The Dance Of Death
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The Tragedy of Nijinsky
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Prize Drills and Dances
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Stravinsky and the Dance
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Clog Dancing Made Easy
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The Art of Dancing, Historically Illustrated.
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Stravinsky and the Dance
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Grammar of the Art of Dancing, Theoretical and Practical
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Mona Inglesby, Ballerina and Choreographer
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Stravinsky and the Dance; a Survey of Ballet Productions, 1910-1962, in Honor of the Eightieth Birthday of Igor Stravinsky
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Bournonville and Ballet Technique; Studies and Comments on August Bournonville’s ?tudes Chor矇graphiques
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Nureyev
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Holbein’s Dance of Death
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Bournonville and Ballet Technique; Studies and Comments on August Bournonville’s ?tudes Chor矇graphiques
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Dancing
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Roy Castle on Tap
A unique tap dancing course from all-round entertainer and much-loved ' Record Breaker'. Roy's inspirational teaching style, combined with clear how-to-diagrams, is highly recommended for the enthusiastic beginner, although experienced dancers will find some useful extra tips. As a bonus he shares with the reader full routines for some of tap dancing's classic numbers. Get dancing!
Everything Is Choreography
Grand Hotel. My One and Only. Nine. The Best Little Whorehouse in Texas. A Day in Hollywood/A Night in the Ukraine. The Will Rogers Follies. For two decades, Tommy Tune was the maestro presiding over a string of glittering Broadway musicals that took the tradition of complete musical stagingby a director-choreographer into a new era defined by spectacle and technology. He was last in a grand lineage led by Jerome Robbins, Gower Champion, Bob Fosse, and Michael Bennett, but also provided a link to a new generation of choreographers-turned-directors like Susan Stroman, Jerry Mitchell, and Casey Nicholaw. Unlike his fellow director-choreographers, Tune also maintained a successful performing career. His nine Tony Awards (plus a tenth, for Lifetime Achievement) were earned across four categories, not only for choreography and direction, but also as both featured and lead actor in a musical, for Seesawand My One and Only--a distinction no one else can claim. Tune took the musical forward by looking backward, bringing satiric energy and contemporary style to a trove of show business antecedents--from clog dancing to showgirl formations, from precision kick lines to Fred Astaire and Ginger Rogers-style ballroom glides. He did the same with his concert andcabaret performances, drawing on classics from the Gershwins, Irving Berlin, and Cole Porter and performing them not as nostalgia but as vital, immediate statements of personal philosophy. Everything is Choreography: The Musical Theater of Tommy Tune is the first full scale book about the career of this prodigious artist. It celebrates and examines with a critical eye his major projects, and summons for readers a glorious period of dance, performance, and theatrical imagination.
The Junior-senior Prom, Complete Practical Suggestions for Staging the Junior-senior Prom
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Dances of Poland
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The Country Dance Book ..; v.1-2
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Ballet Panorama
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Music and the Dance
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Ballet-hoo
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Morris Dance Tunes; Collected From Traditional Sources and Arranged for Piano Solo
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Ballet Panorama
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Vaslav Nijinsky
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Three Centuries of Ballet
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Indian Dancing
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Dance Memoranda
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Ballet of 3 Decades
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Beginning Ballet
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Design for the Ballet
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A Child’s Book of Ballet
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Serge Diaghilev
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Folk Dances for Boys and Girls
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Baron Encore
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Michel Fokine & His Ballets
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The Dance Has Many Faces
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The Social Dances of the Nineteenth Century in England
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A Miscellany for Dancers
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Souvenirs De Ballet
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The Dance Has Many Faces
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The Folk Dance Library; 2
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The Russian Genius in Ballet; a Study in Continuity and Growth
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Souvenirs De Ballet
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Balletomane’s Scrap-book
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Anatomy and Ballet; a Handbook for Teachers of Ballet
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Ballet Theatre Foundation
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
