The English Emersons
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Off The Palette
"For the girls who need some hope, love, and creativity, to remember who she is, is enough...No one can take away your spark, no words candiminish your joy, and no amount of hatredcan kill your love.This story is for her, who has tried to fit in her wholelife, but always felt like an outsider.It's okay to paint by your own rules.This story is for the girls who see the world in color-the ones who play around and push the lines andnever stop coloring outside of them.This story is for the girls who dare to dream and thewomen they'll become."
Tommy Kha: Half, Full, Quarter
Tommy Kha: Half, Full, Quarter weaves together self-portraits and classically bucolic landscapes punctuated by the traces of East Asian stories embedded in the topography of the American South. In this first major monograph, featuring almost a decade of work, Tommy Kha explores the highly personal psycho-geography of his hometown. As the artist states, "Memphis has become, for me, not only the place where I was raised but an active borderland between fantasy and memory, nostalgia and history, nonfiction and mythology." Memphis is where his mother, fleeing Vietnam in the early 1980s, settled, along with his extended family. Throughout the work, his mother emerges as a recurring character, sometimes the subject of quiet photographic study, and in others, a collaborative muse. "I'm a cut of my mom," Kha asserts, "Every photograph I make of her is a Half Self-Portrait." In snapshots drawn from a family album that serves as the one record of her journey to the United States, she is the source of nostalgia and barely captured memory. In assembling a visual account of the struggle to find his own voice and narrate the fragmented history of his family, Kha challenges the cultural amnesia around Asian lives and experiences in recent American histories. Acclaimed author Hua Hsu contributes an engaging essay, "People Need to Smile More," and MacArthur Fellow An-My L礙 conducts an incisive conversation with Kha that delves into his family history and artistic strategies. Tommy Kha: Half, Full, Quarter is the result of the Next Step Award, a partnership between Aperture and Baxter St at the Camera Club of New York, in collaboration with the 7G Foundation. An exhibition of the work will open at Baxter St in New York in February 2023.
In Good Company (Notable People with their Pets)
FOREWORDBy Actor/healer/author Dee WallaceJohanna Siegmann is a force to be reckoned with in this world! I first met Johanna when she hired me to star in a play that she was directing. I fell in love with her insight, her creativity, and her vision. Her ability to connect with the simplest theme and spin it into artistic achievement impressed me beyond measure. And her love for animals bonded us forever.We became fast friends. Lasting friends. It's hard to not create a friendship when you meet someone who also must stop to say hi to every dog on the path-whether it is the path to the plane or the path to an art show. What interested me even more, was that Johanna tapped into the owners of those dogs as much as the dog itself. She saw the bond between all animals and the love of their owners for them. And that magical artistry of expanding that out into a moving visual vision is what this book is all about.Johanna really gets to know her subjects, whether animal or human, and dives into the personality and statement each one represents. When she shot my beloved Freedom and me, she asked many questions about how we played together, how we bonded, and how we filled each other's life with love and joy. Freedom's favorite two things in the world are walks and playing with balls. So that is what we did! Not a stationary portrait, but a capturing of the fun and frolic from our everyday lives. And the picture we got was an amazing moment in time of...Us. Not just a staged portrait shot, but a memory of a real-life moment to treasure.All the pictures in this book represent moments in the lives of pets and their owners. Take time. Feel into the celebrations of life made throughout this book. It is a magical ride of love for us all!From the Publisher"In Good Company (Notable People with their Pets)" by photographer, Johanna Siegmann is a rare collection of unique portraits, portraying everyday tender heartfelt moments between people with their pets. The images are both intimate and familiar, whimsical, touching, often humorous, and always genuine. Johanna uses personal details, provided by her human subjects, to create concepts for their portrait, resulting in images that are highly specific and unique to each person. As a result, her pet portraits are in a unique category of their own, focusing exclusively on the connection between two beings that care for each other, and how they express that love. Siegmann has the rare ability to capture that very special moment in time with exuberance and joy, highlighting the love between her "notable" subjects and their pets. With a background in theater, Johanna's photography is known for her exceptional use of lighting, which has also influenced her use of color and textures. This collection features notables from the world of entertainment, music, science, and everything in between. It's a coffee table book that you will need two of because the first one will wear out!"Being photographed by Johanna Siegmann is a joy and a privilege, the resultant photo a treasure." - Norman Lear, producer"Johanna caught the perfect shot, and notwithstanding lots of technical difficulties. The photo is just beautiful and I will treasure it. She really captured Mia, and her loving and playful demeanor." - Congressman Adam Schiff"LOVED working with photographer Johanna Siegmann. Wow. Her stuff is off the charts." - Lu Parker, KTLA news anchor
Photography As a Fine Art
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A History of the Donaldson Family and Its Connections
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Little Book of Tom. Bikers
In 1953 Marlon Brando donned a black leather Perfecto motorcycle jacket, military cap, denim jeans, and engineer boots to portray Johnny, sneering leader of the Black Rebel Motorcycle Club, in The Wild One. In 1954 Tom of Finland abandoned brown leather in his artwork to create his own wild ones: muscular, hyper-masculine, black leather-clad rebels with powerful engines between their legs. The look was adopted by the Satyrs Motorcycle Club, the first gay outlaw club, that same year, making Tom's fantasy world reality. Of course, being Tom, he soon customized his new gay icons, adding leather jodhpurs, knee high boots and leather caps, and every motorcycle bore the brand name "Tom" on the gas tank. Tom's bikers first appeared as two "Motorcycle Boys" in Physique Pictorial, Winter 1958. Another made the cover of the April 1960 issue. Bikers dominated his PP content from then on, as a nod to its American readership as much as his growing obsession. When he sought an ongoing character, a personal avatar, in 1968, he created Kake as the ultimate biker leatherman, and elaborated on his riding adventures - of every kind - through 26-panel stories. Tom adopted Kake's gear as his own, presenting in black leather jacket, white t-shirt, jeans, and high boots to the end of his life. The Little Book of Tom: Bikers includes Tom's earliest images for Physique Pictorial, Kake in motorcycle gear, biker panel stories, and sizzling single drawings, all packed into 192 pages of sexy, masculine men enjoying other masculine men in black leather, blue jeans, and high black boots. On bikes.
Complete Self-instructing Library Of Practical Photography
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Abridged Scientific Publications From The Research Laboratory Of The Eastman Kodak Company, Volumes 1-3
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Natural Beauty
This book is about Seascapes, moon rise and sunsets.
From Here to the Horizon
Contemporary photographers pay tribute to the life and work of Barry Lopez
The Photographic Studios of Europe
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Complete Self-instructing Library Of Practical Photography
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sir Benjamin Stone's Pictures; Records of National Life and History Reproduced From the Collection of Photographs Made by Sir Benjamin Stone, M.P
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The Photogram; Volume 3
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The Photographic Studios of Europe
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Pictorial Photography in America
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Junkyard Love Letters
John Charles Griffin's DIRT ROAD VISIONARYbook of poetry and photography explores landscapes of Americana featuring encounters with alligators, loose women, guilt trips, glass houses and homelessshelters. These works are so compelling that readers often tend to believe that the contents are personal references to their own life experiences
Dirt Road Visionary
John Charles Griffin's DIRT ROAD VISIONARY book of poetry and photography explores landscapes of Americana featuring encounters with alligators, loose women, guilt trips, glass houses and homeless shelters. These works are so compelling that readers often tend to believe that the contents are personal references to their own life experiences.
Abridged Scientific Publications From The Research Laboratory Of The Eastman Kodak Company, Volumes 1-3
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Slides of School
Slides of School is a Photography Book compromised of Mirrorless and Film Photos taken by Melanie Devon during her college years.
Dian Hanson's: The History of Men's Magazines. Vol. 5: 1970s at the Newsstand
Pubic hair appeared on the American newsstand in 1970 compliments of Penthouse magazine. Within a year it was everywhere, and in 1975 Midwest redneck Larry Flynt parted the hair and made the pink beyond the centerpiece of Hustler. In Northern Europe censorship laws fell like dominos after Berth Milton confronted Swedish parliament with hardcore photos in 1967, asking what it would do if he published them in Private magazine. The answer was nothing. Denmark followed, producing magazines for France as well. England, always lagging, finally got the knickers off, but kept its censorship laws. Japan, long suppressed, found release in bondage magazines like New Roman Porno and SM Select, though pubic hair stayed forbidden. Italy passed a law in 1975 exempting newsstand dealers from responsibility for the content of magazines; much like in Sweden hardcore was suddenly everywhere, while just five years before divorce was illegal. The Pill removed pregnancy fear and couples embraced swinging, the suburban sexual revolution, with swing magazines in the U.S. and Europe helping to hook them up. Behind much of it was politically motivated idealists and oddballs. Peter Wolff and the "Love family" made reader written magazines, bringing publishing power to the people. Al Goldstein challenged American censorship with Screw, while a Texas ad exec tried to keep tasteless hillbilly humor alive with Sex to Sexty. History of Men's Magazines Volume 5 includes over 600 hair-raising covers and photos from Denmark, England, France, Germany, Japan, the U.S. and more, with the usual inspired text.
American Photography; Volume 1
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Pictures of the Floating World
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Dian Hanson’s: The History of Men’s Magazines. Vol. 2: From Post-War to 1959
WWII was devastating to Europe, but the U.S. emerged with a robust economy. People who were encouraged to save every cent for the war effort now spent freely, including on magazines. The U.S. quickly came to dominate the men's magazine market. Playboy, launched in December 1953, made a huge impact on publishing, but it was not the only American men's magazine in the 1950s. The quirky burlesque titles Beauty Parade, Wink, Titter and Eyeful, featuring Bettie Page and covers by artist Peter Driben, inspired a spate of competing titles. Much loved WWII pin-ups, often of aspiring starlets, led to "news and nudes" titles with cover girls Marilyn Monroe and Jayne Mansfield, and to more lurid titles like Shock, blending burlesque and celebrity scandal. In New York City a clandestine fetishist magazine industry, bankrolled by the mob, emerged, first with John Willie's Bizarre, then Lenny Burtman's female dominant Exotique. Argentina, with a strong European influence, produced sophisticated Vea (Watch), while England, suffering paper shortages, produced little magazines with big buxom models, charting a path it would maintain through the 1960s. Then came Playboy. Eschewing the strippers, Hugh Hefner offered up "the girl next door," eroticized innocence, and espoused consumerism as the route to sexual success. This combination made Playboy the most successful men's magazine in history, shaping international publishing for decades. Volume 2 in this series contains over 650 magazine covers and photos from the U.S., Mexico, Argentina and England, plus informative essays.
Dian Hanson’s: The History of Men’s Magazines. Vol. 1: From 1900 to Post-WWII
The first commercial camera was introduced in 1839. By 1865 technology enabled ordinary men to create photographic negatives, and they immediately began taking and distributing photos of naked women. The French led the way, and it was the French who produced the first nude magazines in 1880, as souvenirs for patrons of Parisian music halls. Newsstand magazines followed, and the elegant La Vie Parisienne (Paris Life), full of sexy fiction and illustrations, debuted in 1914. It might all have stayed in Paris if not for WWI, when German and American troops carried the magazines home. American Wilford Fawcett launched Capt. Billy's Whiz Bang (named after a WWI bomb) in 1919, helping launch the first sexual revolution of the 1920s, leading to SEX magazine from birth control pioneer Margaret Sanger. Decadent Weimar Berlin produced cabaret, fetish and free love magazines, countered by nudist titles pushing fascist politics, culminating in the 1933 Berlin book burning. The 1930s economic depression boosted demand for cheap escape, and men's magazines delivered. There were film magazines of sexy starlets; "model study" art magazines; hardcore comics called Tijuana Bibles; "spicy" fiction digests with sexy painted covers; and detective titles of bad dames. When another world war erupted it required pinup magazines for fighting men, and after the war new men's magazines rose from the ashes. Volume 1 of this series features over 700 covers and photos from France, Germany, the U.S., England, Turkey, Austria, Spain, Argentina and more, plus informative text.
Dian Hanson's: The History of Men's Magazines. Vol. 6: 1970s Under the Counter
In the late 1960s specialty bookstores selling magazines under the counter were replaced by sex shops, or "adult bookstores" in the U.S., at which point every subject, with few exceptions, was freely available. It started with Swedish Private and its shockingly explicit covers. Denmark's Theander brothers countered with Rodox and Color Climax, with equally explicit content. Soon they were supplying most of Northern Europe, with the Netherlands pitching in. In the U.S. Reuben Sturman was hailed King of Porn, with affiliates churning out hardcore of every kind to fill his 800 bookstores. Suddenly men used to taking what was offered could be picky. Lesbian dominance? Hot housewives? Black and Asian women? Hippie nudists espousing free love and drug use? Hairy women? Shaved women? Shaved women giving hairy women enemas? It was all there. For the kinky, every fetish was represented: spanking titles Zap and Smack cuddled up to dominance titles Bitch and Aggressive Gals, and to Wet Dreams, Diapered and Dominated and Enema Pick ups. For rubberists there was quirky Atomage, and even quirkier Belly Button. Yes, Belly Button. Are you familiar with the name Edw. Wood, Jr., called the world's worst film director? Then you'll enjoy his little-known porn magazines, including Balling, Skin & Bones and Party Time. What a decade. Warning: everything in this volume is uncensored and for mature adults only. The photos do not represent the majority. Volume 6 features over 600 covers and photos from Sweden, Denmark, the Netherlands, and the U.S. with the usual, amusing text.
Letters to a Painter on the Theory and Practice of Painting
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Collodion Emulsion and Its Applications to Various Photographic and Photo-Mechanical Purposes With Special Reference to Trichromatic Process Work
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Iran
Iran, a quick look at the historic sites, a full-colour photo book. The history of Iranian civilization goes back to the Elamite kingdoms of 3500 BC. This book includes photos and info about the landscape and historic sites in Persepolis, Rafsanjan, Shiraz, Naqsh-e-Rostam, Isfahan, Hamedan, Kerman, and Hamedan.
Pictorial Photography Its Principles and Practice
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Photographic Optics
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Sir Benjamin Stone's Pictures; Records of National Life and History Reproduced From the Collection of Photographs Made by Sir Benjamin Stone, M.P
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Mapplethorpe and the Flower
Mapplethorpe and the Flower: Radical Sexuality and the Limits of Control is the first dedicated book-length critical study of the late artist Robert Mapplethorpe's flower photographs. The book is an interdisciplinary investigation into the symbolism of the flower as envisioned by a photographer whose production was mired in controversy - triggered in large part by his thematic exploration of radical sexuality and queer subcultural life. Mapplethorpe came into international prominence due to the public response to his polarizing retrospective exhibition, The Perfect Moment (1989-1990), a ground breaking collection of images exploring three largely traditional genres of photography: the still life, the portrait, and the human figure. If there is one characteristic that unifies the artist's approach to these genres, however, it is his meticulous attention to the materiality of the photograph as object. Mapplethorpe was a dedicated formalist, committed to locating what is most beautiful about his chosen subject-producing work under carefully controlled studio conditions that enabled the development of a unique and singular aesthetic vision. Bearing this in mind, Mapplethorpe and the Flower is dedicated to unpacking how the artist's unique brand of formal sophistication and discipline, combined with his conceptual bravado, interpenetrates all of his photographs - and reaches its formal and conceptual maturation in his flower images. There has been significant critical attention paid to the artist's more notorious photographs, namely the S&M imagery, and his now infamous persona as provocateur and sexual renegade. Fixation on this dimension of the artist's mythology overshadows the formal details and interlocking representational and political commitments crosscutting the artist's oeuvre. Mapplethorpe and the Flower is a recuperative effort: one that seeks to locate persistent threads running through the artist's seemingly disparate aesthetic and conceptual investigations.
Wilson's Photographic Magazine; Volume 49
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A Manual of Photographic Manipulation
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Photography
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The "Indispensable Handbook" to the Optical Lantern
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A Manual of Photographic Manipulation
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Just Zionism
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Dtla
I lived Downtown Los Angeles in 2020 and my camera and my dog saved me from the confinement of my studio apartment. During the early days of the COVID-19 Quarantine-Lockdown and the BLM Movement, life felt heavy and scary, so I had to find peace somewhere other than my bottles of wine. The streets is where I roamed to escape my thoughts. To marvel and to cry at what mankind is capable of.
Photography
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Photographing Death
Death functioned as a marginal theme in the photographic culture of Victorian Britain, acknowledged to the extent that it could rely on an established language of death-related symbolism to communicate its message to a Victorian audience. Whether documented by private post mortem photography or explored in photographic art, death provided an exclusive entr矇e into aesthetic sublimity. Photographing Death examines how both the studio photographer and the art photographer presented an idealised version of the corpse, with few reminders of the physical facts of death. Whether given moralising undertones or attributed symbolism that signified spiritual purity, the results were always the deliberately manipulated children of their makers: the photographers.
An Experimental Study of the Lippmann Color Photograph
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17
79 portraits of 17-year-old teenagers on the tangled alleys and hilly streets of Sasebo. Sasebo has developed rapidly with the modernization of Japan in the late 1900s. This is the 4th title of Sasebo-born photographer Osamu Matsuo published through the "Sasebo Project" launched in 2007. The aim of this project is to acknowledge the charm of the town from a journalistic perspective, rather than from a photographic one. The theme of this 4th release is "17-year-old Sasebo teenagers in 2017." There are 79 portraits of 17-year-old teenagers in this title, lingering on the streets of the town where the tangled alleys of a hilly city are unique and compelling. They are today's youngsters, of course, but the photographer has been able to capture a timeless look with the effects of nostalgic black-and-white.
