America Dancing; the Background and Personalities of the Modern Dance
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The New Ballet
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Ballet Design
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World Book of Modern Ballet
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Approach to the Ballet
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Dances of Norway
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Anatomy and Ballet; a Handbook for Teachers of Ballet
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The Ballet Called Giselle
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Ballet Laughs
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America Dancing; the Background and Personalities of the Modern Dance
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Igor Youskevitch
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Dances of Bulgaria
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The Romantic Ballet in England, Its Development, Fulfilment, and Decline
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The Country Dance Book; pt. 4
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The American Rumba
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Dances of Finland
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Anna Pavlova
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Dance-rituals of Manipur, India
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The Folk Dance Library; 4
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Classical Ballet, Its Style and Technique
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The Folk Dance Library; 3
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Dances of Mexico
Mexico's heritage of folk dance is rich in music and costume. Centuries ago the people were encouraged by the friars to dramatise religious teaching by dancing to the beat of drums and the rattle of gourds. Today their folk music has developed from primitive percussion to a blend of Spanish and native cultures. It may be strummed on an instrument made from the shell of an armadillo or played on the more orthodox guitar, but whatever the instrument it is the rhythms that more than all else characterise the people's dancing. They are like no others in the world.Born near Pachuca, a mountain town in the high Mexican plateau, Guillermina Dickins passed her childhood in the half-feudal world of the great haciendas. Later she journeyed to the remotest corners of her country, studying the infinite variety of its dance, its music and its tradition.She gives here three of the most colourful and famous dances of all. Complete with music and step notations and four colour plates, by the Mexican artist Mireya Iturbe, the book is a fascinating introduction to this land of grace and gaiety.
Invitation to the Ballet
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The Ballet Called Swan Lake
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The Art of Dancing
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Igor Youskevitch
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Invitation to the Ballet
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Looking at the Dance
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Fonteyn, a Study of the Ballerina in Her Setting
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Ballet Design
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Dancers of Bali
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Music and the Dance
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The Dance and Its Place in Education
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A Day With Alicia Markova
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Ballet Technique; a Series of Practical Essays
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A Short History of Ballet
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Ballet--to Poland
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Invitation to Ballet
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The Folk Dance Library; 5
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A History of Russian Ballet From Its Origins to the Present Day
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The Folk Dance Library; 1
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The Country Dance Book; pt. 1
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What’s Wrong With the Dance?
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Regional Dances of Mexico
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Dancing for Diaghilev; the Memoirs of Lydia Sokolova
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Tango Argentino in Buenos Aires
Argentinischer Tango: 36 Ratschl瓣ge, um ihn mit Freude zu tanzen. Patricia l瓣sst uns anhand historischer Situationen, Personen und wichtiger Orte in Buenos Aires erfahren, wie Indianer, afrikanische Sklaven, spanische Siedler und europ瓣ische Einwanderer den Tango gepr瓣gt und seinen Tanz entwickelt haben. Durch praktische und einfache ?bungen lernen wir, den K繹rper zu straffen und zu entspannen, als Einheit mit unserem Partner zu tanzen und unsere Emotionen zu entfachen. Es ist ein Buch 羹ber Strategien, ?bungen und Ratschlage um immer gl羹cklich Tango zu tanzen. egal ob in Buenos Aires oder anderswo. Dieses Buch ist eine Liebeserkl瓣rung an den Tango, speziell an jene Traditionen, die bald verschwinden, wenn wir sie nicht lebendig halten. Patricia M羹ller stellt uns den Tango vor, in dem sie 羹ber seine historische Entwicklung, Pers繹nlichkeiten und wichtigen Pl瓣tzen in Buenos Aires nachforscht. Sie erz瓣hlt wie Indios, afrikanische Sklaven, spanische Kolonisten und europ瓣ische Emigranten diesen Tanz entwickelten. Dazu gibt sie ambitionierten T瓣nzern Tipps und lehrt mit einfachen und praktischen ?bungen den K繹rper zu kr瓣ftigen und ihn auch zu entspannen; zu tanzen indem man eine Einheit mit dem Partner wird und unsere Emotionen zu akzeptieren. Man lernt wie man eine 'gute Figur' im Tanzsaal macht und wie man in richtiger. Art und Weise die Regeln und Rituale des Tangos interpretiert. Wir lernen, wie man im Ballsaal einen guten Eindruck hinterl瓣sst und wie man das Nicken richtig interpretiert, damit Sie nie wieder stillsitzen!
The Feldenkrais Method in Creative Practice
Bringing together scholars and researchers in one volume, this study investigates how the thinking of the Ukrainian-Israeli somatic educationalist Moshe Feldenkrais (1904-84) can benefit and reflect upon the creative practices of dance, music and theatre.Since its inception, the Feldenkrais Method has been associated with artistic practice, growing contiguously with performance, cognitive and embodied practices in dance, music, and theatre studies. It promotes awareness of fine motor action for improved levels of action and skill, as well as healing for those who are injured. For creative artists, the Feldenkrais Method enables them to refine and improve their work.This book offers historical, scientific and practical perspectives that develop thinking at the heart of the Method and is divided into three sections: Historical Perspectives on Creative Practice, From Science into Creative Practice and Studies in Creative Practice. All the essays provide insights into self-improvement, training, avoiding injury, history and philosophy of artistic practice, links between scientific and artistic thinking and practical thinking, as well as offering some exercises for students and artistic practitioners looking to improve their understanding of their practice.Ultimately, this book offers a rich development of the legacy and the ongoing relevance of the Feldenkrais Method. We are shown how it is not just a way of thinking about somatic health, embodiment and awareness, but a vital enactivist epistemology for contemporary artistic thought and practice.
Russian Ballet in Caricatures
In the early years of the twentieth century, two dancers at the Mariinsky Theatre in St. Petersburgh, the brothers Nikolai and Sergei Legat, produced a series of (mostly) affectionate caricatures of their fellow artists. The caricatures were initially printed individually, but later collected in folders containing varied numbers of the prints, the maximum number recorded being 94.All 94 of these prints, taken from a rare surviving complete set, are reproduced here in full colour. They include some of the great names of the day, including Cecchetti, Drigo, Gerdt, Ivanov, Karsavina, Kyasht, the Legat brothers themselves, Pavlova, Petipa, Trefilova, and many others, forming a fascinating glimpse of life at the Mariinsky at that time.
