture, in turn offering new approaches to interpretation including gender, race and environmentalism. The volume ends with a history of notable stage productions from the world premiere in 1876 to the most recent stagings in Bayreuth and elsewhere.
Beatboxing
"The masterful art of chess, Kung-fu sword play, and the sweet science of boxing are all hip-hop expressions that connect us universally. Beatboxing tells the story. It's razor sharp."-Masta Killa, Wu-Tang Clan "I love how Todd Snyder's brain works. Like him, I love hip hop, and I love boxing. But I've never seen someone tie them together so well, detailing their shared history, the way each impacted the other and the personalities involved. Beatboxing is written with such tethering, with that kind of impact and insight. It might be my favorite sports book--since the last one Snyder wrote." --Greg Bishop, Sports IllustratedStep into a world of rap moguls turned fight promoters, boxers turned rappers, and rappers turned boxers. From Mike Tyson to Tupac, from Roy Jones Jr. to J Prince, explore how a cultural collision forever altered the relationship between music, race, sports, and politics. Daryl McDonald of Run-DMC once said that the rhyme Float like a butterfly, sting like a bee! The hands can't hit what the eyes can't see! was hip-hop's most famous lyric. Muhammad Ali's poetic brilliance and swagger--ignited by hype man Bundini Brown--gave hip-hop artists the template from which they forged their identities and performed their art. Hip-hop's impact on boxing, on the other hand, has not been explored. Until now. In Beatboxing, Todd Snyder uncovers the unique connection between hip-hop and the sweet science, tracing a grassroots cultural movement from its origins in the South Bronx to its explosion across the globe and ultimately into the charged environment of the prize ring. Featuring interviews with champion fighters and music legends, this is the definitive book about an enduring phenomenon and is a must-read for boxing and hip-hop fans alike.
Neil Peart: The Illustrated Quotes
The first--and only--official collection of illustrated quotes from Rush drummer and lyricist, Neil Peart, Neil Peart: The Illustrated Quotes pairs elegant illustrations with some of Neil's greatest remarks to bring the poignant words of one of the world's greatest drummers to life. "How could anyone ever be bored in this world, when there was so much to be interested in, to learn, to contemplate?" Before his untimely death in 2020, Neil Peart was considered to be one of the greatest drummers to have ever lived. As the drummer and primary lyricist for the multi-platinum selling rock band, Rush, Neil charmed the world with his introspective and eclectic writing. Heavily inspired by science fiction, fantasy, philosophy, and his many cross-country trips on his motorcycle, Neil crafted universal lyrics that encapsulated the social and humanitarian issues of the time. While Neil is said to have inspired famous bands--like the Foo Fighters, Smashing Pumpkins, and Rage Against the Machine--with his lyrical chops, he contributed far more to the world than just lyrics. Neil also penned nine books, many that recount his trials and triumphs from decades spent on the road, giving the world affecting, memorable thoughts about life, loss, and inspiration. Pairing striking black-and-white illustrations from the acclaimed artists at Fantoons with some of the drummer's greatest quotes, Neil Peart: The Illustrated Quotes keeps the beautiful words and musings of Neil Peart alive. Neil Peart: The Illustrated Quotes is the first and only Neil Peart quotes collection authorized by Neil himself. Not only does the book provide Rush fans--both old and new--the opportunity to dive into Neil's inspiring messages whenever they need a pick-me-up, it also serves as a love letter to Peart and his beautifully-crafted words that have inspired and influenced millions around the world.
Rock and Roll Terrorist
Born as Jesus Christ Allin and raised in rural isolation by a violently abusive religious fanatic, GG Allin grew up to be one of punk's most controversial figures. His music was overshadowed by his on-stage antics, including throwing blood and feces at the audience and hurting himself and audience members. In this first substantial biography of the man who wanted to make rock "dangerous" again, Hardcore Anxiety author and illustrator Reid Chancellor portrays Allin's life and early death with sensitivity, asking us to look beyond the shocking spectacle to understand the troubled human behind the scenes, and the societal forces that pushed him to the edge of creative expression.
The Little Guide to Dolly Parton
The ultimate pick-me-up to save you from the nine-to-five heartbreak blues.The Little Book of Dolly Parton is your bible of devastating Dolly-isms.Yes, that's right, the most iconic and acclaimed female country singer in the history of music is so inventive and brilliant with her clever wisecracks and sage advice that popular culture has crowned her with an -ism after her name. No one else is as worthy. For more than five decades, Dolly has been laying down her own brand of whip-smart wit and wisdom to the world, with many quotes and quips becoming as famous as her lyrical genius, for which she has won too many song writing awards and honors to mention. Stacked to the rafters with more than 150 bite-size bon-mots, one-liners and ripostes - as well profound and sincere observations - The Little Book of Dolly Parton is your new favorite life companion. 'I never think of myself as a star because, as somebody once said, "A star is nothing but a big ball of gas" - and I don't want to be that.' Reflecting on stardom during an interview with Billboard, 2014. 'The kids peed on me every night ... There were so many of us. We slept three and four in the bed. I would wash every night, and as soon as I go to bed, the kids would wet on me and I'd have to get up in the morning and do the same thing ... That was the only warm thing we knew in the winter time. That was almost a pleasure to get peed on because it was so cold. Lord. It was as cold in the room as it was outside. We'd bundle up to go to bed.' Discussing her family's humble origins during an interview with Playboy, 1978. 'I'm proud of my hillbilly, white trash background. To me that keeps you humble; that keeps you good. And it doesn't matter how hard you try to outrun it - if that's who you are, that's who you are. It'll show up once in a while.' Discussing her background, during an interview with Southern Living, 2014.
The Beatles: Album by Album
A team of experts write about each era of the band's existence, examining what they were doing for each of their original 12 UK-release albums.This informative work tells the story of the famous Liverpool musicians, from the band's formative days in Hamburg and Liverpool to the split in 1970. From the simple, bouncy Please Please Me to the heavyweight double Let It Be. Further chapters cover the US and foreign releases, which were significantly different in the early days.
Old Masters for Young Players Volume 1 - Easy Classical Pieces
(Schott). H. Purcell: Air * C. W. Gluck: Andante cantabile * J. P. Rameau: La Villageoise * G. F. Handel: Air * J. A. Hasse: 2 Dances * J. B. Lully: Gavotte and Musette * J. M. Leclair: Sarabande * J. S. Bach: 2 Minuets * L. v. Beethoven: Liebeslied * G. Tartini: Sarabande * G. B. Buononcini: Rondeau * R. Schumann: Erinnerung
Ms. Hebert’s World Songbook
Ms. Hebert's World Songbook includes 21 original songs in 21 languages, a music curriculum that covers K through 4th grade, 21 lesson plans including Objectives, Standards, Procedures, and Virtual Learning and Diversified Instruction Strategies to use in the General Music setting that include approved guidelines for Fall 2020 for Social Distancing. These lessons can be carried out in the Virtual Music Class setting through Distance Learning and while following Social Distancing guidelines in the classroom. This songbook includes songs in Dutch, Hindi, Portuguese, Italian, Japanese, Bengali, Russian, Turkish, Greek, Polish, Hebrew, Hawaiian, Chinese, Spanish, German, French, Arabic, Czech, Swedish, Mandarin and Swahili. The author has traveled to 43 countries and taught music in the Middle East, Africa, South East Asia and in the United States. Ms. Hebert is passionate about studying cultures around the globe and learning new languages. She enjoys bringing a first hand experience of the world to her students. Music is more than just performance. Music is about connecting with one another, reacting to music, learning about different cultures, expanding our horizons and creating music.
Olivia on the Record
Foreword INDIES 2020 Silver Award Winner in LGBTQ+ NonfictionIndependent Press Awards 2021 Winner in LGBTQ nonfiction Golden Crown Literary Awards 2021 Nonfiction WinnerThe burgeoning lesbian and feminist movements of the '70s and '80s created an impetus to form more independent and equitable social and cultural institutions--bookstores, publishers, health clinics, and more--to support the unprecedented surge in women's arts of all kinds. Olivia Records was at the forefront of these models, not only recording and distributing women's music but also creating important new social spaces for previously isolated women and lesbians through concerts and festivals.Ginny Z. Berson, one of Olivia's founding members and visionaries, kept copious records during those heady days--days also fraught with contradictions, conflicts, and economic pitfalls. With great honesty, Berson offers her personal take on what those times were like, revisiting the excitement and the hardships of creating a fair and equitable lesbian-feminist business model--one that had no precedent.In a time when lesbians' participation in mainstream culture and politics is often taken for granted, we need to recognize the miraculousness of what Olivia achieved. A few years after Stonewall, Olivia not only created the first women's record label, but in the face of pervasive bigotry and repression carved out a vibrant political space for lesbian freedom. --Barbara Smith, co-founder of the Combahee River CollectiveThe women's music movement was a revolution for rights and dignity, carving out a space where none existed before: for women to seize ownership of their own narrative, for lesbians who had never been reflected in popular music, for women to write love songs to other women. A small collective of idealistic women with absolutely no experience in the music business created a model that would change the landscape for all women, indeed, for all people. --Vicki Randle, musicianGinny Berson's important memoir of building Olivia Records into a beloved lesbian institution is a timely narrative from a founding organizer. Ginny walks us through the politics, radical self-discovery, aching romantic tension, and quirky community organizing that characterized an era. In these chapters, we gain a front row seat to the collective "processing" that produced and distributed lesbian records, and meet the first generation of fans to experience women's music as lesbian liberation. --Bonnie J. Morris, PhD, author of Eden Built by Eves, The Disappearing L, and The Feminist Revolution
Music and Autism
In Music and Autism: Speaking for Ourselves, renowned ethnomusicologist Michael Bakan engages in deep conversations-some spanning the course of years-with ten unique and fascinating individuals who share two basic things in common: an autism spectrum diagnosis and a life in which music is central. The result is a profound yet accessible exploration of how people make and experience music, and of why it matters to them that they do, one whose rich tapestry of words, images, and musical sounds speaks to both the extraordinary diversity of autistic experience and the common humanity we all share.
Takin’ Care of Business
By the early 1970s, practically everyone under a certain age liked rock music, but not everyone liked it for the same reasons. We typically associate the sounds of classic rock 'n' roll with youthful rebellion by juvenile delinquents, student demonstrators, idealistic hippies, or irreverent punks. But in this insightful and timely book, author George Case shows how an important strain of rock music from the late 1960s onward spoke to -- and represented an idealized self-portrait of -- a very different audience: the working-class 'Average Joes' who didn't want to change the world as much as they wanted to protect their perceived place within it. To the extent that "working-class populism" describes an authentic political current, it's now beyond a doubt that certain musicians and certain of their songs helped define that current. By now, rock 'n' roll has cast a long shadow over hundreds of millions of people around the world -- not just over reckless kids, but over wage-earning parents and retired elders; not just over indignant youth challenging authority, but over indignant adults challenging their own definition of it. Not only have the politics of rock fans drifted surprisingly rightward since 1970; some rock, as Case argues, has helped reset the very boundaries of left and right themselves. That God, guns, and Old Glory can be understood to be paid fitting tribute in a heavy guitar riff delivered by a long-haired reprobate in blue jeans -- but that #Me Too, Occupy Wall Street or Black Lives Matter might not -- hints at where those boundaries now lie.
Harmony and Normalization
Harmony and Normalization: US-Cuban Musical Diplomacy explores the channels of musical exchange between Cuba and the United States during the eight-year presidency of Barack Obama, who eased the musical embargo of the island and restored relations with Cuba. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts in the wake of Ra繳l Castro assuming the Cuban presidency and the election of President Obama allowed performers to traverse the Florida Straits more easily than in the recent past and encouraged them to act as musical ambassadors. Their performances served as a testing ground for political change that anticipated normalized relations. While government actors debated these changes, music forged connections between individuals on both sides of the Florida Straits. In this first book on the subject since Obama's presidency, musicologist Timothy P. Storhoff describes how, after specific policy changes, musicians were some of the first to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba's first US tour, the Minnesota Orchestra's trip to Havana, and the author's own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and a common desire to restore the once-thriving US-Cuban musical relationship.
Groove Theory
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Harmony and Normalization
Harmony and Normalization: US-Cuban Musical Diplomacy explores the channels of musical exchange between Cuba and the United States during the eight-year presidency of Barack Obama, who eased the musical embargo of the island and restored relations with Cuba. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts in the wake of Ra繳l Castro assuming the Cuban presidency and the election of President Obama allowed performers to traverse the Florida Straits more easily than in the recent past and encouraged them to act as musical ambassadors. Their performances served as a testing ground for political change that anticipated normalized relations. While government actors debated these changes, music forged connections between individuals on both sides of the Florida Straits. In this first book on the subject since Obama's presidency, musicologist Timothy P. Storhoff describes how, after specific policy changes, musicians were some of the first to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba's first US tour, the Minnesota Orchestra's trip to Havana, and the author's own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and a common desire to restore the once-thriving US-Cuban musical relationship.
Groove Theory
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Russian Composers Abroad
As waves of composers migrated from Russia in the 20th century, they grappled with the complex struggle between their own traditions and those of their adopted homes. Russian Composers Abroad explores the self-identity of these 矇migr矇s, especially those who left from the 1970s on, and how aspects of their diasporic identities played out in their music. Elena Dubinets provides a journey through the complexities of identity formation and cultural production under globalization and migration, elucidating sociological perspectives of the post-Soviet world that have caused changes in composers' outlooks, strategies, and rankings. Russian Composers Abroad is an illuminating study of creative ideas that are often shaped by the exigencies of financing and advancement rather than just by the vision of the creators and the demands of the public.
Russian Composers Abroad
As waves of composers migrated from Russia in the 20th century, they grappled with the complex struggle between their own traditions and those of their adopted homes. Russian Composers Abroad explores the self-identity of these 矇migr矇s, especially those who left from the 1970s on, and how aspects of their diasporic identities played out in their music. Elena Dubinets provides a journey through the complexities of identity formation and cultural production under globalization and migration, elucidating sociological perspectives of the post-Soviet world that have caused changes in composers' outlooks, strategies, and rankings. Russian Composers Abroad is an illuminating study of creative ideas that are often shaped by the exigencies of financing and advancement rather than just by the vision of the creators and the demands of the public.
Heavy Metal Leadgitarre
Meistere das Heavy Metal Solospiel ganz einfach ?ber 100 Seiten vollgepackt mit den wichtigsten modernen Licks, Techniken und Solos. Deckt Heavy Metal und Rockgitarren-Solos in den Stilen von Black Sabbath, Deep Purple, Metallica, Bon Jovi, Extreme, Megadeth und vielen mehr ab.... 130 aufgezeichnete Audiobeispiele in Standardnotation und Tab H繹re, was du spielst! Jedes Beispiel wurde in h繹chster Qualit瓣t aufgenommen und das Audio steht unter www.fundamental-changes.com kostenlos zum Download bereit - keine unauffindbaren CDs mehr! Baue eine exzellente moderne Gitarrentechnik auf, w瓣hrend du dabei ein spannendes, n羹tzliches Vokabular lernst Metal- und Rockgitarren-Solob羹cher konzentrieren sich oft nur auf den Aufbau von Technik. W瓣hrend dies wichtig ist, ist es essenziell, die Technik im Kontext von realer Musik zu entwickeln. Heavy Metal Leadgitarre lehrt dich alle wesentlichen Techniken, die der moderne Gitarrist beherrschen muss, aber im gesamten Buch ist jede Technik in Hunderten von relevanten Musikbeispielen im Stil deiner Lieblingsgitarristen erkl瓣rt. Es gibt auch vollst瓣ndige, authentische Solostudien, die jede Technik zu einem brauchbaren, beeindruckenden Song zusammenf羹gen. Lerne, kreativ zu sein Heavy Metal Leadgitarre geht weit 羹ber Technik und Licks hinaus: Du lernst, kreativ und musikalisch zu sein, wenn du Soli spielst. Durchgehend werden Ratschl瓣ge zu Phrasierung, Kontext, Melodie, Dynamik und Konturierung von Soli gegeben. Neben der Verbesserung deiner Technik wirst du auch musikalischer. Heavy Metal Leadgitarre behandelt Hunderte von Licks und n羹tzliche Musikbeispiele, die folgendes umfassen: Alternate Picking (Wechselschlag) und Legato Tapping und Sweep Picking Whammy Bar Melodie und Phrasierung Aufbau eines Solos und Entwicklung als Gitarrist/in Mit 羹ber 100 Buchtiteln und 500.000 verkauften B羹chern bereiten wir den Weg f羹r eine neue Generation von Gitarristen. Dies ist ein neues Buch und Rezensionen brauchen Zeit, aber schaue dir unsere anderen Titel an, um 羹ber 5000 5* Rezensionen bei Amazon zu sehen.
Understanding Music
Do you think you know music? Understanding Music: An Interdisciplinary Study will explore five notable approaches to understanding music, and will help you to think differently about the music you listen to in your daily life. This book will guide you through a brief introduction to western art music before jumping into the five disciplines that are covered: science, linguistics, communication, philosophy, and politics. From learning about the physics of sound waves to debating important music philosophical thought through the ages, this book will encourage you to open your mind to new patterns of thinking about music and provide you with the tools with which to listen to and engage with your preferred music in new, innovative, and intriguing ways. copyright by Golden Meteorite Press, published by Golden Meteorite Press
Das Leben als Reise
Dieses bebilderte Buch (Farbdruck) beschreibt die Entwicklung der psychedelischen Szene von den 1960ern zur PsyTrance-Szene von heute. "Der Eindruck, den Buchstaben mit Druckfarbe auf Papier hinterlassen, nennt sich Buch. W繹rter bilden S瓣tze. Worte bilden Gedanken. Das Leben ist eine Reise, die mit der Geburt beginnt, wenn wir aus dem geborgenen Inneren ans Licht der weiten Welt reisen. ... Wir reisen durch Zeiten; von der Vergangenheit in die Zukunft l瓣uft die Welle der Gegenwart, auf der wir surfen. Ruhige und st羹rmische Zeiten wogen an uns vorbei. ... Jeder Tag ist eine Reise des Bewu?tseins, das aus Nacht und Schlaf erwacht, seinen Lauf nimmt, um in Schlaf und Tr瓣ume zu d瓣mmern. Bunte Bilder m繹gen uns mitnehmen auf eine Reise durch Zeitgeschichte, Lebensweis(heit)en und eine neue Sicht auf uns selbst. Dieses Buch ist ein Trip durch die Welt des Geistes, in die kollektive Seele einer Epoche. Jedes Buch ist eine Reise. Jedes gute Buch 繹ffnet uns eine neue geistige Welt. Besonders dieses Buch."
Modern Music Masters - Oasis
In 1994 a group of five lads from Manchester took on the world with their unmistakable brand of rock 'n' roll. Fifteen years later in 2009 it was all over, leaving an imprint on British music that will be felt for generations. The story of Oasis is the story of northern solidarity, of indie-rock 'n' roll, and most importantly, of two brothers. Drawing on interviews with those close to the band, 'Modern Music Masters - Oasis' aims to throw new light on one of British music's signature groups. With a close focus on the group's chart placings - including their eight number 1 albums and eight number 1 singles - this book is ideal for those looking for a new angle into a familiar story.'Modern Music Masters - Oasis' is the first in a series of books about the artists you know and love, or are discovering for the first time. With a strong focus on the UK charts, placing the artists in a social and political environment, MMM do not claim to be exhaustive, but offer an accessible route into the music and the history.Tom Boniface-Webb is the co-author of 'I Was Britpopped: The Definitive A-Z of Britpop', published by Valley Press in 2017.
Organi E Organari Fabrianesi
Questa pubblicazione vuole mettere in luce il grande patrimonio organario presente nella Citt? di Fabriano, che nella seconda met? dell'800 ha ospitato anche la bottega di Camillo del Chiaro. ?, quindi, un lavoro di ricerca particolarmente meritorio perch矇 non cada nell'oblio questo tesoro, che oggi, abituati ad altri strumenti e ad altri repertori, va rivalutato e valorizzato.
Riddles for Fans of Bob Dylan
If you are one of those unfortunate individuals afflicted with the disability called DADD - Dylan Appreciation Deficit Disorder - you will probably just scratch your head in bewilderment and wonder why anyone would enjoy these riddles. But "Bobcats" - hardcore Dylan fans who are familiar with the songs of Bob Dylan - will appreciate this book of over 100 riddles. The answer to every question is a line from a Dylan song or the title of a Dylan song. Dylan fans will also enjoy the bonus feature "Me 'n' Bob," the humorous and heart-warming account of the author's Dylan-related escapades. SAMPLE RIDDLES: Q: What did the farmer say to his stubborn hen? A: Lay Lady Lay. Q: What were the Hindus in India waiting for before they declared independence from the British? A: The reincarnation of Paul Revere's horse. Q: What did the manager at Zimmy's Restaurant in Hibbing say to the waitress when a customer came in the door? A: Gotta serve somebody.
Jazz
Jazz hides in plain sight in global culture, a musical revolution that led to soul, rock, funk, and hip-hop in a fascinating story of art, race, rebellion, and freedom in five key American cities: New Orleans, Chicago, Kansas City, New York, and Los Angeles. This book focuses on jazz's development in the African-American communities of these cities and how its ideas of groove, improvisation, and musical interplay became integral to all of American music. Jazz is a story of art, culture, race, freedom, politics, struggle, and self-expression.ENDORSEMENTS "It's hard to throw your arms around a universe, but Joel Dinerstein does so with grace and great insight in this essential guide to America's art form. Designed with maximum musical interaction in mind, it guides the reader by offering multiple views on jazz history -its relationship to cities, to Black migration, and to politics; its sonic evolution in streets, clubs and concert halls; its many personalities, from legends like Louis Armstrong and Miles Davis to central but less famous figures like Ben Webster and Hamid Drake. "Jazz is everywhere," Dinerstein declares. This kaleidoscopic little book proves that. A great addition to the shelf for a newcomer to the music or anyone who wants to enrich a lifetime of listening". Ann Powers, author of Good booty: Love and Sex, Black and White, Body and Soul in American Music "This book is tight. And it swings. Joel Dinerstein has written the best short introduction to this American art form". Siva Vaidhyanathan, Robertson Professor of Media Studies, University of Virginia "Joel Dinerstein's treatise makes the improvisational art form known as jazz, with its New Orleans and Black American origins, make sense in just 226 succinct pages. The author effortlessly discusses this fascinating musical culture, from the 1800s through today, in a conversational and clutter-free way, even with an eye to new ideas and stories which tend to be overlooked in other jazz histories. And Dinerstein utilizes his subject expertise to position the music within the theme of American popular culture and all of the genres and styles that result (which is all of them). At just 226 pages - you could finish this book in one day, not due to its modest length, but because it's a page-turner, filled with stories about interesting people, places, concepts, conflict, art, struggle, survival, joy, and thriving. It may be a quick read, but it is written with the specificity and care of a multi-volume series. Is there such a thing as a perfect book for academics, scholars, generalists, experts, music enthusiasts, historians, info seekers, and story lovers of all skill and interest levels? Finally, there is, and this is the one". Melissa A. Weber, curator, Hogan Jazz Archive, Tulane University Special Collections. "The book gives us a wealth of great stories and characters, as well as a great many recommendations for listening. If you think you already know jazz, this fresh take on the topic will awaken you to all manner of threads in its development that will be new to you. And If you've long been intrigued by jazz, but the find the subject so overwhelming that you don't know where to start, start with Dinerstein's brilliant little book". Professor T.R. Johnson, Jazz DJ, WWOZ-FM: The New Orleans Jazz and Heritage Station "Professor Dinerstein's "Jazz: A Quick Immersion" shows what makes jazz exciting, hip, unique, and important. He shows how the history is as interesting as the contemporary music and explains the basic concepts in a way that anyone can dig it. He is great with the humor and idiosyncracies of the personalities that have made the music and the places where it was made. It's a great jazz book without pretension or ponderousness". David Kunian, Music Curator, New Orleans Jazz Museum
Sheets of Sound
Gathering together shards of autobiography, poetry, and critical commentary on music and writing, Sheets of Sound evokes DeWald's experiences as a musician and poet, father and teacher, movie-lover and teenage skater. This debut collection of essays-by turns lyric and philosophic-reflects on jazz improvisation, poetic constraints, writing pedagogy, and the "queer art of failure" (Jack Halberstam), offering fresh perspectives on artists as various as Ellen Douglas, Nicole Mitchell, and Tomoka Shibasaki.
British Music Videos 1966 - 2016
Based on new archival evidence and interviews, and setting out a new theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966-2016, identifying not only their distinctive British traits, but their parallels with British film genres and styles. By analysing the genre, craft and authorial voice of music video within the context of film and popular music, the book sheds new light on existing theoretical and historical questions about audiences, authorship, art and the creative industries. Far from being an American cultural form, the book reveals music video's roots in British and European film traditions, and suggests significant ways in which British video has impacted popular film and music culture.
The Latin American Art Song
Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Per繳, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation. In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated. The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.
Inside Computer Music
Inside Computer Music is an investigation of how new technological developments have influenced the creative possibilities of composers of computer music in the last 50 years. This book combines detailed research into the development of computer music techniques with nine case studies that analyze key works in the musical and technical development of computer music. The book's companion website offers demonstration videos of the techniques used and downloadable software. There, readers can view interviews and test emulations of the software used by the composers for themselves. The software also presents musical analyses of each of the nine case studies to enable readers to engage with the musical structure aurally and interactively.
Panpipes & Ponchos
Melodious panpipes and kena flutes. The shimmering strums of a charango. Poncho-clad musicians playing "El C籀ndor Pasa" at subway stops or street corners while selling their recordings. These sounds and images no doubt come to mind for many "world music" fans when they recall their early encounters with Andean music groups. Ensembles of this type -- -known as "Andean conjuntos" or "pan-Andean bands" -- have long formed part of the world music circuit in the Global North. In the major cities of Latin America, too, Andean conjuntos have been present in the local music scene for decades, not only in Peru, Bolivia, and Ecuador (i.e., in the Andean countries), but also in Argentina, Chile, Colombia, and Mexico. It is solely in Bolivia, however, that the Andean conjunto has represented the preeminent folkloric-popular music ensemble configuration for interpreting national musical genres from the late 1960s onward. Despite its frequent association with indigenous villages, the music of Andean conjuntos bears little resemblance to the indigenous musical expressions of the Southern Andes. Created by urban criollo and mestizo folkloric artists, the Andean conjunto tradition represents a form of mass-mediated folkloric music, one that is only loosely based on indigenous musical practices. Panpipes & Ponchos reveals that in the early-to-mid 20th century, a diverse range of musicians and ensembles, including estudiantinas, female vocal duos, bolero trios, art-classical composers, and mestizo panpipe groups, laid the groundwork for the Andean conjunto format to eventually take root in the Bolivian folklore scene amid the boom decade of the 1960s. Author Fernando Rios analyzes local musical trends in conjunction with government initiatives in nation-building and the ideologies of indigenismo and mestizaje. Beyond the local level, Rios also examines key developments in Bolivian national musical practices through their transnational links with trends in Peru, Argentina, Chile, Mexico, and France. As the first book-length study that chronicles how Bolivia's folkloric music movement articulated, on the one hand, with Bolivian state projects, and on the other, with transnational artistic currents, for the pivotal era spanning the 1920s to 1960s, Panpipes & Ponchos offers new perspectives on the Andean conjunto's emergence as Bolivia's favored ensemble line-up in the field of national folkloric-popular music.
The Poetry and Music of Joaqu穩n Sabina
The Poetry and Music of Joaqu穩n Sabina: An Angel with Black Wings is a thoroughly researched exploration of the life, music, and song lyrics of the celebrated Spanish singer-songwriter Joaqu穩n Sabina. Often called "the Spanish Dylan," Sabina has established his own highly poetic space over the course of his forty-plus years as a recording artist. Using selected song lyrics from his fifteen studio and three major live albums, Daniel J. Nappo analyzes Sabina's use of antithesis, simile, metaphor, synesthesia, rhyme, and other rhetorical and poetic devices. Nappo also devotes a chapter to Sabina's ability as a narrator and concludes the book with a comparison of Sabina's best work with that of the American singer-songwriter and Nobel laureate, Bob Dylan.
Heavy Metal Music in Latin America
This book brings together researchers from twelve countries in Latin America to reflect on the social dimensions of metal music in Latin America. An extreme musical genre for an extreme region, the contributors explore how issues like colonialism, dictatorships, violence, ethnic extermination and political persecution have shaped heavy metal music.
Dear Future Historians
Dear Future Historians: Lyrics and Exegesis of Rou Reynolds for the Music of Enter Shikari 2006--2019 charts the lyrical creativity of the hardcore rock-metal band, through their five hugely successful albums. Bringing together the popular 2017 limited hardback edition Dear Future Historians and 2018 limited paperback The Spark, this updated and expanded edition is essential for any Enter Shikari fan.
The Meaning of Soul
In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices--inventive cover versions, falsetto vocals, ad-libs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies were later reanimated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition.
Punk Is Dead, Punk Is Everything
Back by popular demand in a new paperback edition, Punk is Dead exposes the lasting impact of punk on visual culture worldwide. Hundreds of flyers, photos, set lists, vintage fashions and other ephemera from all of your favorite bands are jammed into this menacing volume. Punk is Dead is massive, featuring a wide spectrum of bands that initially ignited the scene, and later fueled its global expansion. Contributing writers such as Wayne Kramer, Arturo Vega, Kid Congo, David Yow, Annie Anxiety, Duane Peters, Marc McCoy, Tony Alva, Don Bolles, Trudie and Pat Smear flesh out the visual assault. It also features hard hitting interviews with Ian Mackaye, one of the most respected voices of the DIY music underground, and Malcolm McLaren, likely the most impactful promoter of the early punk movement.
Beethoven: Variations on a Life
Despite the ups and downs of his personal life and professional career-even in the face of deafness-Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, the music historian Mark Evan Bonds argues, provides the key to understanding the composer's life and works. Beethoven approached music as he approached life, weighing whatever occupied him from a variety of perspectives: a melodic idea, a musical genre, a word or phrase, a friend, a lover, a patron, money, politics, religion. His ability to unlock so many possibilities from each helps explain the emotional breadth and richness of his output as a whole, from the heaven-storming Ninth Symphony to the eccentric Eighth, and from the arcane Great Fugue to the crowd-pleasing Wellington's Victory. Beethoven's works, Bonds argues, are a series of variations on his life. The iconic scowl so familiar from later images of the composer is but one of many attitudes he could assume and project through his music. The supposedly characteristic furrowed brow and frown, moreover, came only after his time. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.
The Complete 3-String Cigar Box Guitar Book
The Ultimate Chord Reference Book for 3-String Cigar Box Guitar Players. The Complete Cigar Box Guitar Chord Book is the most extensive library of chords ever assembled for the 3-string cigar box guitar. It's amazing that over 2000 chords are possible with only 3 strings, considering that two of the three strings on the cigar box guitar are tuned to the same note in GDG tuning. There are many "possible" chords though some more practical and easier to play. This extensive library will cover all the chords required to play any style of music. A must-have for all cigar box guitar musicians I have offered as many chords as possible in each of the 12 keys in music, as well as multiple voicings of each chord providing lots of chord choices. While there is the extensive library, I have also included the most played and user-friendly chords for most players. Learning your favourite chords is the first step quickly followed by learning to switch the chords and play songs and chord progressions. There are many chord progressions in the book that are taken directly from some of the most popular songs ever written. There is a good selection of blues chord progressions that cover many of the standard blues changes in all keys. Also, take some time and play through some standard strumming and fingerpicking patterns. You will see these familiar patterns in many of your favourite songs. If you need to brush up on your chord theory there are several pages dedicated to how chords are formed, the chord numbering system, and chord formulas. For more information visit: brentrobitaille.com
Tarred with the Same Brush
Love certain kinds of music that is not everyone's 'cup of tea'?This book provides a look at the stigmatisation of the Heavy Metal scene from various sociological and psychological perspectives. How does it compare to other music genres, like rap, for instance? How do fans create a social world based upon their music preferences? Is that based on how other members of the public treat them? And is that the treatment (basedon music preference) good or bad?Well, only you can find out if you put your hand in your pocket and show me the colour of your money (or in this case, get out your credit cards and/or go to PayPal).And if you're a Heavy Metal fan, I am probably preaching to the 'converted' here, but you will probably get a good laugh out of it. Ditto, if you like rap.But even if you don't, perhaps you know (and God forbid, love) someone who does. Why not buy this for them as a present? They will probably love you for it.Or better still, buy the book, come to the 'dark side' and see for yourself how and why so many young people have come to know and love certain kinds of music that you might not like (or even have heard of). Either way, I hope you, the beloved customer, will enjoy this to the hilt.cheers, Collee
Pop Goes the MetalHard Rock, Hairspray, Hooks & Hits
YOU'LL NEVER READ ABOUT MUSIC THE SAME WAY AGAIN. Pop metal burst onto the scene in 1980s along with Reaganomics, video games, and Apple Computers. You either loved it or you hated it, but it was impossible to avoid. Bands like Def Leppard, Bon Jovi, and Poison were all over MTV, vying with Madonna and Michael Jackson for musical supremacy. And then, in a flash, it was gone: as suddenly obsolete in 1992 as disco was in 1980. But there's a lot more to this music than meets the ear. It didn't appear out of nowhere, and it didn't vanish, either. Pop Goes the Metal traces the musical and cultural phenomenon that came to be known, both derisively and affectionately, as "hair metal." Musically, it was rooted in the British Invasion, power pop, and early heavy metal. Visually, it began with Bowie and Sweet and T. Rex, and kept right on going through Kiss and Alice Cooper to Poison and Twisted Sister. Travel to L.A.'s Sunset Strip scene that gave birth to Van Halen, M繹tley Cr羹e, Guns N' Roses, and halfway around the world to explore the New Wave of British Heavy Metal. Revisit the early years of MTV, the era of heavy metal magazines, the "Satanic Panic," and the PMRC; read about overdoses, car crashes, unscrupulous managers, and concert chaos. Growing up in the suburbs meant playing air guitar to vinyl and cassettes, or waiting for the DJ to play your favorite songs on album rock radio - which never happened often enough. Pop Goes the Metal captures an era and a musical movement indelibly impressed, for better or worse, in the souls and memories of millions. It served as the soundtrack to our youth and it's still playing in our heads. So Cum on Feel the Noize as you relive the memories of this gone-but-not-forgotten time. Even decades later, it's still all about the music.
Scripture Songs of Love, Joy, and Peace
Familiar words from the inspired Word of God. Memorable, original music with chords for keyboard and guitar, arranged in alphabetical order. May the music speak to your heart; may the words feed your soul.
Circle It, Willie Nelson Facts, Word Search, Puzzle Book
Celebrate the Legendary Willie Nelson with Fascinating Facts!Immerse yourself in the rich tapestry of country music with our Large Print Willie Nelson Facts Word Search Puzzle Book. Perfect for music enthusiasts and puzzle lovers alike, this book offers an engaging journey through the life and legacy of Willie Nelson.Discover the LegendEach page reveals captivating facts about Willie Nelson-from his early beginnings and songwriting genius to his iconic performances and contributions to music and culture. Bolded keywords within the engaging narratives are cleverly hidden in word search puzzles on the opposite page, providing hours of entertainment and mental stimulation.Feel the MusicReconnect with the songs and stories that have touched hearts for decades. As you uncover hidden words and revisit unforgettable moments, experience a sense of nostalgia, joy, and inspiration. Sharpen your mind and enhance your cognitive abilities while indulging in a hobby that brings satisfaction and a sense of accomplishment.Easy on the EyesWith large print and a reader-friendly layout, immerse yourself comfortably in a seamless reading and puzzle-solving experience.Whether you're a lifelong fan of Willie Nelson or new to his timeless music, this book promises a blend of excitement, nostalgia, and happiness. It's more than just a puzzle book-it's a celebration of talent, resilience, and the enduring legacy of a country music icon.Get your copy today and embark on a journey of music, memories, and mental fitness!Explore More of Our Exciting TitlesContinue your journey with our other engaging word search puzzle books: - Elvis Presley Facts Word Search Puzzle Book, - Donny Osmond Facts Word Search Puzzle Book, - Gunsmoke Facts Word Search Puzzle Book, - Dolly Parton Facts Word Search Puzzle Book, and - The Beatles Facts Word Search Puzzle Book.Discover these titles and continue your adventure in entertainment, nostalgia, and mental stimulation!
Soul in Seoul
K-pop (Korean popular music) reigns as one of the most popular music genres in the world today, a phenomenon that appeals to listeners of all ages and nationalities. In Soul in Seoul: African American Popular Music and K-pop, Crystal S. Anderson examines the most important and often overlooked aspect of K-pop: the music itself. She demonstrates how contemporary K-pop references and incorporates musical and performative elements of African American popular music culture as well as the ways that fans outside of Korea understand these references.K-pop emerged in the 1990s with immediate global aspirations, combining musical elements from Korean and foreign cultures, particularly rhythm and blues genres of black American popular music. Korean solo artists and groups borrow from and cite instrumentation and vocals of R&B genres, especially hip hop. They also enhance the R&B tradition by utilizing Korean musical strategies. These musical citational practices are deemed authentic by global fans who function as part of K-pop's music press and promotional apparatus. K-pop artists also cite elements of African American performance in Korean music videos. These disrupt stereotyped representations of Asian and African American performers. Through this process K-pop has arguably become a branch of a global R&B tradition. Anderson argues that Korean pop groups participate in that tradition through cultural work that enacts a global form of crossover and by maintaining forms of authenticity that cannot be faked, and furthermore propel the R&B tradition beyond the black-white binary.
