Criss-Cross
Take a deep dive into the shadows and light of one of the most subversive, corrosively funny, and beloved suspense thriller masterworks as author Stephen Rebello unravels for the very first time the tense and drama-filled story of the making Alfred Hitchcock's Strangers on a Train. As entertaining as it is to watch Strangers on a Train, so too is the previously untold backstory that packs all the suspense, drama, and twists of a thriller. After all, what are the hallmarks of a great Hitchcock movie? A larger-than-life, complex cast of characters, each with something to prove, lose, or hide. Check. Tremendous risk, outsized conflict, and emotion as those men and women confront challenges off the set. Check. Feuds, deceptions, unlikely alliances, and double-crosses. Check. Coming off a 5-year-string of flops, Alfred Hitchcock gambled big on adapting Patricia Highsmith's debut novel, which critics called "preposterous" and "unconvincing," in addition to "unsavory," and "sick" (1950s code words for "gay" and "perverted"). Each step of the production was fraught with battles, but Hitchcock masterfully stayed two steps ahead of his opponents as he fought to bring his vision to life. Strangers on a Train became not only a creative high-water mark and box-office smash for Hitchcock, but also kicked off his unmatched decade of classics including Dial M for Murder, Rear Window, Vertigo, North by Northwest, and Psycho. Richly documented, meticulously researched, and stylishly written, Criss-Cross is more than an authoritative film book. It is a portrait of an especially politically paranoid, misogynistic, and homophobic era in America, a time of dramatic transition in the entertainment industry, and a day of reckoning for Alfred Hitchcock and a few other talents with whom he made a dark, resonant, and prescient work of art.
The Biology of Science Fiction Cinema, 2d ed.
Science fiction cinema has dramatically affected the perception of science by the general population. If science fiction and actual science sometimes seem at odds, they importantly share the elements of curiosity, creativity and imagination--and there are many examples of yesterday's science fiction becoming today's science. This book explores the imaginative elements of biology seen in 20th century science fiction films. Written by a professional scientist and science fiction lover, this second edition includes recent updates of biomedical science and science fiction cinema. It covers different categories of biology, biochemistry (or molecular biology), and medicine, each subcategorized into chapters such as cell biology, hematology, and dermatology. Within each chapter are several film examples explaining the biological sciences principles involved, what is right and what is wrong with the science, and what changes could be made for the science of the film to become a reality.
Monsters and Monstrosity in 21st-Century Film and Television
onsters seem to be here to stay. Though we have left belief in the supernatural and "realness" of monsters in the past, we continue to craft monstrous narratives which delve into the depths of the human subconscious. In certain cases, we love to love the monster. In others, we bond over mutual desire to see it conquered, vanquished. The inherent mutability of the monster provides us with endless opportunities to reimagine, reenvision, and reencounter these creatures. This volume contains discussions and dissections of monsters across multiple media and geographical origins. However, the notable shifts in how we engage monsters and monstrosity feature heavily in this text. Our contributors tackle resurrections of previous series and conversations through films like Jurassic World and Krampus. Others gravitate towards the rebirth of some of the older, tried and true monsters like the vampire and the zombie, including analyses of Pride and Prejudice + Zombies, The Originals, The Vampire Diaries, iZombie, and Teen Wolf--all of which reinterpreted and reinvented these creatures for the modern audience. While the text serves to address these new iterations of the "Classic" monsters in the canon, others take a look at stranger, more fringe monster narratives like Pan's Labyrinth, The Village, or even the very real parasitic monstrosities of Monsters Inside Me. Though many of these chapters will analytically address particular texts, like the long-running series Supernatural, others will take on the metanarrative surrounding trends within monster studies, such as the construction of identity, creation or representation of the soul, or the ongoing questions of authorship and agency within a particular story world. In its entirety, this volume endeavors to examine how 21st-century media presents and contends with the body and mind of the monster. What do they reveal about us culturally, individually, as a community? What can we learn from them?
Brain Acrobatics Level 2
This activity book is designed for children aged 10 and above, with over 300 fun activities and puzzles to keep them engaged. The activities include cancellation, coding, anagrams, unscrambling words, coloring, mazes, word searches, crosswords, cross numbers, logic puzzles, odd-one-out, pattern puzzles, quizzes, and more. These tasks are carefully chosen to help improve skills like attention, concentration, quick thinking, memory, hand-eye coordination, and problem-solving.The book is planned for 31 days, with tasks that get harder as the days go by. The activities on the first day are simple, and they gradually become more challenging, helping children learn and grow step by step. The tasks are made to be easy to follow, fun, and interesting, so kids stay motivated.To make it even more exciting, the book includes fun facts to boost general knowledge. It's a great way for children to have fun while sharpening their minds!
Videotapes from Hell
A jubilant celebration of the greatest VHS cover art in all its gory, glory -- which inspired, scared, and delighted generations of movie-goers.For anyone who frequented a video store in the '80s or '90s, the styles are instantly recognizable: surprisingly beautiful paintings of fanged and winged monsters; ridiculously lurid depictions of young men and women in peril; illustrations so incompetently drawn as to qualify as outsider art; absurdly overstuffed photomontages. The home video revolution was accompanied by an explosion of all kinds of cover art, embodying the anything-goes ethos of an era when obscure, cheaply produced movies--usually with supernatural storylines and bottom-drawer special effects--could be distributed throughout the world and watched from the comfort of one's living room. Videotapes from Hell provides a fascinating illustrated history of VHS cover art in all its glory, from direct-to-video oddities to major studio releases. Drawing on the expansive collection of world-renowned horror expert Stephen Jones, it collects nearly 500 pieces of period artwork, accompanied by detailed captions that give the history of the movie and its release dates in video format. In addition to front-cover images and full-sleeve spreads, it includes examples of promotional posters and freestanding original artwork that was incorporated into box designs.Including a foreword from beloved cult director Joe Dante (Gremlins, The 'Burbs) and commentary from horror luminaries such as Ramsey Campbell, Mick Garris, Stephen King and many more, Videotapes from Hell is a garish and jubilant celebration of a lost genre ripe for rediscovery.
Audience Participation in Theatre
This new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field. An updated review of the literature and a new chapter develops its original argument with respect to historical change in how audiences and their expectations are constituted, and changes to how participation is invited, mediated and valued.
From Heidegger to Performance
Heidegger and Performance explores convergences, direct or indirect, conscious or unconscious, between Heidegger's work and ideas of performance and performativity. The book's central provocation is to replace the word 'being' with 'performance' and interpret through Heidegger new ways of understanding both terms.
Capital Acts
Capital Acts: Washington DC Performing Arts is an extensive history of the prominent and influential artists and media figures who shaped the DC-MD-VA area's cultural landscape. Richly illustrated with a wealth of insightful interviews, the book unveils remarkable narratives of resilience and innovation from the challenges faced by diverse and often unique artists. Each genre of performing arts is intricately explored. The rhythm of jazz and blues is portrayed by soulful conversations with the artists. The beauty of folk and popular music is celebrated through stories. The vibrant energy of punk and go-go history reflects rebellion and celebration. The essence of many historical performances, theaters, concerts, TV, films, and events that defined eras are articulated throughout the book. Whether you are a performing arts aficionado or history lover, this book offers a captivating 360-degree look at the origins and extraordinary tapestry of talent and creativity that continues to thrive in the Washington, DC area. 54 Chapters with Index.
Marginalized Voices in Nigerian Theatre
This book examines the representation of marginalized communities, particularly women, in J.P. Clark's The Wives' Revolt. It analyzes how the play addresses gender roles, societal expectations, and women's experiences within Nigerian society, questioning the effectiveness of literature in challenging marginalization. Utilizing a qualitative research approach, the study employs textual analysis and feminist literary theory to explore themes of gender inequality and resistance against patriarchal structures. Through characters and their struggles, Clark highlights issues such as limited economic opportunities and personal freedoms for women. This research aims to enhance understanding of marginalized voices in Nigerian literature and demonstrate how playwrights can advocate for social change and empower these communities.
Waarheid
"You speak about facts and truth as though they are the same thing. They are not. Facts are what happened, whereas the truth is what needs to be." Sequel to ST?MOL, WAARHEID picks up where Huckleberry Hax's award-winning movie left off. Last seen falling to her death Waarheid lives on...
The Prince, the Pauper, the Princess and the Peas
The Prince, the Pauper, the Princess and the Peas is a pantomime written for all ages that can be acted by a cast of all ages, size and ability - or no ability at all. It tells the completely made up story of what happened when King Edward the VI of England was sent in search of a wife by his stepmother and the Regent, Dudley, and met his doppelganger, the son of Newcastle's new castle owner - the completely fictitious Emperor BearPig. Although there are scenes where people poke fun at each other in a generally derogatory way, no offensive language, racial or otherwise, is used, and there are no "adult" themes.
Create First
Are you a musician, artist, or writer feeling like your creative spark is dimming under the weight of responsibility, burnout, or spiritual disconnection? In "Create First," you'll uncover the powerful secrets to reigniting your passion for creativity while maintaining your well-being. Through a blend of deep spiritual insight and practical strategies, this transformative guide takes you on a sacred journey back to your creative roots. Whether you're struggling with overwhelm, perfectionism, or the endless demands of your role, "Create First" shows you how to prioritize your creative energy in a way that sustains both your soul and your craft.
The Performance Apparatus
The publication of Louis Althusser's 1969 article "Ideology and Ideological State Apparatuses," made a deep impact on cultural studies and was instrumental in the formation of the apparatus theory in film studies. While contemporaneous with the emergence of performance art, this article and the questions of ideology and apparatus it raises barely registered in the field of performance studies, which was then in its formative phase. Jakovljevic takes this absence of Althusser's apparatus theory from performance studies as an indicator of the ideological position of the field at the moment of its emergence, arguing that, while theories of ideology played no major role in early performance studies, performance art itself offered a number of incisive critiques of ideology. Jakovljevic looks at permutations of the apparatus by investigating the work of theorists such as Louis Althusser, Michel Foucault, Gilles Deleuze, and Judith Butler, and engagements with the apparatus by a number of artists, such as Amiri Baraka, Philippe Thomas, New York Art & Language, Terry Fox, Every house has a door, Clive Robertson, and Cassils. Jakovljevic suggests that the centrality of behavior in early performance theory is important for the understanding of contemporary society, which is dominated by surveillance capitalism. If ideology is lodged in behaviors, and if surveillance capitalism thrives on the monetization of the behavioral surplus, then performance theory can make significant contributions to our understanding of the moment in which we live and the future we are facing. The Performance Apparatus argues for the importance of continuing attention to the question of ideology in contemporary, neoliberal order.
Art's Visionary Moment
The collection Art's Visionary Moment: Personal Encounters with Works That Last a Lifetime was inspired by T. S. Eliot's observation in his Dante (1929): "The experience of a poem is the experience both of a moment and of a lifetime. ... There is a first, or an early moment which is unique, ... which can never be forgotten, but ... is never repeated integrally; and yet which would become destitute of significance if it did not survive in a larger whole of experience." In this collection, scholars, and artists from a variety of fields speak in personal terms, but with what one has called "intellectual passion," of a work of art (poem, play, novel, film, visual art, among others) that, as Dante suggest, has had an immediate effect on them (the "Visionary Moment" from the title) yet survives "in a larger whole of experience" (that "Last a Lifetime" in the collection's sub-title). Some of the titles of essays already submitted show the range of this inquiry: "Conversations with the Dead"; "Playing Richard III: The Experience of a Moment and a Lifetime"; "Picasso's 'Three Musicians'"; "Poetry Meets Power: Tamburlaine the Great"; "Pleasant Dreaming with 'Thanatopsis'"; "From Madness to Miracle: An Encounter with Shakespeare's Winter's Tale"; "Fight the Power" Spike Lee's Visionary Moment"; and "Plastic Art Moment."
Radical Sensing and Performer Training
This is a ground-breaking new book that re-considers a range of trajectories of influence across the established canon of twentieth century practices and challenges conventions of performer training historiography.
Antifascism and the Avant-Garde
Leftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film form a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism with neorealism to rupture everyday ways of being, seeing, and thinking. Through careful readings of Matsumoto Toshio, Jean-Luc Godard, Chris Marker, Agn癡s Varda, Hani Susumu, and others, Julia Alekseyeva shows that avant-garde documentary films of the 1960s did not strive to inoculate the viewer with the ideology of Truth but instead aimed to unveil and estrange, so that viewers might approach capitalist, imperialist, and fascist media with critical awareness. Antifascism and the Avant-Garde thus provides a transnational ecology of antifascist art that resonates profoundly with our current age.
Enveloping Worlds
Enveloping Worlds is a collection of essays that analyzes the phenomenon of immersive, participatory performance as it has developed in the US. As this collection demonstrates, immersive performance offers three-dimensional multisensory experiences, inviting audience members to be participants in the unfolding of the story, and challenging pre-existing ideas about the function of performance and entertainment. Enveloping Worlds questions audience agency and choice, the space and boundaries of performance, modes of immersion, empathy and engagement, and ethical considerations through fifteen essays. Case studies in the volume include the Choctaw Cultural Center in Oklahoma and Choctaw sovereignty; a Black artist's autoethnographic performance challenging White audiences' entitlement to full inclusion; Immersive Van Gogh experiences and their scenographers; telephone performance during the COVID-19 lockdowns; Diane Paulus's The Donkey Show; the Battle of Atlanta panorama; an antebellum-themed department store display from the 1920s; escape rooms; Disney Parks; remotely staged plays about aging and dementia; tiki bars; anachronistic costuming at Renaissance Festivals; the technologies that shape the boundaries of immersive worlds; and tabletop role-playing games. Taken together, these essays contribute a rich discussion of immersive performance across radically different contexts, offering analytical models and terminology with which to clarify and advance this emergent discourse.
Gloria Swanson
Gloria Swanson is most remembered today for her role as "Norma Desmond" in Billy Wilder's noir sound classic Sunset Boulevard (1950), but Swanson during her heyday was heralded as filmdom's leading fashion queen, as proclaimed by director Cecil B. DeMille in such silent motion pictures as Male and Female (1919), Why Change Your Husband (1921), and The Affairs of Anatol (1922). Throughout that decade and well into the 1930s, Swanson set fashion standards on and off the screen in creations designed by such illustrious couturieres as Mitchell Leisen, Paul Iribe, Norman Norell, Sonia Delaunay, Max Ree, Capt. Edward H. Molyneux, Coco Chanel, Rene Hubert, and later Edith Head. In the 1950s, she designed and managed her own line of ready to wear fashion patterns called Forever Young for women of a discernible age.Gloria Swanson: Hollywood's First Glamour Queen is a photographic tribute to this extraordinary woman. Focusing on sense of style and fashion, the book contains hundreds of personal and professional photographs, many never before published, and running biographical commentary by biographer Stephen Michael Shearer, author of the definitive book of the star, Gloria Swanson: The Ultimate Star (St. Martin's Press-Macmillan).
The Paris Manuscript
In the early 1930s, during his first years of exile and 20 years before the publication of his seminal work To the Actor, Michael Chekhov made his first incursion into the challenging task of writing about an actor's experience and his vision of the craft. This important, though largely forgotten, work (the so-called 'Paris Manuscript') was handwritten in German and in it we find Chekhov laying the groundwork for the canon of exercises and practices that, nearly a century later, has widely become known as the Michael Chekhov Technique. Although never completed, the manuscript affords a privileged fly-on-the-wall glimpse of the dawning of an artistic genius's creative vision. This manuscript was the result of Chekhov's rich collaboration with Swiss theatre director, painter and illustrator Georgette Boner, and the text itself is supplemented with facsimile scans of manuscript pages, photographs, correspondence and other material from Boner's personal archive.As the popularity of the Michael Chekhov Technique continues to spread globally, the 'Paris Manuscript' offers a timely invitation for actors to take a step back and (re)discover for themselves the structural foundations of Michael Chekhov's vision. Chekhov's text has been translated, edited and abridged by Hugo Moss, co-founder and director of Michael Chekhov Brasil, who has written an introduction and a series of short essays, 'Reflections From the Studio', which build on a few key elements emerging from the manuscript and over a decade of exploring Chekhov's artistic legacy in the studio environment and in performance.
What Made Cinema? Essays on Visual Culture and Early Film
"Immersion" is everywhere in entertainment today. But this promise didn't start with digital media - it was over two hundred years ago that Georgian London became the world centre of such immersive spectacles as the Leicester Square Panorama, the Eidophusikon's magical moving pictures with music, and a hundred years later, cinema itself was born in the capital's giant music halls. No - not in Paris or New York, but first and foremost at the Empire and the Alhambra in Leicester Square.In essays written across thirty years, Ian Christie explores how these novelties gave London an appetite for media innovation, with the earliest film studios ringed around the city - as their successors are once again. Discover Queen Victoria as a connoisseur of early photography, Fred Karno as the architect of slapstick comedy, and how Ancient Rome was reborn on screen, giving cinema its first box-office hits.Having written The Last Machine, Terry Gilliam's 1994 series for BBC Television that marked the centenary of moving pictures, and a prize-winning 2019 book about Britain's overlooked film pioneer Robert Paul, Ian Christie adds a fresh account of how early cinema opened new windows onto the 20th-century world, drawing on new digital access to many of its treasures and curiosities.**THE HARDBACK VERSION OF WHAT MADE CINEMA CONTAINS COLOR IMAGERY**Ian Christie's unique expertise and his magnificent and unappeasable curiosity lead him again and again to open new vistas from unusual angles. He is a brilliant and innovative chronicler of cinema's development, a supreme archaeologist of proto-cinema's wonder-working machines, a diagnostician of how cinema carries values and shapes society, and an open-eyed prophet of how it continues to model and inspire entertainment. This exciting collection maps a lifetime of remarkable, generous, incisive inquiry into the medium that dominates the collective imaginary. - Marina Warner An invaluable testament to Ian Christie as a leading historian of early cinema. This collection reveals the amazing range of Christie's interests in exploring so many subjects with fresh eyes. Empire and film, early filmmaking practices and theatre programming. Innovators like Robert Paul and others less known. Popular genres like trick films. Legal controversies and questions of cultural ephemerality and memory. - Richard Abel, University of MichiganIan Christie's cabinet of curiosities about early cinema as the last machine' is a wonder of a book. The sparkling, erudite, and entertaining essays are crammed with creators and audiences, technologies, images and ideas that contributed so significantly to the making of our modern world. - John Wyver, University of Westminster
What Made Cinema? Essays on Visual Culture and Early Film
Acting Out
When Richard Hoehler first walked through the doors of a medium security prison in upstate New York, he assumed it would be a one-time thing. As a busy freelance writer, actor and teacher he had nonetheless agreed to drive upstate to teach an acting class for inmates pro bono. At the very least he hoped the experience might give him new ideas for his teaching on the outside.What he could not have anticipated was the beginning of an odyssey that led Hoehler to an incredibly popular series of acting and writing workshops and mounting seven full productions with prison inmates--men whom society has written off and locked away as irredeemable. In this account of his journey working with the men, we witness a rare kind of theatrical magic. Within the incredibly dehumanizing and often arbitrary prison system, participants work to express themselves and connect with dramatic works where anger, compassion, forgiveness and tears pour forth in the safety of the workshop.It is clear that Hoehler is not a "do-gooder" but simply there to do good work. This is the remarkable story of theatre's ability to change lives even in the most unlikely of settings.
Enter the Frame vol 1 No 2 Affirming The Boss
A new collection looking at the Films of Bruce Lee. Text in English and Japanese with many rare photos. In each issue, we delve behind the scenes taking a look at what made Bruce become a worldwide hit, his ability to manifest his future, and how his popularity is as strong today as it ever was. The Big Boss was Bruce Lee's first major motion movie catapulting him to superstardom in the East.
The Man From Clare
First presented by the Abbey Theatre during the Dublin Theatre Festival in September 1963, The Man from Clare is an Irish classic. The Man from Clare follows the personal tragedy of an aging athlete who finds he no longer has the physical strength to maintain his position as the captain of the team or his reputation as the best footballer in Clare. With a foreword by Dan Donovan.
The Body in Jean-Luc Godard's New Wave Films
This original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave.
Music in Orbit
Years before the advent of music streaming, Sirius and XM established satellite radio services that attracted paying subscribers through their ever-expanding lineup of niche music channels and exclusive celebrity-hosted programming. Music in Orbit is the first book to explore how satellite radio bridges legacy broadcast music radio and streaming platforms, serving as both precursor and integral player in today's streaming media environment. Arguing for the ongoing significance of radio in the digital age and the pernicious effects of monopoly power on the vibrancy of contemporary music industries, Music in Orbit offers essential context for the serious problems now facing working musicians, music consumers, and music communities.
A History of Latinx Performing Arts in the U.S.
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines - such as anthropology, sociology, gender studies, feminism, and linguistics, among others - and productions' reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs' lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Pi簽ero, Lin-Manuel Miranda, Mar穩a Irene Forn矇s, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S.A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
A History of Latinx Performing Arts in the U.S.
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century.This book combines theories and philosophical thought developed in a wide spectrum of disciplines--such as anthropology, sociology, gender studies, feminism, and linguistics, among others--and productions' reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs' lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Pi簽ero, Lin-Manuel Miranda, Mar穩a Irene Forn矇s, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S.A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
At the Threshold
This book examines the performance strategies used by contemporary Iranian artists and activists to reimagine "Iranian-ness" in the context of Iran's local, regional, and global position.
Gut Knowledges
This book examines historical and contemporary activist alimentary performance.
A Short View Of The Immorality, And Profaneness Of The English Stage
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS A Short View Of The Immorality, And Profaneness Of The English Stage: Together With The Sense Of Antiquity Upon This Argument This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a fresh and newly reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.
Readying the Revolution
Starting in 1966, African American activist Stokely Carmichael and other political leaders adopted the phrase "Black Power!" The slogan captured a militant, revolutionary spirit that was already emerging in the work of playwrights, poets, musicians, and visual artists throughout the Black Arts movement of the mid-1960s. But the story of those theater artists and performers whose work helped bring about the Black Arts revolution has not fully been told. Readying the Revolution: African American Theater and Performance from Post-World War II to the Black Arts Movement explores the dynamic era of Black culture between the end of World War II and the start of the Black Arts Movement (1946-1964) by illuminating how artists and innovators such as Jackie Robinson, Lorraine Hansberry, Ossie Davis, Nina Simone, and others helped radicalize Black culture and Black political thought. In doing so, these artists defied white cultural hegemony in the United States, and built the foundation for the revolutionary movement in Black theater that followed in the mid 1960s. Through archival research, close textual reading, and an analysis of performance artifacts, Shandell demonstrates how these artists negotiated a space on the public stage for cultivating radical Black aesthetics and built the foundation for the revolutionary movement in Black theater that followed in the mid-1960s.
Ben Hecht's Theatre of Jewish Protest
Ben Hecht is most remembered as a famous Hollywood screenwriter and Broadway playwright, but only recently has his extensive Jewish activism during the Holocaust and its aftermath received scholarly attention. Unlike other, more expansive Hecht biographies, this book focuses in depth on his Jewish political theatre, drawing on extensive archival research of four dramas: We Will Never Die (1943), A Jewish Fairy Tale (1944), A Flag Is Born (1946), and The Terrorist (1947). Garrett Eisler's readings of these little-known (and out of print) texts reclaim them as pivotal to the history of Jewish American drama, being among the first works of U.S. theatre to address the Holocaust. The full texts of all four works are republished here for the first time, along with production details and full performance histories. Hecht introduced a new heroic Jewish identity to the American stage, one that challenged popular stereotypes of villainy or weakness. This powerful and (still) controversial body of work stands as a striking testament to the power of theatre to rise to the moment.
A Christmas Carol the Musical
Charles Dickens' classic holiday tale about the joy of community triumphing over selfishness is presented in this fresh musical adaptation by Sgouros & Bell. Follow Ebenezer Scrooge on his emotional journey as he is visited by four forewarning ghosts and sees his past, present, and possible future. Will Scrooge catch the holiday spirit and save himself in the process? Find out by joining us for this special holiday show with a story so warm it will melt the cold heart of even the grumpiest Scrooge!
W and W
A family gets tricked into a massive debt to a ruthless gangster. The only solution they have is a suspiciously timed coupon for an "all-inclusive holiday" in... Transylvania Inn! So, a cat-and-mouse game begins. Winners and losers. Lovers and haters. Friends and foes. People who try to improve their lives and change the world. And the question: Do we have any control over our fates or does God play dice with our lives?
W and W
A family gets tricked into a massive debt to a ruthless gangster. The only solution they have is a suspiciously timed coupon for an "all-inclusive holiday" in... Transylvania Inn! So, a cat-and-mouse game begins. Winners and losers. Lovers and haters. Friends and foes. People who try to improve their lives and change the world. And the question: Do we have any control over our fates or does God play dice with our lives?
The Inspired Choice
In THE INSPIRED CHOICE: Chronicles of Transformation Beyond Imagination (Volume 1), Caroline Biesalski embarks on a transformative journey, sharing how she became a successful and sought-after podcast host over the past 365 days. With honesty and insight, Caroline reveals the challenges, breakthroughs, and discoveries that fueled her growth, offering readers practical steps and inspiration to launch their own impactful ventures. More than a memoir, this book is a powerful guide for anyone ready to take the first step toward their dreams. Through Caroline's wisdom and a collection of conversations with influential authors, leaders, and experts from around the world, THE INSPIRED CHOICE provides actionable advice and new perspectives on everything from building a personal brand to mastering the art of meaningful conversations. As the first installment in this series, *INSPIRED CHOICE* invites readers to embark on their own journey of growth and purpose. Whether you're a budding podcaster or on the path of personal discovery, Volume 1 is your invitation to transform your life and make choices that go beyond imagination.
Brazilian Horror Cinema in the Twenty-First Century
Brazil's pressing socio-political questions as seen through the country's horror-film-influenced audio-visual production between 2008 and 2022. Since the 2008 release of Embodiment of Evil, the third instalment in the Coffin Joe trilogy, which began with At Midnight I'll Take Your Soul, Brazil's audiovisual industry has been producing an increasing number of unsettling, often violent and frequently dystopian films, reflecting the wide-ranging social, cultural, environmental and economic problems the country is facing. This edited volume by scholars from Brazil, the United Kingdom and the United States discusses a broad selection of Brazilian audio-visual productions released between 2008 and 2022 which, through their use of aesthetic and narrative devices borrowed from horror cinema, shed light on the country's pressing socio-political questions. Mostly by first-time directors, these productions bear witness to a second 'Golden Age' of Brazilian horror cinema (reflected in new, specialised festivals such as CineFantasy, RioFan, CRASH and Fantaspoa) and ultimately serve to illustrate, in audio-visual form, the tensions at the heart of Brazilian society in the second decade of the twenty-first century.
Rethinking Roland Barthes Through Performance
Through a series of reflections from internationally renowned performance-makers and contextualising essays from leading theatre and performance scholars, this is the first book to map the influence of Roland Barthes on performance. The contributions are framed through Barthes's notion of The Neutral - the suspension of binary choice that offers a welcome antidote to the political deadlock of our present moment. They cover the breadth of Barthes's work from Mythologies (1957) to 'The Death of the Author' (1967), A Lover's Discourse (1977), Camera Lucida (1980), to the more recently available lecture courses at the Coll癡ge de France. Together, they capture and rethink a range of Barthes's preoccupations, from his early writing on myths and meaning to personal reflections on love, loss and desire, and interrogate the intersections between Barthes's work and contemporary theatre and performance. This book invites readers to approach Barthes's writing from a breadth of creative-critical perspectives, to become more aware of the importance of his late thought for thinking through a range of dramaturgical forms, and to become more familiar with the work of internationally significant performance practitioners.
Hollywood on the Tiber
Hollywood on the Tiber is a dazzling blend of the epic and intimate featuring a glittering cast of screen gods and goddesses. This vibrant chronicle recounts how Hank Kaufman and Gene Lerner became unsung movers and shakers of a unique and unrepeatable era: the rise of Rome as the center of Europe's film industry in the 1950s and '60s.Kaufman and Lerner, partners in both life and work, arrived in Italy from the U.S. in 1953 with little more than courage and intuition, and established a talent agency that became the nerve center for cross-continental co-productions between Italy, Europe and Hollywood. For nearly two decades, they were not just agents and managers but confidants, collaborators and problem-solvers for their world-famous clientele, who shared their professional adventures and successes as well as personal uncertainties and disappointments. Hank and Gene navigated the ambitions and eccentricities of legends Anita Ekberg, Ava Gardner, Anna Magnani and Simone Signoret, they calmed a furious Marlon Brando, faced down domineering Italian producers with an impromptu actors' strike, and struck a secret deal with Charlie Chaplin. Hank went dress shopping with Shelley Winters in Cannes and Gene rushed to the London Savoy to rescue Gardner from a raging George C. Scott. Their work was equal parts diplomacy, ingenuity and sheer nerve.Written in the late 1970s and now published in English for the first time, this edition features a new foreword by Sandy Lieberson, who worked alongside Kaufman and Lerner in Rome. Hollywood on the Tiber - which features Robert Aldrich, Federico Fellini, Hedy Lamarr, Gina Lollobrigida, Irene Papas, Lee Strasberg and Franco Zeffirelli - is a moving, honest and impassioned treasure trove of anecdotes and insights about the first paparazzi era, offering an unflinching look at the glamour and grit of celebrity and filmmaking. As Gene Lerner explains: "Hollywood on the Tiber seemed dazzling, but in reality, it harmed Italian cinema. It depersonalized it by introducing distant and culturally alien models, which contaminated stronger traditions and pushed major Italian producers abroad. I coined the slogan 'Hollywood on the Tiber, ' but I've always denounced its toxins."At once action-packed, heartfelt and clear-eyed, Hollywood on the Tiber is a compelling portrait of an extraordinary era and the people - innovative and creative, fragile and vulnerable - who defined it.An absorbing and fascinating look back at Rome's Dolce Vita era of the '50s and '60s and at the film folk that made global headlines in those heady, colorful days. - VarietyAffectionate, sincere, and therefore unintentionally ruthless. A vivid mural of successes, grand illusions, personal heartbreak and tragedy. - La Stampa
Hollywood on the Tiber
Hollywood on the Tiber is a dazzling blend of the epic and intimate featuring a glittering cast of screen gods and goddesses. This vibrant chronicle recounts how Hank Kaufman and Gene Lerner became unsung movers and shakers of a unique and unrepeatable era: the rise of Rome as the center of Europe's film industry in the 1950s and '60s.Kaufman and Lerner, partners in both life and work, arrived in Italy from the U.S. in 1953 with little more than courage and intuition, and established a talent agency that became the nerve center for cross-continental co-productions between Italy, Europe and Hollywood. For nearly two decades, they were not just agents and managers but confidants, collaborators and problem-solvers for their world-famous clientele, who shared their professional adventures and successes as well as personal uncertainties and disappointments. Hank and Gene navigated the ambitions and eccentricities of legends Anita Ekberg, Ava Gardner, Anna Magnani and Simone Signoret, they calmed a furious Marlon Brando, faced down domineering Italian producers with an impromptu actors' strike, and struck a secret deal with Charlie Chaplin. Hank went dress shopping with Shelley Winters in Cannes and Gene rushed to the London Savoy to rescue Gardner from a raging George C. Scott. Their work was equal parts diplomacy, ingenuity and sheer nerve.Written in the late 1970s and now published in English for the first time, this edition features a new foreword by Sandy Lieberson, who worked alongside Kaufman and Lerner in Rome. Hollywood on the Tiber - which features Robert Aldrich, Federico Fellini, Hedy Lamarr, Gina Lollobrigida, Irene Papas, Lee Strasberg and Franco Zeffirelli - is a moving, honest and impassioned treasure trove of anecdotes and insights about the first paparazzi era, offering an unflinching look at the glamour and grit of celebrity and filmmaking. As Gene Lerner explains: "Hollywood on the Tiber seemed dazzling, but in reality, it harmed Italian cinema. It depersonalized it by introducing distant and culturally alien models, which contaminated stronger traditions and pushed major Italian producers abroad. I coined the slogan 'Hollywood on the Tiber, ' but I've always denounced its toxins."At once action-packed, heartfelt and clear-eyed, Hollywood on the Tiber is a compelling portrait of an extraordinary era and the people - innovative and creative, fragile and vulnerable - who defined it.An absorbing and fascinating look back at Rome's Dolce Vita era of the '50s and '60s and at the film folk that made global headlines in those heady, colorful days. - VarietyAffectionate, sincere, and therefore unintentionally ruthless. A vivid mural of successes, grand illusions, personal heartbreak and tragedy. - La Stampa
Capital Acts
Capital Acts: Washington DC Performing Arts is an extensive history of the prominent and influential artists and media figures who shaped the DC-MD-VA area's cultural landscape. Richly illustrated with a wealth of insightful interviews, the book unveils remarkable narratives of resilience and innovation from the challenges faced by diverse and often unique artists. Each genre of performing arts is intricately explored. The rhythm of jazz and blues is portrayed by soulful conversations with the artists. The beauty of folk and popular music is celebrated through stories. The vibrant energy of punk and go-go history reflects rebellion and celebration. The essence of many historical performances, theaters, concerts, TV, films, and events that defined eras are articulated throughout the book. Whether you are a performing arts aficionado or history lover, this book offers a captivating 360-degree look at the origins and extraordinary tapestry of talent and creativity that continues to thrive in the Washington, DC area. 54 Chapters with Index.
The Godot Diaries
A fascinating, behind-the-scenes diary account of working on a major production of Beckett's iconic play from acclaimed actor Lucian Msamati. From his agent's phone call offering him the role of Estragon, Lucian Msamati brings brilliantly to life the experience of co-starring with Ben Whishaw in James Macdonald's celebrated production of Waiting for Godot in London's West End. With the likes of Jonathan Slinger as Pozzo and Tom Edden as Lucky, this production has some of today's finest theatre actors bringing new life and meaning to Beckett's 1949 play. Through rehearsal room highs and lows, workaday laughs and tears, literal stumbles and grumbles, we journey with Lucian, his fellow actors and creatives, and Beckett's play, sharing in the personal and dramaturgical discoveries they make and the inevitable emotional contours of an experience as intense as this one. As the final curtain comes down (and Lucian's trousers, too, as it happens) after the production's four-month run, we feel intimately connected with Beckett's elusive play and characters, slightly more able to navigate the play's surprising twists and turns, and with a renewed sense of appreciation for the work and graft of an actor and all that comes with it.
Understanding Lynn Nottage
The first comprehensive study of the two-time Pulitzer-winning playwright Lynn Nottage is one of the leading innovators in American theater today. In settings ranging from seventeenth-century France (Las Meninas) to twenty-first century conflicts in the Democratic Republic of the Congo (Ruined) and at a Pennsylvania factory (Sweat), she creatively foregrounds explorations of race, gender, and class. In Understanding Lynn Nottage, Jennifer L. Hayes presents an accessible overview of Nottage's body of work to date, connecting her to other Black female playwrights and situating her in the African American literary tradition. In this character-driven study, Hayes examines how the playwright's dynamic narratives bring together diverse perspectives to address historical and contemporary issues. Hayes argues that Nottage privileges Black women's voices within vital discourse about topics such as migration, domestic terrorism, and historical erasure. This book lays essential groundwork for future study of Nottage, who will continue to be a central dramatic voice for years to come, examining social problems through complex portraits of communities struggling to balance their values with shifting societal norms.
Making Caribbean Dance
Delving into the many dance traditions of the Caribbean islands, this book connects these dance forms with the rich multicultural histories and complex identities of the region
Queering the Stage
Queering the Stage: Inclusive Approaches to Performing Gender and Sexuality addresses a history of stereotyping and provides inclusive approaches to navigating gender and sexuality in a way that does not reduce the broad spectrum of LGBTQIA+ communities into a single monolith.
