Rape and Revenge Films (2023)
To get a sense of justice in horror and horror-adjacent cinema, you first need to experience revulsion and terror. You need to fear and survive predators before you can start hating them, and you need to hate them to get even in the most painful ways. In this book, I rate and review 28 rape-and-revenge films. How many have you seen?
Who Nuked the Duke?
It's an epic tale that spans more than 30 years. As the Cold War took hold at that dawn of the 1950s the U.S. government began a program to perfect the atom bomb. The Nevada Test Site would be the prime location for testing atomic weapons on U.S. soil. A key to the program was to reduce impact to the public by having the radioactive nuclear fallout drift "downwind" into sparsely-inhabited areas of Utah. Who Nuked The Duke? looks at the program through the camera lens and filming of the 1954 RKO epic The Conqueror. The John Wayne feature, from producer Howard Hughes, would be filmed inside the infamous Snow Canyon, "a key resevoir" of nuclear fallout. As the years ticked by cast and crew would succumb, one by one, to a host of cancers. Director Dick Powell, co-star Pedro Armendariz, leading lady Susan Hayward, co-star Agnes Moorehead, and ultimately John Wayne himself. Along with countless other cast and crew, they represent a microcosm of what happened in the Utah community where the movie was filmed. Taking an objective look back at the government program, the scientific facts behind the testing and its impact on the community, as well as the lives of the Hollywood stars, Who Nuked The Duke? offers a rare look inside movie history and the Atomic Energy program. This award-winning book was first published in 2014 and has been updated in 2023. Who Nuked The Duke? was an inspiration for the film documentary Conqueor: Hollywood Fallout.
Holiday Specials on Television, 1939-2021
In November 1939, NBC's fledgling television station W2XBS broadcast the first known holiday special, The Macy's Thanksgiving Day Parade. Despite its small viewership (very few TV sets existed at the time), the experimental telecast was a harbinger of a now-beloved American tradition: the holiday television special. This book offers a thorough account of holiday television specials in the United States from 1939 to 2021, highlighting variety shows, comedic performances, musical spectaculars and more. From familiar favorites (1964's Rudolph the Red-Nosed Reindeer) to campy one-offs (1985's He-Man and She-Ra: A Christmas Special), the 1140 programs are covered alphabetically and feature performance casts, production credits and storylines for each. Three appendices cover "lost" holiday specials, along with Christmas and Halloween-themed episodes of popular television series.
Sixteen Weeks to Fade Out
This is a comprehensive guide to writing the first draft of a feature length screenplay. While it focuses on the college semester (16 Weeks), it is also completely appropriate for anyone attempting to write a screenplay within a timeline. The text breaks down different approaches to designing a screenplay by providing pragmatic guidelines enhancing your ability to use creativity rather than focusing on rules. It highlights the skills necessary to execute compelling visual language to achieve good story, plot, dialog, dynamic characters, and help you put it all together. Think of this as a companion tool as you write. The language is simplified and yet academic, theoretically sound and yet pragmatic. It also offers additional insight into the history of screenwriting, the re-write process, and the specific skill sets needed for adaptation.This book is easy to understand and provides accounts for context from the author as a professional screenwriter, as well as anecdotes from other professionals (David Mickey Evans - The Sand Lot, and Vince McKewin - Fly Away Home, and Jeb Stuart - Die Hard, The Fugitive, Dana Coen - JAG, NCIS, and Anthony Tambakis -- Warrior, Suicide Squad 2).
Where Do All The Calculators Go?
Are we really alone in a godless, uninhabited, hostile and meaningless universe?Was Jesus actually a hippy?Was Human Heaven just made up to prevent us all from going nuts?Given that God is infinite, and that the universe is also infinite... would you like a toasted teacake?Join the Boys from the Dwarf on their most challenging mission yet, as we attempt to salvage Biblical truth and wisdom from the cosmic debris of the galaxy, taking a sideways look at subjects including destiny, justice, religion, identity and temporal mechanics in Where Do All The Calculators Go?, the Red Dwarf / theology mash-up you never knew you needed.
Film Close Up
Chris Wade takes a look at the films of Henry Jaglom, one of the most fiercely independent filmmakers in American history. Beginning with his earliest pictures, A Safe Place and Tracks, Wade delves deep into Jaglom's 80s period, charting his rise as an artist, before going on to the 90s and more recent work, when Henry's unique style cemented itself into popular culture. Often covering taboo issues and subjects few other male directors would consider, Jaglom's singular filmography is one that deserves to be discovered and cherished by any serious film buff. Peppered with recollections from Jaglom himself, plucked from various email and phone interviews conducted by Wade, THE CINEMA OF HENRY JAGLOM is a celebration of a true one-off maverick.
Shakespearean Drama, Disability, and the Filmic Stare
Shakespearean Drama, Disability, and the Filmic Stare synthesizes Laura Mulvey's male gaze and Rosemarie Garland-Thomson's stare into a new critical lens, the filmic stare, in order to understand and analyze the visual construction of disability in adaptations of Shakespearean drama. The book explores the intersections of adaptation studies, film studies, Shakespeare studies, and disability studies to analyze twentieth and twenty-first century representations of both physical disability and 'madness' in global cinematic film, television film, and digital broadcast cinema in Shakespeare's works. Shakespearean Drama, Disability, and the Filmic Stare argues that the filmic stare does not differentiate between male and female characters with disabilities, or between powerful and powerless figures in disability representation. This multi-disciplinary volume is ideal for disability studies scholars, Shakespeare scholars, and those interested in adaptations of Shakespeare's famous works.
Theo Angelopoulos
The cinema of Theo Angelopoulos is celebrated as challenging the status quo. From the political films of the 1970s through to the more existential works of his later career, Vrasidis Karalis argues for a coherent and nuanced philosophy underpinning Angelopoulos' work.The political force of his films, including the classic The Travelling Players (1975), gave way to more essayistic works exploring identity, love, loss, memory and, ultimately, mortality. This development of sensibilities is charted along with the key cultural moments informing Angelopoulos' shifting thinking. From Voyage to Cythera (1984) until his last film, The Dust of Time (2009), Angelopoulos' problematic heroes in search of meaning and purpose engaged with the thinking of Plato, Mark, Heidegger, Arendt and Luckacs, both implicitly and explicitly.Theo Angelopoulos also explores the rich visual language and 'ocular poetics' of Angelopopulos' oeuvre and his mastery of communicating profundity through the everyday. Karalis argues for a reading of his work that embraces contradiction and celebrates the unsettling questions at the heart of his work.
The Avatar Television Franchise
Nickelodeon's Avatar: The Last Airbender(2005-08) and its sequel The Legend of Korra(2012-14) are among the most acclaimed and influential U.S. animated television series of the 21st century. Yet, despite their elevated status, there have been few academic works published about them. The Avatar Television Franchise: Storytelling, Identity, Trauma, Fandom and Reception remedies this gap by bringing together a wide range of scholarly writings on these shows. This edited collection is comprised of 13 chapters organized into 4 sections, featuring close readings of key episodes, analyzing how they create meaning as well as illustrating how established theories can guide those readings. Some chapters explore different theories relating to identity as well as considering the repercussions of depicting real-world identities in these shows, while others examine the various manifestations of trauma from throughout the franchise as well as illustrates different scholarly approaches to the topic. Still others utilize fan studies to understand the myriad ways viewers have responded to and interpreted the Avatarfranchise.
The Cinematic Influence
Exploring the multiple aesthetic and cultural links between French and Japanese cinema, The Cinematic Influence is packed with vivid examples and case studies of films by Akira Kurosawa, Jean-Luc Godard, Hirokazu Kore-eda, Claire Denis, Naomi Kawase, Michel Gondry and many others. It illustrates the vast array of cinematic connections that mark a long history of mutual influence and reverence between filmmakers in France and Japan. The book provides new insights into the ways that national cinemas resist Hollywood to maintain and strengthen their own cultural practices and how these national cinemas perform the task of informing and enlightening other cultures about what it means to be French or Japanese. This book also deepens our understandings of film's role as a viable cultural and economic player in individual nations. Importantly, the reader will see that film operates as a form of cultural exchange between France and Japan, and more broadly, Europe and Asia. This is the first major book to investigate the crossover between these two diverse national cinemas by tracking their history of shared narrative and stylistic techniques.
The Handbook of French Fantastic Cinema
This book covers the entire history of French genre cinema from its early days to 2022.WHAT THE CRITICS SAID: JOHN CLUTE (Encyclopedia of Fantasy, Science Fiction Encyclopedia)"I just now (finally) gotten my copy of French Science Fiction, Fantasy, Horror and Pulp Fiction and am immediately finding it enthralling."LOCUS "The most enlightening reference book of the year..."INTERZONE " It is a wonderful window into a world lost to us ignorant monolinguists. The book is well illustrated... It's certainly a book I shall refer to on many occasions. I think the Lofficiers have done a remarkable and laudable job."STARLOG "There is simply, no book like this one. Highly recommended."VIDEO WATCHDOG "...the instant I saw it, I knew that it was going to fill a major void in my library. I've just spent the last hour perusing it with admiration... It's not really a critical book, but rather an awe-inspiring survey of the history of French fantastique in all its forms... I've been saying for years, even though the French were responsible for starting it all, that there really has been no French tradition of the fantastic, but the completeness of this book is going to make me eat my words."FOUNDATION "...A truly epic enterprise... The information it contains abundantly justifies its inclusion on every reference shelf dedicated to imaginative fiction... A powerful instrument of understanding, which will hopefully become an invaluable guide to future research."UTOPIAN STUDIES"I can say, honestly, that I stand in awe of the labor and erudition that went into this book. It is in the same league as the Clute/Nicholls Encyclopedia, and all the more astonishing in the fact that it is the work of two people, not of multiple hands. It is an invaluable tool for any future research in this fascinating area of French culture... I salute the energy, intelligence and effort that went into producing this work, and can only wish more scholars would follow this example."SCIENCE FICTION STUDIES"The publication of this massive 'guide' must, by any standard, be viewed as a significant event: it is the first heroic attempt to provide, in English, a comprehensive overview of the history of Francophone speculative fiction...CLASSIC IMAGES"French Science Fiction [...] is quite unique and quite incredible in its size... The authors apparently received the Inkpot Award for Outstanding Achievements in Comic Arts. I have no idea what this award is, but based on this present offering, it was well deserved."COLLEGE & RESEARCH LIBRARIES NEWS"... fills in a long-neglected bibliographic gap in the study of French-language science fiction and fantasy literature, a genre with venerable roots and innumerable branches. The authors have covered all the bases in enormous detail."A.R.B.A. "...A wealth of information... It is to the authors' credit that they have made this material more accessible to an English-speaking public. French Science Fiction... will find its place... in the library of enthusiasts who have had a long love affair with science fiction and the fantastique, to whom it is heartily recommended."QUADRANT"This huge and comprehensive book is an extraordinary achievement that deserves to be well known... It is the ultimate sourcebook for anyone wishing to extend their knowledge, deepen it or be introduced -- the authors do not assume prior knowledge, but write their chapters in an interesting and intelligent way.FILM REVIEW"A stupendous achievement..."
Elizabeth Taylor
Elizabeth Taylor: Icon of American Empire examines Taylor's stardom as symbolic of American Empire at the apex of its power.
Uncomfortable Television
From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television's role in assimilating viewers into worlds marked by precarity, perversity, and crisis.
Uncomfortable Television
From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people. In Uncomfortable Television, Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television's role in assimilating viewers into worlds marked by precarity, perversity, and crisis.
A Pirate’s History of Doctor Who
Welcome to the first (but not the last) Pirate's History of Doctor Who. What's a Pirate's History, you ask? Well, there's the official, sanitized, orderly histories that are approved by and all about the powers that be. Then there are the Pirate's histories, the things that they don't want you to know about, or that they don't care about, things that are great and marvellous and intriguing... but unapproved. It's a history of secret and forgotten corners of the Whoniverse. Thrill to the story of the first Woman Doctor, Barbara Benedetti, whose four adventures during the end of the Colin Baker era and the start of the McCoy reign, rivalled the official BBC in quality, and launched an entire series of women Doctors, Sharon Horton, Lily Daniels, Krystal Moore, thirty years before Jody Whittaker.Or how about BBC's attempt to kill Doctor Who in 1984, the fan campaign that saved the show, the hiatus, and the slow secret war the BBC waged to end one of its most popular shows. There's the tragic tale of the decline and fall of John Nathan-Turner. There's a history that includes a fan group's attempt to create a feature length Doctor Who movie with Super 8 cameras in the 70s, and a whole lost generation of fans and films. Here's the story of the explosion of Doctor Who in the 80s, the emergence of fan culture, and the rise of fan films, beginning with the woman Doctor.As Doctor Who was driven into oblivion by the BBC, it was fans who stepped up, creating their own stories, building their own adventures, creating Daleks and Cybermen, producing parodies, and even re-creating the show that the BBC had abandoned with astonishingly professional productions. Here are the tales of stories and adventures aspiring to, and sometimes rivalling the classic series, Wrath of Eukor, Visions of Utomu, Ocean in the Sky, Regenesis, Phase Four, Spectre from the Past, the Experiment, the Chronotron Effect, Resurrection of Evil, Time and Again and others. Subsequent volumes will explore Doctor Who's history of stage plays; the recreation and resurrection by fans of Lost stories in every way, from pioneers audio-recording the entire series, to fan artists and animators re-creating the episodes, to the astonishing diversity and imagination of fan art. Witness the creation of audio Who universes, or the stories of fans who figured out how to make legal films and videos in the Doctor Who universe, whether the BBC approved.We'll bring you adventures and epics you've never heard of and never dreamed of, open new worlds in time and space, show how the fans creativity and accomplishments, often against the BBC's wishes, opened up creative possibilities for the show. And how people driven by nothing more than sheer love, were inspired to create amazing and wonderful works. You may think you know Doctor Who, but these are books unlike any other, and we'll show you places in the Whoniverse that you never dreamed of.
Marriages, Families, & Intimate Relationships
Running the Show takes you inside building a show from the ground up and what a showrunner's life looks like in Hollywood.
Six Seasons and a Movie
A rich and heartfelt look at a series that rewrote the rules of TV sitcoms
Refocus: The Films of Roberta Findlay
ReFocus: The Films of Roberta Findlay covers a variety of angles, using queer, feminist, historical, and close textual reading methods to grapple with the complicated and contradictory politics and meanings of this pioneering culture-worker. Chapters examine Findlay's marketing strategies, the gender politics of her exploitation and hardcore films, 1980s horror productions, and several case studies of key individual films, in addition to a new interview with Findlay reflecting on her life and career.
Dark Comedy Watchlist (2023)
This book contains 769 dark comedy summaries in chronological order with a checkbox to keep track of what you've seen.
Monster Watchlist (2023)
This book contains 1961 monster movie summaries in chronological order with a checkbox to keep track of what you've seen.
LEXX Unauthorized, Series 2
LEXX Unauthorized, Series 2 - The continuing story of Kai, an undead assassin, Zev, a combination of love slave and cluster lizard, Stanley Tweedle, a hapless security guard and 790, a robot head, careening through space together in the LEXX, a stolen, planet destroying, biological warship shaped like a dragonfly. In the second series, the crew travel through space, searching for a new home, or at least a good time, while in their wake a mysterious force is destroying the universe. LEXX was one of the strangest and most wildly surreal space operas ever conceived, owing as much to Luis Bunuel and Alejandro Jodorowsky as to to Star Trek and Star Wars. It was unique and unforgettable, mixing black comedy and absurdism with epic drama, and an astonishing visual sense. Series Two explores the creation of the series, including the development of story arcs, the musical episode, shooting in Canada and Germany and the evolution of scripts and ideas, including a breakdown of lost episodes that fell by the wayside or mutated into dramatic new forms. Backstage, the story of the creation of the series was even more extraordinary, a tale of regional Atlantic film makers, renegade artists, cult film makers, wild experimentation, Canadian cultural nationalism, German entrepreneurs, new computer generated imagery technologies and backstage chaos intersecting in wildly unpredictable ways, to create truly exotic images and stories. The product of years of research and dozens of interviews, this is a 'must buy' for any fan of the show itself or of science fiction movies television generally, and an eye opening insight into film and television production, especially Canadian and international productions.
Invasion Watchlist (2023)
This book contains 609 invasion movie summaries in chronological order with a checkbox to keep track of what you've seen.
Polish Cinema Today
This book examines recent innovations in Polish film. The authors analyzes the ways in which Polish directors challenge revered images of national and gender identity, the country's historical martyrdom, the benevolent family, and the status of the influential Catholic Church.
Haunting Watchlist (2023)
This book contains 946 haunting movie summaries in chronological order with a checkbox to keep track of what you've seen.
Slasher Watchlist (2023)
This book contains 724 slasher movie summaries in chronological order with a checkbox to keep track of what you've seen.
The Annotated Abbott and Costello
Abbott and Costello were the most popular comedians of the 1940s, with burlesque-inspired routines that enthralled audiences on both radio and television. Oddly, their films have not received the same level of attention from critics and writers as those of other comedy teams. This book is a scene-by-scene, film-by-film guide to their movies, making a compelling case for their inclusion at the very top of comic artists. Featuring new research and some surprising revelations, the book introduces newcomers to the delights of this uproarious team and provides confirmed fans with the ultimate companion to their work. Also included is a foreword by John Landis, the celebrated director and Abbott and Costello devotee.
Streaming Mental Health and Illness
From mindfulness in schools to meditation apps, mental health is bursting out of the psychiatrist's chair and into our everyday conversations. As awareness of mental health increases, so does its predominance in popular culture, which makes for a particularly interesting investigation into the representation of these concerns on our most ubiquitous streaming service: Netflix. These eight essays explore how the service's original content jumps into those conversations, creating helpful--or harmful--messaging about the inner workings of our minds. From toxic masculinity to PTSD, adolescence to motherhood, mental health touches our lives in myriad ways. This interdisciplinary collection explores these intersections, examining how representations of mental health on our screens shape our understanding of it in our lives.
Colonial Tactics and Everyday Life
Following the Japanese invasion of northeast China in 1931, the occupying authorities established the Manchuria Film Association to promote film production efficiency and serve Japan's propaganda needs. Manchuria Film Association had two tasks: to make "national policy films" as part of a cultural mission of educating Chinese in Manchukuo (the puppet state created in 1932) on the special relationship between Japan and the region, and to block the exhibition of Chinese films from Shanghai that contained anti-Japanese messages. The corporation relied on Japanese capital, technology, and film expertise, but it also employed many Chinese filmmakers. After the withdrawal of Japanese forces in 1945, many of these individuals were portrayed as either exploited victims or traitorous collaborators. Yuxin Ma seeks to move the conversation beyond such simplistic and inaccurate depictions. By focusing on the daily challenges and experiences of the Chinese workers at the corporation, Ma examines how life was actually lived by people navigating between practical and ideological concerns. She illustrates how the inhabitants of Manchukuo navigated social opportunities, economic depression, educational reforms, fascist rule, commercial interests, practical daily needs, and more-and reveals ways in which these conflicting preoccupations sometimes manifested as tension and ambiguity on screen. In the battle between repression and expression, these Chinese actors, directors, writers, and technicians adopted defensive and opportunistic tactics. They did so in colonial spaces, often rejecting modernist representations of Manchukuo in favor of venerating traditional Chinese culture and values. The expertise, skills, and professional networks they developed extended well beyond the occupation into the postwar period, and may individuals reestablished themselves as cinema professionals in the socialist era.
Horror Watchlist (2023)
This book contains 2859 horror movie summaries in chronological order with a checkbox to keep track of what you've seen.
The River
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Blood, Brutality, and Humor in Tarantino Movies. Pulp Fiction and Inglourious Basterds
Master's Thesis from the year 2019 in the subject Film Science, grade: 2,7, University of Cologne, language: English, abstract: This thesis gives an analysis of technical as well as contextual items that Tarantino uses time and again in order to produce violent movies and give them his very personal touch. Doing that, he makes use of two basic elements: humor and an abundant amount of violence. It would sound like humor and violence do not go well together. The author argues that Tarantino accomplishes this feat with a seeming effortlessness which could just as well be an elaborate plan to criticize the use of violence and advocate a life free of crime. In order to do that, two scenes from different stages of Tarantino's career were chosen, both personally and cinematically. The first scene that is analyzed is taken from his 1994 independent movie "Pulp Fiction". The second scene analyzed is from "Inglourious Basterds" from 2009. The two films in focus are different in various aspects such as the scenery and setting, the cultural and historical context or sociocultural circumstances at the time of their release, to name a few. This is why they make an excellent contrast to show the differences but also the similarities in Tarantino's work to deduct a development from the comparison. The first focus of the thesis lies on the concept of violence. It gives a brief history both diachronically as well as synchronically. After that, the concept of humor is addressed, and with that why something is perceived as being funny (or maybe not). The idea of alienation between what the viewer or listener expects and what they are actually provided with plays an important role here. A conclusion to this thesis deals with why Tarantino chooses the depiction of (graphic) violence that he is known and famous for. Tarantino changes his modus operandi over the years when it comes to the representation of brutality in his movies. But he stays true to himself in the very core of the k
New Approaches to Islam in Film
Many global film industries fail in expanding the role of Muslims on screen. Too often they produce a dichotomy between "good" and "bad" Muslims, limiting the narrative domain to issues of national security, war, and terrorism. Naturally, much of the previous scholarship on Muslims in film focused on stereotypes and the politics of representation. This collection of essays, from an international panel of contributors, significantly expands the boundaries of discussion around Muslims in film, asking new questions of the archive and magnifying analyses of particular cultural productions.The volume includes the exploration of regional cinemas, detailed analysis of auteurs and individual films, comparison across global cinema, and new explorations that have not yet entered the conversation. The interdisciplinary collection provides an examination of the multiple roles Islam plays in film and the various ways Muslims are depicted. Across the chapters, key intersecting themes arise that push the limits of how we currently approach issues of Muslims in cinema and ventures to lead us in new directions for future scholarship. This book adds new depth to the matrix of previous scholarship by revisiting methodological structures and sources, as well as exploring new visual geographies, transnational circuits, and approaches. It reframes the presiding scholarly conventions in five novel trajectories: considering new sources, exploring new communities, probing new perspectives, charting new theoretical directions, and offering new ways of understanding conflict in cinema. As such, it will be of great use to scholars working in Islamic Studies, Film Studies, Religious Studies, and Media.
Soviet Films of the 1970s and Early 1980s
This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair.
Israeli Television
The essays in this anthology study Israeli television, its different forms of representation, audiences and production processes, past and present, examining Israeli television in both its local, cultural dynamics, and global interfaces. The book looks at Israeli television as a creator, negotiator, guardian and warden of collective Israeli memory, examining instances of Israeli original television exported and circulated to the US and the global markets, as well as instances of American, British, and global TV formats, adapted and translated to the Israeli scene and screen. The trajectory of this volume is to shed light on major themes and issues Israeli television negotiates: history and memory, war and trauma, Zionism and national disillusionment, place and home, ethnicity in its unique local variations of Ashkenazim and Mizrahim, immigrants from the former Soviet Union and Ethiopia, Israeli-Arabs and Palestinians, gender in its unique Israeli formations, specifically masculinity as shaped by the military and constant violent conflict, femininity in this same context as well as within a complex Jewish oriented society, religion, and secularism. Providing multifaceted portraits of Israeli television and culture in its Middle Eastern political and local context, this book will be a key resource to readers interested in media and television studies, cultural studies, Israel, and the Middle East.
Horror Adjacent Films (2023)
Steve Hutchison reviews 216 horror-adjacent films listed in chronological order. Each article includes a picture of the main antagonist(s), a release year, a synopsis, five ratings, an icon strip of pertaining genres, a review, and a checkbox to keep track of what you've seen.
The Shut Up and Shoot Video Production Guide
Anthony Q. Artis is a 30-year veteran of the fi lm and TV industry whose features and TV shows have screened at the Tribeca Film Festival and the IFP Market, as well as on MTV and the Independent Film Channel. Anthony works professionally as a producer, director, and cinematographer at MightyAntMedia.com and has taught video production at New York University for two decades now. He is the author of the bestselling Shut Up and Shoot Documentary Guide (2014), The Shut Up and Shoot Freelance Video Guide (2011), and numerous fi lmmaking courses on LinkedInLearning.com .Accessible and comprehensive, this book is a great introduction on how to make movies and video projects with limited resources, time, or experience. Artis will teach readers the "Down and Dirty" filmmaking mindset, which forces fi lmmakers to be creative with their resources, do more with less, and result in a better, faster, and less expensive product.Drawing on more than 30 years of experience, Artis covers such wide-ranging topics as composition, lens choice, smartphone filmmaking, audio equipment, lighting and grip basics, and much more. With more than 500 full-color pictures, tips from pros, checklists, and case studies, readers will be well prepared to apply their knowledge to their shoots.Written by an indie filmmaker for indie filmmakers, this book is perfect for rookies, veterans, and students who want to maximize their budget while turning in top-quality work.
The Story of Film
An updated edition - with completely new chapters - of the most accessible and compelling history of the cinema yet published, and complements Mark Cousins' fascinating 15-hour film documentary The Story of Film: An Odyssey. Filmmaker and author Mark Cousins shows how filmmakers are influenced both by the historical events of their times, and by each other. He demonstrates, for example, how Douglas Sirk's Hollywood melodramas of the 1950s influenced Rainer Werner Fassbinder's despairing visions of 1970s Germany; and how George Lucas' Star Wars epics grew out of Akira Kurosawa's The Hidden Fortress. The Story of Film is divided into three main epochs: Silent (1885-1928), Sound (1928-1990) and Digital (1990-Present). Films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time. This edition includes new text that encompasses the further-reaching scope of world cinema today, and the huge leaps in technology that have changed cinema screens forever.Film is an international medium, so as well as covering the great American films and film-makers, The Story of Film explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries. Avoiding jargon and obscure critical theory, the author constantly places himself in the role of the moviegoer watching a film, and asks: 'How does a scene or a story affect us, and why?' In so doing he gets to the heart of cinematic technique, explaining how film-makers use lighting, framing, focal length and editing to create their effects. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and moviegoers alike.
Splatter Films (2023)
When it comes to horror movie brutality, the gorier the merrier. Gore feeds a fascination for mutilation and the vulnerability of the human body. It can be fun and it can be overwhelming. It can make you laugh and it can make you look away. In this book, I rate and review 263 splatter films. How many have you seen?
Sofia Coppola
Sofia Coppola (b. 1971) was baptized on film. After appearing in The Godfather as an infant, it took twenty-five years for Coppola to take her place behind the camera, helming her own adaptation of Jeffrey Eugenides's celebrated novel The Virgin Suicides. Following her debut, Coppola was the third woman ever to be nominated for Best Director and became an Academy Award winner for Best Original Screenplay for her sophomore feature, Lost in Translation. She has also been awarded the Golden Lion at the Venice Film Festival and Best Director at Cannes. In addition to her filmmaking, Coppola is recognized as an influential tastemaker. She sequenced the so-called Tokyo dream pop of the Lost in Translation soundtrack like an album, a success in its own right. Her third film, Marie Antoinette, further showcased Coppola's ear for the unexpected needle drop, soundtracking the controversial queen's life with a series of New Romantic bangers popular during the director's adolescence. The conversations compiled within Sofia Coppola: Interviews mark the filmmaker's progression from dismissed dilettante to acclaimed auteur of among the most visually arresting, melancholy, and wryly funny films of the twenty-first century. Coppola discusses her approach to collaboration, Bill Murray as muse, and how Purple Rain blew her twelve-year-old mind. There are interviews from major publications, but Coppola speaks with musician Kim Gordon for indie magazine Bust and Tavi Gevinson, then-adolescent founder of online teen magazine Rookie, as well. The volume also features a new and previously unpublished interview conducted with volume editor Amy N. Monaghan. To read these interviews is to witness Sofia Coppola coming into her own as a world-renowned artist.
The Reenactment in Contemporary Screen Culture
During the first decades of the 21st century, a critical re-assessment of the reenactment as a form of historical representation has taken place in the disciplines of history, art history and performance studies. Engagement with the reenactment in film and media studies has come almost entirely from the field of documentary studies and has focused almost exclusively on non-fiction, even though reenactments are being employed across fiction and non-fiction film and television genres. Working with an eclectic collection of case studies from Milk, Monster, Boys Don't Cry, and The Battle of Orgreave to CSIand the video of police assaulting Rodney King, this book examines the relationship between the status of theatricality in the reenactment and the ways in which its relationships to reference are performed. Carrigy shows that while the practice of reenactment predates technically reproducible media, and continues to exist in both live and mediated forms, it has been thoroughly transformed through its incorporation within forms of technical media.
Israeli Bourekas Films
A genre of comic melodramas produced in the 1960s and '70s, Bourekas films are among the most popular films ever made in Israel. In Israeli Bourekas Films, author and filmmaker Rami Kimchi sets out a history of Bourekas films and discusses their origin.Kimchi considers the representation of Sephardi or Mizrahi Jews in the films, noting that the material culture reflected in the the films presented a culture that was closer to the European Yiddish culture than to the Middle Eastern world of the Mizrahim. Kimchi reflects on the enormous popularity and commercial success of Bourekas films, uncovers how they were made, who made them and why, and discusses the impact of the films on Israeli cinema today. Israeli Bourekas Films is a film insider's view of the characters, stories, and cultures that made Bourekas films such an important part of Israeli life.
Contemporary Israeli Cinema
Through analysis of the complex discourse surrounding trauma and loss, this book provides a necessary examination of temporality and ethics in Israeli film and television since the turn of the millennium. The author examines posttraumatic idioms of fragmentation and incoherence, highlighting the rising resistance towards generic categories, and the turn to unconventional and paradoxical structures with unique aesthetics. Maintaining that contemporary Israeli cinema has undergone an ethical shift, the author examines the revealing traumas and denied identities that also seek alternative ways to confront ethical question of accountability. It discusses the relationships between trauma, nationalism, and cinema through the intertwined perspectives of feminism, queer theory, and critical race and postcolonial studies, showing how national traumas are constructed by notions of gendered, sexual, and racial identity. This innovative text highlights the complexities of discourse surrounding trauma and loss, informed by multiple categories of difference. Across each chapter various elements of Israeli film are explored, spanning from strategies used to critically examine victim-perpetrator dynamics, co-existence in temporal space, women's cinema in Israel, displacement, and queer communities and identity. Beyond its direct contribution to cinema studies and Israel studies, the book will be of interest to trauma and memory studies, postcolonial studies, gender and sexuality studies, Jewish studies, Middle Eastern studies, and cultural studies.
Heroism in Doctor Who
This first comprehensive study of heroism and the heroic in "Doctor Who" (1963-2020) uses one of Britain's longest-running TV series to access the changing state of the nation and its collective emotions since the early Sixties. The analysis of two decade-spanning processes of heroization (of the Doctor and female characters in the series) is combined with close readings of individual episodes that feature heroic moments in crystallized narratives of past and future. Nostalgic collective memory, female empowerment and key moments of British history (e.g. World War II) all resonate in the series, which shows how popular heroes negotiate socio-cultural change and identity construction.
The Art of the Photoplay
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sofia Coppola
Sofia Coppola (b. 1971) was baptized on film. After appearing in The Godfather as an infant, it took twenty-five years for Coppola to take her place behind the camera, helming her own adaptation of Jeffrey Eugenides's celebrated novel The Virgin Suicides. Following her debut, Coppola was the third woman ever to be nominated for Best Director and became an Academy Award winner for Best Original Screenplay for her sophomore feature, Lost in Translation. She has also been awarded the Golden Lion at the Venice Film Festival and Best Director at Cannes. In addition to her filmmaking, Coppola is recognized as an influential tastemaker. She sequenced the so-called Tokyo dream pop of the Lost in Translation soundtrack like an album, a success in its own right. Her third film, Marie Antoinette, further showcased Coppola's ear for the unexpected needle drop, soundtracking the controversial queen's life with a series of New Romantic bangers popular during the director's adolescence. The conversations compiled within Sofia Coppola: Interviews mark the filmmaker's progression from dismissed dilettante to acclaimed auteur of among the most visually arresting, melancholy, and wryly funny films of the twenty-first century. Coppola discusses her approach to collaboration, Bill Murray as muse, and how Purple Rain blew her twelve-year-old mind. There are interviews from major publications, but Coppola speaks with musician Kim Gordon for indie magazine Bust and Tavi Gevinson, then-adolescent founder of online teen magazine Rookie, as well. The volume also features a new and previously unpublished interview conducted with volume editor Amy N. Monaghan. To read these interviews is to witness Sofia Coppola coming into her own as a world-renowned artist.
Tv-Philosophy
This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell's work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and by the ways they become interconnected with our daily lives. The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. 'Series-philosophy' is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education-in sometimes surprising ways.
Tv-Philosophy in Action
TV-Philosophy in Action is inspired by philosopher and series-devotee Sandra Laugier's monthly columns published in the French journal Liberation. It is her contribution to the collective reflection on TV series produced by critics, theorists, and the vast mass of individual watchers who evaluate and discuss these programmes every day. The book brings together a selection of articles from Liberation, as well as longer pieces, to demonstrate 'TV-Philosophy in action': Laugier's response as a philosopher-viewer to a range of particularly salient TV shows from the last 20 years, and their relationship to social and political issues of our times. Arranged under a number of important themes-relating to politics, identity, and the stories we tell ourselves about our world-the book shows how TV series provide a rich resource for thinking about our lives, and places them centre-stage as works of art, and of thought, in their own right.
Lord Peter Wimsey on Film & TV
This is a reference book on the film and television adaptations based on the character Lord Peter Wimsey, created by Dorothy L. Sayers. The book includes all film and TV productions, and includes complete cast listings, numerous photographs, directorial credits, original dates of transmission, and a story synopsis for each film or TV episode.
