Wall Power!
A striking collection of French tapestries, from the 1940s to today, from the collection of the Mobilier nationale, Paris Beginning in the 1930s, artists, government officials, art dealers, and entrepreneurs sought ways to modernize the ancient tradition of tapestry-making in France to reassert its role as an independent art form available to contemporary artists. What followed was several decades of intense production that brought international attention to a renewed tradition of French tapestry, as well as new opportunities for the historic manufactories of Gobelins and Beauvais, now overseen by the Mobilier national of France. Drawing from the celebrated collection of the Mobilier national from the 1940s to present day, this book explores the works of such artists as Joan Mir籀, Jean Lur癟at, Henri Matisse, and Le Corbusier, who were central to the rapid resurgence of tapestry production. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (December 14, 2024-March 9, 2025)
Louis Vuitton
The Louis Vuitton label was founded by Vuitton in 1854 in Paris. In 1858, Vuitton introduced his flat-topped trunks with Trianon canvas, making them lightweight and airtight. Louis Vuitton's graphic symbols, including quatrefoils and flowers (as well as the LV monogram), were based on the trend of using Japanese Mon designs in the late Victorian era. The company is still known for its signature monogram bags today. Louis Vuitton has evolved into one of the world's most celebrated fashion houses - synonymous with classic design, elegance, luxury and quality. Louis Vuitton - beloved by the great, the good and the uber glamorous - boasts an instantly recognisable signature style all of its own. This book, beautifully illustrated with images of some of the world's iconic fashion items, charts the story of Louis Vuitton's origins and how the brand became the influential, innovative haute-couture powerhouse it is today.
Transformation Towards Human-Centered Medical Devices
"We are customer-centric" is an easy thing to claim, but in practice, it's not true for all medical device manufacturers. What does it take to be human centered? This handbook is a guide for a product manager's journey towards more human centered medical device product management. It provides tools, examples, and tips, acting as a stepping stone to the world of service design from the perspective of medical device manufacturing. After reading this book: - You will have the basic knowledge to start using the service design approach to invent, innovate, and optimize - You will be able to explore new ways of thinking and working - You will have some practical tools for user involvement and co-creation - You will have a process to lighten your product management tasks
Graphis Journal Magazine 386
Graphis Journal 386A Masterclass in Modern Visual CommunicationGraphis Journal #386 is a quarterly magazine showcasing award-winning creative minds who are shaping the global visual arts landscape--across design, advertising, photography, illustration, and education.This issue features exclusive interviews and portfolio showcases from leading names such as Nancy Skolos of Skolos-Wedell, Thorsten Kulp and Katja Hartung of Toben, acclaimed photographers Robert Seale and Tim Tadder, and educator Linda Renolds of Brigham Young University. These creatives aren't just names--they're defining how we communicate visually in today's world.Why This Issue SellsExclusive Interviews: Candid, in-depth conversations with influential creatives about their process, philosophy, and most impactful projects.Award-Winning Visuals: Each page features full-bleed artwork and photography, making this both a collector's item and an educational resource.Global Perspective: Contributions from the U.S., Australia, Japan, and beyond create a comprehensive view of global creative excellence.Educational Appeal: Includes standout student work from Graphis' New Talent competition--making it highly relevant for design schools and academic institutions.Timely Topics: From AI in the classroom to emotional branding in advertising, this issue is packed with insights into what's next in creative culture.Featured Talent HighlightsNancy Skolos (Skolos-Wedell, US): Shares how she and partner Tom Wedell built a legacy of influential poster design, drawing from early artistic exposure and advanced education at Cranbrook.Toben (AU): Creative team Thorsten Kulp and Katja Hartung create immersive brand experiences for QT Hotels and McGrath, merging bold local inspiration with minimalist German roots.Nikkeisha, Inc. (JP): A top Japanese ad agency that centers emotional resonance and empathy in every campaign.Robert Seale (US): Former photojournalist known for his precision and ability to turn industrial moments into storytelling imagery.Tim Tadder (US): Advertising photographer behind campaigns for Nike, Amazon, McDonald's, and AT&T--believes in building trust over selling logos.Linda Renolds (Brigham Young University): Redefines the design classroom with AI, ethics, and creativity that fuels cultural impact.New Talent Illustrators: From haunting to humorous, the issue's selection of emerging student illustrators showcases the future of visual storytelling.Perfect For: Art & design schoolsBookstores with creative/photography sectionsCreative professionals and agenciesLibraries with arts or professional development collectionsHow to Position It with Buyers"This isn't just a design magazine--it's a global think tank of creative minds. Graphis Journal 386 offers real advice, creative insight, and world-class visuals from the people setting the bar in today's visual communication industry. Your customers won't just read it--they'll use it."
Nonlinear
From the acclaimed designer and bestselling author of Reimagining Design, a nonlinear approach to navigating design's nuances in pursuit of meaningful innovation. In Nonlinear, Kevin Bethune shows us that we can reject trodden paths of digital or physical product creation by taking advantage of a nonlinear approach. To unlock meaningful innovation that breeds new and novel outcomes, he writes, teams need to embark on a journey into the proverbial forest of ambiguity, the result of a rapidly converging, dynamic, and exponentially changing landscape. The journey is less about getting it right or wrong, and more about using the information we have at our disposal to understand our choices and unlock new learning. Nonlinear begins by taking the reader through Bethune's professional zigs and zags. The author explains that while his interdisciplinary leaps were rare at the time he took them, these varied experiences unlocked perspectives about design and innovation that uniquely prepared him for our present moment and for the future. He then showcases the role of quantitative information to strategically frame and set boundary conditions for our creative exploration, and he highlights the role of qualitative insights to provide the substance necessary to begin crafting solutions that address unmet needs. The book also identifies accelerants (or flywheels) that will help readers as they reflect on their journey through the forest of ambiguity, with a specific emphasis on diversity, a key theme for Bethune, a Black man who has navigated new horizons. Readers will enjoy having the chance to customize the author's perspectives and make them their own at both an individual and a team level.
Gender, Costume, Textile, Technique
This book, a unique contribution to the field of kimono and Japan-related clothing studies, challenges uncritical readings of clothing from the lives of Japanese women and cultural representations of women wearing these clothes. Chapters ground understandings of clothing, including kimono, in the lived experience of different groups of women in modern Japan. Also discussing cosplay outside Japan, the collection argues that items worn by women are produced and consumed in a gendered and highly politicised socio-historical environment. Examining, for example, women's recent renewed enthusiasm for kimono, in addition to representations of monpe, kimono and other attire in film and narrative, the book includes three new translations of clothing commentary by women writers from Japan. Contributors are: Tomoko Aoyama, Yasuko Claremont, Sheila Cliffe, Barbara Hartley, Helen Kilpatrick, Emerald King, Machiko Iwahashi, Komashaku Kimi, Rio Otomo, Sata Ineko, Jennifer Scott, and Shirasu Masako.
Menswear Mavericks
Menswear Mavericks takes readers on an immersive journey through the timeless pieces that have defined men's fashion, blending historical roots with contemporary relevance. This book is a celebration of iconic garments, from rugged workwear and cowboy chic to military essentials and high-flying aviation styles. It offers an in-depth exploration of how each piece transcended its practical origins to become a staple in the wardrobes of style-conscious rebels, athletes, musicians, and adventurers alike. Beginning with the rough-hewn origins of denim, the book moves through the heart of Americana with five-pocket jeans, chore coats, and the legendary white tee. The narrative then spans across continents and industries, following the cowboy jackets, plaid flannels, and ranch-inspired clothing that left an indelible mark on fashion. Military pieces like the trench coat, M-65 field jacket, and the peacoat unfold their storied pasts, revealing how they seamlessly entered civilian wardrobes. The exploration further deepens with the sartorial heritage of the Navy and the timeless allure of the Breton and the duffle coat, as well as the adventurous appeal of safari jackets and waxed cotton motorcycle jackets. Menswear Mavericks also showcases how sportswear, with the likes of the polo shirt and Henley, evolved from athletic utility to casual essentials, breaking down barriers between leisure and fashion. This thematic journey is completed with a look at contemporary classics like the varsity sweatshirt, versatile baseball caps, and the enduring allure of the Perfecto jacket, which made its way from the backs of motorcyclists to movie stars and rock icons. Each chapter delves into the historical context, transformative cultural moments, and the pioneering brands that continue to shape the story of men's fashion. With every page, readers are invited to embrace the legacy, innovation, and spirit of individuality that define these iconic garments. This book is more than a guide; it is an ode to those who have made style their statement, carrying the legacy of the maverick spirit into the modern age. Whether you're a seasoned fashion aficionado or someone looking to build a versatile wardrobe, Menswear Mavericks offers insights and inspiration for all who appreciate the art of timeless style.
Practices of Futurecasting (Working Title)
No detailed description available for "Practices of Futurecasting (Working Title)".
Drive Different
Experience the transformation of legendary cars into road-ready icons built for a new era.Few pursuits merge nostalgia and innovation as seamlessly as the restomod movement. In an era of rapid technological advancement, these reimagined icons bridge the past and future, preserving the essence of classic automobiles while enhancing them with modern performance, precision engineering, and drivability.Drive Different is a visually captivating exploration of the art and craft behind these custom builds. Through a curated selection of groundbreaking restomods, the book celebrates the delicate balance between restoration and reinvention--where heritage is honored and evolution embraced.For automotive enthusiasts, designers, and those who appreciate the blend of history and cutting-edge technology, Drive Different is the ultimate resource on the culture, craftsmanship, and engineering mastery shaping the future of classic cars.
Shoes and the Georgian Man
Shoes are everyday objects but they are loaded with meaning. This book reveals how shoes played a powerful role in the wider story of shifts in gender relations in 18th-century Britain. It focuses on the relationship of shoes with the body and its movements, and therefore how what we wear on our feet relates closely to social, occupational and gender roles. It also uses footwear to explore topics such as politics, war, dance and disability. Thinking about shoes as material objects, McCormack studied historic shoes first-hand in museums, in order to ascertain their physical properties and what they would have been like to wear. Worn shoes preserve traces of the wearer's body in their indentations, stretches and scuffs, providing a unique primary source about their wearer. This approach forges new connections between the histories or material culture, gender and the body, and sheds new light on what it meant to be a man in the 18th century.
Design and Agency
Design and Agency brings together leading international design scholars and practitioners to address the concept of agency in relation to objects, organisations and people. The authors set out to expand the scope of design history and practice, avoiding the heroic narratives of a typical modernist approach. They consider both how the agents of design construct and express their identities and subjectivities through practice, while also investigating the distinctive contribution of design in the construction of individual identity and subjectivity. Individual chapters explore notions of agency in a range of design disciplines and historical periods, including the agency of women in effecting changes to the design of offices and working practices; the role of Jeffrey Lindsay and Buckminster Fuller in developing the design of a geodesic dome; Le Corbusier's 'Casa Curutchet'; a re-consideration of the gendered historiography of the 'Jugendstil' movement, and Bruce Mau's design exhibitions. Taken together, the essays in Design and Agency provide a much-needed response to the traditional texts which dominate design history. With a broad chronological span from 1900 to the present, and an equally broad understanding of the term 'design', it expands how we view the discipline, and shows how design itself can be an agent for social, cultural and economic change.
Design Otherwise
How can we study and teach design in a way that is critical, socially engaged and relevant to place? In this timely book, Danah Abdulla challenges us to imagine a design education and culture that moves beyond blindly borrowing Eurocentric models and frameworks. Drawing on learnings from work with design students, educators and designers in the Arab region, with a particular focus on Jordan and featuring examples from Lebanon, Egypt and the United Arab Emirates, Abdulla creates a dialogue with those who have most at stake in education to imagine how we can develop a collaborative, contextually based and socially relevant design education. By first contextualising higher education and design education in the region, and examining the issues and challenges that are pertinent to the development of curricula and pedagogy, such as power, bureaucracy, language and access, Abdulla considers the purpose and relevance of design education in contemporary postcolonial societies. She explores how regional identities and class divisions shape the development of design cultures, as well as different perceptions of design and its value. Abdulla highlights design's role in society and the models of curricula and pedagogy appropriate for developing contextually situated design education. Outlining skills and strategies for equipping future designers, she proposes new possibilities for forms of practice and an actionable framework for developing design education.
Reading the Thread
Reading the Thread brings together artists, theorists and designers to explore the nature and use of cloth as a means of record and communication. Cloth is constructed from threads and, in acknowledging its qualities of recording or communicating a story, we are reading the threads - the read thread. There is also, however, an East Asian myth that when you are born you are linked by an invisible red thread to your soul mate; no matter what you do, this red thread connects you to your fate and, although the thread may become tangled or infinitely long, it will never break. Exploring histories of making and cultural practices, a multidisciplinary team of international scholars use the metaphorical thread to link the experiences of cloth production, lineage practices, contemporary challenges and sustainable futures, and to explore, through imagery and ideas, the agency of cloth to shape and communicate the sensations and emotions connected with human experience. Divided into four sections on reading cloth, challenging the stories it tells, following the thread of its narrative and finally anticipating its future, The Read Thread allows a variety of viewpoints and a diversity of voices, without favouring theory or specific cultural approaches, to interrogate cloth as a record of experience within its social, historical, psychological and cultural context; the authors explore our encounters with cloth and its role in the exploration of identity and biography, representative of passage, exchange, life and death. Provocative and timely, and beautifully illustrated with over 50 color images, it is vital reading for students and scholars of textiles, fashion, material culture, art and anthropology.
Design Otherwise
How can we study and teach design in a way that is critical, socially engaged and relevant to place? In this timely book, Danah Abdulla challenges us to imagine a design education and culture that moves beyond blindly borrowing Eurocentric models and frameworks. Drawing on learnings from work with design students, educators and designers in the Arab region, with a particular focus on Jordan and featuring examples from Lebanon, Egypt and the United Arab Emirates, Abdulla creates a dialogue with those who have most at stake in education to imagine how we can develop a collaborative, contextually based and socially relevant design education. By first contextualising higher education and design education in the region, and examining the issues and challenges that are pertinent to the development of curricula and pedagogy, such as power, bureaucracy, language and access, Abdulla considers the purpose and relevance of design education in contemporary postcolonial societies. She explores how regional identities and class divisions shape the development of design cultures, as well as different perceptions of design and its value. Abdulla highlights design's role in society and the models of curricula and pedagogy appropriate for developing contextually situated design education. Outlining skills and strategies for equipping future designers, she proposes new possibilities for forms of practice and an actionable framework for developing design education.
A Bestiary of the Anthropocene
Back in a new compact edition, this field guide to our new world of hybrid specimens--gorgeously printed in silver ink on black paper--catalogs the conflation of the technosphere and the biospherePlastiglomerates, surveillance robot dogs, fordite, artificial grass, antenna trees, Covid, decapitated mountains, drone-fighting eagles, standardized bananas: all of these specimens--some more familiar than others--are examples of the hybridity that shapes the current landscapes of science, technology and everyday life. Inspired by medieval bestiaries and the increasingly visible effects of climate change on the planet, French researcher Nicolas Nova and art collective DISNOVATION.ORG provide an ethnographic guide to the "post-natural" era in which we live, highlighting the amalgamations of nature and artifice that already coexist in the 21st century.A sort of field handbook, A Bestiary of the Anthropocene aims to help us orient ourselves within the technosphere and the biosphere. What happens when technologies and their unintended consequences become so ubiquitous that it is difficult to define what is "natural" or not? What does it mean to live in a hybrid environment made of organic and synthetic matter? In order to answer such questions, Nova and DISNOVATION.ORG bring their own research together with contributions from collectives such as the Center for Genomic Gastronomy and Aliens in Green as well as text by scholars and researchers from around the world. Polish graphic designer Maria Roszkowska provides illustrations.
Care Where No One Does
Empathetic approaches to creating sustainable, sympathetic cultural productionIn this collection of essays and musings, Freek Lomme shares his collected and sometimes contradictory experiences of striving for independent, progressive and sustainable creative production. Using a grassroots approach based on activist engagement, entrepreneurship, design pedagogy and more, Lomme offers multiple perspectives on how to maintain a liberal mindset in an era of burgeoning neo-conservatism. Discussing everything from punk rock to the "silent majority," he contextualizes the facade of technocratic capitalism as built by politics, marketing and the invisible hand of the oligarchy. Care Where No One Does sparks a different kind of production economy: one based on trust and engagement wherever possible. Freek Lomme, founder and owner of Set Margins' publications, is an editor, publisher, producer, graphic designer, writer and lecturer. Lomme is best known for founding Onomatopee with graphic designer Remco van Bladel in 2006.
Steve: A Framework for AI and Identity Design
A manual for ethically and effectively incorporating AI into graphic design, complemented by conversations with the world's leading design firmsUsing the voice of AI in the persona of "Steve," this book grows out of Melani De Luca's PhD research. Featuring testimonies from other graphic designers, the book offers practical support and a conceptual framework for incorporating AI and machine learning into the field. This book is the first to elaborately map out what AI brings to graphic design and to identity design in particular. The graphic field, and designers at large are seeking out for practical grip, ethical frameworks and more. This book offers this support.
La Manufacture Cogolin
- The first book ever written on La Manufacture Cogolin, an artisanal weaver of hand-made rugs in a French atelier run exclusively by women. - La Manufacture Cogolin is an internationally admired brand, whose rugs decorate the White House, the Vatican and the E織lyse織e Palace. - A gift book for decorative arts and design lovers. La Manufacture Cogolin, a weaver of hand-made rugs established in 1924 in a village near Saint-Tropez, is rich with a traditional craftsmanship particularly sought out by a clientele looking for authenticity and quality. Acquired by the visionary textile engineer Jean Lauer in 1928, La Manufacture Cogolin has grown remarkably from the 1930s onward, thanks to early collaborations with well-known designers such as Jules Leleu, Christian Be織rard, Jean-Michel Frank, Sir David Hicks and artists such as Jean Cocteau. This fully illustrated art book dives into what has made the Cogolin house special for a century. Mixing unpublished archives (letters, photographs, watercolours), lively texts suited to a wide audience, and testimonies from women working in the historical workshop, from contemporaries, and from illustrious customers. Following a chronological approach, this book describes the manufacture's economic history, shedding light on its rebirth in the 21st century, while placing it in the history of the Decorative Arts of the 19th and 20th centuries, and describes the key elements of this recognized French craftsmanship. This fully illustrated art book dives into what has made the Cogolin house special for a century. Mixing unpublished archives (letters, photographs, watercolors), lively texts for a wide audience, and testimonies from women working in that historical workshop, from contemporaries, and from illustrious customers. Following a chronological approach, this book situates the manufacture in its economic history, shedding light on its rebirth in the 21st century, but also in the history of Decorative Art of the 19th and 20th centuries and French craftsmanship.
Fracture: Japanese Graphic Design 1875-1975
The need-to-know names of Japanese graphic design from the late 19th century to the pre-digital decade, presented alongside more than 500 color images of vintage ephemeraWith Fracture, author Ian Lynam presents a survey of Japanese design across a century as told through the biographies of its most influential creators. The chronology begins less than two decades after Japan's opening to the West, ending a 200-year isolationist policy. Lynam features the stories of more than 90 pacesetters shaping the country's modern aesthetic. We meet Hani Motoko, considered Japan's first female journalist, who commissioned Frank Lloyd Wright to build the "Hall for Tomorrow" schoolhouse in Toshima City, Tokyo. Amid the national propaganda of the interwar period, a vision of the modern Japanese woman emerges in the advertisements of Hisui Sugiura and Tada Hokuu. The 1964 Olympics marked a watershed moment for Japanese design on the international stage, with Yusaku Kamehura's "red circle" logo and the design of pictograms used in the competition for the first time. Finally, the survey concludes with the rise of women's liberation or ribu, and the state of graphic design at the threshold of the digital age.Illustrated with children's book pages, travel posters, maps, product advertisements, erotic magazine covers and more, Fracture functions as a visual treasure trove of Japanese ephemera while also introducing readers to the creative minds behind these formative designs.Ian Lynam (born 1972) holds an MFA in graphic design from California Institute of the Arts. He is a faculty member at Temple University Japan Campus as well as at Vermont College of Fine Arts. His previous books on design include War with Myself, The Failed Painter and The Impossibility of Silence.
The Feeling of Space
A richly illustrated exploration of humanity's drive to shape life as a spatial project, from Plato's time to the digital era. Place is something real, but space is generally conceived as abstract and immaterial. In The Feeling of Space, Christopher Bardt explores this damaging modern binary and traces the contradictory impulses that have dematerialized our sense of space through history: fear and wonder; a yearning for the infinite and intimate; and the need for autonomy and belonging. Using rich illustrations and examinations of art, technology, and philosophy, Bardt argues that if we can get back to first feeling space, then we can treat space as the substance that gives agency to our intersubjectivity--the exchange of conscious and unconscious thoughts we have with others. Expertly connecting ideas with clear examples from lived experiences, Bardt's revolutionary framework will appeal to a broad readership, particularly those who are interested in the theoretical and philosophical aspects of spaces. In an age where digital media has dissolved, instead of increased, our sense of connection, The Feeling of Space shows that when we learn to experience space as a medium as real as a place, we not only see ourselves as inherently spatialized beings, but we can also rebuild the bonds that tie us together.
Adobe Indesign Classroom in a Book 2025 Release
The fastest, easiest, most comprehensive way to learn Adobe InDesign Adobe InDesign Classroom in a Book 2025 Release contains 15 lessons that use real-world, project-based learning to cover the basics and beyond, providing countless tips and techniques to help you become more productive with the program. For beginners and experienced users alike, you can follow the book from start to finish or choose only those lessons that interest you. Learn to: Bring messages to life with expert typography tools, integration with Adobe Photoshop and Adobe Illustrator, and color, layering, and transparency effects Easily create complementary colors, format text, and find just the right image using new AI features such as Color Themes, Style Packs, and Text to Image Use InDesign and its enhanced powerful tools for exporting work for professional printing, websites, social media, ebooks, and more Classroom in a Book(R), the best-selling series of hands-on software training workbooks, offers what no other book or training program does - an official training series from Adobe, developed with the support of Adobe product experts. Purchasing this book includes valuable online extras. Follow the instructions in the book's "Getting Started" section to unlock access to: Downloadable lesson files you need to work through the projects in the book Web Edition containing the complete text of the book, interactive quizzes, and videos that walk you through the lessons step by step What you need to use this book: Adobe InDesign 2025 Release software, for either Windows or macOS. (Software not included.)
Comics
Starting in the mid-1960s, comics rapidly evolved into a highly creative art form for a sophisticated readership: in France, the magazine Hara-Kiri provided new terrains for graphical humor, while the adventures of Jean- Claude Forest's Barbarella were published in albums by ?ric Losfeld; the launch in Japan of Garo in 1964, an avant-garde monthly, introduced the concept of auteur comics; and the release of Robert Crumb's Zap Comix in 1968 established his reputation as the leader of the underground comics movement in the United States.This major historical survey of the so-called "ninth art" establishes a dialogue between the three leading regions of comic book culture--Europe, Asia, and America--and offers an immersive odyssey through the medium's development over six decades, ranging from the explosion of the twentieth-century counterculture scene to the most abstract contemporary styles.Built around twelve themes encompassing its many worlds, Comics features artists including Andr矇 Franquin, Gotlib, Claire Bret矇cher, Osamu Tezuka, Moebius, Edmond Baudoin, Alison Bechdel, Ulli Lust, Art Spiegelman, Marjane Satrapi, and Chris Ware, as well as introductions on each theme by leading authorities of the form, a brand-new interview with renowned cartoonist and journalist Joe Sacco, and a foreword by Paul Gravett.
Little Book of Loewe
From avant-garde accessories to directional red-carpet glamour, Loewe is the fashion house of the moment. Modern twists bring an unbridled joy to its cult items, from surreal balloon heels to the coveted Puzzle bag, with every design underpinned by craftsmanship. Loewe's fashion-forward looks are worn by everyone from Anna Wintour to Zendaya while visionary creative director Jonathan Anderson continues the heritage house's legacy of reinvention. With over 100 stunning photographs accompanied by engaging text, Little Book of Loewe uncovers the story of an iconic brand that continues to redefine the fashion landscape.
The Pocket Fendi
A beautifully concise guide to the history of Italian fashion house Fendi.Founded in a small boutique in Rome a century ago, the luxury goods company is now synonymous with elegance and experimentation, and known for its groundbreaking couture, perfume, handbags, shoes, jewellery and accessories. This unofficial and unauthorized pocket guide to Fendi describes these classics in exquisite detail.Recognized by its double F logo, designed by Karl Lagerfeld, as well as for its iconic pieces, such as the Baguette and Croissant bags popularized in the 1990s, the brand is celebrated on its centenary. Gemini PocketsFrom little guides to soothe your soul to all-access passes to the lives of pop icons, and from quizzes and puzzles to literature lovers to books on food, nature, fashion, and more, Gemini Pockets are the perfect fit for your life and interests.
The Pocket Cartier
An insider's view of the exquisite jewellery and accessories that have made Cartier one of the most prestigious brands in the world.Beloved by royaly and rockstars alike, Cartier is synonymous with qualilty and rarity. The Pocket Cartier is an unofficial and unauthorized guide to this iconic brand. It covers the historical background of Cartier, accomponied by stunning imagery of its jewellery, as well as the timeless watches and the people who popularized them. For example, Louis Cartier's simple yet enduring design of the Cartier tank has been worn by stars such as Clarke Gable and Humphrey Bogart, as well as Jackie Kennedy and Princess Di. It has become an eternal classic, evolving with updates while preserving its original integrity. Gemini PocketsFrom little guides to soothe your soul and to all-access passes to the lives of pop icons, and more quizzes and puzzles for literature lovers to books on food, nature, fashion, and more, Gemini Pockets are the perfect fit for your life and interests.
Cin矇-Passion
Defying the emblematic Hollywood style, these experimental film posters shaped both graphic design and film marketingIn the history of design, the film poster has repeatedly exemplified graphic innovation. Consequently, this 36th volume of Poster Collection spotlights movie posters that defied the Hollywood conventions of canonical motifs and pompous spectacle. The unorthodox visual language of these "other" film posters largely dispenses with star portraits and film stills, favoring a more subtle and poetic visual language that consolidates content into symbols. This avant-garde approach to movie advertisements has existed for as long as there have been moving pictures to promote. Cin矇-Passion includes such striking examples as the Stenberg brothers' Constructivist posters; the radical, succinct work of Jan Tschichold; the Polish school of poster art, with exponents such as Henryk Tomaszewski and Roman Cieslewicz; and Cuban designs by Antonio Reboiro and ?iko.
Typography Through The Years
This book covers, in a selected way, the history and development of printing and typefaces from earliest ancient alphabets through modern typography. From scribal days through the printing revolution ushered in by Johann Gutenberg, modern typography and printing rapidly advanced, especially in western Europe. New functional typefaces through the Bauhaus school competed with classic standards. Frederick Goudy and others gave us carefully crafted typeface designs. Printing went from typewriter-like IBM Composers to phototypesetters to modern digital printing from a computer. Even the old standard Helvetica face has undergone new developments. A sampling of digitized typefaces from Lewis F. Day are highlighted, as well as a number of fonts developed or digitized by CARE Typography. Carl Shank is the owner of CARE Typography, a typographic design and printing business since the late 1980s. They have provided clients with font, layout and website designs and services.
The Women of 'Little Paris'
Filling a gap in Eastern European fashion studies, this book presents middle-class women consuming fashion in the symbolic 'Little Paris' of interwar Bucharest, and examines how their material and cultural means supported the city's modernisation. Combining archival research with personal archaeology, this interdisciplinary work explores Romania's reinvention as a modern state, focusing on middle-class women as they lived their lives - walking through the streets, at lavish events, at cafes and clubs, shopping, and working. Analysing largely unseen, unused written and visual texts, The Women of 'Little Paris' encourages exploration of new avenues for research, uniting scholars of Romanian culture, history and fashion and guiding readers through a forgotten, little explored world and, in so doing, adds to our understanding and knowledge of the global image of interwar fashion cultures and the emerging field of Romanian fashion studies.
Jews in Suits
Shortlisted for the Leslie and Sophie Caplan Award for Jewish Non-Fiction Surviving photographs of Jewish Viennese men during the fin-de-si癡cle and interwar periods - both the renowned cultural luminaries and their many anonymous coreligionists - all share a striking sartorial detail: the tailored suit. Yet, until now, the adoption of the tailored suit and its function in the formation of modern Jewish identities remains under-researched. Jews in Suits uses a rich range of written and visual sources, including literary fiction and satire, 'ego-documents', photography, trade catalogues, invoices, and department store culture, to propose a new narrative of men, fashion, and their Jewish identities. It reveals that dressing in a modern manner was not simply a matter of assimilation, but rather a way of developing new models of Jewish subjectivity beyond the externally prescribed notion of 'the Jew'. Drawing upon fashionable dress, folk costume, religious dress, avant-garde, oppositional dress, typologies which are often considered separate from one another, it proposes a new way of reading men and clothing cultures within an iconic cultural milieu, offering insights into the relationship of clothing and grooming to the understanding of the self.
Armed by Design
A stunning full-color, multilingual exploration of the profound graphic and intellectual legacy of the Organization of Solidarity of the Peoples of Asia, Africa, and Latin America (OSPAAAL) for internationalism, solidarity, communication, and art among movements today.Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America.OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements around the world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements.Armed By Design brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.This full-color multilingual edition includes ten international contemporary political poster-makers, artists, and designers commissioned to produce OSPAAAL-inspired prints in solidarity with today's movements: Friends of Ibn Firnas (USA), Yuko Tonohira (Japan/USA), Ganzeer (Egypt/USA), Un Mundo Feliz (Spain), Steven Rodriguez (USA), Dignidad Rebelde, Tomie Arai (USA), Sublevarte Colectivo (Mexico), Jamaa Al-Yad (Lebanon/Worldwide), and A3CB (Japan).
Interrogative Design
A timely collection that shows how design can animate public space and catalyze democratic processes through vital discussion and public engagement. "Design thinking" emphasizes the production of solutions after a period of research. By contrast, interrogative design focuses on activating the public sphere and enriching public discourse through the production of questions. A notable contribution to the fields of critical design and media art, interrogative design traces its development to Krzysztof Wodiczko and his 1990s public art projects, documented in the book Critical Vehicles. In Interrogative Design, Ian Wojtowicz showcases this lineage with new writing from Wodiczko and a host of contributions from diverse and influential practitioners, including Rosalyn Deutsche and Antoni Muntadas. This book highlights the dynamism of interrogative design as it is practiced today. Never has the need for work that provokes thoughtful discourse been more necessary, and this volume catalogs both the need and potential viable techniques. A consolidated collection on the legacy and the vital currency of interrogative design, this volume will delight practitioners with new material and serve students as a practical handbook. Contributors also include: Dora Apel, Dan Borelli, Harrell Fletcher, Pete Ho Ching Fung, Dana Gordon, Sara Hendren, Garnet Hertz, Sohin Hwang, Ekene Ijeoma, Marisa Mor獺n Jahn, Mark Jarzombek, Jaekyung Jung, Sung Ho Kim, Jean-Baptiste Labrune, Pia Lindman, Ani Liu, Andrew Todd Marcus, Matthew Mazzotta, Alex Milton, Max Mollon, Mariana Morais, Antoni Muntadas, Gauri Nagpal, Maria Niro, Ginger Nolan, Robert Ochshorn, Adam Ostolski, Sofia Ponte, Gustavo Romeiro, Natalia Romik, Warren Sack, Kirk Savage, Nitin Sawhney, Sanjit Sethi, Samein Shamsher, James Shen, Carl Solander, Richard Streitmatter-Tran, Orkan Telhan, Bruce M. Tharp, Stephanie M. Tharp, Zenovia Toloudi, Marek Wasilewski, Lani Watson, Sampson Wong, and Ben Wood.
Application of Random Search Method for Selection of Optimum Ergonomic Femoral Intramedullary Rod
This Book is carried out combining the concept of ergonomics and biomechanics by designing an intramedullary rod for the fractured human femur bone. Many failures in the human femur implantations are being encountered in post-surgical operations. One of the reasons is the inappropriate selection of the intramedullary rod material, dimensions and its designing. In this project, the ultimate strength of the original femur bone and the femur intramedullary rod are compared and the optimum length, material and optimum diameter of the rod are calculated using the data with respect to the height of 31 female individual humans. The optimization process is carried out using RANDOM SEARCH METHOD which is a type of non-gradient, unconstrained optimization technique. The softwares used in this work include, MATLAB for the calculation of femur strength, length and diameter, CATIA V5R20 for the designing and modeling of human femur bone and human femur intramedullary rod and ANSYS 16.0 for the analysis of the stresses acting on the designed models. Results of this work gives the optimized length and optimized diameter of the human femur intramedullary rod required for the 31 female human individuals considered with different heights. The designed model helps in the easy insertion of the intramedullary rod during surgery due to its simple design. These dimensions can be useful in further study and minimization of the femur implant failures.
Transnational Discourses in Nordic Design
Challenging the stereotypes of Scandinavian design, these essays explore design in Denmark, Norway and Sweden and assess the different roles that Finland and the wider Nordic region had in forming an image of Scandinavian design throughout the world. By examining the legacy of Nordic design and its global impact, editors Astrid Skjerven and Rachel Gotlieb shed light on the development of national and regional design identities and their historical associations. Authors investigate the transnational circulation of ideas throughout the later 20th century and consider the influences on design practices, production and consumerism. They look at how different countries negotiated and promoted Nordic branding and ideology, and offer new perspectives on design in relation to sustainability, changing economies and indigenous traditions. A range of leading international scholars evaluate the popularity of Nordic style in Soviet material culture, the influence on jewellery design in post-war Britain, the impact of national design conferences, exhibitions, and education in Europe, the USA, Canada and Japan. Drawing from a wealth of archival material and interviews with designers, makers and other stakeholders, this book reveals a lesser-known history of cross-cultural collaborations, exhibition production and tensions between mainstream and indigenous design in Scandinavia. Transnational Discourses in Nordic Design also provides an insight into some of the authors' own design practices and reveals the challenges facing Nordic designers today.
Carla Sozzani
Louise Baring's captivating text is based on interviews with Carla Sozzani, and each chapter covers a foundational aspect of Sozzani's inspirational life and career. Beginning with her bourgeois childhood in Italy, the text takes us through her early love of fashion and passion for travel; her trajectory as a magazine editor, including working on special issues for Vogue Italia (her sister Franca Sozzani would edit the magazine for 28 years) and launching the Italian edition of Elle; embracing unmarried motherhood in conservative Milan; founding her own publishing company as well as a gallery that has staged hundreds of exhibitions, including of her own extensive photography collection; launching her own fashion label; helping to propel fashion designers Romeo Gigli and Azzedine Ala簿a to worldwide fame; and creating--in collaboration with her long-term partner, artist Kris Ruhs--the world's first concept store, 10 Corso Como, later rolled out in Tokyo, Seoul, Shanghai, Beijing, and New York; and founding the Fondazione Sozzani cultural space. Ever restless and in search of new ways to share her vision, the interdisciplinary Sozzani continues to tread her own path: a true trailblazer.Interspersed with images that illustrate each chapter are pull quotes in Sozzani's own words. Complete with guest appearances by a veritable who's who of the fashion, art, and design worlds--photographers Paolo Roversi, Helmut Newton, Sarah Moon, Nick Knight, and Bruce Weber; designers Yohji Yamamoto, Zoran, Rei Kawakubo, the Memphis Group, and Marc Newson, to name but a few--Carla Sozzani offers a fascinating look at the remarkable life and work of a visionary icon.
More-Than-Human Design in Practice
This book provides an overview of the diverse multidisciplinary field of more-than-human design, offering a philosophical grounding of more-than-human design in posthumanism while putting practical design examples and methods to the forefront.There is an urgent need to radically re-imagine design, as its current processes are contributing to global warming, pollution, deforestation, ocean acidification, ozone layer depletion, loss of biodiversity and species extinction. Given this need, 'more-than-human design' has emerged as a perspective that widens our thinking beyond solely human-oriented considerations and needs, such as animals, plants and microbes. The book explores the relationship between sustainability and design, touching on topics such as AI, systems thinking, futures studies and pedagogy, and discusses a range of case study projects that are grounded in more-than-human thinking, demonstrating how this can be incorporated into practice.This easily accessible and theoretically grounded book will provide design researchers and educators an excellent introduction to more-than-human thinking. It will also be of interest to students and scholars studying design more broadly, sustainability, environmental studies and service design, as well as to practicing designers interested in sustainability.Chapters Introduction, 6, 7, 10 and 15 of this book are freely available as a downloadable Open Access PDF at http: //www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
The Dance of the King
The Dance of the King teaches you how to recognize the underlying messages of visual language. What can you learn from the seven liberal arts, the Seven Wonders of the Ancient World, and the seven chakras? Answers are hidden in sunflower seeds, Black Pete, Halloween, and Noah's Ark, among many other topics. Rognvaldr reveals hidden meanings in plain sight by connecting a thousand and one subjects to familiar contemporary logos. "Your book is amazing. Finally, a book on symbols, not just with fragmentary explanations but with connections and a storyline. I'm enjoying it immensely." Through this book, the author aims to demonstrate that the images you encounter daily trace back to the same source, even if different people may have other mental pictures associated with them. Above all, you will discover what symbols tell you about your body and mind. It is a must-read for anyone who wants to see the forest through the trees or for the unprepared reader who is eager to be surprised by things they didn't even know existed. From now on, you will view symbols from history, art & culture, language, religion, science, sports, media, and advertising in a different light. The Dance of the King comprises 360 pages, covering 1001 topics, and is packed with countless images."The unique combination of images and text - controversial yet universal - will make you eager to keep reading."
The Anton Seder Collection
Immerse yourself in the captivating beauty of Art Nouveau with The Anton Seder Collection, a carefully curated archive of 100 exquisite illustrations by renowned artist and educator Anton Seder. This colourful collection is a treasure trove of meticulously restored Art Nouveau images inspired by the natural world-from delicate plant forms to intricate animal motifs-that reveal his unique ability to transform flora and fauna into timeless, ornamental designs.Image Download Included: Each copy of The Anton Seder Collection includes high-resolution digital downloads of every illustration, accessible via a convenient download link in the back of the book. This feature allows artists and designers to explore Seder's intricate linework and inventive compositions in stunning clarity. Whether you want to study his techniques or incorporate these beautiful elements into your creative projects, this collection is an invaluable resource for modern creatives. These downloadable assets also make it easy to create elegant decorative prints, adding a touch of stunning Art Nouveau style to your home or workspace.Perfect for artists, designers, and art lovers, this collection is a powerful tool to inspire and enhance your artistic journey. With 100 iconic illustrations that continue to influence art and design, The Anton Seder Collection offers exceptional value and a timeless reference for anyone captivated by the elegance of nature-inspired Art Nouveau design.
The Texture of Change
The Texture of Change examines historical change across a broad region of western Africa--from Saint Louis, Senegal, to Freetown, Sierra Leone--through the development of textile commerce, consumption, and dress. Indigo-dyed and printed cotton, wool, linen, and silk cloths constituted major trade items that linked African producers and consumers to exchange networks that were both regional and global. While much of the historiography of commerce in Africa in the eighteenth century has focused on the Atlantic slave trade and its impact, this study follows the global cloth trade to account for the broad extent and multiple modes of western Africa's engagement with Europe, Asia, and the Americas. Jody Benjamin analyzes a range of archival, visual, oral, and material sources drawn from three continents to illuminate entanglements between local textile industries and global commerce and between the politics of Islamic reform and encroaching European colonial power. The study highlights the roles of a diverse range of historical actors mentioned only glancingly in core-periphery or Atlantic-centered framings: women indigo dyers, maroon cotton farmers, petty traveling merchants, caravan guides, and African Diaspora settlers. It argues that their combined choices within a set of ecological, political, and economic constraints structured networks connecting the Atlantic and Indian Ocean perimeters.
An Eye for Couture
In this stunning book, one of the world's leading art dealers reveals her passion project--collecting French haute couture from the twentieth century and telling the stories of the women who wore them. Francesca Galloway's collection, unique in concept, spans the great period of French haute couture and fashion. It includes an outstanding group by the luminary Paul Poiret and important pieces by, among others, Jeanne Lanvin, Gabrielle Chanel, Madeleine Vionnet, Sonia Delaunay, Elsa Schiaparelli, Cristobal Balenciaga, Christian Dior, Yves Saint Laurent, Paco Rabanne and Yohji Yamamoto.These garments and accessories come to life through the women who wore them. Denise Poiret--Paul's muse, collaborator and model--is the subject of a specially commissioned essay. So is Princess Niloufer of Hyderabad: known as one of the most beautiful women in the world. She was photographed by Horst P. Horst for Vogue in 1939 and used her status to campaign for women's rights. With an eye for design innovation, technical brilliance, and the material dialog between East and West, Galloway has assembled a collection spanning more than one hundred pieces--from evening gowns to hats and shoes.The striking imagery is the result of a collaboration between a fashion photographer, set designer and costume conservator/dresser. The images are positioned between haute couture and still life photography to bring these pieces of fashion history to life.
The Book of Birkenstock
From fashion aficionados to casual wearers, this sumptuous book is the perfect companion for Birkenstock's loyal fans on the company's 250th anniversaryThe Birkenstock brand is adored the world over for its function-first footwear and commitment to high-quality European production. Its sandals and famous cork footbeds have filtered into countless cultures and subcultures over many decades. The rich visual history of the Birkenstock brand and the creativity it has inspired over the years is gathered here in book form for the first time.The Book of Birkenstock provides a lush, image-led history of the company, its family origins in shoemaking and its relationship with the health and fashion industries. It also offers a peek behind the scenes into the company's German production and world-leading design processes that form the Birkenstock footbed, appreciated by millions of wearers. Enhancing this narrative, The Book of Birkenstock is not just a publication but a premium product in itself, mirroring the brand's dedication to excellence. It boasts beautiful printing and finishing, with a debossed cover for a tactile sense of luxury. This attention to detail ensures that each page turn is an experience in itself, inviting readers not only to engage with the content but also to appreciate the fine craftsmanship of the book. Published in 2024, a landmark year for Birkenstock in which it celebrates its 250-year family tradition in shoemaking, this project is a testament to Birkenstock's enduring legacy and a celebration of its continuous influence on footwear and fashion.
Rose B. Simpson
A new and exciting voice in contemporary art that enriches the wider discourse on Native women artists Rose B. Simpson (b. 1983), a mixed-media artist from Santa Clara Pueblo, New Mexico, is from a long lineage of women working in ceramics in her tribe, dating back hundreds of years. Her signature figures draw heavily on her ancestral Kha'po Owingeh (Santa Clara Pueblo) tribe's centuries-long ceramic tradition while also integrating modern methods, materials, and processes to express bold interventions in colonial legacies of dependency, erasure, and assimilation. Published on the occasion of a large-scale commission for the Cleveland Museum of Art, this richly illustrated volume features essays that contextualize Simpson's work in terms of the history of art, Indigenous feminisms, and Native American art in general. It also includes a moderated conversation with the artist that elucidates Simpson's conceptual framework and practice. Distributed for The Cleveland Museum of Art Exhibition Schedule: The Cleveland Museum of Art (July 14, 2024-April 13, 2025)
The Bad Corset
Both a translation and critique of an early 20th century seminal French text on the physical effects of corseting, The Bad Corset explores contemporary anti-woman bias to challenge the commonly accepted assertions about corsetry's contribution to disease, disfigurement, and disorders of the female body. The original 1908 French book, Le Corset by Ludovic O'Followell-with its graphic illustrations, some of which are reproduced here-tells a story, familiar to anyone interested in popular culture and fashion history, of women suffering for fashion, tormented by and subject to their corsets. However, a close reading of the texts tells a very different, and more complicated, story. This fascinating exploration, approaching the topic from a scientific perspective, and reproducing facsimiles of the original text, with translations and annotations, critiques the presumptions and anxieties of male medical professionals on the 'damage' caused by corsets to the female body and psyche. Rather than seeing the women who wore these perceived instruments of torture as victims or dupes, The Bad Corset confidently asserts the agency of the women who wore them and highlights the way in which seminal texts can continue to influence our interpretation of the past, and women's lives and histories. The Bad Corset is a remarkable resource for scholars and students of fashion, medicine and gender history, taking a feminist approach to female agency and choice, and helping us reconsider the way we think about the shaping of women's bodies, and their lives.
