Seeing Wild
"Seeing Wild" beckons readers into a captivating realm of vibrant wildlife and serene landscapes, each page a window to the mesmerizing beauty of the natural world. Through a rich tapestry of full-color images and heartfelt narratives, this book transcends mere observation, inviting viewers to embark on an immersive journey through the lens of my camera. With each turn of the page, readers are transported to lush forests, vast savannas, and untamed wildernesses, where the raw majesty of nature unfolds in stunning detail. From the delicate flutter of a butterfly's wings to the commanding presence of a majestic predator, every image captures a moment frozen in time, brimming with life and vitality. Through descriptive prose woven seamlessly with each photograph, I offer insights and reflections, inviting readers to pause, contemplate, and connect with the profound beauty that surrounds us. "Seeing Wild" is more than a collection of images; it is an ode to the wonders of our natural world, a celebration of its diversity, and a testament to the importance of conservation. Whether you're an avid nature enthusiast, a photography aficionado, or simply someone seeking inspiration and awe, this book promises to ignite your sense of wonder and leave you spellbound by the untamed splendor of our planet.
Across the Himalaya
Across the Himalaya is the untold story of an extraordinary journey - one thatstretched across 4,500 kilometers, three countries, and 198 unforgettabledays. In 1997, eight Indian women set out to traverse the length of the world'shighest mountain range, led by Everest summiteer Bachendri Pal. Among themwas Vineeta Muni, photographer, mountaineer, and seeker of quiet strength.What began as a shared dream soon became a test of endurance, leadership, anddeep personal resolve. As the group battled physical exhaustion, unpredictableterrain, and inner conflicts, Vineeta found herself at a crossroads - ultimatelychoosing to continue the journey with two teammates, forming a new, smallerunit that embraced the spirit of slow, soulful travel.This is not just a record of passes and distances. It is a deeply human memoir- an exploration of resilience, trust, conflict, and clarity in the wild. With lyricalstorytelling and vivid imagery, Vineeta invites us into the heart of the Himalayaand into her own inner transformation.A trek that redefined limits. A story that reclaims voice.
Magnum: A World of Photography
Chock full of contact sheets, slides and notes, this exclusive look into the Magnum archives uncovers hidden treasures by Robert Capa, Eve Arnold, Leonard Freed and morePublished with Foto Arsenal Wien. You've seen that photo of James Dean in Times Square before you saw it on this book's cover. But how do these world-famous images come into being? Where and why are they first published? And how are they preserved for future generations? Magnum: A World of Photography examines the cutting-edge archiving strategies of the renowned Magnum Photos, founded in 1947 and still representing some of the most influential practitioners in the history of photography.Made in close collaboration with Magnum, this book reveals undiscovered processes through a wealth of material: from contact sheets and darkroom experiments to vintage prints and slides, from magazines and newspapers to books and personal correspondence. With each chapter dedicated to one photographer, from the firm's inception to the present day, Magnum offers a behind-the-scenes look into the archives of Robert Capa, Elliott Erwitt, Inge Morath, Leonard Freed and more.
Encounters: Denise Scott Brown Photographs
The first publication dedicated to the perceptive photographic oeuvre of one of the most important postwar architects and co-author of the influential Learning from Las VegasFor Denise Scott Brown (born 1931), who is among the most important architects of the postwar era, photography has long served as a critical medium through which to perceive, document and think about the world in which designers operate. Fascinated by the ephemeral and the everyday, Scott Brown took photographs for fun, research and teaching, and later as a component of design and planning projects. Through the lens of her Alpa camera she sought to penetrate the irreducible complexities of life around her--and to make a case for the architect and planner's role in intervening within it. Encounters gathers an essential collection of Scott Brown's photography from the 1950s to the 1970s, presented here for the first time.The book focuses on the formative decades during which Scott Brown departed her childhood home of Johannesburg to study in London, traveled through Europe, moved to the United States, met her partner Robert Venturi and eventually developed the profound interest in postwar suburbia from which her most famous work, Learning from Las Vegas, would emerge. Moving thematically rather than sequentially through Scott Brown's photographic oeuvre, Encounters opens up new ways of reading this body of work, presenting it less as a continuous historical record than as the product of a careful and studied practice of observation.
Photographie Apparatus, Making and Adapting
"Photographie Apparatus, Making and Adapting" offers a detailed look into the construction and modification of photographic equipment at the turn of the 20th century. Reprinted from articles in "The Photogram," this book provides practical guidance on building and adapting photographic devices. With numerous additions, the text explores the intricacies of early photographic technology, making it an invaluable resource for historians, photographers, and anyone interested in the evolution of photography. Discover the ingenuity and craftsmanship behind vintage photography and gain insights into the techniques used by early photographers to capture the world around them.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Photographie Apparatus, Making and Adapting
"Photographie Apparatus, Making and Adapting" offers a detailed look into the construction and modification of photographic equipment at the turn of the 20th century. Reprinted from articles in "The Photogram," this book provides practical guidance on building and adapting photographic devices. With numerous additions, the text explores the intricacies of early photographic technology, making it an invaluable resource for historians, photographers, and anyone interested in the evolution of photography. Discover the ingenuity and craftsmanship behind vintage photography and gain insights into the techniques used by early photographers to capture the world around them.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Midwest City
Longtime Midwest City resident and author Malana Bracht joins efforts with key historical leaders of Midwest City and institutions such as the Midwest City High School History Center, Rose State College Foundation, and Atkinson Heritage Center to deliver this city's rich story to the new generation of Midwest City residents looking to understand the heart behind the model city and its founders.In the early 1940s, a visionary developer named W.P. "Bill" Atkinson set out to find the perfect location for an incoming air depot to be built in Oklahoma by the US War Department. With a hunch and a wink, he purchased a large plot of land and later incorporated Midwest City in 1943 with the purpose of attracting and supporting Midwestern families and businesses relocating to work at the new plant. The plant later became the iconic Tinker Air Force Base. Awarded as the "Model City of the Midwest," Midwest City became a city of hope for families looking to have a better life while supporting the nation's military efforts. Using creative marketing strategies such as selling ponies with homes, intentional city planning for family living, and cultivating Norman Rockwellian culture, Midwest City grew and positioned itself as an innovative leader in the region. Having many familial ties to Midwest City and Tinker Air Force Base, Bracht tells the story of Midwest City from its founding, continuing its legacy for generations to come.
Photo-texts From Below
What can photo-texts do, especially in the 'Age of Catastrophe' in which we now live? This study of 21st-century photo-texts analyses photography, in six separate chapters, alongside written language of all sorts (essay, commentary, story, caption, text-speak), in order to suggest, tentatively, a concerted, multi-actant facet to contem-porary text-image creativity. The examples chosen are all French, or French-related, and in their multifarious ways contri-bute to a growing politicisation, since the turn of the Millennium, around the use of the photographic image as accompanied and inflected by written text. In this sense, the corpus reflects what British cultural historian Raphael Samuel once called 'History from below'. Thus, photo-texts on migrancy and exile, on subaltern military resistance, on prison life, on ageing and the health-care sector since the pandemic, on youth alienation, on memories of Algerian independence, and on the workplace stereotype, are brought together and considered as varying and potent responses to the social conditions, and conditioning, of the marginalised, the oppressed and the silenced.Andy Stafford is Professor of French and Critical Theory at the University of Leeds.
The Prada Naked Majas
In the collection of photographs, The Prada Naked Majas, Fabrizio Prada surprises us because he seeks to capture not only the body but also the thought, emotion and fantasy of women. Through his images, Fabrizio Prada recreates nature and captures the beauty of the flesh and blood woman. Going through the bodies, caressing each stretch of light, Fabrizio Prada finding hidden feminine treasures until today. Getting naked is, in effect, an act of self-love. An act of trust, of intimacy. A way of expressing our nature in the purest and rawest form. It is, therefore, an act of freedom. Undressing before the eyes of others is the most confident expression of beauty that lights and shadows show. In each photograph, with almost elusive subtlety, the author pays homage to the spring splendor of young skin, to the aroma of ripening bodies, showing themselves. Cautious and indiscreet at the same time, in his permanent creative desire.
TŌKYŌ by RAIN
In the quiet chaos of Tokyo, where neon dreams drip from the sky like ink from a poet's pen, there exists a cityscape veiled in the silver threads of rain.Tōkyō by Rain is not just a photobook; it is an intimate whisper of the city's soul, captured in the fleeting moments between the raindrops and the streets they kiss.Each photograph is a haiku, a pause in the relentless rhythm of life, where umbrellas bloom like lotuses and reflections on wet pavement tell stories of unseen faces.
Leaves and Light
Since we imagine something intentional about a community both in its formation and its function as a new entity, there is something both baffling and attractive about the idea of a "plant community." Do plants know what they're doing? Some claim our attention: good to eat, good to smell, get stuck to your clothes. For a majority, plants or plant communities arouse a restricted admiration: lawn. A lawn can be a plant community, an atrocious one to be sure. But I'm thinking of plant communities in the eyes of God, where the plants foregather in ancient times and set out toward infinity. These deserve the word community, and the individuals who make them up are original in the extreme, as they must be: they live in a tough town.It is our luck that the eternal aspects of these daredevils have fallen to the eye of artist Lindy Smith who has used the sun in ways known best to her to reveal the souls of plants as lives, as archetypes, as semaphore. Their shapes seem to belong to dreams while for all their unexpectedness they are no more accidental than dreams. What we see emerges from the lives they've lived in deep time; their importance hangs over them as an aura. We long to say their names: milkweed, mullein, bulrush, fescue, rush, yarrow. Or, on the other hand, sumpweed, pigweed, spurge. They belong to the things we see for the first time while recognizing we've known them always, hence the longing to absorb their eternal forms. Creation--we have it by our fingertips, just. Smith's images Smith has discovered the souls of so many plants I thought I knew and left their essential signatures on my mind that I will never see them in the same way again, or more to the point, forget them again. I wish I knew enough about the process to understand what help the sun has been in finding these plants out. But here they are, seen by an artist, and what help it is.--from the Preface by Tom McGuane
Henry O. Head: Twelve Acres
A haunting photographic return to adolescent mysteries in the OzarksIn this debut monograph, American photographer Henry O. Head reimagines the peaks and valleys of a defining teenage friendship in the Ozark hills where he spent his adolescence. From spring 2023 through summer 2024, Head revisited the terrain of northwest Arkansas and southwest Missouri--wild country with limestone bluffs shot through with quartz, where cottonmouths coil on exposed roots by slow creeks and alligator gar glide like phantoms through the dark. Twelve Acres recalls a boyhood outside city limits, away from institutions and the pressures of social order. In a progression through the seasons, a restlessness presses in, a longing to stave off the rupture of entering an adult reality, with its mundanity and responsibilities. In this meditation on personal history, worlds quiver in a chaos of past and present forms and stark flashes of image begin to wobble in an opaque well. Tops spin. Animals with thirst cup liquid light. Memory remains an ineffable mystery. Twelve Acres is a reverie, wherein the past reemerges as boys with tick-bitten feet, ears ringing from homemade explosives, clothes stained by the smoke of shoplifted cigarettes and arms stretched toward higher branches.
The Afterglow of Industry
The Afterglow of Industry brings together photographs from a ten-year project in which artist Chris Corson-Scott repeatedly travelled the extent of Aotearoa New Zealand, seeking out unknown, or remote sites which illuminate our dysfunctional present. Following this, several years were spent researching and writing on each of the 79 photographs featured in this book. In these texts, colonial and industrial histories weave in and out of geology, pre- European Māori history, outside forces from the United States and Europe, and contemporary issues like privatisation, asset sales, the New Zealand housing crisis, and the country's rebranding as a 'clean & green' tourist destination.Similar to the collapse of America's industrial Midwest, New Zealand has also experienced the whiplash of industry vanishing. Here though, this has been complicated by much of this industry first emerging in conjunction with European colonization. Corson-Scott's work focuses on these tensions, particularly in Te Waipounamu South Island, where the regions of the West Coast and Otago see industrial remnants contrasted with vast and complex landscapes. From these areas come images of freezing works on sacred rivers, contested mining projects, dwellings of 19 th century Chinese miners, gold processing plants still contaminated more than a century later, floods of acid mine drainage, and the demolition of factories which once built the country's modern infrastructure. Elsewhere, on a remote sandspit is one of history's largest whale strandings, industrial spaces are repurposed by artists, controversial hydroelectric schemes divert rivers, ancient forest remnants become tourism, and city fringe orchards are bulldozed for development.
Unsupervised
Unsupervised is an intimate look at the modern family. With the birth of social media came the ability for anyone to present a highly curated version of themselves and their life, oftentimes under the social pressures to appear "perfect". Kirsten Lewis has watched this directly affect how parents, especially mothers, share their life with the outside virtual world.
Family Amnesia
Family Amnesia is a visual tribute and love letter honoring the artist's Chinese American family roots in the U.S. The art book explores her family's multi-generational resilience and resistance through mixed media collages, her grandfather's photographs, her own captured images and archival material.The book project honors the past and current lives of Asian Americans and immigrants in the U.S. by examining the incalculable and traumatic impact that historical events like the 1882 Chinese Exclusion Act continue to have on the Asian American experience. This is a painful part of our American history. Betty Yu is reclaiming that narrative through her own personal family's story. The book will features her grandfather's role as a founding member of the Chinese Hand Laundry Alliance of NY, her mother's plight as a garment worker who became a labor organizer, as well as her sister's legacy as a community activist. Yu knows that her family's story is not unique. It is part of the larger collective Asian-American immigration experience.This book project reminds us that the rise of COVID-related anti-Asian violence is part of a larger history of systemic racism. As the U.S. government and corporate-run media continue to vilify China as a global threat, Family Amnesia recalls the anti-China and anti-Asian paranoia and hysteria that created the policies like the 1882 Chinese Exclusion Act and the 1942 Executive Order that placed Japanese-Americans into internment camps. The book will also draw visually on geo-political history, recalling narratives that mocked China as the "sick man of Asia '' and that demonized Chinese as "Yellow Peril".
A-Z of Hitchin
The latest title in Amberley's exciting new A-Z series Potential for review coverage in local press and media Author available to publicize the book
A Guide to Photography
Embark on a comprehensive journey into the world of image-making with "A Guide to Photography" by William Henry Thornthwaite. This book serves as an indispensable resource for both aspiring and seasoned photographers, detailing every essential aspect of the craft. From the fundamentals of camera operation to the intricacies of developing and printing, Thornthwaite's expertise shines through.Explore detailed explanations of various photographic processes, equipment, and techniques, alongside practical advice for achieving stunning results. Whether you're interested in portraiture, landscape photography, or simply capturing everyday moments, this guide provides the knowledge and inspiration you need to elevate your skills. Delve into the artistry and science behind creating captivating images that stand the test of time.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Guide to Photography
Embark on a comprehensive journey into the world of image-making with "A Guide to Photography" by William Henry Thornthwaite. This book serves as an indispensable resource for both aspiring and seasoned photographers, detailing every essential aspect of the craft. From the fundamentals of camera operation to the intricacies of developing and printing, Thornthwaite's expertise shines through.Explore detailed explanations of various photographic processes, equipment, and techniques, alongside practical advice for achieving stunning results. Whether you're interested in portraiture, landscape photography, or simply capturing everyday moments, this guide provides the knowledge and inspiration you need to elevate your skills. Delve into the artistry and science behind creating captivating images that stand the test of time.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Twice
- A classical analogue black-and-white street portrait photobook, documenting people in twos and threes - Europe's Diane Arbus - Jacques Sonck has a taste for the unusual, the special and the out-of-place- Jacques Sonck was recently exhibited in Stichting Foundation A, Brussels and in Vichy, FranceTwice by Jacques Sonck brings together duo-toned portraits of people in twos and threes that Jacques Sonck photographed on the street over the course of thirty years. Jacques Sonck shoots classical analogue black-and-white portraits with an eye for the extraordinary. His oeuvre is a celebration of the diversity of humankind. Sonck is attracted by people who stand out from the crowd, either by an anomaly in their appearance or by their extrovert attitude and Twice demonstrates diversity and his anthropological taste within photography. His eccentric models are unique individuals who walk the border of 'normality'. Although his work is often compared with that of Diane Arbus, who photographed humans on the margins of society, Sonck is more interested in the physical appearance than in the social position of his subjects. In English and French.
Ditch: Montauk, New York, 11954
Nat Ward's timeless photographs of Montauk's most famous beach, Ditch Plains, tell the naked, unedited stories of who we are when the sand is a stage: sensual beings, social creatures, dramatic actors, those who want and wish to be wanted, those who look, and those who wish to be looked at. Featuring forty-nine panoramic photographs, Ditch: Montauk, New York, 11954 revels in a place where pleasure is paramount, divisions disappear, and everyone is welcome to crowd in together on the sand and stare, however impolite it may be. Legendary musician Rufus Wainwright and his husband J繹rn Weisbrodt as well as writer Wayne Koestenbaum contribute heartfelt essays. Stumbling down a makeshift path through a sand cliff in 2018, Ward found the crowded, raucous reality of Ditch Plains, Montauk's most famous surf beach. It's a place where families, surfers, retirees, artists and writers, social media influencers, contractors, landscapers, celebrities, and day traders all crush together on the rocky shore for a day. This books brings to light the high/low culture on a beach known for being a low-key celebrity hideout. Emblematic of a laid back fishing village that became swanky. It is a place where politics are more unseemly than naked flesh, where human pleasure is sought out in public view. Struck by this libertine opposition to antagonistic norms, Ward photographed the denizens of Ditch every day for four summers. In the process, Ward became a fully-fledged member of the eclectic tribe: a half-naked, long-haired character with a clown camera that no one could miss. The photographs in DITCH: MONTAUK, NY 11954 navigate the trickier engagements of looking and being looked at: the epic sweep of multiple dramas playing out across the sand, the confrontations, the seductions, the freedom to be a body amongst other bodies splayed in public, the hints at desire and reticence, the skin, the sun, the heat, the salt, the slippages of masculinity and femininity performed, the lounging in a way that purposefully conceals or reveals, the unexpected and clarion gestures of children, the futility in the drive to hold on to youthful appearance, and the inevitable process of aging toward an entropic end. Ward's panoramas are inspired by the visual energy of American photographic masters Helen Levitt, Weegee, and Lisette Model, along with Italian Neorealist standouts like Vittorio de Sica's The Bicycle Thieves and Rossellini's Rome, Open City. Legendary musician, queer icon, and long-time Montauk resident Rufus Wainwright contributes an introduction in collaboration with his husband, Jorn Weisbrodt, that provides insight into the history of Montauk and delves into the intimate, social, and psychological realities of the beach as featured in Ward's panoramic efforts. And a signal afterword by renowned poet, iconoclast, and cultural critic Wayne Koestenbaum parses the visceral, sensual pleasure to be found in these images while also leaning into the idea that pleasure of this sort must serve as an inspiration toward a radical departure from the monomania and divisive strife of everyday life.
Thank You Bye
- A unique and intimate, behind-the-scenes, first hand testimony of the fashion world viewed from the eyes of a fashion model- A index of terminology used in the modeling industry- A visual narrative and diary- Contemporary snap-shot photography"THANK YOU BYE was born out of a need to put down somewhere what I have experienced over the last five years. Although it gives the impression of a veil being lifted, it is simply a record of my personal experience. The intention, through these hundreds of photos, is to transcribe the absurd, crazy and little-known world of modelling, by means of an unpublished souvenir album of my time spent in fashion. The result is THANK YOU BYE, which owes its name to the phrase uttered by casting directors every time you walk in front of them. It recounts my moments of sadness, my anxieties, my unease, my questions, but also our laughter, our travels, our togetherness, our mutual support. Five years during which I fought not to lose myself. Thrown at the age of 18 at a speed I found hard to manage into a dimension that was not my own, I embrace all the models who 'pose' in this book and who, without realising it, helped me to escape. What you hold in your hands is none other than the last chance to prove that I was still worth something. When you turn the last page, you'll know that I've resigned and can finally say that I'm happy." - Cl矇mentine Balcaen
Cuba Photography Missions
- Like photography itself, Cuba Photography Missions is slippery, complex and multi-layered. It is self-defined as a project in documentary photography; it is a collaborative international exchange among institutions and artists; it is an educational initiative; it has resulted in artIn 2019, Cuba celebrated the 60th anniversary of the revolution. In 1959, Fidel Castro and Ch矇 Guevarra ousted dictator Batista and the country entered a utopian future. But Soviet communism and the American embargo forced Cuba to survive because the country remained fundamentally committed to the socialist values of the revolution. Against this background, an extensive photography project was set up with four Cuban and four European participants. Taking the current reality of the island as a starting point, they each developed a project, which together provide a nuanced picture of the complex country. The eight projects pit the photographic interpretations of the local artists against those of the Europeans. The project starts from 'heritage' in the broadest sense of the word and focuses on the past, present and future of Cuba. Cuba Photography Missions proposes an approach to reality in the country from the personal poetics of our artists and their European counterparts, assuming Cuban contemporaneity as a topic of reflection, among universal aspects that specify the thematic and formal coherence of the exhibition. Participating photographers: Ossain Raggi Gonzalez, Bert Danckaert, Linet Sanchez, Charlotte Lybeer, Liudmila & Nelson, Ulla Deventer, Ricardo Elias and Simon Roberts. Text English and Spanish.
Lucky / Udachny: Hanne Van Assche
- A glimpse into this special diamond mining village in the far East of Russia, beautifully documented by Hanne Van Assche- Portraits of locals including young children, mothers, families and strangers on the street shown in a serene and still way among the snowy backdrops and old-fashioned interiorsLUCKY / Udachny by Hanne Van Assche documents a small mining town in the far East of Russia called Udachny - a remote region captured in the icy grip of winter throughout most of the year. Few people choose to live here, but those who do are proud citizens. Yakutia is known as the treasury of Russia. It is one of the world's richest regions in natural resources. According to a Siberian legend, God once spilled a bag of earthly treasures over this part of the country. A thick layer of permafrost covers large reserves of coal, gas, gold and diamonds. Despite the barren climate most of the year, the heart of the people remains warm. The hospitality and optimism of the inhabitants soothes the harsh climate. It is they who turn the scenery of a frozen and isolated world, defined by extraordinary contrasts, into a vibrant and colorful community.
Thank You for Playing with Me
- An intimate look at female beauty, photographed in a self-loving, powerful and playful gesture, revealing the inner-life and confidence of Enam and Vanessa, two women that Yolanda met thanks to photography and her invitation to portray the two of them over a few years around the UK- Soft and beautiful colors, with all photographs captured on Kodak Portra film- Yoland Y. Liou is an upcoming London-based photographer with energy and an incredible hard-working attitude that'll certainly take her farShot over three years from 2019 to 2022, Thank You For Playing With Me by Yolanda Y. Liou is an intimate look at two plus-size models, Enam Ewura Adjoa Asiama and Vanessa Russell. Liou first came across Asiama's Instagram in 2019 and was blown away by her confidence and charisma. It was the type of confidence that Liou struggled to have about her own body due to her upbringing in Taiwan. "Growing up in Taiwan, I was consistently exposed to the relentless beauty standards that prioritised being skinny... This obsession led me to believe that I was never beautiful enough, and consequently, I felt unworthy of love. I constantly sought ways to conform, believing that only then would I be accepted and appreciated." Liou's main aim with this photo book is to help people embrace their individuality.
British Journal Of Photography
Explore the rich history of British photography with the British Journal of Photography, Volume 51. This historical volume offers a fascinating glimpse into the world of visual arts and photojournalism as it was perceived in its time. Covering a wide array of photographic styles and subjects, the journal provides valuable insights for historians, art enthusiasts, and photography students alike. Delve into detailed articles, captivating images, and insightful commentary that reflect the evolving landscape of photography and its impact on British culture and society. A must-have addition to any serious collection on the history of photography, British Journal of Photography, Volume 51 is a timeless resource that continues to inspire and inform.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
British Journal Of Photography
Explore the rich history of British photography with the British Journal of Photography, Volume 51. This historical volume offers a fascinating glimpse into the world of visual arts and photojournalism as it was perceived in its time. Covering a wide array of photographic styles and subjects, the journal provides valuable insights for historians, art enthusiasts, and photography students alike. Delve into detailed articles, captivating images, and insightful commentary that reflect the evolving landscape of photography and its impact on British culture and society. A must-have addition to any serious collection on the history of photography, British Journal of Photography, Volume 51 is a timeless resource that continues to inspire and inform.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Finishing The Negative
"Finishing The Negative: A Handbook Of All The Processes Between Fixing And Printing" is a comprehensive guide to the crucial steps in photography that occur after the initial fixing stage but before the final print. This handbook, penned by an anonymous author, delves into the intricacies of negative preparation, offering practical advice and detailed explanations of various techniques. Designed for both amateur enthusiasts and seasoned professionals, this book covers a wide range of topics, from washing and drying negatives to retouching and enhancing their quality. A dedicated chapter specifically addresses the unique challenges and considerations involved in working with films, making it an invaluable resource for those still engaged in traditional photographic processes. Discover the time-honored methods for achieving optimal results in the darkroom.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dress Your Cat
Dress Your Cat is all about how to have fun with your pussycat. The various settings and costumes reflect what Weismeyer herself would like to do. Tiger, the model, was very tolerant and cooperative in getting dressed up and posing. Sports is a main theme as Weismeyer has a forty-year career in teaching Physical Education. All photos were taken near the author's home on the Olympic Peninsula in Washington state. Weismeyer's travel photography has appeared in various publications such as USA Today, International Travel News, AAA Western edition, as well as local newspapers.
Finishing The Negative
"Finishing The Negative: A Handbook Of All The Processes Between Fixing And Printing" is a comprehensive guide to the crucial steps in photography that occur after the initial fixing stage but before the final print. This handbook, penned by an anonymous author, delves into the intricacies of negative preparation, offering practical advice and detailed explanations of various techniques. Designed for both amateur enthusiasts and seasoned professionals, this book covers a wide range of topics, from washing and drying negatives to retouching and enhancing their quality. A dedicated chapter specifically addresses the unique challenges and considerations involved in working with films, making it an invaluable resource for those still engaged in traditional photographic processes. Discover the time-honored methods for achieving optimal results in the darkroom.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dress Your Cat
Dress Your Cat is all about how to have fun with your pussycat. The various settings and costumes reflect what Weismeyer herself would like to do. Tiger, the model, was very tolerant and cooperative in getting dressed up and posing. Sports is a main theme as Weismeyer has a forty-year career in teaching Physical Education. All photos were taken near the author's home on the Olympic Peninsula in Washington state. Weismeyer's travel photography has appeared in various publications such as USA Today, International Travel News, AAA Western edition, as well as local newspapers.
Diane Arbus: Sanctum Sanctorum
A new collection of photographs by Diane Arbus illuminates her singular ability to enter private worlds. Diane Arbus: Sanctum Sanctorum brings together forty-four photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971. Through her singular combination of intelligence, charisma, intuition, and courage, Diane Arbus (1923-1971) was frequently invited into personal realms seldom seen by strangers. Though made in intimate settings, the photographs collected in this volume convey no sense of intrusion or trespass--instead, they reveal an unspoken exchange between photographer and subject, a moment of recognition in which confidences emerge freely and without judgment. Arbus's desire to know people embraced a vast spectrum of humanity. Her subjects featured in Sanctum Sanctorum include debutantes, nudists, celebrities, aspiring celebrities, socialites, transvestites, babies, widows, circus performers, lovers, female impersonators, and a blind couple in their bedroom. Through a fresh consideration of little-known photographs among works that may be more familiar, this publication invites viewers to discover aspects of even well-known images that have previously gone unnoticed. Published on the occasion of the exhibitions presented jointly by David Zwirner, London, and Fraenkel Gallery, San Francisco, Sanctum Sanctorum is an invaluable addition to the understanding of one of the most daring and transformative photographers of the twentieth century.
Like We Could Almost Live Forever
Through her photographs Carlotta Guerra invites us on a visual and emotional journey that encourages us to explore the magic and the sorrows of life, from the simplest to the most significant moments of everyday existence. With her project Like we could almost live forever, Carlotta Guerra (*1976) invites us on a visual and emotional journey. The photographs, taken in Italy and North America, draw on her family heritage and create a tapestry of personal memories, experiences, impressions, and emotions. Aware that our limited time in life makes our encounters precious and unique, Guerra collects photographic moments, which she arranges like tiny pieces of a vast puzzle into a narrative full of expressive and associative power. This collection encourages us to explore the magic and the sorrows of life, from the simplest to the most significant moments of everyday existence.
You Are Home
You Are Home is the ultimate guide to creating a space that nourishes and supports you - one that lifts your mood when you turn your key in the front door and offers you a refuge from the world outside. If Africa Daley-Clarke has learned one thing, it's that when you live in a nurturing environment that reflects your unique and indomitable spirit, you have the foundations to thrive in all areas of your life. In this book she shows you how to do the same. Whether you are a tenant or a homeowner, whether you have one room to consider or many, Africa's guidance on values, provenance, and belonging will give you the tools and the confidence to create a home that is uniquely yours. Divided into four sections - Live, Embrace, Source, Create - You Are Home will empower you with everything you need to tap into your individuality and live a more authentic and peaceful life.
The Great American Retro Road Trip
Celebrate the nostalgic pleasures of America's vintage signs, quirky roadside attractions, and offbeat fast food relics in this irresistible retro road trip across the country. The Great American Retro Road Trip is a coast-to-coast journey chronicling retro roadside America. Discover classic giant roadside attractions, from The Coffee Pot and The Big Duck to the World's Largest Paint Can and the Haines Shoe House. Or iconic signage, like the dazzling Yoken's neon sign, and the classic Moon Motel sign. Still-standing vintage locations of America's favorite chain restaurants, from Pizza Hut to McDonald's to Taco Bell. Through author Rolando Pujol's anecdotes and clever narrative, readers will come away with a sweeping sense of roadside charm that still exists, as well as a desire to see it all for themselves. These lingering traces of America's past are an archive of disappearing roadside signage and architecture, and they tell a story of American ingenuity, creativity, and community. Whether you pick up this book for the nostalgia-inducing photos, the heartwarming stories, or as a reference for planning your own trip, you'll be encouraged to, as Pujol says, "Let your curiosity guide you."
The Hand Camera Manual; a Beginner’s Guide to Photography in its Connection With the Hand Camera
The Hand Camera Manual, originally published in 1896, serves as a comprehensive guide for beginners venturing into the world of photography using hand cameras. Written by Walter D. Welford, this manual provides essential knowledge on camera operation and photographic techniques prevalent at the time. Covering a range of topics from selecting the right equipment to mastering exposure and composition, this book offers practical advice for capturing stunning images. It delves into the intricacies of developing and printing photographs, ensuring a thorough understanding of the entire photographic process. Whether you are a photography enthusiast or a historian, this book offers invaluable insights into the early days of portable photography and its evolving technology.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Hand Camera Manual; a Beginner’s Guide to Photography in its Connection With the Hand Camera
The Hand Camera Manual, originally published in 1896, serves as a comprehensive guide for beginners venturing into the world of photography using hand cameras. Written by Walter D. Welford, this manual provides essential knowledge on camera operation and photographic techniques prevalent at the time. Covering a range of topics from selecting the right equipment to mastering exposure and composition, this book offers practical advice for capturing stunning images. It delves into the intricacies of developing and printing photographs, ensuring a thorough understanding of the entire photographic process. Whether you are a photography enthusiast or a historian, this book offers invaluable insights into the early days of portable photography and its evolving technology.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Carrie Mae Weems: The Heart of the Matter
Critical insight into the mind and eye of an artist renowned for her work investigating history, identity, and power.Transcending medium, chronology, and geography, Carrie Mae Weems: The Heart of the Matter puts the artist--as well as her spiritual and philosophical journeys--at the center of the discourse. Weems is a touchstone artist, renowned for her work investigating history, identity, and power. A comprehensive monograph, The Heart of the Matter features generous presentations of landmark bodies of work, from Family Pictures and Stories (1981-82) to her most recent series on the Black church. Throughout the book, the artist's spiritual musings provide critical insight into the iconic artist's mind and eye. Newly commissioned essays and additional contributions from esteemed thinkers and scholars across generations underscore the singular value of Weems's vision in grappling with the complexities and injustices of the world around us. Carrie Mae Weems: The Heart of the Matter will accompany a related exhibition at Gallerie d'Italia, Turin, opening in April 2025.The book is copublished by Aperture and Allemandi Editore.
The Camera
The Camera, Volume 23, presented by the Columbia Photographic Society of Philadelphia, offers a fascinating glimpse into the world of early 20th-century photography. This volume delves into various aspects of photographic techniques, equipment, and artistic applications, providing valuable insights for both aspiring and experienced photographers. Readers will find detailed discussions on topics ranging from camera mechanics to developing processes, offering a comprehensive understanding of the craft. Explore the innovations and challenges faced by photographers of the era, and discover timeless principles that remain relevant today. This vintage publication serves as an invaluable resource for anyone interested in the history and art of photography.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
