The Nitpicker’s Guide for Classic Trekkers
Six feature films, the wildly successful television spin-off Star Trek: The Next Generation, endless reruns, videotapes, conventions, a line of best-selling novels, and William Shatner's New York Times best-seller Star Trek Memories have kept the Star Trek spirit alive and well, even 25 years after its cancellation. Now this must-have book for all Trekkers -- which covers every episode of the original series, the pilot, and all six movies -- reveals all the bloopers, continuity errors, plot oversights, equipment malfunctions, and goof-ups that discerning, die-hard fans love to spot, but may have missed. Written especially for all those who find themselves thinking, "Hey, if the transporter is broken, why don't they just use a shuttlecraft?", this nitpicky volume includes Kirk's toupee watch; an examination of the logic of the miniskirted female crew members; number of times Kirk violated the Prime Detective and lots of trivia questions, fun facts, quizzes, and more. Live long and nitpick.
The Super Fly Trilogy
Fifty years since its opening, Super Fly, the 1970s Soul Cinema film about a street hustler making one last score to get out of the life of crime, remains a powerful influence in American pop culture. The Super Fly Trilogy is the first full-length critical study to analyze in depth the components that made the original 1972 film a force of impact not only for its time but for all of "in perpetuity," in both Hollywood and throughout all of American culture. This study will also look at the two subsequent sequels that continue to follow the story of this fictional, enigmatic figure who has become a folk hero in popular black society, especially in hip-hop culture. And as we observe the power of this story and its themes of street life and racial politics, and how these themes continue to resonate, The Super Fly Trilogy examines the 2018 remake production of the 1972 masterpiece, discussing how and why it failed to become a success while continuing to maintain the respect to the original film document. We will look at the stylistic choices of each director in this franchise as well as the approach of the writers in bringing the character of Priest into new, complex situations and into relevance in contemporary times.
Nichols
This is a reference book about the television series Nichols, starring James Garner. The book includes all 24 episodes in original date order, complete cast lists, numerous photographs, directorial credits, and a story synopsis for each episode. Nichols was a Western series first broadcast on N.B.C. TV during the 1971-72 season. It was set in Nichols, Arizona, in 1914. The main character was Sheriff Frank Nichols, played by James Garner.
The Guant獺namo Artwork and Testimony of Moath Al-Alwi
Deaf Walls Speak presents an insider's view of artmaking in Guant獺namo, the world's most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human. The book juxtaposes detainee artist Moath al-Alwi's testimony and artwork with essays that situate his work within legal, political, aesthetic, and material contexts to demonstrate that artwork at Guant獺namo constitutes important forms of material witnessing to human rights abuses perpetrated and denied by the U.S. government.
Politically Animated
Politically Animated studies the convergence of animation and actuality within films, television series, and digital shorts from across the Spanish-speaking world. It interrogates the many ways in which animation as a stylistic tool and storytelling device participates in political projects underpinning an array of non-fiction works.The case studies in the book cover a diverse geographical scope, including Spain, Argentina, Colombia, and Mexico. They critically analyse different works such as feature-length animated documentary films, a work of animated journalism, a short animated essay, and micro-short episodes from a televised animated documentary series. Jennifer Nagtegaal employs the term "politically animated" in reference to the ideological implications of choosing specific techniques and styles of animation within certain socio-historical and cultural contexts.Nagtegaal illuminates the creative union of animated documentary and the comics medium currently being exploited by Spanish and Latin American cartoonists and filmmakers alike. By paying particular attention to cultural production beyond the big screen, Politically Animated continues to stretch the bounds of animated documentary scholarship.
Sitcommentary
From I Love Lucy to Will & Grace, this book looks at the television comedies that have tackled social issues, facilitated discussion, or in some other way have broken down barriers. Other landmark shows discussed here include All in the Family, Ellen, The Golden Girls, Good Times, The Jeffersons, Maude, Modern Family, Roseanne, and Soap.
El Arte de la Creaci籀n de Contenido
"El Arte de la Creaci籀n de Contenido: Consejos y Trucos para YouTube" es una gu穩a completa para creadores aspirantes y experimentados en la plataforma de compartir videos m獺s grande del mundo. Con m獺s de 2 mil millones de usuarios activos mensuales, YouTube se ha convertido en una plataforma esencial para que los creadores de contenido muestren sus talentos y construyan un seguimiento leal.Este libro cubre una amplia gama de temas, desde identificar a tu audiencia y pasi籀n, crear una marca atractiva y generar ideas de contenido excepcionales, hasta t矇cnicas de iluminaci籀n y sonido, equipo de c獺mara, esenciales de edici籀n y SEO para YouTube. Aprender獺s c籀mo trabajar con otros creadores, transmitir en vivo y monetizar tu contenido, as穩 como c籀mo construir una comunidad fuerte y mantener tu privacidad y seguridad en l穩nea.El libro tambi矇n explora tendencias y tecnolog穩as emergentes, como la realidad virtual, la inteligencia artificial y blockchain, y c籀mo est獺n moldeando el futuro de la creaci籀n de contenido en YouTube.Con consejos y trucos pr獺cticos de creadores de YouTube exitosos y expertos de la industria, este libro proporciona una hoja de ruta para tu viaje en YouTube. Aprender獺s c籀mo establecer objetivos, crear una hoja de ruta y celebrar 矇xitos mientras aprendes de los fracasos.Ya sea que seas un principiante o un creador experimentado, "El Arte de la Creaci籀n de Contenido: Consejos y Trucos para YouTube" es la gu穩a definitiva para lograr el 矇xito en la plataforma.
Hbo’s the Leftovers
This book demonstrates the key role The Leftovers played in the development of early twenty-first-century television, while also unpacking its central themes of sacrifice, melancholy, apocalypticism, and the nature of the family and home.
Performative Figures of Queer Masculinity
This is a German history of cinema and film from the 1890s to 1945 with a focus on queer masculinity. Using media studies approaches, the study shows how film as a new medium is constituted through performative re-enactments of spectacular elements from the entertainment and knowledge cultures of the 19th century. In it, bodies, desires and identities are constantly remodelled through the formation of difference. Therefore, male queerness here does not mean the representation of male homosexuality. Rather, it is the dynamic result of complex medial processes, affects and (self-)knowledge on and off the screen. Building on Eve K. Sedgwick's queer-feminist concept of queer performativity, the author creates a historically situated model with which she traces various figures of technically anthropomorphic queer masculinity in the medium of film in an empowering sense. This book is a translation of an original German 1st edition Performative Figuren queerer M瓣nnlichkeit by Christiane K繹nig, published by J.B.Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the service DeepL.com). The author (with the friendly support of Megan Hanson) has subsequently revised the text further in an endeavour to refine the work stylistically. Springer Nature works continuously to further the development of tools for the production of books and on the related technologies to support authors.
Neoliberal Aesthetics of Resistance in the Disney Star Wars Films
This book explores how Disney's Star Wars films leverage popular discussions about the representations of marginalized communities in U.S. media to gain political and economic profit. Abigail Reed argues that Disney uses these narratives to support a model of resistance that benefits their position as a global media conglomerate.
Proibito!
From its birth in 1913 to its abolition in 2021, film censorship marked the history of Italian cinema, and its evolution mirrored the social, political, and cultural travail of the country. During the Fascist regime and in the postwar period, censorship was a powerful political tool in the hands of the ruling party; many films were banned or severely cut. By the end of the 1960s, censors had to cope with the changing morals and the widespread diffusion of sexuality in popular culture, which led to the boom of hardcore pornography. With the crisis of the national industry and the growing influence of television, censorship gradually changed its focus and targets. The book analyzes Italian film censorship from its early days to the present, discussing the most controversial cases and protagonists. These include such notorious works as Last Tango in Paris and Salo, or the 120 Days of Sodom, and groundbreaking filmmakers such as Luchino Visconti, Federico Fellini and Pier Paolo Pasolini, who pushed the limits of what was acceptable on screen, causing scandal and public debate.
Gender-Based Violence and Digital Media in South Africa
This book presents a new paradigm for attending to gender-based violence (GBV) social media discourse among marginalised Black women in South Africa. Focusing on the intersections of television and social media, the study charts the morphing and merging of the "inside" of the soap opera and the "outside" of the real world, amid a rise in feminist social media activism. The analysis begins with coverage of gender-based violence in a long-running South African soap opera and social media discussion of these issues, in parallel with real-world events and the collective social media response. The author offers pertinent insights into audiences in sub-Saharan Africa, presenting a new feminist trajectory for women and activism in the region. Offering new insights into an important issue, this book will be of interest to scholars and students of gender, cultural studies, film studies, television studies, sociology, development studies, feminism, media, and journalism.
Applied Screenwriting
Putting a vision on the page for creative and commercial video is harder than it seems, but author Carey Martin explains how to bring these tools to bear in the "work for hire" environment.Whilst other texts focus on writing the next award winner, this can be out of reach both logistically and financially for many. Instead, readers will learn how to write what they want the eyes of the audience to see and the ears of the audience to hear, in such a way that the Producer and Director can read the creative blueprint and bring that vision to life. The text will walk readers through a focused and practical consideration of the camera, the edit, and the sound design, in addition to a straightforward application of basic story principles. By understanding writing for video as more than creating a recorded play, readers will become more effective screenwriters and, should they wish, Producers and Directors as well.This book is ideal for students of screenwriting and those writing scripts for message-driven video for corporate, nonprofit, and commercial production.
A History of Early Film V3
Volume 3 of A History of Early Film examines critical responses to early cinema, including the impassioned thoughts of one of the first film critics, the American poet Vachel Lindsay and considers some contemporary judgements of the social aspects of moving pictures. The volume also includes the 1917 report The Cinema: Its Present Position and Future Possibilities...which provides a unique record of the attitudes towards the cinema by its British audiences exhibitors, producers, guardians of morality and those responsible for licensing.
Hell on Reels
Ready to experience a few friendly scares in your home theater this Halloween? Online Film Critic David Keyes has curated 100 carefully-selected essays from an extensive archive of film reviews for this special occassion, a handy reference guide to take to the spooky parties throughout the month of October and beyond. "Hell on Reels" covers a wide array of famous, infamous and obscure titles that offer something for every horror fan's taste -- including notable classics like "Psycho" and "Halloween" to more current releases like "Talk to Me," the most recent box office sleeper of the genre. The book also explores fringe alternatives in the field, including international slashers, serial killer case studies, horror satires and some rarely-seen found footage pictures.
Political Moods
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building.
Andrew Dosunmu: Monograph
Stylish portraiture on the streets of Dakar, Mumbai and elsewhere, from the director of Mother of George and BeautyThe first retrospective volume on the photography of the internationally acclaimed Nigerian filmmaker, photographer and music video director Andrew Dosunmu, Monograph looks back at 20 years of previously unpublished and sumptuously colorful portraiture and more, including stills from music videos and the 2022 Netflix film Beauty.Dosunmu has published his photography with iconic music and fashion magazines such as The Face, Vibe, Fader, Vogue Hommes, Paper and Interview, and has been commissioned by international brands such as Nike and Adidas. Throughout his career, Dosunmu has developed a prolific personal body of work that until now has never been published, though it has been sought after by private collectors and museums. The images compiled in Monograph portray uniquely stylish individuals in Dakar, Mumbai and Cartaghena. United by Dosunmu's acute instinct for color into a compelling aesthetic vision, these portraits celebrate global culture with tremendous sensuality. The book includes a conversation between Dosunmu and Arthur Jafa.Andrew Dosunmu is a Nigerian photographer and filmmaker who came to prominence in the US with music videos for various acclaimed artists. He is the director of Hot Irons, Restless City, Mother of George, Where Is Kyra? and Beauty, all of which premiered at the Sundance Film Festival. Dosunmu lives between New York City and Lagos, Nigeria.
The Human Figure on Film
The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book. Each chapter is devoted to a single, central concept--the natural, the pictorial, the institutional, and the fictional--that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the natural historian (Ray L. Birdwhistell), the aesthete or pictorialist (Victor O. Freeburg), the anthropologist of institutions (Hortense Powdermaker), and the critic of fiction (V. F. Perkins). All of these researchers have their own interests and criteria of understanding, ranging from a microscopic look at gestures to a broad view of characters. Using a combination of critical history, biography, and formal analysis, The Human Figure on Film offers a fresh approach to the problem of figuration in an age of digital cinema. It is, at once, a cross-section of the field of film studies, a handbook of methods, and an inquiry into the nature of inquiry itself.
Hawkins & Shaft
This is a reference book on two series: Hawkins which starred James Stewart, and Shaft, which starred Richard Roundtree. The two series alternated every other week. In the book, you will find complete cast listings, numerous photos, directorial credits. and a story synopsis for each episode. The three Shaft movies with Richard Roundtree are also included.
Music in Films about the Shoah
This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of 'the sound of Nazi violence', as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters' emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films: Schindler's List, The Pianist, Taking Sides and Inglourious Basterds.
Search
This is a reference book on the TV series Search, which ran from 1972-73. It includes all 23 episodes (plus the pilot film) in date order, along with complete cast lists, numerous photographs, directorial credits, and a story synopsis for each episode. The show starred Hugh O'Brian, Doug McClure, Tony Franciosa, and Burgess Meredith.
The FBI Dossier
The mission of the FBI is to protect the innocent and identify the enemies of the Government of the United States.The proclamation above opened many episodes of The FBI, Quinn Martin's longest running television series (airing nine seasons on ABC, from 1965 to 1974), and one of the most popular shows of the late 1960s, reaching more than 25 million viewers a week worldwide at its peak. Based on actual cases from the files of the FBI, the series starred Efrem Zimbalist, Jr., Philip Abbott, Stephen Brooks, and William Reynolds and combined authentic elements of investigation with compelling characters and stellar writing, week after week after week. At a time when there were only three networks, The FBI was a bona fide Sunday night viewing event for nine years, knocking off another powerhouse, The Ed Sullivan Show, in the process. And yet, despite its tremendous impact on television, this landmark series is almost completely forgotten today. Until now.The definitive go-to bible for information about the classic ABC series, The FBI Dossier features 898 pages packed with facts about the series, its stars, storylines, a complete breakdown of all 241 episodes - including "The Hiding Place," the only episode that never aired on television (either on ABC or in syndication), and "All the Streets Are Silent," the episode that Quentin Tarantino immortalized in Once Upon a Time in Hollywood - plus hundreds of photos, and a fabulous array of exclusive interviews with many of the stars and guest stars including Richard Anderson, Anne Archer, Ed Asner, Michael Bell, Eric Braeden, Beau Bridges, Henry Darrow, Jack Garner, Walter Grauman, Robert Hooks, Jerry Houser, Ketty Lester, Donna Mills, Stefanie Powers, Suzanne Pleshette, Peter Mark Richman, Roy Thinnes, Joan Van Ark, Lindsay Wagner, Dawn Wells, Efrem Zimbalist, Jr., and William Reynolds. Seven years in the making, The FBI Dossier is not just a veritable who's who of the entertainment industry, but an important look at an unheralded chapter of television history.
Walled Life
Going beyond a discussion of political architecture, Walled Lifeinvestigates the mediation of material and imagined border walls through cinema and art practices. The book reads political walls as more than physical obstruction, instead treating the wall as an affective screen, capable of negotiating the messy feelings, personal conflicts, and haunting legacies that make up "walled life" as an evolving signpost in the current global border regime. By exploring the wall as an emotional and visceral presence, the book shows that if we read political walls as forms of affective media, they become legible not simply as shields, impositions, or monuments, but as projective surfaces that negotiate the interaction of psychological barriers with political structures through cinema, art, and, of course, the wall itself. Drawing on the Berlin Wall, the West Bank Separation barrier, and the U.S.-Mexico border, Walled Lifediscovers each wall through the films and artworks it has inspired, examining a wide array of graffiti, murals, art installations, movies, photography, and paintings. Remediating the silent barriers, we erect between, and often within ourselves, these interventions tell us about the political fantasies and traumatic histories that undergird the politics of walls as they rework the affective settings of political boundaries.
Between Habit and Thought in New TV Serial Drama
Between Habit and Thought in New TV Serial Drama: Serial Connections is a consideration of some of the key examples of serial television drama available via transnational streaming platforms in recent times. Through the individual works examined, the book exemplifies the ways in which aesthetics, technology, and capitalism weave a complex social fabric around the production of the respective television series, thus presenting this type of serial drama as a finely engineered cultural production. Taking Bernard Stiegler's notion of an "image warfare" as its starting point, the author critically investigates the strategies deployed by the shows' producers to navigate this dynamic, shaped by the "new spirit of capitalism". With creativity intrinsic to the process, on the one hand, and a highly efficient drive for capturing and fixing attention driven by algorithm and economic logic, on the other, the author maps the processes at work in the production of high-value serial drama and considers how, despite this tension, they manage to present meaningful insights into the experience of being in this world: A world shaped by trauma, a desire for justice, and a search for systems of belief that can offer a way through the vicissitudes of contemporary life. Framed by a detailed analysis of the multiple processes that shape these works is a sustained analysis of the serials Mr Robot, Billions, The Leftovers, Rectify, and Westworld, and the dynamics of despair and hope that ripple through them. As such, it will appeal to readers of film and television studies, cultural theory, and those interested in furthering a critical aesthetics for our time.
Black Boys
In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity.
Feminist Posthumanism in Contemporary Science Fiction Film and Media
Feminist Posthumanism in Contemporary Science Fiction Film and Media: FromAnnihilation toHigh Life and Beyond places posthumanism and feminist theory into dialogue with contemporary science fiction film and media. This essay collection is intimately invested in the debates around the posthuman and the critical posthumanities within a feminist critical-theoretical framework.In this posthumanist light, science fiction as a genre allows for new imaginings of human-technological relations, while it can also be the site of a critique of human exceptionalism and essentialism. In this way, science fiction affords unique opportunities for the scholarly investigation of the relevance and relative applicability of specific posthumanist themes and questions in a particularly rich and wide-ranging popular cultural field of production. One of the reasons for this suitability is the genre's historically longstanding relationship with the critical investigation of gender, specifically the position and relative empowerment of women. The original analyses presented here pay close attention to audiovisual style (including game mechanics), facilitating the critical interrogation of the issues and questions around posthumanism. Where typically the mention of SF in the posthumanist context calls to mind a whole set of (often clich矇d) tropes-the cyborg, technologically augmented bodies, AI subjectivities, etc.-this volume's thirteen chapters analyze specific examples of contemporary SF cinema that engage in meaningful ways with the burgeoning field of critical posthumanism, and that utilize such films to interrogate posthumanist and feminist as well as humanistic ideas.
Remembering Annie Hall
Since its release, Annie Hallhas established itself as a key film for Woody Allen's career and the history of romantic comedy more generally. At the 1978 Academy Awards, it won Oscars for Best Film, Best Director, Best Screenplay, and Best Actress and is regularly cited as one of the greatest film comedies ever released, credited with influencing directors such as Wes Anderson, Noah Baumbach, Richard Linklater, Greta Gerwig and Desiree Akhavan. This lively collection brings a new ethical and philosophical perspective to bear on Allen's work quite different from previous generations of scholars.At the same time as exploring the film's continuing influence on contemporary cinema, this book's contributors engage explicitly and implicitly with ongoing debates about Allen's cinematic output following the renewal of accusations against Allen by his adopted daughter Dylan Farrow in 2014 and 2018. The book is alive to debates within film studies about the limits of auteur theory and the role of the spectator.
Mario Bava
How do we approach a figure like Mario Bava, a once obscure figure promoted to cult status? This book takes a new look at Italy's 'maestro of horror' but also uses his films to address a broader set of concerns. What issues do his films raise for film authorship, given that several of them were released in different versions and his contributions to others were not always credited? How might he be understood in relation to genre, one of which he is sometimes credited with having pioneered? This volume addresses these questions through a thorough analysis of Bava's shifting reputation as a stylist and genre pioneer and also discusses the formal and narrative properties of a filmography marked by an emphasis on spectacle and atmosphere over narrative coherence and the ways in which his lauded cinematic style intersects with different production contexts. Featuring new analysis of cult classics like Kill, Baby ... Kill(1966) and Five Dolls for an August Moon (1970), Mario Bava: The Artisan as Italian Horror Auteur sheds light on a body of films that were designed to be ephemeral but continue to fascinate us today.
Flashbacks in Film
Flashbacks in Film examines film flashback as a rich multimodal narrative device, analyzing the cognitive underpinnings of film flashbacks and the mechanisms that lead viewers to successfully comprehend them. Combining a cognitive film theory approach with the theoretical framework proposed by blending theory, which claims that human beings' general ability for conceptual integration underlies most of our daily activities, this book argues that flashbacks make sense to the viewer, as they are specifically designed for the viewer's cognitive understanding. Through a mixture of analysis and dozens of case studies, this book demonstrates that successful film flashbacks appeal to the spectator's natural perceptual and cognitive abilities, which spectators exercise daily. This book will serve as a valuable resource for scholars interested in film studies, media studies, and cognitive linguistics.
Shakespeare and Game of Thrones
It is widely acknowledged that the hit franchise Game of Thrones is based on the Wars of the Roses, a bloody fifteenth-century civil war between feuding English families. In this book, Jeffrey R. Wilson shows how that connection was mediated by Shakespeare, and how a knowledge of the Shakespearean context enriches our understanding of the literary elements of Game of Thrones. On the one hand, Shakespeare influenced Game of Thrones indirectly because his history plays significantly shaped the way the Wars of the Roses are now remembered, including the modern histories and historical fictions George R.R. Martin drew upon. On the other, Game of Thrones also responds to Shakespeare's first tetralogy directly by adapting several of its literary strategies (such as shifting perspectives, mixed genres, and metatheater) and tropes (including the stigmatized protagonist and the prince who was promised). Presenting new interviews with the Game of Thrones cast, and comparing contextual circumstances of composition-such as collaborative authorship and political currents-this book also lodges a series of provocations about writing and acting for the stage in the Elizabethan age and for the screen in the twenty-first century.　 An essential read for fans of the franchise, as well as students and academics looking at Shakespeare and Renaissance literature in the context of modern media.
The Simpsons
The Simpsons: A Cultural History provides a fascinating look at this acclaimed animated television series. It recounts the birth of the show, discusses its remarkable merchandising success, and examines the show's popularity as the longest running episodic program in TV history.
Muppets in Moscow
Muppets in Moscow is the incredible true story of the author's odyssey to create Sesame Street in Russia. It reveals how--in between bombings and political chaos in 1990s Moscow--a team of Russian and American artists, producers, educators, writers, and puppeteers overcame their many differences to create an unprecedented hit in a post-communist era.
Directing Game Animation
The best character animation has a strong creative intent, driving a compelling performance. With the addition of interactivity, game animation adds complexity to the craft of how best to balance art, design and technology to realize a character's performance. As a director, you are responsible for not only defining a vision for how those should balance but also being a leader, mentor and advocate for your team. But in a field of rapid iteration of ideas and techniques, that strong creative intent can be easily lost or sacrificed if not properly fostered and defined.Directing Game Animation: Building a Vision and a Team with Intent breaks down the process of creating an intentional animation vision that can be both unique and flexible. From defining the high-level experience to breaking down tech needs, projecting a team size and empowering everyone to work together, this book will help you to wrap your mind around a project's animation needs.Animation, like every part of a game, cannot succeed--let alone function--in a vacuum. This book looks to foster a discussion around the process, needs and benefits of an empowered animation team and its vision as a universal benefit for the entire industry.This book is a guide to answer some of the most common questions people encounter when engaging with the overlap between creative and project leadership. What is your role? Learn how to establish expectations and needs specific to the project and team. How do you establish a vision? Learn how to better define and communicate creative topics such as a cohesive character performance and animation style. How do you build a team? Learn how to establish early on the team structure, skills and workflows needed to deliver on the needs of the project. How do you balance creative and production needs? Learn how to define quality, reviews and approvals in a way that empowers creativity and decision-making.
Directing Game Animation
The best character animation has a strong creative intent, driving a compelling performance. With the addition of interactivity, game animation adds complexity to the craft of how best to balance art, design and technology to realize a character's performance. As a director, you are responsible for not only defining a vision for how those should balance but also being a leader, mentor and advocate for your team. But in a field of rapid iteration of ideas and techniques, that strong creative intent can be easily lost or sacrificed if not properly fostered and defined.Directing Game Animation: Building a Vision and a Team with Intent breaks down the process of creating an intentional animation vision that can be both unique and flexible. From defining the high-level experience to breaking down tech needs, projecting a team size and empowering everyone to work together, this book will help you to wrap your mind around a project's animation needs.Animation, like every part of a game, cannot succeed--let alone function--in a vacuum. This book looks to foster a discussion around the process, needs and benefits of an empowered animation team and its vision as a universal benefit for the entire industry.This book is a guide to answer some of the most common questions people encounter when engaging with the overlap between creative and project leadership. What is your role? Learn how to establish expectations and needs specific to the project and team. How do you establish a vision? Learn how to better define and communicate creative topics such as a cohesive character performance and animation style. How do you build a team? Learn how to establish early on the team structure, skills and workflows needed to deliver on the needs of the project. How do you balance creative and production needs? Learn how to define quality, reviews and approvals in a way that empowers creativity and decision-making.
Teen Movies
Cinema has always engaged with the experiences, hopes, fears, and anxieties of--and about--adolescents, teenagers, and young people. This book is a comprehensive and accessible history of the depiction of teenagers in American film, from the silent era to the twenty-first century. Timothy Shary explores the development of teenage roles across eras and industrial cycles, such as the juvenile delinquent pictures of the 1950s, the beach movies of the 1960s, the horror films of the 1980s, and the fantasy epics of the 2000s. He considers the varied genres of the teen movie--horror and melodrama, romance and adventure, fantasy and science fiction--and its shifting themes and tropes around sex and gender, childhood and adulthood, rebellion and social order, crime and consumer culture. Teen Movies features analyses of films such as Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), American Pie (1999), and the Twilight series (2008-2012). This second edition is updated throughout and features a new chapter examining Millennials and Generation Z on screen, with discussions of many contemporary topics, including queer youth in movies like Moonlight (2016), abortion in films such as Never Rarely Sometimes Always (2020), and the flourishing of a "tween" cinema as seen in Are You There God? It's Me, Margaret. (2023).
The Movie Wheel
Do you ever get fed up of scrolling through categories on streaming sites? Then this is the book for you! Each genre has its opposite, and mixing genres is essential for every movie. Don't fall victim to a restrictive algorithm - instead of doom-scrolling the evening away, try selecting a movie by using The Movie Wheel to better predict the emotions you will experience.The Movie Wheel also includes a mini colour-coded film directory with original artwork, making it a great gift for young people and anybody who enjoys a good movie.
Supernatural
Supernatural: A History of Television's Unearthly Road Trip is a captivating examination of the cultural phenomenon that is Supernatural, the longest running genre series in US television history. It examines the show's predecessors, characters, major storylines, devoted fanbase, and how it has influenced other series that followed.
Burn It Down
NEW YORK TIMES BESTSELLER - LOS ANGELES TIMES BESTSELLERAn NPR Best Book of the YearIn this spectacular, newsmaking expos矇 that has the entertainment industry abuzz and on its heels, Vanity Fair's Maureen Ryan blows the lid off patterns of harassment and bias in Hollywood, the grassroots reforms under way, and the labor and activist revolutions that recent scandals have ignited.It is never just One Bad Man.Abuse and exploitation of workers is baked into the very foundations of the entertainment industry. To break the cycle and make change that sticks, it's important to stop looking at headline-making stories as individual events. Instead, one must look closely at the bigger picture, to see how abusers are created, fed, rewarded, allowed to persist, and, with the right tools, how they can be excised.In Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood's corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.Interviews with actors and famous creatives like Evan Rachel Wood, Harold Perrineau, Damon Lindelof, and Orlando Jones abound. Ryan dismantles, one by one, the myths that the entertainment industry promotes about itself, which have allowed abusers to thrive and the industry to avoid accountability--myths about Hollywood as a meritocracy, what it takes to be creative, the value of human dignity, and more.Weaving together insights from industry insiders, historical context, and pop-culture analysis, Burn It Down paints a groundbreaking and urgently necessary portrait of what's gone wrong in the entertainment world--and how we can fix it.
Cinematic Journeys in Latin America
This book critically examines how movies that feature real or imagined explorers and expeditions creatively feature the geography of Latin America. It focuses on how locales are scripted into film plots and artistically depicted, and demonstrates that place is as important as any character in a film, especially in this genre. Nineteen key films are analyzed. Some, like Aguirre, the Wrath of God, Fitzcarraldo, The Other Conquest, Embrace of the Serpent, and The Lost City of Z are based on the exploits of real explorers. Others are fictional, including Apocalypto, Indiana Jones and the Kingdom of the Crystal Skull, and Dora and the Lost City of Gold. The author also discusses the evolution of exploration-discovery films, including trends that will likely be found in forthcoming movies.
Albert Brooks
Albert Brooks: Interviews brings together fourteen profiles of and conversations with Brooks (b. 1947), in which he contemplates, expounds upon, and hilariously jokes about the connections between his show business upbringing, an ambivalence about the film industry, the nature of fame and success, and the meaning and purpose of comedy. Throughout all these encounters, Brooks expresses an unwavering commitment to his own artistic expression as a filmmaker and a rejection of mainstream conventions. With his questioning and critical disposition, nothing seems certain for Albert Brooks except for the integrity of art and the necessity for a wry skepticism about the incongruities of everyday life in corporate America. Brooks is neither a Hollywood insider nor an outsider. He's somewhere in-between. Since the early 1970s, this inimitable actor-writer-director has incisively satirized the mass media system from within. After initial work as an inventive comedian, both live and on network television, Brooks contributed six shorts to the first season of Saturday Night Live, which earned him a cult following for their avant-garde form and sensibility. These were followed by his feature debut, Real Life, the first of only seven films--including Modern Romance, Lost in America, and Defending Your Life--that Brooks has directed to date. His limited output reflects not only the difficulty in financing idiosyncratic films, but equally the exacting seriousness which Brooks has in making audiences laugh and think at the same time.
The Biggest Thing in Show Business
From 1946 to 1956, Dean Martin and Jerry Lewis provoked audiences into rollicking laughter as they shook up and delighted a culture they both mediated and made fun of. Using the duo's phenomenal popularity as a starting point, The Biggest Thing in Show Business looks askance at postwar America with a fast-moving sweep, jam-packed with unexpected connections, revealing details, and surprising insights. Aiming to be as unconventional as their subjects, Murray Pomerance and Matthew Solomon enact a highly spontaneous and up-to-the-minute approach to coauthorship that re-establishes the importance of Martin & Lewis in the cultural pantheon. As a result, the book's structure, methodology, and writing style are thoroughly dialogic and firmly opposed to stale convention.
Albert Brooks
Albert Brooks: Interviews brings together fourteen profiles of and conversations with Brooks (b. 1947), in which he contemplates, expounds upon, and hilariously jokes about the connections between his show business upbringing, an ambivalence about the film industry, the nature of fame and success, and the meaning and purpose of comedy. Throughout all these encounters, Brooks expresses an unwavering commitment to his own artistic expression as a filmmaker and a rejection of mainstream conventions. With his questioning and critical disposition, nothing seems certain for Albert Brooks except for the integrity of art and the necessity for a wry skepticism about the incongruities of everyday life in corporate America. Brooks is neither a Hollywood insider nor an outsider. He's somewhere in-between. Since the early 1970s, this inimitable actor-writer-director has incisively satirized the mass media system from within. After initial work as an inventive comedian, both live and on network television, Brooks contributed six shorts to the first season of Saturday Night Live, which earned him a cult following for their avant-garde form and sensibility. These were followed by his feature debut, Real Life, the first of only seven films--including Modern Romance, Lost in America, and Defending Your Life--that Brooks has directed to date. His limited output reflects not only the difficulty in financing idiosyncratic films, but equally the exacting seriousness which Brooks has in making audiences laugh and think at the same time.
Cinema’s Frontline
Unravel the Legacy: How War Films Shape and Reflect our WorldEver wondered how the silver screen has mirrored the tumultuous pages of history? How does cinema capture the essence of wars that have torn apart nations and rebuilt them? Cinema's Frontline: War Films from Silent Era to the Modern Day delves deep into the heart of war films, revealing the profound ways they have impacted society and been influenced by it in return.Take a journey back in time to the silent era, where the genre was born and cinema began its portrayal of war. Witness the transition from silent black-and-white portrayals to the technicolor epics of WWII, the emotional rawness of Vietnam War films, and the technological marvels of modern warfare movies. Along the way, explore the societal reflections, controversies, and ethical debates surrounding these films.But it's not just about the films. It's about the people they represent. How has cinema portrayed veterans, women, and minorities over the decades? How have war films aided in healing trauma or fanning the flames of protest? This book will provide answers, unraveling the intricate relationship between cinema and society. From the pioneers of the silent era to the groundbreaking directors of today, discover the stories behind the stories on the big screen.Dive into Cinema's Frontline: War Films from Silent Era to the Modern Day to embark on an enlightening cinematic journey. Whether you're a film enthusiast, a history buff, or someone intrigued by the interplay of art and society, this book promises to captivate, inform, and inspire. Secure your passage to a deeper understanding of war films and their indelible mark on culture and consciousness.
Rewind
Some movies are iconic. Others are merely entertaining. In Rewind: A Half-Century of Classics, Cult Hits, and Other Must-See Movies, veteran journalist and longtime film buff Rick Anderson reflects on fifty classic films created within a fifty-year period, from 1945-1995. This book provides a historical perspective on these films and the people who made them. Why do these movies work? Or, in some cases, why didn't they work better? The author looks back at well-known films such as Rear Window, The Third Man, Apollo 13, and Sounder. And many other popular but less-renowned works also are covered, as are a handful of relatively obscure productions. The common denominator is that all the films here deserve at least a look from movie fans. Or, for those who have previously watched them, a rewind.
The Art of Classic Sci-Fi Movies
From the dawn of silent cinema to today, sci-fi movies have been a constant presence in pop culture, with mad scientists, terrifying monsters (giant and otherwise), UFOs, and invading aliens all bursting out from some of the most brilliantly designed posters ever printed, featuring art that was sometimes lurid, always eye-catching, and often simply beautiful. Acknowledging the iconic, but with plenty of room for the rare and unfamiliar, The Art of Classic Sci-Fi Movies presents a stellar selection of imagery, charting the story of the genre from its origins in foundational works like A Trip to the Moon and Metropolis, through Cold War classics like Invasion of the Body-Snatchers and Godzilla, and on to visionary films such as 2001 and Solaris--as well as less celebrated but nonetheless infamous cultural artifacts like Barbarella and Zardoz, and genuine oddities such as Murder by Television and Twonky. The most extensive book of its type ever published, it includes ample selections from American movies as well as a range of films from Japan, Italy, Spain, France, Russia, and Eastern Europe.
Shooting the Scene
Navigating the necessary skills for shooting film or TV is a challenge for any filmmaker. This book demystifies the art and craft of "coverage" - explaining where to put the camera to shoot any kind of scene.
How to Pull a Movie Out of Your Ass
General information and realistic expectations for the the first time filmmaker with no budget to speak of. First-hand experience from the author who made his first feature film at 50, after having had a disastrous start 7 years earlier.
Frasier
Frasier is one of the most critically acclaimed series in television history, winning an astounding thirty-seven Emmys. This book shows how the series managed to create its own identity and iconic cast of characters, embraced farce to an unseen level in American sitcoms, and exploited class issues for humor in a unique style.
