Dance and the Corporeal Uncanny
Dance and the Corporeal Uncanny takes the philosophy of the body into the field of dance, through the lens of subjectivity and via its critique. It draws on dance and performance as its dedicated field of practice to articulate a philosophy of agency and movement. It is organized around two conceptual paradigms - one phenomenological (via Merleau-Ponty), the other an interpretation of Nietzschean philosophy, mediated through the work of Deleuze. The book draws on dance studies, cultural critique, ethnography and postcolonial theory, seeking an interdisciplinary audience in philosophy, dance and cultural studies.
Theatre and the Virtual
Theatre and the Virtual lays out a set of conceptual instruments for the articulation and engendering of the forces of theatrical potentiality. Creating a passage towards a reconstitution of the given, a theatre of the virtual opens bodies in motion to a region of an ongoing genesis of forces. The outcome: regimes of constraint are abandoned through a radical practice of ecological attunement. Violence is eschewed through an onto-ecology of touch. Closed systems are repotentialised to become co-constitutive of their environments. A logic of spectrality settles in--not so much entities as atmospheres, not so much a being as a style of being, not so much a body as multitudinous milieus of response. This is the task of a theatre of the virtual--to safeguard the possibility of the extra-epistemological and uphold one's right to offer accounts of oneself from outside of being, all the while creating a fractured record of the wondrous mutations of a moving, gesturing body.This book will be of great interest to students and scholars in theatre, philosophy, new materialisms, environmental humanities, gesture, and the ontology of response.
Ballroom Dancing
Now in its eleventh edition, this classic and comprehensive handbook has been revised to bring it up to date with changes on the dance floor and in the rules of dance competitions.The Quickstep, Waltz, Foxtrot, and Tango are all illustrated and described in great detail, as well as the versions of most dances approved for championships. Diagrams demonstrate every step from both the Leader's and Follower's perspectives, and a collection of photographs new to this edition celebrate the diverse range of dancers involved with ballroom.This is the go-to book for dancers, competition judges, teachers, and anyone who needs to be at the forefront of today's ballroom technique, from amateur practice to international championships.
Periodization
The training of elite dancers has not changed in the last 60 years; it is often only those that have survived the training that go on to have a career, not necessarily the most talented. It is time to challenge and change how we train tomorrow's professional dancers. This book brings you the reasons why and all tools to implement change. 10 years ago, Matthew Wyon and Gaby Allard introduced a new pedagogical approach to training vocational dancers: Periodization. This ground-breaking new methodology provides an adaptable framework to optimise training - it's goal-focused, fits to performance schedules, and is highly sustainable for the dancer. It is the future. For the first time, Wyon and Allard have put their discoveries to paper. Periodization provides clear context to why change is needed, and explores the theoretical underpinnings of this new approach and how it can be effectively applied to a dance environment.
The Ballet Tales
I was first drawn to ballet around 8 years ago and never imagined that it would evolve from just another hobby to something that would serve as a tool of self expression. Last year, when the lockdown struck, I was left feeling listless because I couldn't attend classes. Undeterred, I began watching ballet-centered movies ranging from documentaries like A Ballerina's Tale to a drama series, The Dance Academy. It didn't take me too long to start noticing certain similarities between my ballet journey and those of the characters. Soon enough, I found myself penning down all of those stories - my ballet stories intertwined with anecdotes from the films I had seen. This process resulted in a short book of seven chapters centered around all that ballet has to offer beyond the actual steps. I hope that these lessons and anecdotes inspire you to not just learn ballet but also to keep you focused on your goal no matter how hard or distant it might seem.
Musicality for Social Dancing
How do you transform your dancing to create moments you and your partner will treasure? But given the complexity within Argentine Tango's music, how can you dance musically without thinking? By more deeply understanding the structure and musical cues of Argentine Tango, you'll be able to dance at the moment. Rather than planning ahead or trying to do algebra, you can simply listen to the music. In doing so, you'll bring deeper feeling and expression into your dance.
American Indian and Other Folk Dances
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The Ballet Theatre Foundation
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Serge Diaghilev
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Ballet-hoo
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Dance Songs of the Nations
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Baron Encore
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Contemporary Ballet
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The Chilkat Dancing Blanket
The Chilkat Dancing Blanket is the life story of a magnificent woven robe which graced the shoulders of Indian nobility from Yakutat, Alaska to Vancouver Island, British Columbia. From the legendary origins of this weaving, the story unfolds to tell of the women who wove it, of the source and inspiration for the designs which adorn it, and of the pride and esteem in which it was held by the society which gave it birth. The Dancing Blanket was a robe reserved for ceremony. The remarkable photographs of Tony Hunt performing the Headdress Dance afford a rare opportunity to see this blanket in its full glory, alive and dancing. The story does not stop with an overview of the Dancing Blanket, but delves into the mysteries of its creation. Mountain goat wool and cedar bark were spun and dyed and then woven into intricate, stylized designs. In this magnificently illustrated text, author Cheryl Samuel presents a detailed description of the weaving techniques which were perfected by the Tlingit women. Photographs of Dancing Blankets from many museum collections and of weavings in progress are knitted together with beautiful drawings in order to illustrate this complicated process. The Chilkat Dancing Blanket interweaves legend, history, and technique and is presented in honor of the women who created this exquisite art form.
Rueda de Casino Syllabus
Rueda de Casino Syllabus contains the figures that every instructor should teach to students who want to be able to dance at international Rueda congresses and festivals. The curriculum can be enriched depending on the teams character. The figures are analyzed to help and encourage Rueda enthusiasts start teaching their own teams. The book also includes new Rueda perspectives. New structures, new rules, and new ideas for your Ruedas. It is written in simple English so that people from around the world can easily understand. If you want to start teaching Rueda this is a book you should definitely own.
Jesus for Kids
Jesus for Kids is jam-packed with tools and resources to ignite you on your Christian Dance teaching journey. Anna shares how her passion for teaching children in dance ministry shaped her perspective connecting faith, dance and movement together as one. Discover Anna's amazing teaching strategies which will help you develop your own skills. Whether you have been teaching for a while, or are brand new, Jesus for Kids will help you deepen and strengthen your knowledge of Christian Dance with children.Anna's biggest desire is to equip you, with all you need to help shape your own teaching practice. Jesus for Kids provides you with ready-to-go workshops as one of the many ways to help kick-start your journey. Why not dive in and see where your journey can go?About the Author -Anna Gilderson has been teaching for over 15 years. In 2010 she launched UC Grace, her dance company, which helps equip children and adults to experience their faith through dance and movement. Her passion is to share what she knows with others, building their confidence, not only in their faith but in their life, dance movement and prayer.
Nutcracker Coloring & Craft Book
Discover one of the world's most beloved ballets with Crafterina's Nuctracker Coloring and Craft Book. Included in the book is a synopsis of the ballet, coloring & activity pages, paper crafts, and so much more!
Making Broadway Dance
Through in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate that musical theatre dance is not a monolith but rather multi-varied in terms of dance styles, aesthetics and methodologies, author Liza Gennaro provides insights into how Broadway dance is made. By examining choreography for musical theatre through the lens of dance studies, script analysis, movement research and dramaturgical inquiry, she treads in uncharted territory by offering a close examination of a dance form that has heretofore received only the most superficial interrogation. She also explores how musical theatre choreographers create within the parameters of librettos, enhance character development and build dance languages that inform and propel narrative. By considering influences from ballet, modern, postmodern, Jazz, social and global dance, she reveals a rich understanding of musical theatre dance. This book exposes the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown, and is essential reading for theatre and dance scholars, students, practitioners, and Broadway fans.
Dance in Contested Land
Takes a trans-disciplinary approach, drawing on sound theory, art history, indigenous studies, performance studies and dance studiesShows how contemporary indigenous dance makes visible a crisis of knowledge values in post-colonial environmentsThree parts cover: listening as devised choreographic practice; listening to cultural, historical and political contexts; and the identification of new cultural dramaturgies
In His True Centre; an Interim Autobiography
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Honor Your Partner
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[Collection of Sheet Music From the Early 19th Century]
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Adeline Genée
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The Rose and the Star
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Leslie Hurry
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Histoire Generale De La Danse, Sacr矇e Et Prophane; Ses Progr癡s & Ses R矇volutions, Depuis Son Origine Jusqu'? Pr矇sent
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In His True Centre; an Interim Autobiography
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The Modern Pleasure Dance [microform]
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The Romantic Ballet From Contemporary Prints, With an Introd. and Notes on the Plates
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Rhythm in the Heavens; an Autobiography
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Nureyev
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The Dance Of Death
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African Dance; a Book of Photographs
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Footnotes to the Ballet
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Heat and Alterity in Contemporary Dance
This book argues that contemporary dance, imagined to have a global belonging, is vitiated by euro-white constructions of risk and currency that remain at its core. Differently, the book reimagines contemporary dance along a "South-South" axis, as a poly-centric, justice-oriented, aesthetic-temporal category, with intersectional understandings of difference as a central organizing principle. Placing alterity and heat, generated via multiple pathways, at its center, it foregrounds the work of South-South artists, who push against constructions of "tradition" and white-centered aesthetic imperatives, to reinvent their choreographic toolkit and respond to urgent questions of their times. In recasting the grounds for a different "global stage," the argument widens its scope to indicate how dance-making both indexes current contextual inequities and broader relations of social, economic, political, and cultural power, and inaugurates future dimensions of justice.Winner of the 2022 Oscar G. Brockett Prize for Dance Research
Fundamentals of Rhythm and Dance, With an Analysis of the Rhythmic Approach in Teaching Dance Skills
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Honor Your Partner
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Adeline Gen矇e
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The Tragedy of Nijinsky
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Prize Drills and Dances
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Complete Quadrille Call Book and Dancing Master
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Svetlana Beriosova, a Biography
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Svetlana Beriosova, a Biography
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
African Dance; a Book of Photographs
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Stravinsky and the Dance
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Clog Dancing Made Easy
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Stravinsky and the Dance
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
[Collection of Sheet Music From the Early 19th Century]
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.