All the Presidents’ Man
This book shows a replica of a Spec Script, 116 pages long. Hunter Harrison has just saved the ex-president's life. However, he struggles to save his own as the U.S. President dispatches him to Moscow. His mission: to foil a plot to take out the Russian President. The Year 2035.
The 1970s Horror Movie Book
This book contains 167 elaborate reviews of 1970s horror movies, listed in chronological order. Each evaluation consists of a picture of one or multiple major antagonists, a release year, a synopsis, a review, director and writer credits, a realism indicator, corresponding genres, moods, subgenres, and antagonists, and five ratings: stars, story, creativity, acting, and quality.
JT ＋ KK = TWO MATES - Part Three
JT + KK = 2 MATES - Jack Thompson AO & Kevin Kearney is Part Three of a biography / memoir series covering the more than 50 year friendship of the two men which began in 1967 on the television series RIPTIDE (1967 - 1969). Part Three of the series covers the period 1981 - 1984 and traverses the career paths of both men in an industry that they both loved and is entwined with their enduring mateship. The book is written by the partners of both men - briann kearney and Le Thompson and is edited by briann's long time editor and close friend Sue Binney.
Framing the Sex Scene
This book retells the history of Israeli film in the 1960s and 1970s in sex scenes. Through close readings of the first sex scenes in mainstream Israeli movies from this period, it explores the cultural and social contexts in which these movies were made. More specifically, it discusses how notions of collective identity, individual agency, and the public and private spheres are inscribed into and negotiated in sex scenes, especially in light of the historical events that marked these decades. This study thus pushes away from the traditional academic perception of Israeli film and opens up new ways of understanding how it has developed in recent decades. It draws on a growing international body of academic literature on the cinematic representation of sex in order to illuminate the particularities of the Israeli context in the 1960s and 1970s. Apart from film scholars and scholars of Israeli film, this study also addresses readers interested in Israeli cultural history more broadly.
The Moral of the Story
Aesop's Fable The Tortoise and the Hare meets an African Ibo legend . This one-act comedy play script for kids reveals what inquiring minds have always wanted to know - the inside scoop behind Aesop's most famous Fable and why tortoises have cracked, lumpy shells.
Some Bits Missng
Some Bits Missng At last - a tird collection of 22 short stories, scripts... and poems.
Aesthetics of Film Production
Exploring aesthetic decision-making skills through active, critical interpretation of the screenplay, this book investigates the ways filmmakers translate a screenplay into a powerful film. Guiding the reader through the formal choices a filmmaker makes, this book encompasses all aspects of the filmmaking process, including directing, acting, cinematography, lighting, production design, sound, and editing. Author Joyce illustrates how to apply aesthetics in a way that encourages creative thinking and stylistic choices, while emphasizing the importance of active decision-making to foreground the screenplay in the filmmaking process. Focusing on how films should be crafted stylistically from beat to beat, the book provides tangible footholds to assist filmmakers with the aesthetic decision-making process, empowering filmmakers to create films to resonate emotionally and intellectually. Ideal for students of filmmaking and aspiring filmmakers looking to train their gut and hone their creative and aesthetic decision-making in the filmmaking process. Additional online screenplay samples show how one singular story can be told with different emphasis and narrative perspectives.
Opening and Operating a Motion Picture Theatre, How It Is Done Successfully
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Asghar Farhadi
The winner of two Academy Awards for Best Foreign Film in only five years, Asghar Farhadi (b. 1972) has become Iran's most prominent director since the late Abbas Kiarostami. Around the world, especially in the international festival circuit, Farhadi is considered one of the great dramatist filmmakers of his generation. His reputation and influence in his home country is even greater, though also prone to misunderstandings, controversies, and divided critical reception. This volume offers a unique perspective into Farhadi's career in several key respects. Beginning with his work in television, the interviews collected here chart his rise from theater student to Iranian dramatist to celebrated international filmmaker. The majority of the interviews were conducted in Persian and have been translated into English for the first time. In the course of his career, Farhadi has become the new hope for Iran. On both nights of his Oscar wins, Iranians flooded the streets with joy in a rare (and illegal) celebration. Yet, like other contemporary Iranian filmmakers who have struggled to reconcile their national identity with their global repute as international filmmakers, Farhadi is at once feted and under fire by his own government. In addition to making recent films outside Iran, he has taken advantage of his celebrity status to make controversial statements on topics ranging from Donald Trump to poverty and capital punishment in Iran. He even asked Iran's Judiciary to pardon Jafar Panahi, prompting the government to temporarily withdraw permission to shoot his renowned 2011 film A Separation. Asghar Farhadi: Interviews addresses the important dimensions that characterize contemporary Iranian filmmaking. Together, these interviews shed light on what Farhadi sees as his role and responsibilities as an Iranian filmmaker in a global age.
Asghar Farhadi
The winner of two Academy Awards for Best Foreign Film in only five years, Asghar Farhadi (b. 1972) has become Iran's most prominent director since the late Abbas Kiarostami. Around the world, especially in the international festival circuit, Farhadi is considered one of the great dramatist filmmakers of his generation. His reputation and influence in his home country is even greater, though also prone to misunderstandings, controversies, and divided critical reception. This volume offers a unique perspective into Farhadi's career in several key respects. Beginning with his work in television, the interviews collected here chart his rise from theater student to Iranian dramatist to celebrated international filmmaker. The majority of the interviews were conducted in Persian and have been translated into English for the first time. In the course of his career, Farhadi has become the new hope for Iran. On both nights of his Oscar wins, Iranians flooded the streets with joy in a rare (and illegal) celebration. Yet, like other contemporary Iranian filmmakers who have struggled to reconcile their national identity with their global repute as international filmmakers, Farhadi is at once feted and under fire by his own government. In addition to making recent films outside Iran, he has taken advantage of his celebrity status to make controversial statements on topics ranging from Donald Trump to poverty and capital punishment in Iran. He even asked Iran's Judiciary to pardon Jafar Panahi, prompting the government to temporarily withdraw permission to shoot his renowned 2011 film A Separation. Asghar Farhadi: Interviews addresses the important dimensions that characterize contemporary Iranian filmmaking. Together, these interviews shed light on what Farhadi sees as his role and responsibilities as an Iranian filmmaker in a global age.
Bloodstained Narratives
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, ?milie von Garan, Connor John Warden, and Sean WoodardThe giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom.In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this "yellow" cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
Bloodstained Narratives
Contributions by Donald L. Anderson, Brian Brems, Eric Brinkman, Matthew Edwards, Brenda S. Gardenour Walter, Andrew Grossman, Lisa Haegele, Gavin F. Hurley, Mikel J. Koven, Sharon Jane Mee, Fernando Gabriel Pagnoni Berns, ?milie von Garan, Connor John Warden, and Sean WoodardThe giallo (yellow) film cycle, characterized by its bloody murders and blending of high art and cinematic sleaze, rose to prominence in Italy in the 1960s and 1970s. Beginning with Mario Bava's The Girl Who Knew Too Much (1963) and Dario Argento's The Bird with the Crystal Plumage (1970), giallo films influenced the American slasher films of the 1980s and attracted an increasingly large fandom.In Bloodstained Narratives: The Giallo Film in Italy and Abroad, contributors explore understudied aspects of gialli. The chapters introduce readers to a wide range of films, including masterpieces from Argento and overlooked gems, all of them examined in close detail. Rather than understanding giallo as focalized exclusively in Italy in the 1970s, this collection explores the extension of gialli narratives abroad through different geographies and times. This book examines Italian gialli of the 1970s as well as American neo-gialli, French productions, Canadian horror films of the 1980s, and Asian rewritings of this "yellow" cycle of crime/horror films. Bloodstained Narratives also features interviews with two giallo film directors, including cult favorite Antonio Bido. Rather than fading from the cinematic stage, gialli serves as a precursor and steady accomplice to horror-thriller films through the twenty-first century.
Screening Queer Memory
In Screening Queer Memory, Anamarija Horvat examines how LGBTQ history has been represented on-screen, and interrogates the specificity of queer memory. She poses several questions: How are the pasts of LGBTQ people and communities visualised and commemorated on screen? How do these representations comment on the influence of film and television on the construction of queer memory? How do they present the passage of memory from one generation of LGBTQ people to another? Finally, which narratives of the queer past, particularly of the activist past, are being commemorated, and which obscured?Horvat exemplifies how contemporary British and American cinema and television have commented on the specificity of queer memory - how they have reflected aspects of its construction, as well as participated in its creation. In doing so, she adds to an under-examined area of queer film and television research which has privileged concepts of nostalgia, history, temporality and the archive over memory. Films and television shows explored include Cheryl Dunye's The Watermelon Woman (1996), Todd Haynes' Velvet Goldmine (1998), Joey Soloway's Transparent(2014-2019), Matthew Warchus' Pride(2014) and Tom Rob Smith's London Spy (2015).
The Science Of Animal Locomotion (zoopraxography)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
On Picture-Play Writing A Hand-Book of Workmanship
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Some Bits Missng
At last - a tird collection! A couple of dozen short stories, scripts and even poems!
The Science Of Animal Locomotion (zoopraxography)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Immoral Tales
IMMORAL TALESWALERIAN BOROWCZYKPOCKET MOVIE GUIDEBy Jeremy RobinsonWalerian Borowczyk (1923-2006) is one of cinema's great talents. Quite simply, there is no filmmaker quite like 'Boro'. Borowczyk's films have an astonishing, magical quality. They reach a place very rare in contemporary cinema, and are quite unlike the films of any other auteur. Borowczyk's films create their own space, with imagery, sounds and music of a really exceptional power. Immoral Tales (Contes Immoraux, 1974) is a masterpiece. Made in French, it was a collection of four erotic stories: La Mar矇e (The Tide), based on a story by Walerian Borowczyk's friend Andr矇 Pieyre de Mandiargues (from Mascarets, published by Gallimard); Th矇r癡se Philosophe, about a young woman locked up in a room who finds escape in masturbation; Erzs矇bet B獺thory, about the original 'Countess Dracula'; and Lucrezia Borgia, a story of the decadent, Italian Renaissance dynasty of the Borgias. Immoral Tales is the first of the movies helmed by Walerian Borowczyk that contain a lot of erotic scenes. After Immoral Tales, Borowczyk would be associated with arty erotica. Immoral Tales came about when producer Anatole Dauman asked Boro for some short films with an erotic element to put together as an anthology (several of Dauman's films had a sexual ingredient - The Tin Drum, In the Realm of the Senses, Fruits of Passion, etc). Boro would later contribute to the anthology TV series S矇rie Rose in the late Eighties. Immoral Tales travelled back in time: the first story, La Mar矇e (The Tide), was set in the present, the following stories moved back to the late 19th century (1890), to 1610 for 'Countess Dracula', and finally to Renaissance times with the Borgias (to 1498). The first episode was set in Northern France. The second film was also set in rural France. The third film, about 'Countess Dracula', moved to Eastern Europe, and the final movie to late fifteenth century Italy. Fully illustrated, with over 150 stills from Immoral Tales, and Walerian Borowczyk's other movies, plus a bibliography, filmography, appendices, quotes from Borowczyk and notes. 252pp. Hardcover with a colour laminated cover. www.crmoon.com
Salo, or the 120 Days of Sodom
SALO, OR THE 120 DAYS OF SODOMPIER PAOLO PASOLINIPOCKET MOVIE GUIDEBy Jeremy Mark RobinsonA new critical study of the Italian filmmaker and poet Pier Paolo Pasolini's most controversial movie, Sal簷, o Le 120 Giornate di Sodoma (1975). Salo is a challenging film in every way. Critics at the time (and since) have found Salo difficult to sit through or unwatchable. Salo transposed the novel The 120 Days of Sodom (1785) by the Marquis de Sade (1740-1814) to Italy at the end of WWII. For Pier Paolo Pasolini, Salo was about (among other things), domination and submission, power and coercion, Western capitalism, the banal but all-pervasive influence of consumer culture, the power relations between the aristocratic class and the peasant/ working class, and fascism in Italy in the 1930s and 1940s. As Pasolini noted: 'where de Sade says God, I say Power; he was against the power over man's beliefs, I am against the power over man's body.' Pier Paolo Pasolini's other works in cinema include The Gospel According To Matthew, one of the great films about Jesus, the 'trilogy of life' movies based on Middle Ages texts (Chaucer, Boccaccio and the 1001 Nights), adaptations of ancient world plays (Medea and Oedipus Rex), and poetic portraits of contemporary Roman life (Accattone, Mamma Roma and The Hawks and the Sparrows). The book includes a biography of Pasolini, an exploration of aspects of his cinema, and topics related to Pasolini's life and interests such as religion, poetry, homosexuality, his colleagues, Marxist politics, modern Italy, and the Third World. Pier Paolo Pasolini was born on March 5, 1922, in Bologna, Italy. He died on November 2, 1975, in Ostia, Rome (he was buried in Casarca, in his beloved Friuli). When he was a film director, Pier Paolo Pasolini was certainly an intimidating presence, with a formidable reputation - like Cecil B. DeMille, D.W. Griffith or Jean-Luc Godard. Very confident, very smart, a great talker and interviewee, a leader on set, with no doubts from anyone about who was the primary creator and author. The appendices include quotes by Pasolini; and on Renaissance artists. Fully illustrated. Bibliography, appendices, filmography and notes. 256 pages. Hardcover with a colour laminated cover. www.crmoon.com
The art of Photoplay Making
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Walerian Borowczyk
WALERIAN BOROWCZYK CINEMA OF EROTIC DREAMSBY JEREMY MARK ROBINSONWalerian Borowczyk (1923-2006) is one of cinema's great talents. Quite simply, there is no filmmaker quite like 'Boro'. Borowczyk's films have an astonishing, magical quality. They reach a place very rare in contemporary cinema, and are quite unlike the films of any other auteur. Borowczyk's films create their own space, with imagery, sounds and music of a really exceptional power. The book discusses each Walerian Borowczyk film in detail, sometimes going through scenes shot by shot. This fourth edition includes new chapters on - Borowczyk's short films and animations - The Theatre of Mr and Mrs Kabal - The Streewalker (a.k.a. La Marge) - Lulu - The Strange Case of Dr Jeckyll and Miss Osbourne (a.k.a. Docteur Jekyll et les femmes) - and the Softly From Paris TV series (a.k.a. S矇rie Rose). Blanche, Immoral Tales, Behind Convent Walls, The Beast and Goto: Island of Love, can be celebrated for their painterly sense, the use of props and costumes, and the incredible attention to detail. Very stylized, mysterious, poetic. Not forgetting the acute awareness of the history of religion and literature. Walerian Borowczyk produced some of the most memorable images in European cinema, the equal of Ingmar Bergman, Sergei Paradjanov or Andrei Tarkovsky. The great Walerian Borowczyk masterpiece i's Goto: Island of Love. That can rank alongside the great films in the history of cinema. Immoral Tales could be placed in the masterpiece class too. The other Borowczyk films are often as fascinating, often more grotesque - certainly more sexually explicit - but probably not as wholly satisfying as Goto: Island of Love, from a conventional critical standpoint. But The Beast, Blanche, Behind Convent Walls, and Love Rites would count as extraordinary films by most standards. They may not be quite up there with Persona (Ingmar Bergman) or 8 1/2 (Federico Fellini), but taken together they form a group of works that mark Borowczyk out as a maverick original. Similarly, Borowczyk isn't a filmmaker celebrated by critics or filmmakers, like Akira Kurosawa, Ingmar Bergman, Orson Welles, Federico Fellini, Jean Renoir or Sergei Eisenstein, and his films don't make critics' top ten lists. For detractors, Borowczyk's films were better when they concerned ideas rather than the senses - philosophy not sex. You probably won't know many other people who've even heard of Walerian Borowczyk, let alone seen one of his films. His reputation as a producer of European arty porny films (art-as-porn films or porn-as-art films) is probably all that many people will have heard of him (movies with sex and nudity do seem to travel well, crossing borders). Fully illustrated, with over 340 stills from all of Walerian Borowczyk's movies and short films (including a gallery from the history of erotica), a bibliography, complete filmography and notes. The text has been updated throughout for this new, 4th edition, which is over twice the length of previous editions. Hardcover with a colour laminated cover and a colour flyleaf. 636 pages. www.crmoon.com
The Cavalry Trilogy
The Cavalry Trilogy captures the genesis of Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950), from pre-production to theatrical releases. Along the way, readers learn why Ford loved his favorite location (Monument Valley), how various stunts were achieved, and how Ford used his unique style in various scenes (called a "Fordian touch" by film critics and scholars). In addition, each film includes an analysis of Ford's scene construction and character development. Illustrated with numerous behind-the-scenes photographs, many which have never been published before, and screen captures from the cutting room floor, this book is the ultimate gift for John Ford fans and readers who love to discover the grit and glamour of Hollywood's Golden Age.
Made of Pen & Ink
Made of Pen and Ink: Fleischer Studio, The New York Years" will introduce readers to the influential, innovative and still funny animated cartoons produced by Max Fleischer. If you want to learn how the Popeye, Betty Boop and Out of the Inkwell cartoons were made (among others) and where to see them, this book is for you. With original interviews with artists who made the classic shorts as well as plenty of rare illustrations, this book is a must-have for any movie fan who wants a deep dive into one of the greatest animation studios and the cartoons it produced.
French B Movies
In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film.French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry.By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.
French B Movies
In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film.French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry.By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.
Continental Films
From 1940 to 1944, the German-owned Continental Films dominated the French film landscape, producing thirty features throughout the Nazi occupation. Charged with producing entertaining and profitable films rather than propaganda, producer Alfred Greven employed some of the greatest French actors and most prestigious directors of the time, including Maurice Tourneur, Henri Decoin, Henri-Georges Clouzot, and Marcel Carn矇. Using recently opened archival documents, including reams of testimony from the 矇puration (purification) hearings conducted shortly after the war, Christine Leteux has produced the most authoritative and complete history of the company and its impact on the French film industry-both during the war and after. She captures the wide range of responses to the firm from those who were eager to work for a company whose ideology matched their own, to others who reluctantly accepted contracts out of necessity, to those who abhorred the company but felt compelled to participate in order to protect family members from Nazi reprisals. She examines not only the formation and management of Continental Films but also the personalities involved, the fraught and often deadly political circumstances of the period, the critical reception of the films, and many of the more notorious and controversial events. As Bertrand Tavernier explains in his foreword, Leteux overturns many of the preconceptions and clich矇s that have come to be associated with Continental Films. Published to rave reviews in French and translated by the author into English, this work shatters expectations and will reinvigorate study of a lesser-known but significant period of French film history.
Cable TV
"In 1984, Congress simultaneously eliminated state-local regulation of cable television rates and banned telephone companies from offering cable service in their own franchise areas. Five years later, the General Accounting Office discovered that basic cable rates had risen more than four times as rapidly as the overall consumer price level since rate deregulation. As a result, Congress began to move to reimpose cable rate regulation once again, finally succeeding (over President Bush's veto) in 1992.In this book, Robert Crandall and Harold Furchtgott-Roth examine the case of reregulating cable television and find that viewers gained far more than they lost during the brief deregulatory era because cable services expanded so rapidly in the deregulated environment. Moreover, they show that new technologies, such as direct-broadcast satellites, are likely to provide considerable market discipline for cable operators in the next few years, weakening any case for rate regulation. Given regulation's history of impeding innovation, they conclude that economic welfare is more likely to be enhanced by policies aimed at encouraging new entry into video services than by rate regulation."
Harry Potter on Location (Including all 3 Fantastic Beasts films)
Have you ever wondered where the filming locations are for the Harry Potter and Fantastic Beasts film series? Here for the first time, arranged by county, is the definitive guide from 'A' for Alnwick Castle to 'Z' for Zoological Society of London to over 80 of those locations along with over 185 photographs, maps, anecdotes and a wealth of historical information to bring them to life.Also included in this publication are tips and recommendations for those wishing to plan their own exploration of these wonderful places. This book will give the reader an appreciation of how the films are constructed from a variety of different locations and spliced together to make one seamless magical moment on the big screen.This standard black and white edition is a must for all Harry Potter and film enthusiasts as well as those just wishing to visit some of the most beautiful locations in the U.K.
A Totally Bodacious Nineties Christmas
If the 1980s had been the decade that had brought festive cinema out of its wilderness period and back into the public consciousness as never before, the 1990s would continue to reinvigorate the genre while also returning with fresh purpose to the central themes of its post-war Golden Age. The result would be a mixture of originality and traditionalism which was to prove successful at the box-office as well as reinforcing the relevance of the Christmas movie amongst critics and commentators.From the author of "The Golden Age of Christmas Movies" and "A Righteously Awesome Eighties Christmas", this book explores some of the most prominent festive films of the nineties - as well as discussing some of the decade's more unusual yuletide features. Moving from madcap comedies to family dramas, by way of many other subgenres in-between, the topics which arose throughout the Christmas cinema of the decade are considered along with some unexpected movie facts.The 1990s marked a period of lightning-fast technological development and substantial cultural change, which had wide-ranging effects on the world of cinema. "A Totally Bodacious Nineties Christmas" will take you on a journey through the festive movies of this tempestuous era, blending nostalgia for the nineties with an examination of how that decade's films had a major impact on the genre which persists even to the present day.
Uncanny Cinema
Murray Pomerance's latest book explores an encyclopedic range of films and television shows to demonstrate the difficulty of conveying the experience of viewing cinema through words and the medium of text. From On the Waterfrontto Marriage Story, Uncanny Cinema illuminates that words and writing are in perilous waters when applied to cinema, similar to ungestured talk. The book begins with this problem using Julian Jaynes's thoughts on vocality and imagination before delving into three exploratory 'movements' arranged to alternately challenge, inspire, and confound the reader to question if we know what we think we know or even see what we think we see. The viewer is faced with disturbances, ruptures, and surprises that occur during the viewing experience, which Pomerance analyzes to stretch the sense of what we do and do not (or, possibly, cannot) know, particularly as we think, talk, and write about cinema.
Sense8
This collection explores the many ways in which the Netflix series Sense8 transcends television. As its characters transcend physical and psychological borders of gender and geography, so the series itself transcends those between television, new media platforms and new screen technologies, while dissolving those between its producers, stars, audiences and fans. Sense8united, inspired and energized a global community of fans that realized its own power by means of online interaction and a successful campaign to secure a series finale. The series' playful but poignant exploration of globalization, empathy, transnationalism, queer and trans aesthetics, gender fluidity, imagined communities and communities of sentiment also inspired the interdisciplinary range of contributors to this volume. In this collection, leading academics illuminate Sense8 as a progressive and challenging series that points to vital, multifarious, contemporary social, political, aesthetic and philosophical concerns. Sense8: Transcending Television is much more than an academic examination of a series; it is an account and analysis of the way that we all receive, communicate and consider ourselves as participants in global communities that are social, political and cultural, and now both physical and virtual too.
Divergent Tracks
By examining three case studies of award-winning soundtracks from cult films-Barton Fink(1991), Bram Stoker's Dracula (1992), and The English Patient (1996)-it becomes clear that major American film communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital. However, their cultural and structural labor differences governed different results.Vanessa Ament, author of The Foley Grail (2009), rather than defining the 1990s as an era of technological determinism-a superficial reading-it is best understood as one in which sound professionals became more viable as artists, collaborated in sound design authorship, and influenced this digital transition to better accommodate their needs and desires in their work.
The Switch Image
Television is the most powerful system of images in the late 20th and early 21st centuries. Nonetheless, TV has attained only little philosophical attention so far, especially compared to other (visual) media such as film. This book looks at TV as what happens on the screen and beyond it; which is mainly the operation of switching images. It therefore proposes a new definition of TV as the first picture that can be switched on, off, and over, which stresses that TV is more tactile than visual. Through the operation of switching, TV figures the world from within and as the course of its figuration. This is grasped here by the term of "ontography". Through the ongoing interlacing and bridging of "TV 1.0" (the image is being switched) and "TV 2.0" (the image is a switch), TV exponentially increases the production and circulation of images. It transforms the world and itself from an analogue state to a digital one and from central perspectivism to pluri-perspective. In terms of time, through switching and the switch, it develops and reworks new temporal orderings, such as instantaneity, synchronicity, flow, and seriality. TV makes its own history. In space, it creates a mediasphere as its habitat and hence new forms of being-in-the-world, of proximity and distance, and scale. Anthropologically, it works on what a subject and an object is, on what makes the human being, and ontographically, how it is possible that there is something at all instead of nothing: through switch-images.
The Cinema of Pedro Almod籀var
This book offers a comprehensive film-by-film analysis of Spain's most famous living director, Pedro Almod籀var. It shows how Almod籀var's films draw on various national cinemas and genres, including Spanish cinema of the dictatorship, European art cinema, Hollywood melodrama and film noir. It also argues that Almod籀var's work is a form of social critique, his films consistently engaging with and challenging stereotypes about traditional and contemporary Spain in order to address Spain's traumatic historical past and how it continues to inform the present. Drawing on scholarship in both English and Spanish, the book will be of interest to undergraduate and postgraduate students of film studies and Hispanic studies, scholars of contemporary cinema and general readers with a passion for the films of Pedro Almod籀var.
Between Gazes
In this book Camelia Elias introduces key terms in feminist, queer, and postcolonial/diaspora film. Taking her point of departure in the question, "what do you want from me?" she detours through Lacanian theory of the gaze and reframes questions of subjectivity and representation in an entertaining entanglement of visual with textual poetics in film.
Japanese High School Films
Looks exclusively at high school films as valuable markers of contemporary Japanese culture.
Superhero Blockbusters
This is the first book-length study to examine the enduring popularity of block-buster films based on DC or Marvel superhero comics properties. It argues that the success of superhero movies is rooted in aesthetic practices unavailable to other types of film, and suggests that the multi-dimensional seriality of these movies, combining practices of serialisation, adaptation, and transmedia storytelling, endows them with an unmatched potential to engage audiences over time and to actively intervene in the discourses of online fandom. The book develops a critical theory of digital-era popular seriality, examining the narrative strategies of superhero movies and their evolution, from 1978's Superman to 2018's Avengers: Infinity War and beyond. It discusses textual and extra-textual practices of fan mobilisation, and considers the genre's shared political imaginary and its purchase on contemporary political debates.
Faces on Screen
Whether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies - from politicians in blackface to "deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. This book will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media - from photog矇nie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions.
The Transformative Cinema of Alejandro Jodorowsky
Alejandro Jodorowsky is a theatre director, writer of graphic novels and comics, novelist, poet, and an expert in the Tarot. He is also an auteur filmmaker who garnered attention with his breakthrough film El Topoin 1970. He has been called a "cult" filmmaker, whose films are surreal, hallucinatory, and provocative.The Transformative Cinema of Alejandro Jodorowsky explores the ways in which Jodorowsky's films are transformative in a psychologically therapeutic way. It also examines his signature style, which includes the symbolic meaning of various colors in which he clothes his actors, the use of his own family members in the films, and his casting of himself in leading roles. This total involvement of himself and his family in his auteur films led to his psycho-therapeutic theories and practices: metagenealogy and psychomagic. This book is the only the second book in the English language in print that deals with all of Jodorowsky's films, beginning with his earliest mime film in 1957 and ending with his 2019 film on psychomagic. It also connects his work as a writer and therapist to his films, which themselves attempt to obliterate the line between fantasy and reality.
Refocus: The Films of Joao Pedro Rodrigues and Joao Rui Guerra Da Mata
Jo瓊o Pedro Rodrigues and Jo瓊o Rui Guerra da Mata are one of the most cosmopolitan duos in contemporary world cinema. Their films tell us stories of love and human desire, receiving a highly favourable reception among critics and at international festivals. Despite their high profile, Rodrigues and da Mata's work remains relatively understudied. ReFocus: The Films of Jo瓊o Pedro Rodrigues and Jo瓊o Rui Guerra da Mata, paves the way for the study of the directors' work, critically analysing the various cinematic perspectives of their short and full-length feature films. In the first collection solely dedicated to their work, this book addresses the historical, political, stylistic, industry, and cultural dimensions of Rodrigues and da Mata's films, providing critical recognition for their contribution to world cinema.
Main Melody Films
Main melody films are propaganda works that pay tribute to the Chinese nation, the party and the army. Since the turn of the century, they have gradually developed into the main genre of Chinese cinema, and its "blockbusterization" is arguably the most phenomenal aspect of the 2010s Chinese film industry. As an increasing number of Hong Kong directors are commissioned to direct main melody blockbusters, Chu examines their contributions to this genre, shedding light on the development of cross-border cooperation between the mainland and Hong Kong film industries.
Derivative Images
Focused on French cultural responses to the 2008 global financial crisis in cinema, literature and theory, Derivative Images offers detailed analyses of post-2008 French-language works, including Les Effondr矇s (2010), Le Grand Retournement (2013) and L'Outsider (2016), to show how they appropriate and reconfigure notions at the heart of the crisis, such as derivatives, financial trading and markets.Drawing on ideas from thinkers such as Jonathan Beller, Yves Citton and Peter Szendy, this book shows how derivatives can be taken as a conceptual resource for thinking about creative practice and the circulation of audio-visual images today.
Ambiguous Cinema
Simone de Beauvoir's notion of ambiguity became a cornerstone of her philosophy and influenced a radical rethinking of freedom well into the twenty-first century. In Ambiguous Cinema, Fuery examines Beauvoir's notion of ambiguity in relation to film experience, exploring both the legacies and limits of her existentialist ethics through a range of films by independent women filmmakers, including Joanna Hogg, Liliana Cavani, Debra Granik, Cheryl Dunye, Claire Denis, Lucrecia Martel, Lynne Ramsay and C矇line Sciamma. In doing so, Fuery deftly demonstrates the currency and relevancy of Beauvoir's ideas to contemporary debates in film-philosophy and feminist thought by examining how these women filmmakers navigate turbulent themes such as moral choice, power, adolescence, love, trauma and motherhood. Reimagining Beauvoir's idea of ambiguity within the context of film studies, Fuery asks that we confront and embrace difficult emotional situations so that we might realise an authentic, if indeterminate, freedom through our cinematic experiences.
Resonant Bodies in Contemporary European Art Cinema
What does it mean to exist, in our experience of cinema, according to listening? How do sound and 'noise' reconfigure relations between spectators and screens, and by extension, spectators and their worlds? How do films raise questions about the ethics and politics of listening to different bodies?Resonant Bodies in Contemporary European Art Cinema answers these questions through an analysis of films by Catherine Breillat, Gaspar No矇, Tony Gatlif, Arnaud des Palli癡res, Lars von Trier and Peter Strickland. These post-millennial European directors have worked with sound in ways that resist the full-definition and perfect hearing offered by Dolby technology. Instead, they have privileged 'noise' - sounds that take us to the limit of what we can hear - in a move that foregrounds the body on screen and constructs spectators as listening bodies.
Refocus: The Films of Lucrecia Martel
Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world's most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel's work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume's fresh, holistic approach to Martel's career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself.
Road to Infinity
"Road to Infinity" traces the steps on which Marvel superheroes embarked as they jumped from their comic book origins to live-action adventures in other media before finally reaching the Marvel Cinematic Universe. It is a long and winding journey - from a World War II movie serial to radio shows, albums, television films/series, theatrical productions, paperback novels, and the silver screen - replete with missteps and trials that ultimately led to the successful projects with which movie audiences identify today. Filled with background information about each project, this study examines the accuracy of transferring comic book characters to another medium from their original sources in the Marvel Universe. It's an excursion worth taking to appreciate the growth and development of the MCU we all know.
The Films of Oliver Stone
Oliver Stone is one of the most daring and influential filmmakers in the history of cinema, a man whose monumental films have lodged themselves into the world's collective consciousness. From Oscar winning classics like Platoon and Born on the Fourth of July, to controversial masterpieces such as Salvador and Natural Born Killers, Stone has consistently made us sit up, pay attention, think, and see the world from a different viewpoint, one that has often been outside the "official" narrative. A fearless maverick unafraid to express his opinions and reveal his conclusions, his movies are often deemed controversial, and it's certainly true that no one went away from an Oliver Stone film feeling indifferent. His work provokes reaction, encourages thought, and demands your full attention on both a visual and intellectual level. In this book, writer and musician Chris Wade takes a look at Oliver's staggering career as writer and director. A master of visual storytelling, Stone's movies are events, many of which have sparked major debate and achieved wide acclaim. His rich filmography also contains such gems as Nixon, JFK, Any Given Sunday, Heaven and Earth, and Wall Street, awe-inspiring films that will be re-watched and studied by generations of film-goers for as long as people remain interested in cinema as art. Featuring a foreword from regular Stone collaborator James Woods, THE FILMS OF OLIVER STONE is a warm and affectionate tribute to one of the cinema's finest artists.
