Adr and Post-Sync Dialogue
Written by industry expert, R.J. Kizer, this is the first book to provide a comprehensive overview of post-sync dialogue replacement, popularly known as ADR. It explores how this technology is used in motion pictures and in non-fiction television programs, with many examples to explain approaches and techniques.
Transgressive Art Films
Transgressive Art Films offers a holistic approach to the way we consider controversial and extreme cinema - not just as individual or grouped texts for analysis - but as artefacts that ought to be considered within a complex network of social factors. This book provides a rigorous framework for understanding some of the most controversial films of the past twenty-five years. The term 'transgressive art film' designates the phenomenon of a small number of controversial films recuperated each year by the cinema art world as part of an expansion of the definition of film art. Rather than seeing controversial films as aberrations, this book suggests that transgressive art films should be understood as a socio-cultural phenomenon and a central plank of cinema's need for newness, innovation, and renewal. By paying attention to all scales of cinema, from close analysis of individual frames, through the discourse constructed around them, up to global distribution and film-festival networks, Transgressive Art Films details how certain kinds of cinematic transgression gain wide-ranging institutional support rather than being ignored or forgotten.
Refocus: The Films of Steve McQueen
Working across a range of formats, from video art and gallery installations to independent cinema to Hollywood to the BBC, Steve McQueen's prodigious output has been marked by formal ambition and political urgency. This vital collection interrogates his body of work, its political, aesthetic and institutional dimensions, and the interfaces between them. It offers critical insights into McQueen's engagements with race, gender, the body, love and pain, and his abiding self-reflexive interest in the potential of multiple audio-visual forms. The first director to win both the Turner Prize and an Oscar for best picture, McQueen is probably the most important working British film maker. This book explores the controversies as well as the achievements in his stellar career so far.
Televisual Shared Universes
This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television's history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest.
Refocus: The Films of Claire Denis
ReFocus: The Films of Claire Denis comprises 14 original works of criticism from world leading Denis scholars and early career researchers.With contributors from as far afield as Canada and Australia, the collection offers a global perspective on Denis' films. It includes an accessible introduction for those new to Denis studies, providing biographical details, an overview of thematic interests, and a brief survey of the most salient and influential trends in Denis scholarship. The first collection of scholarly essays on Denis, and the first major work of criticism on one of the contemporary period's most influential and renowned directors for almost a decade, ReFocus: The Films of Claire Denis is a timely and important contribution to Denis studies and to transnational cinema studies more broadly.
Refocus: The Films of Yim Soon-Rye
Korean cinema, though currently established as one of the most successful international film industries, has never been a fair ground for women filmmakers. Amidst the heavily male dominated Korean cinema and the film industry, Yim has consistently produced critically and commercially influential films and has been recognized at numerous film festivals/awards both in and outside of Korea. Yim has produced/directed over a dozen films including shorts - the highest number that any female director has ever achieved in Korea. Also, Yim is the only female director with a blockbuster (Gyoseop, 2023) under her belt, which was always considered to be the arena for male directors.ReFocus: The Films of Yim Soon-rye will be the very first English-language book that showcases critical readings of Yim's work and simultaneously, this volume will address and position Yim in the larger historical context of Korean cinema and women filmmakers in the world.
States of Danger and Deceit
States of danger and deceit places key films (Z (1969), The Mattei Affair (1972), State of Siege (1972), The Lost Honour of Katharina Blum (1975), Illustrious Corpses (1976)) and filmmakers (Costa-Gavras, Elio Petri, Francesco Rosi, Volker Schl繹ndorff) from across Europe into their historical, political and social contexts before considering the ways they have impacted upon politically engaged filmmakers since. Presented in a dossier format, made up of shorter engaging pieces, this volume offers a series of contextualisations and detailed explorations of significant examples of the political thriller from across Europe.
Liminal Noir in Classical World Cinema
While few can deny its incalculable influence on popular filmmaking during and after World War II, film noir has been and remains one of the most contentious categories of cinema, involving more debates than consensus about what constitutes a noir. This collection explores the amorphous parameters of this dark cinematic phenomenon by utilising an expanded, nuanced definition of film noir, which reaches beyond traditional conceptions of genre, style, and cycle to examine its complex international origins and emphasis on issues of liminality. Through illuminating case studies of single films from nations including Argentina, the former Czechoslovakia, France, Great Britain, Poland, Spain, and the US, authors consider elements of genre hybridity, border crossing, boundary breaching, and other signifiers of liminality to reassess classical-era films that defy conventional generic and stylistic categorisation.
Refocus: The Films of Susan Seidelman
This first collection devoted to Susan Seidelman -- director, producer and visionary of feminist American cinema and television - includes never-before-published archival material and an interview with insights into her process and thoughts on #timesup and the future of the industry. Her debut feature, Smithereens, was the first American independent film to compete for the Palme d'Or at Cannes. Her knack for casting saw her insist on Madonna for Desperately Seeking Susan before Madonna was famous. Seidelman directed Meryl Streep and John Malkovich in their first comedy features, Roseanne Barr in her first feature film and Laverne Cox in one of her earliest features. Seidelman also directed the Sex and the City pilot, kickstarting a global phenomenon. Seidelman's career is one of firsts, yet little is written about her. This collection begins filling that gap while opening the door for additional scholarship, making this a valuable text for years to come.
Filming Modernity and Islam in Colonial Egypt
This book studies the rise of cinema in colonial Egypt as a supplemental secular public sphere that is not anti-religion. To this end, it investigates the reception of film by three centres of power: the colonial authorities, the Muslim clergy, and the Cairene bourgeoisie. It inquires about the representations of modernity in films produced during the time and the place filmmakers assigned to Islam in these representations. The result is a story of survival and coexistence told through the lens of cinema as modern art and popular culture negotiating its overt and covert censorship in the public sphere, despite colonization and war.
The Nitpicker’s Guide for Classic Trekkers
Six feature films, the wildly successful television spin-off Star Trek: The Next Generation, endless reruns, videotapes, conventions, a line of best-selling novels, and William Shatner's New York Times best-seller Star Trek Memories have kept the Star Trek spirit alive and well, even 25 years after its cancellation. Now this must-have book for all Trekkers -- which covers every episode of the original series, the pilot, and all six movies -- reveals all the bloopers, continuity errors, plot oversights, equipment malfunctions, and goof-ups that discerning, die-hard fans love to spot, but may have missed. Written especially for all those who find themselves thinking, "Hey, if the transporter is broken, why don't they just use a shuttlecraft?", this nitpicky volume includes Kirk's toupee watch; an examination of the logic of the miniskirted female crew members; number of times Kirk violated the Prime Detective and lots of trivia questions, fun facts, quizzes, and more. Live long and nitpick.
States of Danger and Deceit
States of danger and deceit places key films (Z (1969), The Mattei Affair (1972), State of Siege (1972), The Lost Honour of Katharina Blum (1975), Illustrious Corpses (1976)) and filmmakers (Costa-Gavras, Elio Petri, Francesco Rosi, Volker Schl繹ndorff) from across Europe into their historical, political and social contexts before considering the ways they have impacted upon politically engaged filmmakers since. Presented in a dossier format, made up of shorter engaging pieces, this volume offers a series of contextualisations and detailed explorations of significant examples of the political thriller from across Europe.
The Super Fly Trilogy
Fifty years since its opening, Super Fly, the 1970s Soul Cinema film about a street hustler making one last score to get out of the life of crime, remains a powerful influence in American pop culture. The Super Fly Trilogy is the first full-length critical study to analyze in depth the components that made the original 1972 film a force of impact not only for its time but for all of "in perpetuity," in both Hollywood and throughout all of American culture. This study will also look at the two subsequent sequels that continue to follow the story of this fictional, enigmatic figure who has become a folk hero in popular black society, especially in hip-hop culture. And as we observe the power of this story and its themes of street life and racial politics, and how these themes continue to resonate, The Super Fly Trilogy examines the 2018 remake production of the 1972 masterpiece, discussing how and why it failed to become a success while continuing to maintain the respect to the original film document. We will look at the stylistic choices of each director in this franchise as well as the approach of the writers in bringing the character of Priest into new, complex situations and into relevance in contemporary times.
The Guant獺namo Artwork and Testimony of Moath Al-Alwi
Deaf Walls Speak presents an insider's view of artmaking in Guant獺namo, the world's most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human. The book juxtaposes detainee artist Moath al-Alwi's testimony and artwork with essays that situate his work within legal, political, aesthetic, and material contexts to demonstrate that artwork at Guant獺namo constitutes important forms of material witnessing to human rights abuses perpetrated and denied by the U.S. government.
Nichols
This is a reference book about the television series Nichols, starring James Garner. The book includes all 24 episodes in original date order, complete cast lists, numerous photographs, directorial credits, and a story synopsis for each episode. Nichols was a Western series first broadcast on N.B.C. TV during the 1971-72 season. It was set in Nichols, Arizona, in 1914. The main character was Sheriff Frank Nichols, played by James Garner.
Sitcommentary
From I Love Lucy to Black-ish, sitcoms have often paved the way for social change. Television comedy has long been on the frontline in how America evolves on social issues. There is something about comedy that makes difficult issues more palatable--with humor an effective device for presenting ideas that lead to social change. From I Love Lucy which introduced the first television pregnancy to Will & Grace, which normalized gay characters, the situation comedy has challenged the public to revisit social mores and reshape how we think about the world in which we live. In Sitcommentary: Television Comedies That Changed America, Mark A. Robinson looks at more than three dozen programs that have tackled social issues, from the 1940s to the present. The author examines shows that frequently addressed hot-button topics throughout their runs--such as All in the Family, Maude, and Black-ish--as well as programs with special episodes that grappled with a societal concern like ageism, class, gender, race, or sexual orientation. Among the important sitcoms discussed in this volume are such beloved shows as The Brady Bunch, A Different World, The Facts of Life, The Golden Girls, Good Times, The Jeffersons, The Mary Tyler Moore Show, M*A*S*H, Modern Family, Murphy Brown, One Day at a Time, Roseanne, and Soap. Each has broken down barriers and facilitated discussion, debate, and social evolution in America. Arranged in chronological order, these TV shows have influenced the masses by tackling tough topics or shining a spotlight on taboo subjects. With discussions of some of the most popular shows of all time, Sitcommentary will appeal to fans of these shows as well as anyone interested in the cultural history of America and American television.
Politically Animated
Politically Animated studies the convergence of animation and actuality within films, television series, and digital shorts from across the Spanish-speaking world. It interrogates the many ways in which animation as a stylistic tool and storytelling device participates in political projects underpinning an array of non-fiction works.The case studies in the book cover a diverse geographical scope, including Spain, Argentina, Colombia, and Mexico. They critically analyse different works such as feature-length animated documentary films, a work of animated journalism, a short animated essay, and micro-short episodes from a televised animated documentary series. Jennifer Nagtegaal employs the term "politically animated" in reference to the ideological implications of choosing specific techniques and styles of animation within certain socio-historical and cultural contexts.Nagtegaal illuminates the creative union of animated documentary and the comics medium currently being exploited by Spanish and Latin American cartoonists and filmmakers alike. By paying particular attention to cultural production beyond the big screen, Politically Animated continues to stretch the bounds of animated documentary scholarship.
El Arte de la Creaci籀n de Contenido
"El Arte de la Creaci籀n de Contenido: Consejos y Trucos para YouTube" es una gu穩a completa para creadores aspirantes y experimentados en la plataforma de compartir videos m獺s grande del mundo. Con m獺s de 2 mil millones de usuarios activos mensuales, YouTube se ha convertido en una plataforma esencial para que los creadores de contenido muestren sus talentos y construyan un seguimiento leal.Este libro cubre una amplia gama de temas, desde identificar a tu audiencia y pasi籀n, crear una marca atractiva y generar ideas de contenido excepcionales, hasta t矇cnicas de iluminaci籀n y sonido, equipo de c獺mara, esenciales de edici籀n y SEO para YouTube. Aprender獺s c籀mo trabajar con otros creadores, transmitir en vivo y monetizar tu contenido, as穩 como c籀mo construir una comunidad fuerte y mantener tu privacidad y seguridad en l穩nea.El libro tambi矇n explora tendencias y tecnolog穩as emergentes, como la realidad virtual, la inteligencia artificial y blockchain, y c籀mo est獺n moldeando el futuro de la creaci籀n de contenido en YouTube.Con consejos y trucos pr獺cticos de creadores de YouTube exitosos y expertos de la industria, este libro proporciona una hoja de ruta para tu viaje en YouTube. Aprender獺s c籀mo establecer objetivos, crear una hoja de ruta y celebrar 矇xitos mientras aprendes de los fracasos.Ya sea que seas un principiante o un creador experimentado, "El Arte de la Creaci籀n de Contenido: Consejos y Trucos para YouTube" es la gu穩a definitiva para lograr el 矇xito en la plataforma.
Hbo’s the Leftovers
This book unpacks and analyzes the central themes of sacrifice, melancholy, apocalypticism, and the nature of family and home in HBO's The Leftovers to demonstrate the key role it played in the development of early twenty-first-century television. Eliot Borenstein argues that the story of The Leftovers is the most sustained exploration of loss ever to appear on American television and subverts the expectations of viewers who look to prestige dramas as puzzles to solve by providing no clear answers the mysteries most central to the show's plot. Instead, Borenstein posits, the series endeavors to provide more nuanced and realistic portrayals of the melancholy that occurs when people's lives are unmoored, leavening an inherently depressing experience with absurdity and moments of grace.
Neoliberal Aesthetics of Resistance in the Disney Star Wars Films
From 2015 to 2019, the Walt Disney Corporation has produced five theatrical films in the Star Wars galaxy. These films have been met with mixed reactions from audiences and critics alike and sparked seemingly endless public debate about representations of people of color, women, and queer people in 21st century popular film. This book explores the evolving discourse surrounding Disney's Star Wars films from a political economic perspective and through a lens focusing on the corporate representation of marginalized communities with an aim to critique neoliberal ethics of resistance against fascist regimes. Through exploring the characters of Saw Gerrera, Finn, Poe Dameron, and L3-37, Abigail Reed argues that Disney's utilization of diverse identities within the franchise is ultimately regressive. Rather than engaging with marginalized communities' histories or futures, Reed posits, Disney uses these narratives to serve its private interests as an American global media conglomerate and undermine historically effective models of rebellion against imperialism in favor of a model of governance that centers Whiteness and the interests of the Global North.
Performative Figures of Queer Masculinity
This is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, affects and (self-)knowledge on and off the screen. Building on Eve K. Sedgwick's queer-feminist concept of queer performativity, the author creates a historically situated model with which she traces various figures of technically anthropomorphic queer masculinity in the medium of film in an empowering sense. This book is a translation of an original German 1st edition Performative Figuren queerer M瓣nnlichkeit by Christiane K繹nig, published by J.B.Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the friendly support of Megan Hanson) has subsequently revised the text further in an endeavour to refine the work stylistically. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support authors.
Proibito!
From its birth in 1913 to its abolition in 2021, film censorship marked the history of Italian cinema, and its evolution mirrored the social, political, and cultural travail of the country. During the Fascist regime and in the postwar period, censorship was a powerful political tool in the hands of the ruling party; many films were banned or severely cut. By the end of the 1960s, censors had to cope with the changing morals and the widespread diffusion of sexuality in popular culture, which led to the boom of hardcore pornography. With the crisis of the national industry and the growing influence of television, censorship gradually changed its focus and targets. The book analyzes Italian film censorship from its early days to the present, discussing the most controversial cases and protagonists. These include such notorious works as Last Tango in Paris and Salo, or the 120 Days of Sodom, and groundbreaking filmmakers such as Luchino Visconti, Federico Fellini and Pier Paolo Pasolini, who pushed the limits of what was acceptable on screen, causing scandal and public debate.
Soviet Cinematography, 1918-1991
With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.
Gender-Based Violence and Digital Media in South Africa
This book presents a new paradigm for attending to gender-based violence (GBV) social media discourse among marginalised black women in South Africa.
Applied Screenwriting
Putting a vision on the page for creative and commercial video is harder than it seems, but author Carey Martin explains how to bring these tools to bear in the "work for hire" environment.Whilst other texts focus on writing the next award winner, this can be out of reach both logistically and financially for many. Instead, readers will learn how to write what they want the eyes of the audience to see and the ears of the audience to hear, in such a way that the Producer and Director can read the creative blueprint and bring that vision to life. The text will walk readers through a focused and practical consideration of the camera, the edit, and the sound design, in addition to a straightforward application of basic story principles. By understanding writing for video as more than creating a recorded play, readers will become more effective screenwriters and, should they wish, Producers and Directors as well.This book is ideal for students of screenwriting and those writing scripts for message-driven video for corporate, nonprofit, and commercial production.
A History of Early Film V3
Volume 3 of A History of Early Film examines critical responses to early cinema, including the impassioned thoughts of one of the first film critics, the American poet Vachel Lindsay and considers some contemporary judgements of the social aspects of moving pictures.
Political Moods
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building.
Hell on Reels
Ready to experience a few friendly scares in your home theater this Halloween? Online Film Critic David Keyes has curated 100 carefully-selected essays from an extensive archive of film reviews for this special occassion, a handy reference guide to take to the spooky parties throughout the month of October and beyond. "Hell on Reels" covers a wide array of famous, infamous and obscure titles that offer something for every horror fan's taste -- including notable classics like "Psycho" and "Halloween" to more current releases like "Talk to Me," the most recent box office sleeper of the genre. The book also explores fringe alternatives in the field, including international slashers, serial killer case studies, horror satires and some rarely-seen found footage pictures.
Anime
Japanese animation is at the nexus of an international multimedia industry worth over $23.6 billion a year, linked to everything from manga to computer games, Pok矇mon and plushies. In this comprehensive guide, Jonathan Clements chronicles the production and reception history of the entire medium, from a handful of hobbyists in the 1910s to the Oscar-winning Spirited Away and beyond. Exploring the cultural and technological developments of the past century, Clements addresses how anime's history has been written by Japanese scholars, and covers previously neglected topics such as wartime instructional animation and work-for-hire for American clients. Founded on the testimonies of industry professionals, and drawing on a myriad of Japanese-language documents, memoirs and books, Anime: A History illuminates the anime business from the inside - investigating its innovators, its unsung heroes and its controversies. This new edition has been updated and revised throughout, with full colour illustrations and three new chapters on anime's fortunes among Chinese audiences and subcontractors, 21st century trends in 'otaku economics', and the huge transformations brought about by the rise of global streaming technology.
Andrew Dosunmu: Monograph
Stylish portraiture on the streets of Dakar, Mumbai and elsewhere, from the director of Mother of George and BeautyThe first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music video director Andrew Dosunmu, Monograph looks back at 20 years of previously unpublished and sumptuously colorful portraiture and more, including stills from music videos and the 2022 Netflix film Beauty.Dosunmu has published his photography with iconic music and fashion magazines such as The Face, Vibe, Fader, Vogue Hommes, Paper and Interview, and has been commissioned by international brands such as Nike and Adidas. Throughout his career, Dosunmu has developed a prolific personal body of work that until now has never been published, though it has been sought after by private collectors and museums. The images compiled in Monograph portray uniquely stylish individuals in Dakar, Mumbai and Cartaghena. United by Dosunmu's acute instinct for color into a compelling aesthetic vision, these portraits celebrate global culture with tremendous sensuality. The book includes a conversation between Dosunmu and Arthur Jafa.Andrew Dosunmu is a Nigerian photographer and filmmaker who came to prominence in the US with music videos for various acclaimed artists. He is the director of Hot Irons, Restless City, Mother of George, Where Is Kyra? and Beauty, all of which premiered at the Sundance Film Festival. Dosunmu lives between New York City and Lagos, Nigeria.
The Human Figure on Film
The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book. Each chapter is devoted to a single, central concept--the natural, the pictorial, the institutional, and the fictional--that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the natural historian (Ray L. Birdwhistell), the aesthete or pictorialist (Victor O. Freeburg), the anthropologist of institutions (Hortense Powdermaker), and the critic of fiction (V. F. Perkins). All of these researchers have their own interests and criteria of understanding, ranging from a microscopic look at gestures to a broad view of characters. Using a combination of critical history, biography, and formal analysis, The Human Figure on Film offers a fresh approach to the problem of figuration in an age of digital cinema. It is, at once, a cross-section of the field of film studies, a handbook of methods, and an inquiry into the nature of inquiry itself.
Music in Films about the Shoah
This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of 'the sound of Nazi violence', as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters' emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films: Schindler's List, The Pianist, Taking Sides and Inglourious Basterds.
Hawkins & Shaft
This is a reference book on two series: Hawkins which starred James Stewart, and Shaft, which starred Richard Roundtree. The two series alternated every other week. In the book, you will find complete cast listings, numerous photos, directorial credits. and a story synopsis for each episode. The three Shaft movies with Richard Roundtree are also included.
Search
This is a reference book on the TV series Search, which ran from 1972-73. It includes all 23 episodes (plus the pilot film) in date order, along with complete cast lists, numerous photographs, directorial credits, and a story synopsis for each episode. The show starred Hugh O'Brian, Doug McClure, Tony Franciosa, and Burgess Meredith.
The FBI Dossier
The mission of the FBI is to protect the innocent and identify the enemies of the Government of the United States.The proclamation above opened many episodes of The FBI, Quinn Martin's longest running television series (airing nine seasons on ABC, from 1965 to 1974), and one of the most popular shows of the late 1960s, reaching more than 25 million viewers a week worldwide at its peak. Based on actual cases from the files of the FBI, the series starred Efrem Zimbalist, Jr., Philip Abbott, Stephen Brooks, and William Reynolds and combined authentic elements of investigation with compelling characters and stellar writing, week after week after week. At a time when there were only three networks, The FBI was a bona fide Sunday night viewing event for nine years, knocking off another powerhouse, The Ed Sullivan Show, in the process. And yet, despite its tremendous impact on television, this landmark series is almost completely forgotten today. Until now.The definitive go-to bible for information about the classic ABC series, The FBI Dossier features 898 pages packed with facts about the series, its stars, storylines, a complete breakdown of all 241 episodes - including "The Hiding Place," the only episode that never aired on television (either on ABC or in syndication), and "All the Streets Are Silent," the episode that Quentin Tarantino immortalized in Once Upon a Time in Hollywood - plus hundreds of photos, and a fabulous array of exclusive interviews with many of the stars and guest stars including Richard Anderson, Anne Archer, Ed Asner, Michael Bell, Eric Braeden, Beau Bridges, Henry Darrow, Jack Garner, Walter Grauman, Robert Hooks, Jerry Houser, Ketty Lester, Donna Mills, Stefanie Powers, Suzanne Pleshette, Peter Mark Richman, Roy Thinnes, Joan Van Ark, Lindsay Wagner, Dawn Wells, Efrem Zimbalist, Jr., and William Reynolds. Seven years in the making, The FBI Dossier is not just a veritable who's who of the entertainment industry, but an important look at an unheralded chapter of television history.
Walled Life
Going beyond a discussion of political architecture, Walled Life investigates the mediation of material and imagined border walls through cinema and art practices. The book reads political walls as more than physical obstruction, instead treating the wall as an affective screen, capable of negotiating the messy feelings, personal conflicts, and haunting legacies that make up "walled life" as an evolving signpost in the current global border regime. By exploring the wall as an emotional and visceral presence, the book shows that if we read political walls as forms of affective media, they become legible not simply as shields, impositions, or monuments, but as projective surfaces that negotiate the interaction of psychological barriers with political structures through cinema, art, and, of course, the wall itself. Drawing on the Berlin Wall, the West Bank Separation barrier, and the U.S.-Mexico border, Walled Life discovers each wall through the films and artworks it has inspired, examining a wide array of graffiti, murals, art installations, movies, photography, and paintings. Remediating the silent barriers, we erect between, and often within ourselves, these interventions tell us about the political fantasies and traumatic histories that undergird the politics of walls as they rework the affective settings of political boundaries.
Flashbacks in Film
This book examines film flashback as a rich multimodal narrative device, analyzing the cognitive underpinnings of film flashbacks and the mechanisms that lead viewers to successfully comprehend them.
Mario Bava
How do we approach a figure like Mario Bava, a once obscure figure promoted to cult status? This book takes a new look at Italy's 'maestro of horror' but also uses his films to address a broader set of concerns. What issues do his films raise for film authorship, given that several of them were released in different versions and his contributions to others were not always credited? How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered? This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. Featuring new analysis of cult classics like Kill, Baby ... Kill (1966) and Five Dolls for an August Moon (1970), Mario Bava: The Artisan as Italian Horror Auteur sheds light on a body of films that were designed to be ephemeral but continue to fascinate us today.
Between Habit and Thought in New TV Serial Drama
This book considers some key examples of serial television drama available via transnational streaming platforms in recent times. Through the individual works examined, the book exemplifies the ways in which aesthetics, technology, and capitalism weave a complex social fabric around such productions.
Shakespeare and Game of Thrones
It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody fifteenth-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare's first tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition-such as collaborative authorship and political currents-this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-first century.　 An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance literature in the context of modern media.
Muppets in Moscow
Muppets in Moscow is the incredible true story of the author's odyssey to create Sesame Street in Russia. It reveals how--in between bombings and political chaos in 1990s Moscow--a team of Russian and American artists, producers, educators, writers, and puppeteers overcame their many differences to create an unprecedented hit in a post-communist era.
The Simpsons
From its crudely drawn vignettes on The Tracey Ullman Show to its nearly 700 episodes, The Simpsons has evolved from an alternative programming experiment to a worldwide cultural phenomenon. At 30 seasons and counting, The Simpsons boasts the distinction as the longest-running fictional primetime series in the history of American television. Broadcast around the globe, the show's viewers relate to a plethora of iconic characters--from Homer, Marge, Lisa, Maggie, and Bart to Kwik-E-Mart proprietor Apu, bar owner Moe, school principal Seymour Skinner, and conniving businessman Montgomery Burns, among many others. In The Simpsons: A Cultural History, Moritz Fink explores the show's roots, profiles its most popular characters, and examines the impact the series has had--not only its shaping of American culture but its pivotal role in the renaissance of television animation. Fink traces the show's comic forerunners--dating back to early twentieth century comic strips as well as subversive publications like Mad magazine--and examines how the show, in turn, generated a new wave of animation that changed the television landscape. Drawing on memorable scenes and providing useful background details, this book combines cultural analysis with intriguing trivia. In addition to an appreciation of the show's landmark episodes, The Simpsons: A Cultural History offers an entertaining discussion of the series that will appeal to both casual fans and devoted aficionados of this groundbreaking program.
Feminist Posthumanism in Contemporary Science Fiction Film and Media
Feminist Posthumanism in Contemporary Science Fiction Film and Media: From Annihilation to High Life and Beyond places posthumanism and feminist theory into dialogue with contemporary science fiction film and media. This essay collection is intimately invested in the debates around the posthuman and the critical posthumanities within a feminist critical-theoretical framework. In this posthumanist light, science fiction as a genre allows for new imaginings of human-technological relations, while it can also be the site of a critique of human exceptionalism and essentialism. In this way, science fiction affords unique opportunities for the scholarly investigation of the relevance and relative applicability of specific posthumanist themes and questions in a particularly rich and wide-ranging popular cultural field of production. One of the reasons for this suitability is the genre's historically longstanding relationship with the critical investigation of gender, specifically the position and relative empowerment of women. The original analyses presented here pay close attention to audiovisual style (including game mechanics), facilitating the critical interrogation of the issues and questions around posthumanism. Where typically the mention of SF in the posthumanist context calls to mind a whole set of (often clich矇d) tropes-the cyborg, technologically augmented bodies, AI subjectivities, etc.-this volume's thirteen chapters analyze specific examples of contemporary SF cinema that engage in meaningful ways with the burgeoning field of critical posthumanism, and that utilize such films to interrogate posthumanist and feminist as well as humanistic ideas.
Black Boys
Longlisted for the Kraszna-Krauz Foundation's Moving Image Book Award 2024 In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity.
Remembering Annie Hall
Since its release, Annie Hall has established itself as a key film for Woody Allen's career and the history of romantic comedy more generally. At the 1978 Academy Awards, it won Oscars for Best Film, Best Director, Best Screenplay, and Best Actress and is regularly cited as one of the greatest film comedies ever released, credited with influencing directors such as Wes Anderson, Noah Baumbach, Richard Linklater, Greta Gerwig and Desiree Akhavan. This lively collection brings a new ethical and philosophical perspective to bear on Allen's work quite different from previous generations of scholars. At the same time as exploring the film's continuing influence on contemporary cinema, this book's contributors engage explicitly and implicitly with ongoing debates about Allen's cinematic output following the renewal of accusations against Allen by his adopted daughter Dylan Farrow in 2014 and 2018. The book is alive to debates within film studies about the limits of auteur theory and the role of the spectator.
Directing Game Animation
This book breaks down the process on how to create an intentional animation vision, that can be both unique and flexible. This book looks to foster a discussion around the process, needs, and benefits of an empowered animation team and vision as a universal benefit for the entire industry.
Directing Game Animation
This book breaks down the process on how to create an intentional animation vision, that can be both unique and flexible. This book looks to foster a discussion around the process, needs, and benefits of an empowered animation team and vision as a universal benefit for the entire industry.
The Movie Wheel
Do you ever get fed up of scrolling through categories on streaming sites? Then this is the book for you! Each genre has its opposite, and mixing genres is essential for every movie. Don't fall victim to a restrictive algorithm - instead of doom-scrolling the evening away, try selecting a movie by using The Movie Wheel to better predict the emotions you will experience.The Movie Wheel also includes a mini colour-coded film directory with original artwork, making it a great gift for young people and anybody who enjoys a good movie.
