A History of English Cathedral Music, 1549-1889; Volume 2
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The Art of Counterpoint
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The National Music Teacher
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The Rudiments of Harmony
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The Crosby Brown Collection of Musical Instruments of all Nations; Catalogue of Keyboard Instruments
Auber's Opera Fra Diavolo
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Recollections of an Old Musician
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Early Opera in America; Volume 2
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The Secrets of a Savoyard
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Sound and Its Relation to Music
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Hyland's Mammoth Hibernian Songster
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Die Geschichte der Musik des 17, 18, und 19. Jahrhunderts
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Harmonischer Gottes-dienst, Oder Geistliche Cantaten Zum Allgemeinen Gebrauche
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J. G. Albrechtsberger's Collected Writings on Thorough-bass, Harmony and Composition for Self-instruction..; Volume 1
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An Experimental Psychology of Music
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Applied Strict Counterpoint
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Pell矇as and Melisande
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Harmonischer Gottes-dienst, Oder Geistliche Cantaten Zum Allgemeinen Gebrauche
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Bass-ick Theory Volume 02
In response to the enthusiastic reception to his first book, Bass-ick Theory: Music Theory and Life Lessons for Bassists, Tony Muhammad now presents Bass-ick Theory Volume 02: Conversations with Leroy/Detroit Edition. In it, he offers 20 additional exercises and additional insightful stories based on his deep knowledge of music theory and multi-dimensional involvement in the music industry. This volume is sure to offer knowledge and skills for new or experienced bassists to deepen their understanding of playing bass and become valuable and sought-after musicians. The stories come through the colorful character, Leroy, and the wise quotes are from the dynamic Detroit Bass Players group.
Masques
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Standard Organ Building
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Nicolo Paganini
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Violin Playing As I Teach It
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On the Sensations of Tone As a Physiological Basis for the Theory of Music
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Principles of Orchestration
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Nicolo Paganini, a Biography
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Hints on Singing
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The Phantom of the Opera
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Hints on Singing
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Nicolo Paganini, a Biography
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Practical Organ-Building
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Die Lehre von der Musikalischen Komposition, Praktisch Theoretisch
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Violin Playing As I Teach It
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On the Sensations of Tone As a Physiological Basis for the Theory of Music
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Principles of Orchestration
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Nicolo Paganini
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The Phantom of the Opera
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Die Lehre von der Musikalischen Komposition, Praktisch Theoretisch
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Counterpoint Applied in the Invention, Fugue, Canon and Other Polyphonic Forms
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Score Reading of Orchestral Music
A comprehensive guide to score reading of orchestral music for conductors and all musicians, music readers and students. It presents methods on synthesising a score, creating a sounding image of the score in the mind, reading in clefs, decoding single and multiple transpositions, making piano reductions. Each topic is complemented with a wide range of practice examples from 18th to 20th century orchestral repertoire. Maja Metelska-R瓣s瓣nen, D.Mus.A. in conducting, M.Mus in cello, is a graduate of the Chopin University of Music and of the Sibelius Academy. She has been conducting professional orchestras around the world, symphonic and opera music. For more than 15 years she has been teaching score reading to students of conducting, composition, music theory and sound engineering at the university level.
